﻿WEBVTT

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(woman sobbing softly)

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(sobbing continues)

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(door bell rings)

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(door bell rings)

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(door bell rings)

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(door bell ringing)

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(truck backup alarms
beeping outside)

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(voices murmuring outside)

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Jed (sing-songy):
Good morning, Eustace.

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I hope our trucks
didn't wake you,

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but I just wanted to let you
know we're about to start up,

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and I got you and Horace
some coffee.

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-Are you okay?
-(sobbing)

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Oh my God!
Eustace, mama!

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Girl, what's going on?
Talk to me.

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-Man: A little bit more.
-(Eustace sobbing)

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Jed:
Girl, I don't--
I don't know what to do.

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Gloria: Elbows up.
You're gonna fan your heart.

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Breath of fire.

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Don't look at me
like that, just--

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You know it. That's it.

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Keep going, you're gonna take it
a little longer than you like.

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Mm-hmm.

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Remember:

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No matter how comfortable
you initially feel,

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everything eventually
becomes uncomfortable.

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That's why we have
divorce lawyers.

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Seventy-five percent
of marriage,

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a long marriage that is,

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is basically Stockholm syndrome.

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I feel bad for you guys.
Let's do this.

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It's like a little bit of
a mula bundha  airing out,
you know.

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Like, so a little ch-ch-ch.
Like more like chu-chu-chu.

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Yeah, that's it.
Chu-chu-chu-chu.

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No, it's good that he's not
there anymore, you know?

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-Right.
-But now we literally
have to reshoot

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every scene with some
new actor, you know.

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Tell me
it's Colin Farrell.

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(laughs)
No. I wish.

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No, it's like, they ended up
with some guy named Tom--

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-What's his name?
Something--
-(phone chimes)

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One mention of Colin's name
and I'm wet.

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Oh, shit. Looks like
I'm late for work.

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Hey, good morning, Jemima.

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Morning, Chrinty.
I know I'm late. Relax.

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Oh, you're fine.
We still got a little time.

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What we're gonna do now is,
we're gonna get you

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-in the wardrobe truck.
-Yep.

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And we'll come and grab you
when we're ready for you.

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-Would you like breakfast?
-Yes, I'm gonna do that right
now and just swing by crafty.

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Okay, well, I can actually
get that for you.

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No, that's fine.
I'm gonna just get it,

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-and pick my own food.
-Please.

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-I'll grab it and--
-No, I don't trust you, so...

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-All right.
-(whistles) Hey! Yo!

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We're not shutting down today.
It's tomorrow.

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Yeah, I'm just here
responding to a call

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about a death
in the building.

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My bad, I thought you
were our guy. I'm sorry.

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Did that cop just say
someone died?

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I don't know
what that's about.

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Each chapter is, like,
what I cook,

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right before they shot
your favorite scenes.

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That's a great idea, man.
How many chapters have
you written so far?

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Well, right now I got
a bunch of voice memos,

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but I'm definitely committing it
to paper very soon.

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You have so much access
just from being on set.

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-Hey, Sunshine!
-Hi, Eddie. How are you?

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You know me!

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-Hey, can I make
you something?
-No, I'm good.

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You already made my day.

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My name's not Eddie.

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I didn't want to say anything
during principal photography,

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but when I was in college,
I saw you in a Pinkberry

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and you looked really happy.

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No, not possible.

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-Hi.
-Hey, Jemima.

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-Good to see you. Good.
-Hey, how are you sweetheart?

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Sorry, you know,
we're running a little
behind this morning.

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-Okay.
-So, you wanna come back?

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Um, all right, I guess
I'll just leave these here.

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I wanted to wear these
today in the scene

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instead of the other ones.

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-Oh my God, they're fab!
-Aren't they good?

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-Yeah!
-They're very '60s.

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Yeah. You know, the only thing
I'm worried about is continuity,

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because we just saw you leave
the house in those other shoes.

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Yeah, I don't know,
maybe we could just
shoot another scene

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where I go shopping
and buy those.

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-It's just that the other
ones are so uncomfortable.
-Yeah. Yeah, I mean--

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But I don't really
know if that--

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They never even
shot my feet, so...

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-Yeah, um, okay.
-Okay.

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-Let me know when you're ready.
-Yeah, we'll let you know, okay?

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They're a little tight.
They're really just riding
my perineum.

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-Don't-- don't worry about it.
We can alter it.
-Okay.

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And also, I like to wear
my shirts open,

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so maybe you could just give me
a wife-beater or something.

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-A-frame undershirt.
-Right.

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-Hey, Andy.
-Hey, Jess.

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-Happy birthday.
-Woman: Thanks, Jess.

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-Man:
I don't know where he is.
-Woman: See you guys.

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Woman: Over here. Thank you.
Hey, you guys. Good morning.

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-Is the body out yet?
-Ken, a man just died.

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Yeah, but sitting around
in the apartment crying

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isn't gonna bring him
back to life.

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But since we can't get back
into that location just yet,

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why don't we pull
something else up?

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Can't shoot those exteriors,
you have colors like shit
this time of day.

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They're just having a meal,
so what if they go out for it?

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No. We're...
We're reshooting the actor.

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We're not rewriting
the whole fucking story.

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Well, maybe it makes
the story better.

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Actually, there's
a really cool-looking bar
right here in holding.

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Wouldn't hurt for us
to just check it out.

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All right.
Jesus fucking Christ.
Let's go see it.

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-Let's go.
-Cecily: Okay.
Let's take a look.

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Gigi, do you want
any coffee or snacks
or iced tea?

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Oh, I would love
an iced tea.

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All right.
Also, wardrobe
needs approvals.

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Approvals?
It's a reshoot.

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Well, Jemima doesn't
like her shoes,

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and I, I think the guy
lied about his sizes.

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-Okay, you can politely
tell Jemima to fuck off.
-Right.

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We already have enough
continuity problems
on this film.

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-I will get that iced tea.
-Hey, Jemima!

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-Hi! Hey.
-Hey.

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-Oh, it's so good
to have you back.
-Thank you.

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And thanks for not
making me cut my hair.

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God, I just really
didn't want to.

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Yeah, no worries.
She is a wonder with wigs.

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I am.

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Did you prepare an agenda
for the safety meeting later?

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Oh, no, sorry.
We should check with Tommie.

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-Oh, no.
Yeah, I'll check.
-Okay.

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Jemima, thank you
so much for doing this.

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Anything you need,
you let me know.

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-Jemima: I promise you,
it was shorter, just a little.
-Let me check the photos.

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No, no, no, no!
That's the only one I have!

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Cecily: I don't know,
I have to talk to the building,

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but they do advertise
this as a place "Where
all your dreams come true!"

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Barry: Look, I know
we have enough extras

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that we can definitely
fill the space.

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-We could make it look
mad moody in here.
-Moody's good.

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-Ken, you like moody.
-Yeah, but they would
never eat here.

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This looks like a place
that you would come
for some fucking schnitzel.

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It's sort of giving me
Who Framed Roger
Rabbit?  vibes,

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-but maybe that's
not a bad thing.
-Ken: No, no, no.

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-Come on.
Let's keep looking.
-Sy: Hey, Ken.

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Sorry to bother you,
but extras is really
pushing me

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to see if any of these
would work as photos...

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Did you bring an agenda
for the safety meeting?

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No, but I'm gonna
need one.

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These kids can only
work four hours each,

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including travel,
so a set of twins
and a set of triplets

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should cover us
for the entire day.

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But these kids are
all wrong. I mean, look.

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The twins have
game show host hair,

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and the triplets look
like they're premies.

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-Maybe the twins
will shave their heads?
-Can we ask for that?

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-I mean...
-Ask, fine.
Shave the twins. Perfect.

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-We're fucked.
-Ken, nothing's fucked.
We're working it out.

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This is a beautiful room.

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It's totally wrong. I mean,
look at all the wood paneling.

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It's like where I had
my bar mitzvah,

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or-- or like The Shining  .
It's haunted, I think.

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-Both had twins.
-It kind of reminds me
of The Deer Hunter  .

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-You can't make movies
that slow anymore.
-No, you can't.

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Okay, guys,
we're two hours behind.

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Oh! What if they eat outside?

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Cecily:
Okay! They have an outside here.

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It's a biergarten  .
It's right out here.

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-Tommie: Okay, much less rococo.
-Cecily: Right?

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-A little more like
pan-Asian, Germano-confused.
-(siren wailing, horn blares)

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Ken:
This is a sound nightmare.

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It's a fucking
highway out there.
Are you kidding me?

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And the scene after it
says it's a rainy night,
it's supposed to be a raining.

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-We can make it rain.
-No, that's special equipment.

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I can't get that
on short notice.

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-Okay, we can do a wet down.
-Ken: A wet down?

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Nobody eats outside in the rain.

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I mean, there's like
a beer garden over here.

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It's literally
a German biergarten  .

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It's like a teriyaki
fucking biergarten  .

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It makes no sense at all.

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Okay, you know what, there's
another location upstairs,

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and it's a little less
ethnically confused.

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I don't know.
I-- I-- I don't know.

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I mean, where the fuck is
this gazebo supposed to be?

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-In the backyard of the house.
-Ken: What house?

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-There's no... no house.
-Barry: We can put
a green screen back here.

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You can have whatever you want.
You can have a house,
more gazebos.

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You can have a doghouse
with a cat inside of it.

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Yeah, I could get you
a green screen.

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-Ken: What do you think, D?
-I'm not crazy about
the green screen,

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but we can make it work.

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-(bee buzzing)
-Whoa! Uh-uh.

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-(buzzing)
-Aah! Uh-uh! Uh-uh...

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I'm allergic.

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Okay, should
we call the crew,
do a rehearsal?

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-Yeah, call the crew.
-Okay, great job, everybody.

08:46.168 --> 08:48.835
No. Stop, stop, stop, stop.
Just stop.

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Can we just put the brakes on

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and talk about this
over lunch, please?

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-We have the mandatory
meeting at lunch.
-Oh, shit. I forgot.

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-(buzzing continues)
-Freakin' out. Freakin' out.
Uh-uh! Uh-uh!

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And I'm sitting there,
stuck at the airport,

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getting a call from this very
junior colleague at the firm,

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and she's telling me that
one of these senior partners

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tried to show her
a pornographic YouTube clip.

09:14.377 --> 09:18.001
And I mean, guys, don't do that.
Just don't do that.

09:18.085 --> 09:23.627
And now here's this fat,
slovenly, just disgus--

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an old man thinking,
"Ah, the cat's away!"

09:28.418 --> 09:31.752
So now I have to call
this colleague and tell him,

09:31.835 --> 09:34.418
"You know, hey, pal.
Times are different.

09:34.502 --> 09:38.293
"You can't just go around
showing porno to a...

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"beautiful young woman
just minding her business.

09:42.418 --> 09:45.460
"Next time you want to get
your ya-ya's out, call me.

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We'll go to a strip club
or whatever."

09:49.335 --> 09:51.043
You know, times are different.

09:51.126 --> 09:53.293
So, you say you're getting
some headaches?

09:53.377 --> 09:55.085
The Guy:
Yeah, sure.
I get a headache.

09:55.168 --> 09:56.710
I got a headache, yeah.

09:56.794 --> 10:00.835
And, um, maybe also you're
experiencing some nausea?

10:00.919 --> 10:04.919
Maybe, yeah.
Nausea, sure.

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You also have anxiety, hmm?

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Yeah, I have anxiety,

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and these are not the droids
we're looking for.

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Oh, all right then.

10:14.251 --> 10:16.085
It seems like
the course of action here

10:16.168 --> 10:18.794
is to prescribe you some
cannabis for your pain.

10:18.877 --> 10:21.960
Um... Seth over there
will set you up.

10:25.043 --> 10:26.502
Wait, that's... it?

10:26.585 --> 10:30.126
I don't have to have, like,
glaucoma or cancer?

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-Or anything?
- Do you have glaucoma?

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No.

10:33.877 --> 10:36.251
- Do you have problems
with your sight?
-No.

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Call me if something's
wrong, you know.

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-All right.
-All right.

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Thanks, Dr. Larry.

10:43.251 --> 10:44.543
Seth:
Thanks, Dr. Larry.

10:44.627 --> 10:46.377
(Dr. Larry grunts)

10:47.919 --> 10:50.960
Seth: So, you can choose
the dosage you'd like
to receive,

10:51.043 --> 10:53.085
but I'm gonna need you
to fill out these forms

10:53.168 --> 10:54.627
for the New York
Board of Health,

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and then I'll need
the $200 cash
for the referral.

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Woman:
How have
you been feeling?

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Yeah, I've just been, like,
irritable and fatigued.

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Those are all
very typical symptoms
after early pregnancy loss.

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Are you still using the herbs
and the castor oil packs?

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-Yep.
-Good, I'd like you to keep
using those through the week,

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and I'm gonna send you home
with a couple of other ones

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-I'd like you to take.
Okay, there you go.
-(sighing)

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Lee:
I'm just super sensitive.
Do you mind double-checking?

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-Waitress: Sure, no problem.
-All right.

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(customers chattering)

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(instrumental music playing
over speakers)

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All right.
There you go, yeah.

12:01.794 --> 12:03.794
(sighing)

12:05.293 --> 12:06.460
You can come in.

12:11.168 --> 12:13.460
(sighing)

12:14.251 --> 12:16.710
All right, so everything
on this table is mine,

12:16.794 --> 12:21.335
but that's not all of it.
I'm gonna keep adding to it.

12:22.126 --> 12:26.126
You can just start
setting up those boxes.

12:26.919 --> 12:28.126
God damn it.

12:28.960 --> 12:31.585
Uh, help yourself
to banana bread.

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Thank you.

12:44.293 --> 12:45.960
Well, that's dead.

12:49.502 --> 12:51.043
He was supposed to do this!

12:52.835 --> 12:54.794
He was supposed to do this.

12:57.001 --> 13:00.085
Okay, um... I'm just
gonna start upstairs.

13:00.168 --> 13:03.502
-I'll be back. Just, um...
-Okay, no problem.

13:12.835 --> 13:14.210
Hmm.

13:31.669 --> 13:33.710
What are you doing?

13:33.794 --> 13:35.085
(phone bloops)

13:38.043 --> 13:39.377
(phone bloops)

13:42.752 --> 13:43.877
(phone bloops)

13:56.502 --> 13:59.460
Oh! Yo-yo-yo! Hey, hey!

13:59.543 --> 14:00.794
Picture cars park over here.

14:00.877 --> 14:03.418
-Okay.
-Turn around.
I'll move the cones.

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-Come on.
-All right, I won't
say no to that.

14:08.960 --> 14:12.085
(horn honking)

14:12.168 --> 14:14.168
The Guy:
I gave you a hybrid
and a sativa.

14:14.251 --> 14:17.168
-Perfect. Mm-hmm.
-Two pre-rolls, that's $30.

14:17.251 --> 14:18.502
Okay.

14:18.585 --> 14:20.168
How's your day going?

14:20.251 --> 14:23.126
Oh, we are so behind.
It's a little nuts.

14:23.210 --> 14:26.043
-What's the project called?
- Violations.

14:26.126 --> 14:29.877
Violations?
Have I-- Is that the--

14:29.960 --> 14:32.877
-Yeah, he's gone.
We recast that role.
-Oh man.

14:32.960 --> 14:37.335
Listen, you wanna stop by crafty
before you go, be my guest.

14:37.418 --> 14:40.168
-Really?
-Yeah, yeah.
Get what you need.

14:40.669 --> 14:42.210
Adrian:
What time is it
during this scene?

14:42.293 --> 14:44.210
-Ken: For what?
-Their phones.

14:44.293 --> 14:45.794
You're not gonna
see their phones.

14:45.877 --> 14:48.502
Okay, but you also just kind of
want to know what time it is.

14:48.585 --> 14:50.835
Uh, like 3:30, I guess.

14:50.919 --> 14:52.251
They're eating lunch?

14:52.335 --> 14:54.710
-It's a late lunch.
It really doesn't matter.
-Okay.

14:54.794 --> 14:56.794
-(women chattering)
-Ken: What?

14:56.877 --> 14:59.627
-Oh, hey! Jemima!
-Hi. How you doing?

14:59.710 --> 15:01.251
It's great to...
great to see you.

15:01.335 --> 15:02.710
-Just-- just go for it.
-Yeah.

15:02.794 --> 15:05.669
It's so good to see you. And
Tom, I can't thank you enough.

15:05.752 --> 15:06.960
-No, please.
-Seriously.

15:07.043 --> 15:09.710
-Happy to be here.
-Like, really, thank you.

15:09.794 --> 15:11.377
Why don't you guys come on in.

15:11.460 --> 15:13.543
-I'll show you the play space.
-That's weird.

15:13.627 --> 15:16.460
This is a gazebo that we've
been looking at for a while,

15:16.543 --> 15:18.877
and it's really good,
so just come on up.

15:18.960 --> 15:22.543
This is whole thing is
basically gonna play out here.

15:22.627 --> 15:24.585
-Jemima, you'll be
sitting over there.
-Uh-huh.

15:24.669 --> 15:26.877
-And, Tom, you over here.
-Okay.

15:26.960 --> 15:28.752
And it's pretty much--
you'll say all the stuff

15:28.835 --> 15:32.293
about the art world
and just get that out.

15:32.377 --> 15:34.669
Then the meal will start,
and it's, "Blah, blah, blah."

15:34.752 --> 15:36.877
Are we sticking to the lines
or can we mad-lib?

15:36.960 --> 15:39.669
Uh, you know what,
I would say first go around,

15:39.752 --> 15:41.251
why don't you just
stay with the script.

15:41.335 --> 15:43.085
-Then, improvise all you want.
-Great. Yeah.

15:43.168 --> 15:45.001
-Just hit the major notes.
-I'm sorry, it's just--

15:45.085 --> 15:46.460
-Yeah?
-Can I just--

15:46.543 --> 15:48.377
-An actor has an idea.
-No, no, no...

15:48.460 --> 15:50.794
-I'm sorry, I have an idea.
-Don't worry about it.

15:51.460 --> 15:53.085
Are you sure
we're being discreet?

15:53.168 --> 15:54.919
It's fine. You do this
every time, Deb.

15:55.001 --> 15:57.460
Just let me be cautious, okay?
I like the way I am.

15:57.543 --> 15:58.919
Oh, come on!

15:59.001 --> 16:02.293
-Let's just smoke in here.
-No, no. That's crazy.

16:02.377 --> 16:05.251
No. Ceilings are
high enough.
Fuck it.

16:06.794 --> 16:08.543
Chrinty:
I've got eyes on Gigi.

16:09.710 --> 16:12.752
Tommie:
What the fuck? It's fine.
She's just a PA.

16:12.835 --> 16:15.335
-She works for you.
-I am trying to maintain

16:15.418 --> 16:18.126
an illusion of
professionalism on set.

16:18.210 --> 16:20.543
Can we just smoke
away from the narcs?

16:22.543 --> 16:24.377
Chrinty:
Gigi is on the move.

16:24.460 --> 16:27.794
So, what if I start--
I'll start the line here.

16:27.877 --> 16:31.126
You know, just give it a little
room, and then I get up,

16:31.210 --> 16:33.460
and she's saying the lines,
she says it slowly.

16:33.543 --> 16:35.835
And maybe she, like,
dawdles over here,

16:35.919 --> 16:38.126
because...
maybe we'll put a bar.

16:38.210 --> 16:40.543
-Yeah, of course.
-And that motivates
her to be like--

16:40.627 --> 16:43.126
-to say the rest of her--
"I hate you"
-Yeah.

16:43.210 --> 16:44.710
Or whatever the line,
you know.

16:44.794 --> 16:48.335
-I think that--
-And then she makes
a drink, and then...

16:48.960 --> 16:52.001
Uh-huh, that makes sense.
So there's-- we'll just--

16:52.085 --> 16:54.585
If there's a bar,
you're gonna have--
then, we'll get you a drink.

16:54.669 --> 16:56.418
Right, right. She comes
over here to get a drink

16:56.502 --> 16:58.168
and then hits him with it

16:58.251 --> 17:01.085
right here instead of
facing away, you know?

17:01.168 --> 17:03.168
Tom:
Right, and if we want
to motivate her exit,

17:03.251 --> 17:04.752
I can get up and come over,

17:04.835 --> 17:07.669
and I don't want to stack her,
I don't know where your lens is.

17:07.752 --> 17:11.794
But I can come up and I can
pantomime making a drink.

17:11.877 --> 17:13.502
-Yeah, mm-hmm.
-And then from here,

17:13.585 --> 17:15.835
she can hit me
with that final line
and that motivates her exit.

17:15.919 --> 17:17.502
Jemima:
That makes sense to me.

17:17.585 --> 17:19.377
I think if you're good
with that, everybody--

17:19.460 --> 17:21.377
-that's much more
straightforward.
-Tom: Yeah, I think.

17:21.460 --> 17:23.001
Thank you. Okay, great.
If you're good to go,

17:23.085 --> 17:25.043
-all we need to do
is get them...
-Barry: A bar?

17:25.126 --> 17:27.168
A bar and maybe
some cocktails, I guess.

17:27.251 --> 17:29.126
So, Darlene?
We good to go?

17:29.210 --> 17:31.752
Yeah, I just need
another minute, need
to set up another light.

17:31.835 --> 17:33.794
Can I get a sky panel
to set, please?

17:33.877 --> 17:37.293
Find a bar.
Like now.

17:37.377 --> 17:38.919
-Thank you.
-She's wearing a green scarf.

17:39.001 --> 17:41.085
(sighing)
It doesn't matter.

17:41.168 --> 17:42.502
All right.

17:42.585 --> 17:45.585
-Deb: I gotta go.
-Oh my God.
I forgot to vote today!

17:45.669 --> 17:47.418
Oh, right!

17:49.085 --> 17:50.710
-Stop!
-What?

17:50.794 --> 17:52.752
-Emergency exit.
-No, it's not.

17:52.835 --> 17:54.251
It says so right there.

17:54.335 --> 17:56.210
It's a deterrent.

17:56.293 --> 17:58.001
Gigi and Deb:
No!

17:58.710 --> 18:01.627
Deb:
Sorry, I've had, like,
80 coffees this morning.

18:04.251 --> 18:05.627
This will work, yeah.

18:06.418 --> 18:08.919
Yeah, no. Uh-uh.
Yeah, no. Fuck this shit.

18:09.001 --> 18:10.752
I'm not getting Zika
while I'm waiting on a reshoot.

18:10.835 --> 18:12.794
It's fine.
They'll hate the smoke.

18:13.669 --> 18:15.293
You guys, we have
to get back to work.

18:15.377 --> 18:17.043
Can we please get stoned?

18:17.126 --> 18:20.168
I was almost a back-up
harmonica for Blues Traveler.

18:20.960 --> 18:21.919
-Really?
-Yeah.

18:22.001 --> 18:23.502
That's cool.
What happened?

18:23.585 --> 18:25.251
-He didn't want
an understudy.
-Hey!

18:25.335 --> 18:26.877
You gotta move your van.

18:26.960 --> 18:28.710
You're blocking the lift gate
of the G&E truck.

18:28.794 --> 18:29.919
Okay, I'll move it.

18:30.001 --> 18:31.752
This isn't a picture car, is it?

18:31.835 --> 18:34.335
It's a '77 Dodge.

18:38.293 --> 18:41.919
-You lied to me.
-(engine chugging)

18:42.001 --> 18:43.669
Oh, shit.

18:43.752 --> 18:45.460
It does this.

18:51.960 --> 18:53.418
Hey, listen, I'm sorry.

18:55.126 --> 18:56.669
Come on, man.

18:59.168 --> 19:02.043
Hey. Yeah, I've got
a one o'clock with Hannah.

19:02.126 --> 19:03.877
Receptionist:
Yeah, of course.
Have a seat.

19:03.960 --> 19:06.460
-Lee.
-Grace, hey!

19:06.543 --> 19:09.043
I literally was just thinking
about you this morning.

19:09.126 --> 19:11.710
I-I just cannot believe that
I'm running into you like this.

19:11.794 --> 19:14.251
-How are you?
-Good. I'm okay. I'm good.

19:14.335 --> 19:16.669
-Greta said that
you moved upstate.
-Yeah, yeah, yeah.

19:16.752 --> 19:19.710
-I've got a house in Athens.
-Oh, wow!

19:20.669 --> 19:23.627
You got a lot of love
behind you right now.

19:23.710 --> 19:26.543
Like, I was just talking with
some women that I work with,

19:26.627 --> 19:31.377
and we're all like, "Lee is
really the victim here."

19:31.460 --> 19:34.043
Yeah, I don't know.
I'm not the...

19:34.126 --> 19:36.710
No, no, of course.
But, you know, I mean,

19:36.794 --> 19:39.251
we're always talking about
the people who come forward,

19:39.335 --> 19:43.669
but you know,
we never talk about
the ones who get left behind.

19:43.752 --> 19:45.710
You are very strong.

19:45.794 --> 19:48.001
I appreciate that.
Thank you.

19:48.085 --> 19:49.377
Woman:
Grace?

19:49.835 --> 19:55.043
-I...
-Okay. Really good
to see you. Thank you.

19:55.126 --> 19:56.543
-Yep.
-All right.

19:56.627 --> 19:59.627
You can follow me.
How are you?

20:00.126 --> 20:01.960
(sighs)

20:06.251 --> 20:07.960
Gigi (as Bradley):
I told my colleague,

20:08.043 --> 20:10.460
"If you feel the need to
sexually assault your coworker,

20:10.543 --> 20:12.794
"just don't do it.

20:12.877 --> 20:15.043
Call me, we'll get
a hooker together."

20:15.126 --> 20:17.710
"She was a young, sexy,
supple woman.

20:17.794 --> 20:21.418
She didn't deserve to be raped
by that fat, nasty ogre."

20:22.418 --> 20:24.001
Where did you find that guy?

20:24.085 --> 20:25.919
He was recommended
by my divorce lawyer.

20:26.001 --> 20:27.877
Look, we needed to do that,
whatever that was.

20:27.960 --> 20:30.085
Especially on this set,
but, you know,

20:30.168 --> 20:32.126
I think there's a cottage
industry rising out of this.

20:32.210 --> 20:34.168
-Oh my God.
That couple's fighting.
-What?

20:34.251 --> 20:36.001
-Aw, don't fight.
-GiGi: Where?

20:36.085 --> 20:38.335
-Deb: Right there.
-(muffled gunshot)

20:38.418 --> 20:41.085
-(screaming)
-Shit! Shit, shit, shit!

20:41.168 --> 20:42.543
Oh my God.
That was a murder.
That was a murder.

20:42.627 --> 20:44.960
-Tommie, get down!
-Oh my God! Call 9-1-1.

20:45.043 --> 20:47.001
No, you know what,
I'm gonna call my assistant.

20:47.085 --> 20:48.460
She's gonna call 9-1-1.

20:48.543 --> 20:50.669
-Oh my God.
-It's okay. Everybody breathe.

20:50.752 --> 20:52.710
Aah shit. They're doing
last looks, guys.

20:52.794 --> 20:55.126
-What? Already?
-I forgot to tell set dec
about a tablecloth.

20:55.210 --> 20:57.627
-Gigi: Okay. Let's go, let's go.
-Tommie: Oh my God.

20:57.710 --> 21:00.126
Deb:
I can't believe that
Ken approved that wig.

21:00.210 --> 21:01.752
Tommie:
This weather's insane.

21:01.835 --> 21:05.001
-(girls laughing)
-(spritzing)

21:05.085 --> 21:07.835
-Girl: Don't get my hair.
-Girl 2: Yo, this one, this one.

21:07.919 --> 21:11.043
-(spritzes)
-Whoa. What the fuck?

21:11.960 --> 21:14.043
(girls chuckling)

21:14.669 --> 21:16.251
(spritzing)

21:16.335 --> 21:19.126
-Why are you doing that?
-You're too dry, bitch.

21:19.210 --> 21:21.794
(laughing)

21:21.877 --> 21:23.293
Girl:
You too, bitch.

21:23.377 --> 21:25.126
-(girls laugh)
-Girl: Hey!

21:33.460 --> 21:34.835
Lee:
Hello?

21:35.919 --> 21:39.251
-(whistles)
-Ahoy!

21:39.335 --> 21:41.335
How are you?

21:41.418 --> 21:43.835
Oh, pretty bad.

21:43.919 --> 21:46.460
-Really?
-Yeah.

21:46.543 --> 21:51.377
-What happened?
-New York... happened.

21:52.293 --> 21:53.919
She got me.

21:54.001 --> 21:56.710
-She gets ya,
but then she gets ya.
-Yeah.

21:56.794 --> 21:59.669
-You want this?
-Oh yeah.

22:05.001 --> 22:06.335
(smooches)

22:10.043 --> 22:12.460
-(exhales)
-Yeah!

22:12.543 --> 22:14.752
No problems.

22:14.835 --> 22:16.502
How was your day?

22:16.585 --> 22:18.835
Well, you'll never guess
where I delivered.

22:18.919 --> 22:22.001
-Where?
- Violations.

22:22.085 --> 22:24.585
-No.
-Yeah, I was on set.

22:24.669 --> 22:26.377
-What?
-Yeah.

22:26.460 --> 22:28.335
Can you believe it?
I was.

22:28.418 --> 22:30.043
-I don't believe you.
-I really was.

22:30.126 --> 22:34.585
-Actually, I do. Wow.
-Jesus. Small fucking world.

22:35.835 --> 22:37.960
So, I don't know.

22:38.043 --> 22:42.418
It's tempting, but...
LA isn't any different
if you think about it.

22:42.502 --> 22:45.794
It's annoyingly still
a small town somehow.

22:45.877 --> 22:48.085
I'd still be that woman
who was married to that guy

22:48.168 --> 22:50.001
who did all those
gross things.

22:50.085 --> 22:52.794
(man sniffles, sobs)

22:52.877 --> 22:55.669
That's all people see
when they look at me now.

22:55.752 --> 22:58.377
(man quietly sobbing,
sniffling)

23:01.085 --> 23:05.126
-(man coughing)
-(debris swishing)

23:07.919 --> 23:10.126
(stifled snickers)

23:10.210 --> 23:11.585
The Guy:
Shh, shh.

23:11.669 --> 23:13.919
-(whispers): Shut up.
-(muffled laughter)

23:15.960 --> 23:17.669
The Guy:
Hey, we're alive.

23:18.502 --> 23:19.919
Lee:
Yeah.

23:20.001 --> 23:22.710
(Lee inhales, exhales)

23:22.794 --> 23:24.043
(inhales)

23:24.126 --> 23:28.085
(rapid breathing)

23:32.627 --> 23:34.794
(rapid breathing continues)

23:37.418 --> 23:38.418
(exhales)

23:38.502 --> 23:41.669
(cast and crew chattering)

23:43.377 --> 23:46.585
Hi. I'm April,
your SAG rep.

23:46.669 --> 23:48.752
I'm just gonna go ahead and talk
to your actors real quick.

23:48.835 --> 23:50.502
Oh, we're just gonna
finish this scene up,

23:50.585 --> 23:52.043
and then you can do
whatever you need to do.

23:52.126 --> 23:54.126
Sure, of course.
I'll be here till wrap.

23:54.210 --> 23:56.043
Okay, that's great.
Thank you.

23:58.418 --> 24:01.752
Oh, hey. I hear
you had a safety meeting
without me. Not fair.

24:01.835 --> 24:04.335
Oh, you didn't miss
anything.

24:04.960 --> 24:07.543
Jess, whatever happened
to my iced tea?

24:07.627 --> 24:09.710
You want iced tea?

24:09.794 --> 24:10.919
Barry:
Let's get set!

24:11.001 --> 24:12.085
Jess:
Want this?

24:12.168 --> 24:14.085
Do you eat farro
or any grain or--?

24:14.168 --> 24:15.460
-Mm-mm.
-Huh.

24:15.543 --> 24:17.543
-Obviously no bread, right?
-Boom: Checking my line.

24:17.627 --> 24:19.251
-Camera: Go for it.
-Okay, going up.

24:19.335 --> 24:21.502
Camera:
In, in, in.

24:22.335 --> 24:24.752
-Good.
-Ten breaths!

24:24.835 --> 24:26.335
All right.
Yep, I always forget that.

24:26.418 --> 24:29.251
Okay, uh...
everybody stop your work.

24:29.335 --> 24:31.627
Turn your walkies off!

24:31.710 --> 24:36.543
Let's do our
start of the day,
ten breaths of meditation.

24:42.835 --> 24:44.752
(bee buzzing)

24:44.835 --> 24:49.377
Something in my eye--
Aah, God! I got stung.

24:49.460 --> 24:51.085
Hold your roll,
hold your roll.

24:51.168 --> 24:53.418
Oh! Oh! Whoa!

24:53.502 --> 24:55.877
-(shouting)
-I told y'all I was allergic.

24:55.960 --> 24:57.585
-Tom: Ow! My face!
-Barry: Get a buddy!

24:57.669 --> 25:00.335
-Find a buddy,
get on their back!
-(woman screams)

25:00.418 --> 25:03.418
-(clamoring)
-Keep rolling, keep rolling!

25:03.502 --> 25:04.752
Calm down!

25:04.835 --> 25:08.210
-Bees! Bees! Bees! Bees!
-Did we wrap the medic?

25:08.293 --> 25:10.752
I was making six figures.

25:10.835 --> 25:13.168
I was comfortable,
but I didn't feel alive.

25:13.251 --> 25:15.502
And, hey, you know,
no time wasted.

25:15.585 --> 25:17.418
If you hadn't become
a doctor,

25:17.502 --> 25:19.710
you would have never
got the set medic gig.

25:19.794 --> 25:20.835
That's true.

25:20.919 --> 25:23.460
And being on set
does make me feel alive.

25:23.543 --> 25:25.126
Hey, there you go.

25:25.210 --> 25:26.877
Look at us.
Two lucky guys over here.

25:26.960 --> 25:31.585
-Whoa, whoa. Hey!
Did something happen?
-I don't know.

25:31.669 --> 25:34.585
(man whistling R&B melody)

25:38.710 --> 25:40.794
♪ Hmm-hmm ♪

25:45.126 --> 25:49.043
♪ It's all small-town talk  ♪

25:49.126 --> 25:52.251
♪ You know how people are  ♪

25:52.335 --> 25:55.377
♪ They can't stand to see  ♪

25:55.460 --> 25:59.919
♪ Someone else doing
what they like to  ♪

26:04.293 --> 26:08.043
♪ It's all small-town talk  ♪

26:08.126 --> 26:11.502
♪ You mustn't pay no mind  ♪

26:11.585 --> 26:13.960
♪ Don't believe a word  ♪

26:15.126 --> 26:19.001
♪ They'll try to do it
every time  ♪

26:25.043 --> 26:29.835
♪ You can't believe
everything you hear  ♪

26:31.460 --> 26:34.835
♪ And only half
of what you see  ♪

26:37.543 --> 26:42.168
♪ And if you're gonna
believe in anyone  ♪

26:44.752 --> 26:48.669
♪ You gotta believe in me  ♪

26:48.752 --> 26:51.502
♪ It's all small-town talk  ♪

26:52.627 --> 26:54.502
♪ You mustn't pay
no mind  ♪

26:55.710 --> 26:58.126
♪ Don't believe
a word  ♪

26:59.251 --> 27:03.168
♪ They'll
try to do it
every time  ♪

27:04.168 --> 27:06.293
♪ Hmm-mm ♪

27:08.627 --> 27:11.168
♪ Hmm-hmm-hmm-hmm ♪

27:11.251 --> 27:14.543
♪ Hmm-hmm-hmm,
la-da-dah ♪

27:15.335 --> 27:18.085
♪ La-de-da-da-de-dah ♪

27:23.877 --> 27:25.293
You can take Venmo, right?

27:25.377 --> 27:26.543
Uh-uh. I'm sorry, no.

27:26.710 --> 27:28.001
You can take Venmo.

27:28.543 --> 27:29.460
Yeah, I'll take it.

27:29.794 --> 27:31.460
-(CASH REGISTER PINGS)
-♪ (TRIP HOP MUSIC PLAYS) ♪

27:31.543 --> 27:32.627
(CASH REGISTER PINGS)

27:33.085 --> 27:35.460
I don't want to be in that kind
of relationship.

27:35.543 --> 27:36.460
WOMAN: I'm sorry.

27:36.543 --> 27:37.919
I think I'm done here.

27:39.293 --> 27:40.418
(LAUGHING)

27:40.627 --> 27:41.543
Tell 'em you're out of weed.

27:41.627 --> 27:42.877
A lot of people
are depending on me.

27:43.168 --> 27:44.960
Couple of Brooklyn
night gangstas.

27:45.043 --> 27:46.168
Can I Venmo you?

27:46.752 --> 27:48.669
♪ (MUSIC CONTINUES) ♪