﻿WEBVTT

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[indistinct voices]

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[metallic clank]

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[clanking continues]

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[keys jangle]

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[indistinct voices]

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Follow.

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To the right. Stop there.

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[buzzer sounds]

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To the right.

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And right.

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Stop there.

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[keys jangle, door opens]

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In.

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It stinks in here...

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[lock clanking]

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[man] Come in, my youth.
Come here, man.

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Cha. Me name's Simeon.

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It was Alex, don't it?

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You want a tea, or something fe drink?

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The bottom bunk is mine, yeah?

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For the proximity to the shitter.

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Boy, me 'dep on hunger strike,
and my belly bad.

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Me sorry about the smell still,
but them things soon pass, man.

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Me give you a little space, yeah.

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Anything you want just...
just help yourself.

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[Alex gasps, cries out]

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Do you want to end up in hell?
Is that what you want?

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'Cause that's precisely what's going
to happen if you carry on playing up.

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Now, I know you've been fighting.

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You get up them stairs and wash them
dirty little hands before dinner.

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And you go straight to bed.

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I don't want to hear a word
from you tonight, you understand?

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Yes, Aunty.

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[man]
Alec Alphonso Wheatle,

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born on the 3rd of January, 1963.

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Alphonso, an illegitimate child,

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was received into care under section one
of the Children's Act 1948

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on the 17th of April, 1964,

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as the private foster mother with whom
he was placed by his putative father

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was unable to continue caring for him.

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His mother, Mrs. G,
a married woman,

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deserted him at birth.

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He was placed
in a council nursery initially

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and transferred in February 1966

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to the children's home
where he is now living.

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On admission he was suffering
from severe eczema,

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but this has improved,
and he is making good progress.

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Alphonso's mother has had
no contact with him since birth.

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[snoring softly]

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[Simeon strains audibly]

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[Simeon exhales deeply]

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[Simeon strains audibly]

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[Simeon] Oh, Jah!

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[Simeon] Cha.

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[boy] Wheatle's wet his bed again.

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- Aunty!
- [Alex] Shut up!

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You dirty little bastard.

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Ow!

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As if I don't do enough for you.

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I'm sick to death
of your disgusting behavior.

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What have I done to deserve you?

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You are a horrible, nasty little boy!

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[Alex coughing]

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[door clanking]

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[indistinct chatter]

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[feces splash in toilet]

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[Simeon sighs and groans]

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[Simeon] Jah!

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How many fucking times, dread?

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You can't use the shitter in the yard
instead of stinking out this place?

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Me not proud, you know, youth.

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Me say sorry once,
me say it again.

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Dirty fucking rasta.

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You're lucky I don't fuck you up.

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Fuck me up?
[chuckles]

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You'd better fuck me up good, you know.

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Anyhow you left me standing,
I finish your life.

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Joker dread.

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As if you could do me.

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Listen.

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[Alex groans]

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Calm yourself, youth.

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Calm yourself.

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[Alex roars]

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What me say? Huh?

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Listen, listen. Calm yourself.

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All right, all right, all right.

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All right, my youth. All right, man.
All right, all right.

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Listen, man. I want to hear.
What is your story?

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- My story?
- What?

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I ain't got no fricking story!

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All right. All right. All right.

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All right, man. All right.
All right.

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Listen.

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[Alex screaming]

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Have all night, you know.

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All night, me have.

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And my ears is fully open.

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Huh? So just start at the beginning.

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[♪ reggae music playing]

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- What do you call it?
- Reggae music.

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What, the song?

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Nah, not the song.
Why, you like it?

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I love it.

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Turn that coon, wog crap off.

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We ain't in Africa now.

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What you gonna do, fool?

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Don't worry about him.

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Listen to the lyrics, man.
Cool down your temper.

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I'm not scared of that dickface.

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Shut your mouth, before I fill it for you.

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- [boy] Wheats, back down.
- [boys] Fight! Fight! Fight!

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- Wheats!
- Have him! Fucking have him!

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Go on. He's stuck, man.

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- Oi!
- Teachers, teachers, teachers!

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Get off me.
Get the fuck off me.

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Get off me!

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Oi. Oi!

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Fuck's sake.

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Fucking kill you!

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Fuck off and take that
shit music with you.

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- Get him out of here.
- [Alex shouting]

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Don't make it worse for yourself.

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Shut up!

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Come here. Come here, come on.

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[sharp groan]

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Stay there, monkey!

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[ragged sigh]

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[♪ Eric Coates: "By the Sleepy Lagoon"]

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[Roy Plomley]
Our castaway this week is a writer

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of short stories, of children's books
and of screenplays: Roald Dahl.

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Could you adjust yourself
to isolation, on an island?

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[Roald Dahl] Very easily, yes.

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I look for it more and more
in my life today.

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I hate to say it, but I would love it.

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How much does music mean to you?

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It means a great deal, but not in a,
not in a professional way.

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In the old days, before I was married,

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I never used to start writing
in the morning

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before putting on some very great music,

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like a Beethoven quartet, uh,
and sit and listen to it in,

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in the hopes that some of this
greatness would rub off on me

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and that I would, uh, write...

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as a matter of fact it helps quite a lot
because it is impossible...

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[♪ reggae music playing]

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[♪ music continues]

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[man shouting]

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[gate opens]

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Shut the gate.

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[♪ music continues]

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[♪ music continues]

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These are your keys. Don't lose them.

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These are the rules. Learn them.

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Any questions? Good.

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[♪ music continues]

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[♪ music ends]

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Fuck my frigging days.

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Man seen bwai fall from outer space

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looking less like him claffy. To rarted.

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Wha? What?

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A blowoh. No tomfoolery.

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Are you cuckoo or are you the beast?

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Dennis, behave yourself.

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[Dennis sucks his teeth]

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The man is only ramping with you.

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Don't listen to his chats.

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I'm Dawn.

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My room's just over there.

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It's Alex, innit?

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You seriously busting P.V.C.?

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Frig my days. He is.

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He's wearing P.V.C.

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From where on this earth did you land?

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Shirley Oaks. In Surrey.

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Surrey? And they dress you there
with garms made by the farm animals?

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[laughs]

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You got any corn?

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[emphatically]
You got any corn?

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I've got some Pot Noodle
they sent me off with.

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- Oh, God. Oh, Lord.
- [both laugh]

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Who the, who the fuck is this boy. Eh?

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Money, man. Money.

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"Corn" is money. You got money?

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Why?

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Leave him money alone.

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I just want to take the poor sap
shopping, innit.

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Otherwise next man will jump on him
and mash up his claat.

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Don't worry about the corn, Mr. P.V.C.

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And just meet me outside in two.

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And just lose the jacket.

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You understand?

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You see that?

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- He's hearing, but he's not listening.
- Just get out.

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[Dennis]
Now, crook ya ear, Mr. P.V.C.

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Whatever man say,

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never trod into Dunn & Co.

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That's where them dirty graybacks shop.

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I ain't ramping, you understand?
This is serious.

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You see that? That's Farah.

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Like what I is modelling.

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Anything Farah is on target.

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Cha! You're not ready yet.

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And we have a priority
more pressing than slacks.

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Come, come. Let's trod.

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[indistinct chatter]

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Soon come, brethren.
Soon come. Hm?

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[laughs]

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A blowout Afro, him want. A blowout.

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Him speak?

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Of course him speak.
Just give him a blowout now.

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Man have to ask if he want a blowout.

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All right. Alex,
tell him you want a blowout.

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I want one. A blowout, yes.
Absolutely. I want one.

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[laughs] So wha' you say?

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Don't start 'pon me, dread.

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So many youth get bust up in a cell.

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Something gonna snap, man.
Y' hear what happened to Coffin Head?

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Mm-hmm.

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Beastman arrest him outside the Kentucky,

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throw him in a cell, broke up him nose
and boot up him ribcage.

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For what?

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Man and man want life for life.

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That's what them Brixton Panther
man say, innit.

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Things are gonna blow up.

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You hear what blow up?

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Filthy Rocker's valve amplifier
in the dance!

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People was vexed!

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Girl on the street cussing up the boxboys,

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but they can't get no cab
to take them to the next dance.

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You follow any of the sound system?

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But I do love reggae music.

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Whaa! See, all the African man
love reggae.

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Wha' is in our blood.

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- I'm not African.
- Come again?

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- I'm not African, I'm...
- Ah dread, you is African.

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I'm not. I might be Black,
but I'm from Surrey.

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- [Dawn] Oh, God.
- [Floyd] Bwai!

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Him cuss cuss in here.

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Babylon have you washed.

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Babylon have your brain
in the Fairy Liquid.

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- [Floyd sucks his teeth]
- Who's Babylon?

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Where'd you get this youth from?
And what this youth chatting about?

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Who's Babylon? Babylon not a person.

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It's de politrickster and the system
that oppresses all Black people.

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So where is it on the map?

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[laughs]

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Man just arrive in Brixton today.
Or just planet Earth, I dunno.

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Bwai, you have to find your roots.

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Alexander the Great Jokerman.

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Boy, you have to find out
who the fuck you is.

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[Floyd sucks his teeth]

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[knock on glass]

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Yes, I. You all right?

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[man]
Hail Selassie.

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[Floyd] Selassie-I. All right.

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[chuckles]

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[Floyd sucks his teeth]

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What's wrong?

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Beast. Get ready to bolt.

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What, why?

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What you doing, man?

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You seriously are frigging cuckoo.
You can't do that?

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Do what?

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Fuck with the beast round here.

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They'll mash you up worser
than any badman.

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- No, they won't!
- What?

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They're here to help you.

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What? Yes, they will.

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They will too, Wheats.

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Them truncheon butt de sufferer.

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On this I really ain't ramping, man.

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About to chip for me life.

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About to run, man.

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Oh. I can't run in these shoes.
I've got really bad blisters.

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Aah.

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Floyd call it correct. You is a jokerman.

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Come, come, let's trod.

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[♪ indistinct radio music]

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You like them shoes there?

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- Yeah.
- Try it on, man.

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- [man] You'll look cool in those, mate.
- All right, bruv, try those.

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[Dennis speaks indistinctly]

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Mmm. That's it.

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How they feel?

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Yeah. Good but...

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- Comfortable?
- Yeah, but...

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Yeah, all right, all right.

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All right, blow man.

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- What? What did you say?
- Fucking leg it, Wheatle!

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But I haven't tied my laces yet.

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Oi! Where you going? Oi! Come here!

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[♪ reggae music playing]

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Cup your hand.

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Cup your hand.

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It make your mouth dry,
but give you a nice, slow buzz.

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I have smoked before, you know.

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So give me three quid
and the rest of the collie's yours.

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[♪ music continues]

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[coins clatter]

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Yeah, man.

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Come, come. let's trod.

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[♪ music continues]

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[man]
Wa-gwan?

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[indistinct chatter]

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[♪ music continues]

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Can I give you 70p tomorrow
when I get my giro?

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Nah, youth. How many time
me have to tell you?

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- Return tomorrow.
- It will be gone by then.

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Come on, Lincoln. I spend all my money
in here every week. Please.

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[indistinct chatter]

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Dennis!

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Hey, Dennis. Hi, man.

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What happen to you, man?
Don't use me name, dread.

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Who's selling the weed, then?

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Why have you made
the frigging announcement, man?

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What's wrong with you, eh?

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[Dennis sucks his teeth]

19:26.580 --> 19:29.221
Come. Come, let's trod, man.

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Careful of the car, Dennis.

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Shut up, man. Come.

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[Dennis laughs]

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- All right me-dog.
- You good?

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- Me cool.
- Yeah, man, yeah, man, yeah, man.

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Can I have a draw, please?

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Now, where the fuck
this youth come from?

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Him cool, man. Him safe.

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I have some corn.

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Yo, yo, yo, listen.

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You know how many man get jook up
on this road for little more than nothing?

19:56.221 --> 19:58.021
Eh?
[sucks his teeth]

19:58.100 --> 19:59.181
Yo, remove you.

20:00.300 --> 20:01.461
Me said remove you.

20:01.540 --> 20:02.540
Badger.

20:02.580 --> 20:04.340
You known me from time, man.

20:04.421 --> 20:06.780
Give my spar a £2 draw,
and be happy for the business.

20:08.021 --> 20:09.021
Hmm?

20:09.661 --> 20:10.941
Him safe, man.

20:13.021 --> 20:14.181
[Badger sucks his teeth]

20:14.261 --> 20:16.100
Only 'cause true you is my brethren.

20:16.181 --> 20:17.181
Respect.

20:17.741 --> 20:18.540
Come.

20:22.820 --> 20:24.021
[whispers] Here's the money.

20:26.701 --> 20:27.741
Respect.

20:27.820 --> 20:30.100
All right, now the two of you, now...
Fuck off.

20:31.300 --> 20:32.501
[Dennis sucks his teeth]

20:32.580 --> 20:34.501
You got to be more Brixton, Wheats.

20:34.580 --> 20:36.741
You been here six month,
and you not learn nothing.

20:36.820 --> 20:39.501
Like blurting out me name for every
undercover beast to take note.

20:39.580 --> 20:40.580
[Dennis sucks his teeth]

20:40.661 --> 20:42.100
What am I supposed to call you, then?

20:42.221 --> 20:45.100
Maybe dread, or brethren, or spa.

20:45.221 --> 20:47.540
Or I don't fucking know.

20:47.580 --> 20:49.741
And you want to let go of that
frigging bumpkin walk too.

20:49.820 --> 20:51.741
You walk like that scarecrow on the TV.

20:51.820 --> 20:52.820
Shut up.

20:52.901 --> 20:55.941
Nah, you have to strut
as a Black man strut.

20:56.021 --> 20:57.780
Any dread can spot you from a mile.

20:59.820 --> 21:01.540
Now we have to chat about the money side,

21:01.580 --> 21:04.580
but I can learn you a few things.

21:04.661 --> 21:05.941
I just spent all my corn.

21:06.941 --> 21:11.100
If me a teach you, me have to have
compensation for me time.

21:11.221 --> 21:12.421
You understand.

21:17.661 --> 21:18.941
I've got 30 pence.

21:19.941 --> 21:20.941
Thirty pence?

21:22.421 --> 21:24.580
That is satisfactory for a few pointers.

21:24.661 --> 21:25.661
Now walk.

21:27.741 --> 21:30.941
Lift up your head, man,
and slow it down, Wheats.

21:31.021 --> 21:33.540
You is marching like you
the Stormtrooper hunting the Jedi.

21:33.580 --> 21:35.661
You got to be the Jedi doing
the hunting of the Stormtrooper.

21:35.741 --> 21:37.261
What are you blinking talking about?

21:37.340 --> 21:39.340
You sound like
the rarse baldhead, man.

21:39.421 --> 21:40.780
[imitating Alex] "What are you
blinking talking about?"

21:40.820 --> 21:42.261
Well, fuck you, Dennis.

21:42.340 --> 21:44.941
I ain't had no one teach me
jack shit in my life.

21:45.021 --> 21:48.540
A mum or dad, brother or sister,
no one my whole life.

21:48.580 --> 21:49.941
I ain't had nobody.

21:50.941 --> 21:53.340
I is only ramping with you, brethren.

21:53.421 --> 21:54.741
The truth?

21:54.820 --> 21:57.060
I can't know how deep your pain.

21:58.421 --> 22:01.741
You're the real thing, man. No hyping.

22:01.820 --> 22:05.021
But I always kept eyes out for you,
innit, Wheats?

22:08.421 --> 22:11.340
Listen to me. Christmas soon 'pon us,

22:11.421 --> 22:13.901
and my mother puts on a serious spread.

22:13.981 --> 22:15.580
You want to come sample
the Jamaican jam on the day?

22:15.661 --> 22:16.860
I don't like Christmas.

22:16.941 --> 22:20.741
What? 'Nuff boiled chicken, rice and peas,

22:20.820 --> 22:23.340
roast potatoes, stuffing, hot corn...

22:23.421 --> 22:26.340
All right, all right. As long as you
quiet your beak about it.

22:26.421 --> 22:27.540
You'll come? Yeah?

22:27.620 --> 22:28.620
[quietly]
Yeah.

22:28.701 --> 22:30.661
[Dennis laughs]

22:30.741 --> 22:35.221
I'm warning you:
all my family are a bit... mad up.

22:36.620 --> 22:37.661
It'll be good for you.

22:39.620 --> 22:42.741
Now me reckon me owe you
10p off this lesson.

22:42.820 --> 22:44.860
You was proving be
faster learner too, Wheats.

22:45.860 --> 22:47.540
But, I... I'll hold onto that

22:47.620 --> 22:50.221
because that's gonna be
20p for your next lesson, innit?

22:50.300 --> 22:52.100
It's like a little deposit, yeah?

22:53.221 --> 22:55.461
Head high. Chest out.

22:56.820 --> 23:00.140
♪ Jah would never give power ♪

23:00.221 --> 23:03.181
♪ To a bald head ♪

23:04.221 --> 23:10.181
♪ Run come crucify the dread ♪

23:11.221 --> 23:12.300
Hey.

23:16.941 --> 23:17.941
Hurry up, man.

23:18.021 --> 23:19.021
Come.

23:20.261 --> 23:21.701
Happy Christmas, Mummy.

23:21.780 --> 23:23.901
You just come. Where you been?

23:23.981 --> 23:25.701
Food cook long time.

23:25.780 --> 23:28.060
Hi, Sylvia. This is my spar, Alex.

23:28.140 --> 23:29.380
Fix him up a drink first, eh.

23:29.461 --> 23:31.140
[mother] Is me for fix it?

23:31.221 --> 23:33.221
[indistinct complaint]

23:33.300 --> 23:36.461
Come, sit down.
Everybody, this is Alex.

23:37.461 --> 23:38.860
Can you hold the baby?

23:40.580 --> 23:42.380
So, your parents Jamaican?

23:42.461 --> 23:43.501
I don't think so, no.

23:43.580 --> 23:44.741
What do you mean,
you don't think so?

23:44.820 --> 23:46.060
Where they from, then?

23:47.221 --> 23:49.540
[sucks her teeth]
Anyway...

23:49.620 --> 23:50.620
give me the baby.

23:50.701 --> 23:52.901
[indistinct conversation]

23:54.820 --> 23:56.380
[man] Very cold start.

23:56.461 --> 23:57.820
Look, tell me how the garage is going.

23:57.901 --> 23:59.540
The garage is going good family.

23:59.620 --> 24:01.261
I got a Cortina
I just picked up last week.

24:01.340 --> 24:02.140
All right. That's good.

24:02.221 --> 24:04.221
I need you to come round,
help me do some work on it.

24:04.300 --> 24:05.741
Yes... how's your football going?

24:06.300 --> 24:07.501
[child screams nearby]

24:07.580 --> 24:10.181
[man] I heard about it.
Four-nil, you lot lose.

24:10.261 --> 24:11.741
[indistinct conversation continues]

24:11.820 --> 24:14.421
[Dennis] Hold that.
Secret family recipe, you know.

24:16.221 --> 24:18.620
Hi, Uncles. What's going on, Uncle?
You good?

24:19.261 --> 24:20.860
Yeah, man.
Can't wait to have some yam.

24:20.941 --> 24:22.540
Who want food, come now.

24:22.620 --> 24:23.620
[Dennis cheers]

24:25.701 --> 24:27.501
[indistinct chatter]

24:38.620 --> 24:40.901
Guys, come get your food.

24:40.981 --> 24:42.780
- Coming, Aunty.
- Coming, Mum.

24:44.941 --> 24:46.741
My mother give me
one piece of chicken, man.

24:46.820 --> 24:49.261
[Dennis sucks his teeth]

24:50.421 --> 24:52.540
How much piece of chicken
you get?

24:52.620 --> 24:54.941
You got one.
You got two piece? What!

24:55.021 --> 24:56.580
There you go, that's yours.

24:57.340 --> 25:00.540
Come out of my seat, man.
Come out of seat, boy. Move.

25:03.421 --> 25:04.580
You want more gravy?

25:04.661 --> 25:05.661
Is it spicy?

25:05.741 --> 25:07.021
You nuh like spice? It's all right.

25:07.100 --> 25:09.580
Me can get you some drink from the tray.

25:09.661 --> 25:12.860
No. No, thank you.
It looks delicious.

25:19.620 --> 25:21.540
What happen to you?
Take your time.

25:21.620 --> 25:23.340
The food no have no legs.

25:23.421 --> 25:24.580
Your mother not cook for you?

25:25.300 --> 25:26.461
Sometimes.

25:27.300 --> 25:28.941
Sometime?

25:29.021 --> 25:30.820
Sometime me no know why me bother.

25:55.421 --> 25:57.620
[nearby laughter]

26:04.620 --> 26:07.820
[♪ distant choral music playing]

26:16.620 --> 26:20.380
[liquid flowing]

26:22.221 --> 26:24.340
[Simeon]
Me 'dep on hunger strike.

26:24.421 --> 26:26.741
Ten days now, you know. Hm.

26:28.421 --> 26:33.021
If them can serve halal and kosher,
they must can serve ital.

26:33.100 --> 26:34.941
- Huh?
- [Alex sighs]

26:35.021 --> 26:39.620
Me believe fighting
for that is worth all sufferation.

26:39.701 --> 26:42.741
But, bwai, it wreak havoc
with my belly, you know.

26:42.820 --> 26:46.021
And for that, me sorry
till me can't sorry no more, my youth.

26:46.100 --> 26:48.501
Why are you even here, dread?

26:50.661 --> 26:54.701
I was arrested at the gates
of Westminster Abbey,

26:54.780 --> 26:56.860
with a pickaxe, big so.

26:57.580 --> 27:00.540
Me tell the judge
me intent 'pon destroying

27:00.620 --> 27:02.620
the tomb of Edward the Confessor.

27:03.421 --> 27:05.941
In retaliation for the desecration

27:06.021 --> 27:08.941
of all of the Egyptian king
by the European man.

27:09.021 --> 27:10.261
Me done gon' broke it up!

27:10.340 --> 27:12.340
[chuckles]

27:12.421 --> 27:14.181
He give me six months.

27:14.261 --> 27:16.300
[chuckles]

27:16.380 --> 27:18.580
So, you're serious
about your stuff, then, innit?

27:18.661 --> 27:23.701
Rasta is not, is not a religion.
Is my life.

27:24.780 --> 27:25.981
What are you writing?

27:26.780 --> 27:28.661
Why you ask me that?

27:28.741 --> 27:29.860
No reason.

27:29.941 --> 27:31.741
Me write some.

27:31.820 --> 27:35.340
Just notes, man.
I don't really have the talent.

27:36.820 --> 27:40.941
What me blessed with
is for the love of reading.

27:41.021 --> 27:43.461
Reading's what shaped my life.

27:45.741 --> 27:46.741
Is that your family?

27:47.820 --> 27:50.901
Yeah. The woman in the white dress
are me mother.

27:51.701 --> 27:53.300
The minister's sister.

27:55.941 --> 27:57.181
Keep in touch?

27:59.501 --> 28:01.501
Not for a long while now, no.

28:09.820 --> 28:11.461
[Simeon sucks his teeth]
Cha.

28:11.540 --> 28:12.941
Enough about me now.

28:13.021 --> 28:15.741
Me never suffer like you, you know.

28:15.820 --> 28:18.741
You know how me end up
in the prison, right?

28:18.820 --> 28:22.421
So come on, youth man,
what happened to you?

28:25.021 --> 28:27.380
- I took a wrong turn.
- No, man.

28:27.461 --> 28:32.140
Listen up, now.
Not one man, woman or a child

28:32.221 --> 28:35.340
ever learnt anything in life

28:35.421 --> 28:37.461
without making a mistake.

28:38.540 --> 28:41.701
For me, it was always about the music.

28:44.181 --> 28:45.540
[soft chuckle]

28:45.620 --> 28:47.021
That was it, dread.

28:48.820 --> 28:50.300
[sighs]

28:54.261 --> 28:56.300
♪ One good thing about the music ♪

28:56.380 --> 28:57.620
When it hits you...

28:57.701 --> 28:59.901
♪ You feel no pain
Yeah ♪

28:59.981 --> 29:03.140
♪ Me say one good thing about the music ♪

29:03.221 --> 29:06.140
♪ When it hits you
you feel no pain ♪

29:06.221 --> 29:07.981
♪ Come and say hit me with music ♪

29:08.661 --> 29:11.261
♪ Come and say hit me with music now ♪

29:11.340 --> 29:13.300
♪ 'Cause dis a Trenchtown rock ♪

29:13.380 --> 29:16.340
♪ Don't watch that Trenchtown rock ♪

29:16.421 --> 29:17.741
♪ Big fish or sprat ♪

29:17.820 --> 29:20.820
♪ Trenchtown rock
You reap what you sow ♪

29:20.901 --> 29:23.780
♪ Trenchtown rock
Only Jah-Jah know ♪

29:23.860 --> 29:25.540
Jah know the gong speak!

29:25.620 --> 29:27.100
Yeah, my youth. Come here, man.

29:27.181 --> 29:28.661
[Simeon laughs]

29:28.741 --> 29:30.140
Yes, my youth.

29:30.221 --> 29:31.741
Have corn for these, but not this one.

29:31.820 --> 29:33.461
Can you keep it for me,
just for a couple of days?

29:33.540 --> 29:35.620
Irie. You have until Friday. Safe.

29:35.701 --> 29:37.540
- Respect, Lincoln.
- Respect.

29:39.060 --> 29:41.300
You is too fat. You can't see
how you need church?

29:41.380 --> 29:42.380
Fat, stinkin' dog.

29:42.461 --> 29:44.620
You is a scrawny little rat boy,
you know that?

29:44.701 --> 29:47.221
You not see how your trouser,
them a burst out?

29:47.300 --> 29:48.540
Look how your head
big like bread fruit, dog.

29:48.620 --> 29:49.620
- Big like bread fruit?
- [Badger] Eh?

29:49.701 --> 29:52.461
You know what, you look like some
sewer rat, you know. You know that?

29:52.540 --> 29:53.741
[laughter]

29:53.820 --> 29:55.701
Dog, you is the fattest man
in Brixton. You know that?

29:55.780 --> 29:57.860
And guess what? Me still take
your girl, you know. You know that?

29:57.941 --> 29:59.221
- You can't take my girl.
- I can't? Ask her.

29:59.300 --> 30:01.261
You can only take my girl McDonald, dog.

30:01.340 --> 30:03.021
- And what, that's...
- Listen, you is a sausage dog.

30:03.100 --> 30:04.221
Brethren, you see your nose?

30:04.300 --> 30:06.461
You're like Blackwall Tunnel or something
like that, you know what me say?

30:06.540 --> 30:07.741
You is a dumpling.

30:07.820 --> 30:09.780
And I'll squash you, brethren.
I destroy you.

30:09.860 --> 30:12.181
- You is a Jamaican panda.
- A Jamaican panda?

30:12.261 --> 30:14.140
Shut the fuck up, man,
before me chop off your two lip them

30:14.221 --> 30:15.901
and make two imitation sausage
out of them... to rart!

30:15.981 --> 30:16.780
Say it!

30:16.860 --> 30:17.860
- Me?
- Yes, fat man.

30:17.941 --> 30:19.021
You must be mad, you know.

30:19.100 --> 30:20.540
I'm not mad, you is just fat.

30:22.620 --> 30:24.741
Frig my days.

30:24.820 --> 30:26.140
Valentine Golding!

30:26.221 --> 30:27.820
Come find you, innit.

30:28.380 --> 30:29.580
[indistinct insults continue]

30:29.661 --> 30:30.860
[Alex laughs]

30:31.501 --> 30:33.860
Welcome, sir.
[laughs]

30:33.941 --> 30:36.021
- What, you did all this?
- Mm-hmm.

30:37.021 --> 30:38.780
Check my new suitcase.

30:39.380 --> 30:40.620
Philips 423.

30:41.620 --> 30:43.140
Dread, how you lay your hands
on this record?

30:43.221 --> 30:44.860
Spent every penny of my G-checks.

30:44.941 --> 30:46.941
Me sometimes keep a lookout
for the bad men up on the line

30:47.021 --> 30:48.421
to make a little extra corn.

30:50.221 --> 30:53.501
Can still run fast, innit.
And the beast never seem to bother me.

30:53.580 --> 30:57.140
Check this: Corn is money.

30:57.221 --> 30:59.901
[Valentine] Ohh. Hey, that's
the skills man have to have.

30:59.981 --> 31:00.981
Yes, man.

31:01.820 --> 31:03.300
I knew it. You ain't changed.

31:03.380 --> 31:04.380
I have.

31:05.860 --> 31:08.060
A likkle bit. [laughs]

31:10.620 --> 31:11.901
[Alex]
You're mad, you know that, right?

31:11.981 --> 31:13.780
- Ah, shut up.
- [Alex laughs]

31:16.741 --> 31:18.421
All the leg-back's mine
you know, brethren.

31:18.501 --> 31:19.501
Where's mine, man?

31:19.580 --> 31:21.060
[indistinct lively chatter]

31:21.140 --> 31:22.741
[Dennis] I keep telling you.
You're not ready, man.

31:24.860 --> 31:27.261
Today's gonna be the best night,
I swear to god.

31:27.820 --> 31:28.820
[indistinct remark]

31:28.901 --> 31:30.100
[Dennis]
Aaahhh.

31:31.421 --> 31:32.820
[man]
Mind yourself, dog.

31:34.620 --> 31:36.661
That's Festus, Coxsone's operator.

31:37.340 --> 31:39.540
[indistinct amazed chatter]

31:39.620 --> 31:41.820
- You telling me, brethren.
- Careful, man. Careful.

31:41.901 --> 31:45.021
That's how much leg-back are going to be
in there, brethren with that bass, man.

31:45.100 --> 31:46.941
Man, there's gonna be
every type of girl here.

31:47.021 --> 31:49.340
Girl from North London. South London.

31:49.421 --> 31:51.140
West London. Southeast London.

31:51.221 --> 31:52.461
[laughter]

31:52.540 --> 31:53.741
Raaahhh.

31:54.860 --> 31:57.461
Me gone. Yo, baby, yo.

31:58.820 --> 32:00.540
- Hold on. Whoa, whoa, whoa.
- One-fifty for coming in.

32:00.620 --> 32:01.820
What you mean?

32:01.901 --> 32:04.421
Give me one-fifty to come in,
otherwise fuck off. Move from the door.

32:11.060 --> 32:12.661
Man, fuck this.

32:14.941 --> 32:17.741
All the criss girls are with the soundman.

32:17.820 --> 32:19.620
To get dem leg-back is simple.

32:26.100 --> 32:29.860
Yeah. We need our own sound.

32:35.820 --> 32:36.820
That's it.

32:38.221 --> 32:39.221
That's right, man.

32:39.300 --> 32:42.941
But we have to make it proper.
That's crucial.

32:43.021 --> 32:44.221
Of course, dread.

32:47.021 --> 32:48.261
To rarted.

32:49.620 --> 32:54.221
We can call our sound
Crucial Rocker Sound System.

32:56.820 --> 32:58.021
Crucial Rocker.

33:01.820 --> 33:03.741
Crucial Rocker to rarted, yeah.

33:03.820 --> 33:05.461
To rarted.

33:06.540 --> 33:07.661
[Valentine chuckles softly]

33:08.620 --> 33:09.901
But we haven't got any equipment.

33:09.981 --> 33:11.580
Ah, don't worry.

33:13.140 --> 33:14.140
Me know where.

33:18.780 --> 33:20.780
[power tool whirrs]

33:20.860 --> 33:23.060
[♪ indistinct music playing on radio]

33:27.941 --> 33:29.140
Thank you, Dawn.

33:32.820 --> 33:35.380
In tune to the great boss sound
of Crucial Rocker.

33:35.461 --> 33:37.380
- Flash up your lighter.
- Easy.

33:37.461 --> 33:39.901
We want to have at least
a hundred watts a channel in the amp.

33:39.981 --> 33:42.340
Then we can be nuff match for
Tupper King and all them dread heads.

33:42.421 --> 33:44.340
We thiefed enough ply
for at least three boxes.

33:44.421 --> 33:45.741
But you haven't got nothing
to put in them.

33:45.820 --> 33:47.261
What a blowoh.
We never had nothing to start with.

33:47.340 --> 33:50.780
Watch, this sound is gonna
be wicked and wild. Trust me.

33:51.540 --> 33:53.140
♪ Wicked and wild ♪

33:53.221 --> 33:56.021
♪ That's the sound of the underground ♪

33:56.100 --> 33:58.380
♪ See me there in a Brixton town ♪

33:58.461 --> 34:00.261
♪ Give the beastman a crucial pound ♪

34:00.340 --> 34:01.901
- Eh!
- Crucial. Crucial.

34:01.981 --> 34:03.540
♪ Wicked and wild ♪

34:03.620 --> 34:06.140
♪ That's the sound of the underground ♪

34:06.221 --> 34:08.540
♪ Give the beastman a crucial pound ♪

34:09.620 --> 34:12.220
[audibly straining]

34:18.620 --> 34:20.540
Fuck my days!

34:21.461 --> 34:22.981
Eighteen.

34:23.060 --> 34:27.140
Eighteen, twelve, twelve...

34:27.180 --> 34:28.421
[large dog barking]

34:28.501 --> 34:29.501
Frig, man!

34:30.620 --> 34:31.620
There's a dog. There's a dog.

34:31.660 --> 34:33.620
Hurry up! Move, man! Move!

34:37.821 --> 34:39.021
Move, move.

34:42.580 --> 34:43.781
Hurry up, man!

34:43.861 --> 34:45.421
[tools clatter]

34:45.501 --> 34:46.501
Fuck it!

34:52.021 --> 34:54.021
[train passing nearby]

34:55.981 --> 34:57.461
I'm here to see Cutlass.

35:08.620 --> 35:09.620
[latch opens]

35:15.620 --> 35:17.021
Is Cutlass there?

35:19.620 --> 35:20.901
Mr. Rankin, I mean.

35:20.981 --> 35:22.381
And what if him is?

35:22.461 --> 35:24.381
Him might want chat a likkle business.

35:25.821 --> 35:27.620
Wholesale business.

35:44.180 --> 35:46.620
[dishes clatter]

35:49.660 --> 35:50.540
Youth.

35:51.981 --> 35:53.220
I've come to talk business.

35:53.341 --> 35:55.180
Take off your clothes.

35:57.220 --> 35:58.060
What?

36:03.501 --> 36:04.781
Take off your clothes.

36:15.381 --> 36:16.501
[coat hits floor]

36:25.180 --> 36:26.140
[pants hit floor]

36:42.901 --> 36:44.421
Take off your brief.

36:54.220 --> 36:56.220
I ain't carrying no wire, dread.

36:59.021 --> 37:00.660
I ain't no undercover beast.

37:02.100 --> 37:04.180
Who control Moa Anbessa sound?

37:04.301 --> 37:05.540
Beres.

37:05.620 --> 37:08.461
Who are the mic men then
for Front Line International?

37:08.540 --> 37:11.100
Welton Youth and Silver Fox.

37:11.781 --> 37:13.941
Who run tings down by Villa Road?

37:14.021 --> 37:15.461
Soferno B.

37:15.540 --> 37:17.781
Who operate the sound?

37:18.700 --> 37:19.901
Big Youth.

37:21.700 --> 37:23.700
But some man call him Chabba.

37:25.700 --> 37:28.180
All right. Still me question your dialect.

37:28.301 --> 37:30.981
Your accent sound too English.
But all right, my youth.

37:32.021 --> 37:33.060
How much collie you want?

37:33.140 --> 37:34.501
Half ounce, dread.

37:35.700 --> 37:39.861
But the brethrens I sell to
smoke top-ranking bush.

37:39.941 --> 37:43.180
[laughs]

37:43.220 --> 37:45.021
You know the runnings!

37:45.100 --> 37:47.421
What name them call you,
my youth?

37:47.501 --> 37:49.180
My friends call me Wheats.

37:49.220 --> 37:52.781
My sound is gonna be called
Crucial Rocker.

37:52.861 --> 37:57.620
[Cutlass] Irie, a'ight.
Crucial Rocker. [laughs]

37:57.660 --> 38:00.660
Next time you want to
make your order don't forward here.

38:02.140 --> 38:03.660
Call this number.

38:05.941 --> 38:07.700
Pull up your brief now.

38:14.580 --> 38:15.381
[pulls up zipper]

38:17.901 --> 38:18.861
Youth!

38:21.700 --> 38:23.220
I like your jacket.

38:23.341 --> 38:25.660
[laughs]

38:25.781 --> 38:28.180
Aaah! Crucial Rocker.

38:28.301 --> 38:30.060
[laughs]

38:30.140 --> 38:32.180
Big Wheats, me no have no weed left,

38:32.301 --> 38:33.781
so me need three ounces, all right?

38:33.861 --> 38:35.660
Three ounces, and just come
link me back next week,

38:35.700 --> 38:37.901
I deal with you proper.
I give you something nice, all right?

38:37.981 --> 38:38.941
Nah, I don't know about that one, Badger.

38:39.021 --> 38:40.341
What you mean,
you don't know about that?

38:40.421 --> 38:42.821
You see the road, big man, you have
to know everything about everybody.

38:42.901 --> 38:45.180
Yeah, but if I give them three ounces,
how do I know you'll give 'em back to me?

38:45.220 --> 38:46.341
Oh, you know me, I give it back.

38:46.421 --> 38:48.620
Boy, me look like criminal to you?

38:48.660 --> 38:50.700
You think that me ever rob big Wheats?

38:50.821 --> 38:52.301
- Yeah, yeah, whatever, Badger.
- What happened to ya, dog?

38:52.381 --> 38:54.100
I need to go pee, all right?
Wait there, yeah?

38:54.180 --> 38:56.301
[Badger] Come back and we talk
some real business, yeah?

38:56.381 --> 38:57.660
- Yeah, yeah, yeah.
- Go on, man.

39:00.501 --> 39:01.941
[exhales]

39:03.140 --> 39:05.620
[vehicle approaches, stops]

39:05.660 --> 39:07.861
- [man] You got any gear?
- What ya talk about, big man?

39:07.941 --> 39:09.821
Yo, yo, move from me, man.
What ya...

39:09.901 --> 39:11.021
[Badger shouting]

39:11.100 --> 39:12.620
- Come here.
- Yo, get the fuck off me!

39:12.660 --> 39:14.381
[all shouting]

39:14.461 --> 39:15.461
[man 2] Come here, you!

39:15.540 --> 39:17.861
[blow lands, Badger groans]

39:17.941 --> 39:21.901
- [man 2] Get in the van!
- Fuck! Get the fuck off me!

39:24.021 --> 39:25.700
[metallic bang, Badger groans]

39:25.821 --> 39:27.861
[man] Get in the van. Get him in!

39:28.660 --> 39:30.301
[revving engine]

39:30.381 --> 39:32.341
[men shout, Badger groans]

39:37.381 --> 39:38.540
- [blow lands]
- [Badger groans]

39:52.140 --> 39:54.981
- [chatter]
- [♪ music playing in club]

39:59.301 --> 40:01.341
[cop]
That's a nice jacket, nig-nog.

40:01.421 --> 40:02.620
Fuck off, bacon.

40:04.580 --> 40:06.660
- [blow lands]
- [Alex groans]

40:06.781 --> 40:09.660
- [onlookers protesting]
- [cop] Something to say?

40:09.700 --> 40:11.341
Something to say?!

40:11.421 --> 40:13.700
[crowd shouting]

40:18.381 --> 40:20.660
[siren wailing]

40:26.660 --> 40:28.700
[footsteps]

40:28.821 --> 40:30.861
[vehicle door opens]

40:32.660 --> 40:33.660
[door closes]

40:35.660 --> 40:37.060
[starts van]

40:38.180 --> 40:40.941
[cop] Fucking black bastard,
he's got a long walk home.

40:45.301 --> 40:48.660
They never learn, do they?
They never learn.

41:02.301 --> 41:06.180
♪ Me walk 'pon Acre Lane
inna freezing rain ♪

41:06.301 --> 41:08.781
♪ Watch out behind you
Watch out ♪

41:08.861 --> 41:11.861
♪ Me sight two beastmen
Swear they were insane ♪

41:11.941 --> 41:13.901
♪ Watch out behind me
Watch out ♪

41:13.981 --> 41:15.301
Just chill now, brethren.

41:15.381 --> 41:17.021
Tell her hair look nice,
that kind of thing.

41:17.100 --> 41:18.461
The needle's stuck, dread.

41:18.540 --> 41:21.301
School finish, and I don't want you
to have to teach me so many things

41:21.381 --> 41:23.781
when I know so many
rarted things about you.

41:23.861 --> 41:26.060
If I were to blab, you'd have to walk down
the street with a bag over your head

41:26.140 --> 41:28.021
and a serious muff covering them ears,

41:28.100 --> 41:31.100
'cause the laughter all round would
drown out even Shaka speaker box.

41:31.180 --> 41:31.981
- [doorbell rings]
- Hm!

41:32.060 --> 41:34.861
[scoffs]
Come on. Let's trod.

41:35.981 --> 41:38.180
[Dennis]
Look at this little ras youth.

41:38.220 --> 41:39.901
[♪ music playing on stereo]

41:39.981 --> 41:43.981
- Hi, come on in! You all right?
- [laughing] How are you?

41:44.060 --> 41:46.100
- Thank you for coming.
- All right.

41:48.421 --> 41:50.341
[Alex, Dennis chattering]

41:52.901 --> 41:54.100
[music continues]

41:54.180 --> 41:56.180
[Dawn] And this is Alex's sound.

41:56.220 --> 41:57.981
Crucial Rocker.

41:58.660 --> 41:59.461
[scoffs]

41:59.540 --> 42:02.301
- And Val's as well, innit?
- Hm.

42:02.381 --> 42:03.660
[Dawn] Innit a ting?

42:03.781 --> 42:05.781
Yeah, they thiefed every bit of it.

42:05.861 --> 42:07.461
[Val]
Not the vinyl, man.

42:07.540 --> 42:08.660
Not thiefed any of the gold.

42:08.781 --> 42:10.821
- But they make it all themselves.
- Mm-hm.

42:10.901 --> 42:13.941
Innit, Alex?
With like, a big saw and that.

42:15.620 --> 42:17.461
You gotta hear him MC.

42:17.540 --> 42:18.540
[Dennis] Mm.

42:30.140 --> 42:32.781
[Dawn] Katrina know one of them girl
who dead in the fire.

42:33.381 --> 42:35.220
The thing in New Cross last week?

42:38.861 --> 42:40.021
Yeah.

42:41.140 --> 42:44.381
Everyone was chatting about it
at the dance last night.

42:45.660 --> 42:48.660
Maybe thinking one of them
National Front boy would come

42:48.700 --> 42:51.341
and fling a petrol bomb
inna the dance or somethin'.

42:52.421 --> 42:53.981
How many dead now?

42:55.781 --> 42:57.060
Thirteen.

42:57.140 --> 42:58.700
[Dennis sucks teeth]

42:58.821 --> 43:02.540
[Dawn] Thirteen youth dead...

43:02.620 --> 43:04.861
and nothing being said.

43:04.941 --> 43:07.660
[Beverly]
And 30 more injured or in hospital.

43:07.700 --> 43:09.180
Them all kids, man.

43:09.220 --> 43:11.660
[Dennis]
And they have made no arrests.

43:11.781 --> 43:13.620
That's why the people, them are so vex.

43:13.660 --> 43:15.060
[Dennis sucks his teeth]

43:15.140 --> 43:17.620
There's talk of some kind of march
if the beast don't do nothin'.

43:17.660 --> 43:19.781
A march if they're lucky.

43:20.501 --> 43:23.180
We're in the middle of a friggin' war.

43:23.220 --> 43:25.540
And nobody sight who did it.

43:25.620 --> 43:29.781
Nobody? It was dark and one minute
everybody wining and dining.

43:29.861 --> 43:31.100
And the next? [sucks teeth]

43:31.180 --> 43:33.381
The next, the yard just catch alight
from a petrol bomb?

43:33.461 --> 43:36.180
It's a serious business!
Something ah snap!

43:36.301 --> 43:38.620
[Dawn] That's what them
Brixton Panther man say, innit?

43:39.620 --> 43:41.341
Something ah snap.

43:44.421 --> 43:45.421
[♪ record starts]

43:45.501 --> 43:49.021
Oh, me love this tune!
Come on!

43:49.100 --> 43:51.140
[♪ reggae music playing]

43:51.220 --> 43:52.501
Yeah, man!

43:52.580 --> 43:54.540
[girls chattering, laughing]

43:57.461 --> 44:00.180
Boy, her leg demanding a stroke.

44:00.260 --> 44:01.540
Now your chance, Wheats.

44:03.501 --> 44:05.540
Well, do your thing man, come on.

44:06.220 --> 44:08.381
Don't let me down, brethren,
do your thing.

44:09.941 --> 44:12.740
Come on, you're embarrassing me.
Do your thing, man.

44:12.821 --> 44:15.381
[sucks teeth] Brethren!

44:16.580 --> 44:20.021
Come on, look at that leg-back, man.
Do your thing!

44:20.100 --> 44:24.180
- [♪ different music plays]
- [Dawn and Beverly chattering]

44:24.260 --> 44:25.421
[Dawn] Have you had a good time?

44:25.501 --> 44:26.981
[chatter continues]

44:28.100 --> 44:29.781
You let me down, brethren.

44:29.861 --> 44:31.260
You let us all down.

44:31.341 --> 44:34.421
We bring you to meet a fit girl and you
don't even say two words to her?

44:34.501 --> 44:35.781
Whatever the matter with you?

44:35.861 --> 44:37.941
She was never going to be interested
inna nobody like me.

44:38.021 --> 44:39.740
Cha! That's what I'm talking about.

44:39.821 --> 44:42.901
Talk like that, and you are never even
catch them leg-backs who are troggs.

44:42.981 --> 44:45.901
Shut your frickin' beak, man,
before I shut it for you!

44:45.981 --> 44:48.180
You know nothing about me, dread.

44:49.180 --> 44:50.580
Now get the fuck out.

45:21.381 --> 45:24.301
[narrator] We didn't know ourselves
could have happened, you know.

45:24.381 --> 45:27.421
Anytime. Anywhere.

45:27.501 --> 45:30.941
Fire don't it happen to we
and the nations them are ready.

45:31.021 --> 45:35.941
But in spite a all that,
everybody was still shocked

45:36.021 --> 45:40.580
when we get the cold facts
about that brutal attack,

45:40.660 --> 45:44.941
when we find out 'bout the fire
over New Cross.

45:45.021 --> 45:48.180
'Bout the innocent life dem were lost.

45:48.260 --> 45:52.381
'Bout the physically scarred,
the mentally marred,

45:52.461 --> 45:55.781
and them relatives who take it so hard.

45:56.501 --> 46:00.901
And you know, although plenty people
were surprised,

46:00.981 --> 46:04.941
they no say them kind of thing there
could of happened to we

46:05.021 --> 46:09.100
inna this here Great Britain,
inna London today.

46:09.180 --> 46:13.620
And a few get frightened
and a few get subdued.

46:13.700 --> 46:16.740
Almost everybody had to sympathize

46:16.821 --> 46:20.180
with the loved ones of the injured
and the dead.

46:20.260 --> 46:23.781
For this here massacre
that we come to realize

46:23.861 --> 46:27.341
it could have been me,
It could have been you,

46:27.421 --> 46:29.540
or one of few pickney dem

46:29.620 --> 46:32.981
who fell victims to the terror by night.

46:34.301 --> 46:37.381
But wait. You not remember

46:37.461 --> 46:41.100
how the whole of Black Britain
did wrack with grief,

46:41.180 --> 46:45.620
how the whole of Black Britain
did turn a melancholy blue.

46:45.700 --> 46:49.501
Not the possible blue
of the murderer's eyes,

46:49.580 --> 46:53.580
but like the smoke of gloom
on that cold Sunday morning...

46:54.740 --> 46:55.941
...what start.

46:56.021 --> 46:57.781
You no remember

46:57.861 --> 47:01.781
how the whole of Black Britain
turned a fiery red.

47:01.861 --> 47:04.861
Not the callous red of the killer's eyes,

47:04.941 --> 47:08.740
but red with rage
like the flames of the fire.

47:08.821 --> 47:11.901
It's a hell of a something fe true,
you know.

47:12.941 --> 47:16.260
What a terrible price
we have to pay though, man,

47:16.341 --> 47:18.301
just fe live a little life.

47:18.381 --> 47:20.620
Just fe struggle to survive.

47:20.700 --> 47:25.180
Every day is just worries
and struggle and strife.

47:25.260 --> 47:29.660
Imagine so much young people
cut off inna dem prime,

47:29.740 --> 47:32.341
before the twilight of them time,

47:32.421 --> 47:34.821
without no reason nor rhyme,

47:34.901 --> 47:38.301
cast in the shadow of gloom
over our life.

47:39.381 --> 47:41.580
Look how the police and the press

47:41.660 --> 47:46.620
try dem desperate best
to put a stop to a quest for the truth.

47:47.381 --> 47:50.821
You 'member?
First them say it could be arson,

47:50.901 --> 47:52.941
then them say it could be not.

47:53.021 --> 47:56.981
First them say a firebomb,
then them say it was not.

47:57.060 --> 48:00.501
Them implied coulda white,
them implied coulda Black

48:00.580 --> 48:04.620
who response for the attack
against those innocent young Blacks.

48:06.100 --> 48:10.461
Instead of raising the alarm,
let the public know wagwan.

48:10.540 --> 48:13.060
Plenty paper print pure lie

48:13.140 --> 48:15.501
for blind your public eye.

48:15.580 --> 48:18.301
And the police, them plot and scheme,

48:18.381 --> 48:20.941
confuse and conceal.

48:21.021 --> 48:24.421
Me hear seh
even the poor parents of the dead

48:24.501 --> 48:26.461
them tried fe use.

48:26.540 --> 48:31.540
But you know, in spite of them
wicked propaganda,

48:31.620 --> 48:35.901
we refuse to surrender
to them ugly innuendo.

48:35.981 --> 48:38.740
For up till now, not one of them,

48:38.821 --> 48:42.580
neither Stockwell,
neither Wilson, nor Bell,

48:42.660 --> 48:45.580
not one of them can tell we why,

48:45.660 --> 48:48.341
not one of them can tell we who.

48:48.421 --> 48:54.060
Who turned that night of joy
into a morning of sorrow?

48:54.140 --> 48:58.060
Who turned the jollity
into a ugly tragedy?

49:05.461 --> 49:07.461
[♪ reggae music playing]

49:14.781 --> 49:17.060
[overlapping chatter]

49:21.381 --> 49:22.981
[passersby yelling]

49:23.060 --> 49:24.660
[Yardman]
Yo, Brixton on fire!

49:24.740 --> 49:27.821
- [man] Come on.
- [excited chatter]

49:27.901 --> 49:31.901
[crowd yelling angrily]

49:31.981 --> 49:34.180
[shouts] Babylon!

49:34.260 --> 49:38.781
[all shouting]

49:38.861 --> 49:41.100
Go on then! Go on, you bastards!

49:41.180 --> 49:43.821
- [shouting continues]
- [man] Rasclaat!

49:49.461 --> 49:51.301
Go on, you fucking cunts!

49:51.381 --> 49:54.260
- Fucking pigs!
- [whistle blowing]

49:54.341 --> 49:56.180
[shouting continues]

50:00.140 --> 50:03.100
[cop] Fucking Black cunt!
Fuck off!

50:14.901 --> 50:16.501
Dutty Babylon!

50:23.180 --> 50:24.781
[cop] Yeah, come on!

50:32.461 --> 50:33.941
- [whistle blows]
- [all shouting]

50:34.021 --> 50:35.781
[man]
Come on let's go. Let's go.

50:35.861 --> 50:37.861
[glass breaking]

50:41.740 --> 50:44.220
- [cop laughing]
- Fucking leggit!

50:45.301 --> 50:48.060
[rhythmic banging on shields]

50:54.180 --> 50:55.981
[cop] Oi! Oi!

50:56.740 --> 50:58.220
[man] Let go of me!

51:01.180 --> 51:02.461
[man screams]

51:02.540 --> 51:04.540
[siren wailing]

51:07.421 --> 51:09.220
You mother cunt, get off me!

51:11.740 --> 51:13.981
[siren wails in distance]

51:17.021 --> 51:18.821
[men shouting in distance]

51:28.180 --> 51:31.341
[Cutlass]
Yardman Irie fresh from the war zone.

51:31.421 --> 51:33.461
Man a man. What that friggin' smell?

51:33.540 --> 51:35.620
Me a smell some rarse foulness in the air.

51:35.700 --> 51:37.740
Yo, Yardman Irie need
to discover deodorant.

51:37.821 --> 51:41.220
Me feel sick.
Him stink like cabbage water.

51:41.301 --> 51:44.421
And you're put politetities upon it.
Man, you reek like rancid baby nappies.

51:44.501 --> 51:46.740
- Shut the fuck up, dread.
- You say what?

51:46.821 --> 51:49.140
It was either that or to get mash up
in a beast cell, to rarted.

51:49.220 --> 51:53.421
You come here reeking like ghetto sewage.
Remove from this yard with speed!

51:53.501 --> 51:57.180
Let man take some collie.
Please, man.

52:00.821 --> 52:02.501
[package hits floor]

52:02.580 --> 52:05.941
Next time me see you,
me want me money.

52:06.021 --> 52:07.781
Now remove.

52:13.501 --> 52:15.260
[sucks teeth]

52:16.700 --> 52:18.540
Come here and stink up me yard.

52:18.620 --> 52:20.501
[man] What me tell you
about that youth, you know.

52:23.260 --> 52:24.781
What you think about this one?

52:25.781 --> 52:27.421
- Mm.
- [Alex] ♪ Uprising ♪

52:27.501 --> 52:29.461
♪ There's an uprising ♪

52:29.540 --> 52:31.700
♪There ain't no work and we have... ♪

52:31.781 --> 52:33.740
[tuts]

52:33.821 --> 52:36.540
♪ Uprising
There's an uprising ♪

52:36.620 --> 52:40.381
♪ There ain't no work
and we have no... shilling ♪

52:42.740 --> 52:45.341
♪ We can't take no more
of this suffering ♪

52:45.421 --> 52:48.740
♪ So we riot inna Brixton ♪

52:48.821 --> 52:51.260
♪ Uprising
There's an uprising ♪

52:51.341 --> 52:53.981
♪ There ain't no work
and we have no shilling ♪

52:54.060 --> 52:56.540
♪ We can't take no more
of this suffering ♪

52:56.620 --> 53:00.140
♪ So we riot inna Brixton ♪

53:00.220 --> 53:02.540
♪ Uprising
There's an uprising ♪

53:02.620 --> 53:05.301
♪ There ain't no work
and we have no shilling ♪

53:05.381 --> 53:07.781
♪ We can't take no more
of this suffering ♪

53:07.861 --> 53:10.901
♪ So we riot inna Brixton ♪

53:10.981 --> 53:13.861
♪Uprising
There's an uprising ♪

53:13.941 --> 53:16.580
♪ There ain't no work
and we have no shilling ♪

53:16.660 --> 53:19.260
♪ We can't take no more
of this suffering ♪

53:19.341 --> 53:22.501
♪ So we riot inna Brixton ♪

53:22.580 --> 53:24.740
[humming melody]

53:31.700 --> 53:35.301
♪ So we riot inna Brixton ♪

53:35.381 --> 53:37.381
- [♪ music playing]
- [chatter]

53:37.461 --> 53:40.180
[over PA] In tune to the great
boss sound of Crucial Rocker.

53:40.260 --> 53:43.180
This one goes out
to all the revolutionary foot soldier.

53:43.260 --> 53:45.700
Flash up your lighter if you there
in the uprising.

53:45.781 --> 53:49.220
- [crowd cheers]
- To the murder of Blair Peach.

53:49.301 --> 53:51.341
The New Cross fire.

53:51.421 --> 53:55.941
And then today, the 11th of April, 1981,

53:56.021 --> 53:59.100
where Babylon took a rarseclaat beating.

53:59.180 --> 54:01.421
If you were there, so bawl forward!

54:01.501 --> 54:04.301
- [♪ reggae backing track plays]
- [all chant] Forward! Forward!

54:04.381 --> 54:07.981
Forward! Forward!
Forward! Forward!

54:08.060 --> 54:10.861
♪ Uprising
There's an uprising ♪

54:10.941 --> 54:13.861
♪ There ain't no work
and we have no shilling ♪

54:13.941 --> 54:16.421
♪ We can't take no more
of this suffering ♪

54:16.501 --> 54:19.620
♪ So we gwan riot inna Brixton ♪

54:19.700 --> 54:22.501
♪ Uprising
There's an uprising ♪

54:22.580 --> 54:25.620
♪ There ain't no work
and we have no shilling ♪

54:25.700 --> 54:28.220
♪ We can't take no more
of this suffering ♪

54:28.301 --> 54:31.461
♪ So we gwan riot inna Brixton ♪

54:31.540 --> 54:34.260
♪ Uprising
There's an uprising ♪

54:34.341 --> 54:37.260
♪ There ain't no work
and we have no shilling ♪

54:37.341 --> 54:40.060
♪ We can't take no more
of this suffering ♪

54:40.140 --> 54:43.140
♪ So we gwan riot inna Brixton ♪

54:43.220 --> 54:46.021
♪ Uprising
There's an uprising ♪

54:46.100 --> 54:48.981
♪ There ain't no work
and we have no shilling ♪

54:49.060 --> 54:51.660
♪ We can't take no more
of this suffering ♪

54:51.740 --> 54:54.981
♪ So we gwan riot inna Brixton ♪

54:55.060 --> 54:57.861
♪ Uprising
There's an uprising ♪

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♪ There ain't no work
and we have no shilling ♪

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♪ We can't take no more
of this suffering ♪

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♪ So we gwan riot inna Brixton ♪

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[door slams open]

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[shouting voices approach]

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[cop]
Get...Oi! Get him up, get him up!

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Get him out of here. Check that room.

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Check that room over there.
Take him down.

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[cop shouts]

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Right, get up!

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[Alex]
Fucking pigs! Move, man!

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- Get off me!
- [woman] Get off him!

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[cop] Get inside now. Get inside.

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- Aaah!
- [Alex] Get the fuck off me!

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[cop] Oi, shut it! Shut up.

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Get off me!
I didn't do nothing. This is a...

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[Alex sighs]

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Me say to you...

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you might feel sorry and blame yourself
for them things there,

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but there is plenty of tribulations

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and ways for dealing with dem ting.

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And education, me can give you.

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That is your key.

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- And why would you do that?
- [scoffs]

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My thoughts long been trained
upon the youth, man.

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I have to play my part
'cause me know the future is yours.

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[Alex sucks teeth]
Some future, dread.

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For all the youth outside that window,
it's the dole office

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and the inside of a beast cell,
and that's it.

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Free yourself
from the negativity, Alex, man.

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You been lied to about fe we people. Hm?

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- [Alex tuts]
- Enough of that, man. Cha. Listen,

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I want tell you about the system
in here, yes.

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So listen me, and listen me carefully.

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There's enough talk of ism
and schism and racism.

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Me no defend nobody
against the charge of racism,

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'cause Rasta don't discriminate.

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But the main thing you have to worry
about in this here country

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is the system of class and classism.

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When the children of Africa
was dragged to the West, hm?

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It's 'cause of money.

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'Cause of the cheap labor
benefitting the upper classes.

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Lining them pockets. Hm?

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All know the system, still,

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still... the poor little pickney
them inna the inner-city school,

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them cannot make much progress.

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Otherwise who gonna
build them house, hm?

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Who gonna drive them bus, hm?

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Some of them make it through, yes,
but only a few of them.

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And that is why me keep going on
about education.

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Education.

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You have to supplement what them
teach you by teaching yourself.

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Teaching how then, man?

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You have to unlearn what you have learned.

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And you can start by reading.

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Reading the scholars of fe we people.

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That will turn your life around.

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You see? Look.

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You saw all them book, yeah? Hm?

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You see them?

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From this day,

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every single one of them book
now belongs to you.

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And me can recommend you start
by reading...

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this here one here, so.

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The Black Jacobins,

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by Cyril Lionel Robert James.

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Jah know him will show you the way!

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Education, Alex.

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Education is the key!

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Hear me now? Alex.

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You see, if you don't know your past,

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then you won't know your future.

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[TV plays in distance]

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[Simeon] You see,
if you don't know your past,

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then you won't know your future.

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[woman] Just a moment.

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[opens filing cabinet]

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[telephone rings]

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Excuse me one minute.

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- [picks up phone]
- [woman] Welfare and Social Services.

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Uh-huh.

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[man]
Twenty-seventh of the eighth, 1976.

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Report on Alphonse Wheatle.

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Date of birth: third of the first, 1963,

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Holly House, 121 Wickham Road.

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House Mother, Miss Joyce Cook.

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In Shirley since
aged three and a half years.

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Initially had severe eczema and asthma
and needed intensive treatment.

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Both conditions now better.

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He's not had an asthmatic attack
for a year.

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Chief problem now, daytime enuresis.

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None at night.

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Lonely boy, but gets involved in sports
and general activities.

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Because of his sullen indifference,

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house mother says she finds it
difficult not to pick on him.

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Recently he accused her of not caring,

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but Martin Jones
promptly stuck up for her.

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Mr. Hutton, social worker,
came fortnightly for a year,

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but got no response at any time
from Alphonse's relatives.

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Shirley High School.

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He gets good reports and appears to take
an interest in a wide range of subjects.

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Spoke of liking German, French,

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English, Maths, Science, and Drama.

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Alphonse, one Saturday night recently,

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came down and said
they did not help him at school.

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The excellent German teacher interestedly
asked repeatedly about his mother

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and did not know
about his parental situation.

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[Badger] Wheats!

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Wheats, what happened to you?
It's me, dread.

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It's Badger. Yes, me spar.

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Jesus Christ. You look good, to rarted.

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Badger, it's good to see you, dread.

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- How's tricks?
- [sucks teeth] Bwai?

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Yeah, man. Tricks.

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You beg you some money now?

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Nah, sorry, dread.

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Come on.
Give me a few pounds, my man.

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I haven't got anything.

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It's good to see you, though.

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[chuckles] Yeah, man,
it's good to see you too, man.

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Mm.

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So, um, what you do, hm?

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What's the Wheats
doing with himself? [chuckles]

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Dunno, dread.

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Not much.

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I think I might go and find my family.

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Rarted!

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For real? Fuck.

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Yeah.

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And maybe try and write a book.

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Writin'. Shut the fuck up, me...

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Me, me, me...

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me have a typewriter for you, you know.

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Brand-new. It still work and everything.

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It still does work, man.
Trust me, it still work.

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And you can have it for a special price.

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'Cause you is Yardman Irie.

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[laughs] Ten pound.
Ten pound and it's yours!

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Hm?

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- Go on.
- Come now, man.

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- Let's trod.
- What happen to you, man?

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Dry your eye now. It's a big man hug.

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- Long time me no see you.
- Good to see you, man.

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- Yes, brethren. You want some?
- Nah, you're good.

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Brethren, drink the drink
and I'll walk with you.

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- I'm all right.
- You sure?

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- Yeah, man.
- All right.

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Good to see you, though.

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If you like this typewriter
me a gonna get for you.

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- It's a real thing, it is a proper...
- All right, all right.

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- It's just round the corner there.
- It better be good, though.

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You see the girl there?

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[laughs]

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[voices fade]

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[♪ Bob Marley "Natural Mystic"]