﻿WEBVTT

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* I love Paris

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* In the springtime

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* I love Paris in the fall

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* I love Paris in the winter
when it drizzles *

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* Say, I love Paris in
the summer when it sizzles *

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* I love Paris

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* Why, oh, why
do I love Paris? *

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* Because my love is near

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(POUNDING ON DOOR)

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-(KNOCK)
-YVETTE: Claude.

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(POUNDING ON DOOR)

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Claude, please.

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Claude, won't you please
let me in?

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-Claude?
-(POUNDING)

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-Fuck! Ow!
-(SCREECHES)

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-Claude?
-Argh!

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-What just happened?
-Fuck!

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Claude, have you hurt
yourself? Are you bleeding?

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-Argh!
-Do you need my help?

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Please, let me come in.

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Please, I won't disturb you.

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I won't even breathe on you.

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Oh, open this goddamn door,
Claude!

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-Say something!
-Go away!

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Why? So you can suffer alone?

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(HE GROANS)

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That woman will drag you
straight into the river.

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You mark my words.
It's in the cards, Claude.

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She's doomed.

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I'm well aware of
Charlotte's intentions.

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Did you know she asked me to
invest in her new business?

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-I'm not surprised.
-You might be

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when some of your loyal
clients start opening
their chequebooks.

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I tried to talk some sense
into her.

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She can't just walk away
from this house.

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Marjorie...

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let someone zip you up
before you catch a cold.

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OK.

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I love your wife,

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and she would carve out
my voice box for saying this,

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but you need this girl.

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I have ballet sketches
to finish.

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And a party, here,
tomorrow night,

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which you're co-hosting,
in a luminous gown

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that will make every man here
want to undress you,

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even more than this.

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It's business as usual,
my dear.

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Sorry to keep you waiting,
Inspector.

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Were you able to locate
your original sketches
for the dress?

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I wasn't. So many of them
are done on scraps,

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stuffed into my pockets.

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They rarely survive
their trip to the cleaners.

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But this is
an interesting coincidence.

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How long do you expect
to be in Paris?

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Oh, as long as I have to be.

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I'm in no rush.

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INSPECTOR BOMPARD:
From the research I've done,
this particular design,

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it's a common choice
for men in the military.

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Navy, to be exact.

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So, now you think
the victim was French?

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Last time you were here,
you were sure
he was a German.

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Never sure.

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Only an educated guess.
But you know how it is.

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You follow one horse,

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until a faster one
sneaks around the bend.

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Tell me, Monsieur Sabine,

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are any of your workers
married or related to
sailors?

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-If you're intent on
questioning my staff...
-Oh, no, not there yet.

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Just trying
to connect the dots.

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I'm curious if someone
with this tattoo

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passed through your shop
and possibly inspired
the design?

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Unconsciously, of course.

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Has anyone asked
about Claude?

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No. Have you spoken to him?

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No. We've been so busy.

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Paul bouncing from interviews
to the hospital
to see Dominique.

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He's barely had a minute
to work on
the ballet sketches.

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I was hoping
he might come to you.

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-Me?
-To ask for help.

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But I'm not a designer.

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But you two have
worked together for so long,

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you know his tastes and...
the fabrics he loves.

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But it's not the same, is it?

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You wouldn't ask a violinist
to compose a concerto.

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No.

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No, you wouldn't, would you?

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There is somebody
who could be useful.

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Maybe I could mention it
to her.

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Yes, please.

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It'll only be
to colour in the lines.

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Here. Sit.

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-I don't want to sit.
-All right, stand.

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Pace, use my bed if you want,
I haven't seen it
since Monday.

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What's this for?

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Charlotte is bringing
Regine Deleurs here tomorrow.

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She's promised her
three outfits.

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-Why are you doing this?
-Why?

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Well, cos we need this editor
to get us out the gate.

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It's our one chance before
she leaves for New York.

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I finally tell you
the reason I went away,

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you tell me you want to help,
but then you're gone.

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-Nina...
-Your office is cleaned out,
empty. No note. No goodbye.

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Why would I say goodbye?

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Is this so you wouldn't
have to see me again?

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So you could pretend
I didn't tell you the truth?

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Nina, I'm not jumping ship.

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This is me getting on board.

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This is me sailing
into strange, fucking
unchartered waters

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where I need to take care of
more than just my cat.

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And it's a little new for me.

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So...just spare me the rod.

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At least until I find...

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Found it.

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Open it.

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I mean, you don't have to...

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you don't have to slip it on
just yet.

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At least not until we're
ready to tell the world.

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-(KNOCKING ON DOOR)
-Yep?

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-Am I disturbing you?
-No. No, not at all.

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I'm finally getting a chance
to print some
from the lost rolls.

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I have a job for you...
but it's not for the house.

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But it's for me.
It's a favour.

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Yeah.

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I'm being investigated
by the police.

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Has this got something to do
with Rossi?

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No, I don't believe so.

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Er...well, I don't want to
get into specifics,

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but I do believe
I'm being framed.

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Possibly by
the same saboteur

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who passed that note
to your colleague.

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What is it you want me to do?

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Victor took these,
last winter at my cottage,

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the first day
we looked at it.

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I'd like you to move us
to this area by the barn,

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and then take these rocks
and put them here.

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Can that be done?

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I...

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Well, I...

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I'd have to print one
negative on top of the other,

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dodge and burn
to prevent double exposure.

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It might take a few tries,
but yeah,

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sure, it can be done.

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Thank you.

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(DOOR CLOSES)

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Maybe we'll see some friends
at the park, hm?

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Come on, darling.

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Enjoy the park.

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We'll only be an hour.

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-Bye. See you later.
-(CAR ENGINE STARTS)

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Paul, if that detective
starts asking Claude...

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-This is not the black
I ordered.
-Black is black.

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No, not when you're being
dragged into hell
by a hoard of demons!

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I need a Spanish black!
This is Don Juan, damn it!

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I don't even know
what that means.

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It's Dance of the Furies.

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I need something so dark
it hits you across the face.

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What don't you understand?

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Focusing on a tutu
when this office still smells
like a detective.

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-We need a plan.
-I have a plan.

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I'm telling Claude the truth.

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-Paul, you can't.
-We have to.

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That sailor keeps
popping out of the ground.

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Should he learn the truth
from us

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or a stranger
in a police office?

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Dragging in Victor
wasn't enough,

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now I've pulled in Billy
as well.

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Will you let me tell him?

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Please.

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He needs to hear this
from me.

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I can't really tell how
it moves until it's moving.

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I'll adjust the hips
once Flor has it on.

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Flor won't be here.

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She has to be here,
these are her measurements.

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She's not available.

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It is a solo show
for the editor of a magazine

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that she'd extract her molars
to be in, so she'll be here.

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No, she won't.

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(SIGHS)
Well, then ask Lisette.

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I did. Also not available.

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Why? Has there been a sudden
outbreak of the Spanish flu?

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How long have I been trapped
in this fucking room?

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Why is no one available
on a Friday afternoon
at three o'clock?

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Because no one wants
to cross your brother.

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(BELLS CHIME)

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(SPEAKS FRENCH)

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Please try to avoid
the puddles, Beatrice.

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Your daughter is
so well behaved.

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Thank you.
But I'm not her mother,
I'm her governess.

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Really?

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I'd like to find a position
like that for myself.

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(LOW CONVERSATION)

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-He took it with him.
-Paul.

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He came in here
and helped himself
to whatever he wanted.

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Claude wouldn't do that.

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-He knew I had concept boards
to finish.
-You will finish them.

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We'll send someone out to get
whatever it is that you need.

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There are people in this
building who are capable
and want to help you.

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If you'll let them.

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Or I can go to Claude
and ask for
whatever's missing.

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You're not going there.

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My mother's already trying
to rip his door down.

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Apparently
pleading and crying

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and kissing the keyhole
hasn't worked.

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Well, of course. He's allowed
to wipe his feet on her.

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You so much as look at
your mother the wrong way

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and you're being fitted
for a hair shirt.

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I'm used to it. I won't be
forgiven for seeing too much.

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-Too much of what?
-Her.

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Being treated like rubbish.

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I'm the one who had to
pick her up off the floor.

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She thinks my brother
was too young to remember.

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His sailor was every man
who's ever made her feel
worthless.

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My father was just
the first of many.

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Claude and I were raised
by different mothers.

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Charlotte.

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Have you time
for another coffee?

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I don't.
I have an appointment.

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I made a terrible mistake
at Monsieur Trouvier's
chateau.

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I was only hoping
to protect Paul's marriage,

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but apparently saving one son
cost me the other.

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I really must go.

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I'm no stranger
to wounded pride, Charlotte,

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or the desire to punish.

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But experience has taught me
when to unclench my fists
and walk away.

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Coming between two brothers
is a mistake.

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You will always be
on the outside looking in.

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I don't think Claude
sees this as a mistake.

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Perhaps not at the moment,
but he will,

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when you can't deliver
what you promised.

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If I couldn't deliver,
you wouldn't be
standing here, would you?

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This won't end well,
Charlotte.

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If you're thinking of using
my past against me,

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you're wasting your time.

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The woman you tracked down
from my previous
work experience

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is now married to a banker.

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He's leased a lovely shop
for Claude and me,

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just around the corner
from Maison Sabine.

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I'm not the one with my face
pressed to the glass.

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Take me home.

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Then you'll be making
another stop.

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(EXHALES AND WINCES)

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-(DOOR CLOSES)
-Where did you go?

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-It's been hours.
-(SIGHS) It took longer.

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I need your help. Can you
make that toile smaller?

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By how much?

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Er...the pattern pieces
are here.

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All the measurements
are there.

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I went back to the house.

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I saw them...

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..the couple who adopted him.

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Oh, Nina.

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-You didn't talk to them,
did you?
-No.

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-Really?
-No.

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Good.

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I spoke to a woman
who works for them.

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They had a son who died.

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I'm sorry to hear that.

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Er...look, I'm not sure
my blind stitching
is blind enough.

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-Can you see that?
-I'll do that.

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Thank you.

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(SIGHS)
I don't want them to suffer.

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Why should that mother
have to feel loss
all over again?

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That's not
our responsibility.

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-Does my brother know?
-No.

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-Billy?
-No.

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Well, what about your mother?

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-Stop.
-Nina, we have
to talk about this.

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You're going
against the grain.

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Oh.

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Thanks.

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We'll make a good life
together, Nina.

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Promise.

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-Has everyone left?
-What? Yes.

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Marianne told us to so we
could come in early tomorrow.

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Monsieur wants
everyone cleared out
before the party starts.

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What's this?

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Marianne's asked me
to help Monsieur
with the ballet sketches.

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Sorry to interrupt. Victor,
can I steal you for a minute?

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(SIGHS)

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Bompard hinted
that he may stay in Paris.

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We need to give him
a reason to go home.

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We're gonna deliver a photo.

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Let him see that those rocks
were covering
that sailor's grave

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-before we ever set eyes
on the place.
-But Paul...

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Billy's sorting that out.
You'll deliver the picture
when it's ready.

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Isn't it simpler
if I just turn myself in?

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I did this.
Not you, not your mother.

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-This was my mistake.
-We're past that.

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I'll leave the family
out of it.

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Bompard's not looking to
mount your head on his wall,
Victor.

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That's not the prize.

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(SIGHS)

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We all live with
our mistakes.

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So please, don't develop
a fucking conscience now.

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(RUMBLE OF THUNDER)

20:57.288 --> 20:59.521
(RUMBLE OF THUNDER)

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Shit. Hey!

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What's happened?

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Why couldn't this wait
till morning?

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Cos it's not safe to talk
in the Maison any more.

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Nina, that place has
too many secrets,

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and I'm not
talking about the war,
I'm talking about now.

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Billy?

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Look, I just want to work
in a place where people say
what they mean

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and everybody's not
speaking in code.

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I don't know how else
to say it. I came here
to lose myself

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and now I feel like I'm
losing too much of myself.

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What does that mean?

21:33.454 --> 21:35.521
I've been looking at
this place and this man

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in soft focus for too long,
Nina.

21:38.554 --> 21:41.421
All right?
I didn't want to have to
admit how much of myself

21:41.488 --> 21:44.321
I was willing to give up
to be seen.

21:45.154 --> 21:46.421
But I can't.

21:46.488 --> 21:48.654
I can't do it any more.

21:49.521 --> 21:51.588
So I'm going back
to New York.

21:52.421 --> 21:54.588
And I want you
to come with me.

21:56.188 --> 21:57.588
Before you answer,

21:57.654 --> 21:59.488
here are the reasons
this makes sense.

21:59.554 --> 22:01.154
-All right? You're French.
-Billy...

22:01.221 --> 22:03.088
Fashion houses are gonna be
falling all over themselves

22:03.088 --> 22:05.788
to work with the real thing,
and I have a portfolio now.

22:05.854 --> 22:07.121
I can approach any magazine.

22:07.188 --> 22:09.288
I can do strictly high-end
studio work...

22:09.354 --> 22:11.554
-Billy, please.
- All right,
so it won't be high-end.

22:12.388 --> 22:15.654
I will shoot passport photos,
Nina, I'm not proud.

22:15.721 --> 22:17.654
I love you.
We can stay with my family.

22:17.721 --> 22:18.921
What?

22:18.988 --> 22:21.454
What did I just say?

22:22.488 --> 22:25.621
I want to be where people
say what they mean,
and I mean it.

22:27.521 --> 22:29.088
I love you.

22:33.088 --> 22:34.388
I...

22:34.454 --> 22:37.088
I... I can't do this
right now.

22:37.154 --> 22:39.221
Nina, no, wait!
You don't have to.

22:39.288 --> 22:42.088
You don't have to.
Just promise me
you'll think about it.

22:42.154 --> 22:44.954
All right? And you'll meet me
back here tomorrow night.

22:46.188 --> 22:49.088
There's a party
for the ballet.
I have to be at the Maison.

22:49.088 --> 22:50.688
No, no, you don't.

22:52.088 --> 22:53.988
You don't.

22:54.088 --> 22:56.588
Let's go somewhere
where we don't have to answer
to anyone but ourselves.

23:13.321 --> 23:16.154
We'll talk more, or not
talk more, tomorrow night.

23:16.221 --> 23:17.654
All right?

23:23.888 --> 23:25.388
(CAR HORN HONKS)

23:30.988 --> 23:33.754
* CHARLES TRENET:
Y'a D'la Joie

23:33.821 --> 23:37.188
* Dans le ciel par-dessus
le toit y'a d'la joie *

23:37.254 --> 23:39.988
* Et du soleil dans les
ruelles y'a d'la joie *

23:40.088 --> 23:42.154
* Partout, y'a d'la joie

23:44.554 --> 23:47.188
-What is that underneath?
-Embossed silk.

23:48.988 --> 23:52.321
It feels so smooth
against the skin.

23:52.388 --> 23:55.888
Claude calls this
his "Layers of Samurai."

23:55.954 --> 23:57.654
It's lovely, isn't it?

23:57.721 --> 24:00.421
Is there another one,
or is this it?

24:01.688 --> 24:03.354
There's one more.

24:03.421 --> 24:05.388
I mean, I've done
some other sketches.

24:05.454 --> 24:09.954
Let me change. You can
tell Regine the philosophy
behind this new collection.

24:10.088 --> 24:11.854
Be right back.

24:11.921 --> 24:13.721
(FOOTSTEPS)

24:17.088 --> 24:19.854
Um, well...

24:19.921 --> 24:22.788
it's not...
it's not a philosophy really.

24:22.854 --> 24:25.221
It's a... It's...

24:25.288 --> 24:27.821
It's an attempt
to provide freedom.

24:30.254 --> 24:32.854
And letting women breathe.

24:32.921 --> 24:34.821
Breathe?

24:36.154 --> 24:39.888
Because everything
that's celebrated currently
is about restraint.

24:40.721 --> 24:43.754
That's a bit of a cage,
isn't it?

24:44.888 --> 24:46.588
I mean, it's more...

24:46.654 --> 24:48.521
It's more the idea

24:48.588 --> 24:51.554
that the dress
should adapt to the body

24:51.621 --> 24:55.088
rather than the body always
having to adapt to the dress.

24:58.221 --> 25:00.288
I mean, just because
you're wearing couture,

25:00.354 --> 25:04.688
it doesn't mean you shouldn't
be able to break a little
wind when you need to.

25:05.988 --> 25:07.088
Right? (CHUCKLES)

25:07.154 --> 25:10.088
I mean, that's freedom.
Right?

25:31.588 --> 25:33.588
Monsieur?

25:35.354 --> 25:39.454
-Why are you in that?
-It's for the party tonight.

25:40.288 --> 25:43.254
I told your mother I wanted
you in the teal cocotte.

25:43.321 --> 25:45.288
Dominique wore it
in the show.

25:45.354 --> 25:47.888
Um...we don't have time
to alter it.

25:47.954 --> 25:51.654
Why not?
You were supposed to come in
for a fitting yesterday.

25:51.721 --> 25:53.888
I wasn't able to make it.

25:53.954 --> 25:55.588
Were you with Claude?

25:58.088 --> 25:59.688
Yes.

26:03.354 --> 26:05.688
Tell your mother to pair it
with the cabochons set.

26:05.754 --> 26:08.688
She'll know what
I'm talking about.

26:12.654 --> 26:13.821
Monsieur...

26:20.121 --> 26:22.421
If I were no longer here
as a model...

26:25.688 --> 26:27.688
..would I still be welcome?

26:30.388 --> 26:32.088
Ah.

26:34.154 --> 26:37.121
So Charlotte's taught Claude
the art of poaching.

26:37.188 --> 26:39.154
He's asked you
to model for him.

26:39.221 --> 26:42.121
No. That's not what I meant.

26:43.854 --> 26:46.088
I was there to...

26:48.488 --> 26:52.488
Er... I helped him because
he was overwhelmed.

26:52.554 --> 26:55.854
-He needed...
-Nina, stop cowering.

26:56.688 --> 27:00.088
You're not a naughty child
who stole a lollipop
so don't act like one.

27:00.121 --> 27:02.121
You know
how fond I am of you,

27:02.188 --> 27:04.788
but you have some nerve
to betray me

27:04.854 --> 27:07.821
and then ask me
to make it easier for you.

27:12.454 --> 27:15.554
(SNIFFS) Monsieur, please.

27:18.554 --> 27:20.221
I owe you my life.

27:22.588 --> 27:24.754
Yet you still chose
my brother.

27:42.254 --> 27:44.888
Just five more minutes.
Take the sketches with you.

27:44.954 --> 27:46.521
(KNOCKING ON DOOR)

27:49.554 --> 27:52.388
-Ah, look who's here.
PAUL: Regine.

27:52.454 --> 27:53.854
How lovely to see you.

27:54.688 --> 27:56.954
Even if you're wearing
something that's not mine.

27:57.088 --> 27:59.621
REGINE: (CHUCKLES) I must go.

27:59.688 --> 28:03.221
Thank you so much.
You have a charming home.

28:03.288 --> 28:06.154
It's all very exciting.

28:09.688 --> 28:12.754
Regine, when do you return
from New York?

28:12.821 --> 28:16.421
I've seen enough, my dear.
You are definitely
on your way.

28:17.388 --> 28:19.221
It certainly has
a point of view.

28:19.288 --> 28:22.288
But let's be honest,
he is not his brother.

28:23.121 --> 28:26.821
Paul has a gift for making
anyone from anywhere
look like a lady.

28:26.888 --> 28:29.788
This one? I'm not so sure.

28:33.321 --> 28:35.721
So our next appointment
is at...

28:41.421 --> 28:42.621
(KNOCKS)

28:44.588 --> 28:46.388
-Inspector Bompard?
-Yes.

28:46.454 --> 28:48.988
The detective downstairs,
he sent me to you.

28:49.088 --> 28:51.354
-He said you could help.
-Did he?

28:51.421 --> 28:55.088
My husband's been gone
for three months.

28:55.088 --> 28:57.988
He's in the navy,
based in Cherbourg.

28:59.088 --> 29:02.588
His shipmates said
he might have run off
with someone else.

29:04.488 --> 29:06.288
Today, I um...

29:07.554 --> 29:09.488
Go on.

29:15.921 --> 29:20.721
His wallet was left in a sack
in the café next door.

29:20.788 --> 29:24.454
It was left there
in the night,
hanging on a knob.

29:35.988 --> 29:37.554
Do you know this person?

29:45.854 --> 29:48.654
-Have you called this number?
-Yes, but there was
no answer.

29:51.488 --> 29:54.488
Is there anything else
you can share?

29:57.354 --> 29:58.821
There was a stranger

29:58.888 --> 30:01.821
who came by a while ago
looking for Marc.

30:01.888 --> 30:04.054
He wasn't a shipmate.

30:05.621 --> 30:09.488
If you and Charlotte
need time to talk,
I can come back.

30:11.021 --> 30:12.821
No, she left.

30:12.888 --> 30:16.021
Said what she needed to say,
and I don't need to be
stroked.

30:16.088 --> 30:18.088
I've got a cat for that.

30:18.921 --> 30:22.254
Regine Deleurs
can't sell these dresses,
Claude, but I can.

30:22.321 --> 30:24.121
No one asked you to.

30:24.188 --> 30:27.488
You are two collections
ahead of everybody else in
this town.

30:27.554 --> 30:30.188
And they'll never catch up
with you, none of us can.

30:30.254 --> 30:32.054
This is brilliant!

30:32.121 --> 30:34.821
Did... Did Maman send you?

30:36.021 --> 30:39.354
No. Have you spoken to her?

30:39.421 --> 30:41.588
Er...no, only through a door.

30:41.654 --> 30:44.121
Actually, I might keep it
like that for a while.

30:44.188 --> 30:45.921
Maman's clueless.

30:45.988 --> 30:48.754
She thinks we're
bonded together
because we shared a bed

30:48.821 --> 30:50.354
and stolen cigarettes.

30:50.421 --> 30:52.321
The same fear of
never having enough.

30:52.388 --> 30:55.254
But that's not
what holds us together.

30:55.321 --> 30:57.254
No,
you left out a father too.

30:57.321 --> 30:59.321
Cos apparently
we share that as well.

31:00.154 --> 31:01.654
And until Maman
tells us differently,

31:01.721 --> 31:03.421
the same bastard
fell on her twice--

31:03.488 --> 31:05.288
-We've protected each other.
-Two times in five years.

31:05.354 --> 31:07.488
Where I'm weak, you're
strong. Where I'm strong...

31:07.554 --> 31:11.154
What the fuck
are you going on about?

31:11.221 --> 31:15.854
Is this all because some
pampered silly little bird
shat on my work?

31:15.921 --> 31:19.754
Cos I can handle that, Paul.

31:19.821 --> 31:23.521
I don't give a damn
what Regine Deleurs said!

31:23.588 --> 31:25.854
Exactly. You never have.
But I do!

31:26.721 --> 31:30.154
And that's why
we're better together.

31:32.754 --> 31:34.788
I'm not going backwards.

31:36.954 --> 31:38.554
I can't.

31:40.521 --> 31:45.521
Will it feel that way
if both of our names
are on the label?

31:52.254 --> 31:56.254
No. No, cos Helen's put
you up to this, hasn't she?

31:56.321 --> 31:57.888
-No.
-Did she threaten you?

31:57.954 --> 31:59.821
-Stop it.
-Turn around,
prove you don't have a key--

31:59.888 --> 32:02.821
-Fuck off, Claude.
-Cos it seems to me like
your wife might have --

32:02.888 --> 32:04.921
Helen has nothing
to do with this!

32:04.988 --> 32:06.888
What else do
you want me to say?

32:06.954 --> 32:09.721
I can't do what you can!

32:14.821 --> 32:16.754
(BREATHES HEAVILY)

32:33.588 --> 32:35.388
I'll have a document
drafted today

32:35.454 --> 32:38.421
that officially changes
the name of the house.

32:38.488 --> 32:40.654
It'll be on my desk
this evening.

32:42.554 --> 32:45.088
If you doubt me,
come by tonight.

32:45.121 --> 32:48.154
If you agree to the terms,
sign it.

32:50.088 --> 32:52.754
We can make
an announcement at the party.

32:59.154 --> 33:00.721
It's your call, Claude.

33:06.521 --> 33:12.288
* La musique tombait
comme la nuit... *

33:21.088 --> 33:23.488
Here you are. Have you eaten?

33:25.421 --> 33:28.088
I showed my sketches
to Monsieur's wife.

33:29.588 --> 33:30.888
She loved them.

33:30.954 --> 33:33.988
Said she's going to share
them with him later tonight.

33:34.088 --> 33:36.088
I thought we could celebrate.

33:36.888 --> 33:39.388
Don't you think
it's a little early
to celebrate?

33:41.088 --> 33:43.154
That wasn't
a very nice thing to say.

33:43.221 --> 33:46.088
I just don't want you
to get your hopes up

33:46.121 --> 33:48.454
and have them dashed.

33:48.521 --> 33:50.688
So you thought
you'd dash them yourself?

33:55.254 --> 33:58.088
Why is it so easy
for you to be cruel?

33:59.788 --> 34:02.788
Maybe I am...cruel.

34:35.721 --> 34:38.654
-Billy.
-Oh, Jesus!

34:38.721 --> 34:40.854
You scared me.

34:40.921 --> 34:42.721
Everything OK?

34:43.721 --> 34:45.521
What's in the envelope?

34:45.588 --> 34:47.588
It's, er...

34:50.088 --> 34:51.488
It's for your husband.

34:51.554 --> 34:53.721
It's my letter
of resignation.

34:55.288 --> 34:57.588
You're leaving us, too?

34:59.788 --> 35:02.454
Just out of curiosity,

35:02.521 --> 35:05.521
what exactly
is Charlotte offering?

35:05.588 --> 35:09.688
I'm not staying here.
I'm going back to the Bronx.

35:09.754 --> 35:11.621
Why?

35:13.588 --> 35:15.721
I just have
too many questions.

35:15.788 --> 35:20.088
And no offence,
but your husband, he doesn't
really like to give answers.

35:21.754 --> 35:23.754
Maybe I can give answers.

35:26.921 --> 35:28.588
If I'm right about you...

35:29.921 --> 35:31.821
..then I don't think you can.

35:51.254 --> 35:53.221
Is Claude here?

36:02.121 --> 36:03.988
-Where is he?
-I don't know.

36:04.854 --> 36:08.088
But if you came all the way
here to lure him back
to the Maison,

36:08.088 --> 36:09.788
you've probably wasted
a metro fare.

36:09.854 --> 36:13.088
Why would I do that?
I've been helping him.

36:13.121 --> 36:16.088
I spent the morning sewing
that dress you're folding up.

36:16.154 --> 36:19.821
Well, then he's made a fool
of both of us.

36:19.888 --> 36:23.254
My fault. I should have never
left Claude alone with him.

36:23.321 --> 36:25.154
-With who?
-His brother,

36:25.221 --> 36:27.421
who'll convince you
that you can't walk

36:27.488 --> 36:29.788
even as you're
running away from him.

36:29.854 --> 36:32.088
Claude knows that.

36:33.254 --> 36:37.088
-He's ready to be on his own.
-Well, so am I.

36:49.354 --> 36:51.154
I'll get you some tape.

36:58.654 --> 37:03.621
It's a myth, you know...
that we're ruled
by our emotions.

37:03.688 --> 37:06.388
It's not true. Men are.

37:08.354 --> 37:12.154
They react without thinking,
then call it instinct.

37:18.788 --> 37:20.721
You can trust Claude.

37:23.788 --> 37:25.354
No.

37:27.221 --> 37:29.388
I can trust myself.

37:34.154 --> 37:36.321
(MUSIC AND LAUGHTER)

37:46.588 --> 37:48.588
Merci, monsieur.

37:50.821 --> 37:53.088
Oh, Georgia, look at you.

37:54.354 --> 37:56.521
-It's so good to see you.
-How lovely to see you.

37:56.588 --> 37:58.221
Won't you come in
and have a drink?

37:58.288 --> 38:00.454
Just go straight through...

38:05.188 --> 38:07.688
Lovely to see you.

38:46.688 --> 38:48.954
..I'll keep hold of the
belt... roller skates.

38:49.088 --> 38:51.088
(KNOCKING ON DOOR)

38:52.421 --> 38:54.254
(KNOCKING)

39:02.488 --> 39:06.821
Good evening. I am
looking for Claude Sabine.

39:06.888 --> 39:09.088
Is he here?

39:17.688 --> 39:19.388
Claude.

39:20.821 --> 39:22.588
Hello.

39:24.354 --> 39:28.554
Um...I'm not here
to cause a scene or...

39:29.388 --> 39:32.954
..or rip dresses
off your guests or anything,

39:33.088 --> 39:35.821
I swear. They didn't even
see me come in.

39:35.888 --> 39:37.854
I don't doubt it.

39:37.921 --> 39:40.188
You have a gift
for disappearing.

39:53.654 --> 39:55.754
I'm sorry, Helen.

40:00.054 --> 40:03.521
She...threw me a life jacket.

40:06.654 --> 40:08.654
So why are you here?

40:10.621 --> 40:11.754
Um...

40:12.621 --> 40:15.054
My brother asked me
to come back.

40:16.888 --> 40:18.721
On different terms.

40:20.788 --> 40:22.121
I need him.

40:28.021 --> 40:32.154
Juliette. What did Monsieur
say about the sketches?

40:34.088 --> 40:35.588
He hasn't seen them.

40:35.654 --> 40:37.021
And he won't.

40:37.088 --> 40:40.454
I'm going to ask Madame
not to share them with him.

40:40.521 --> 40:42.321
But why?

40:42.388 --> 40:44.421
This is your chance
to be noticed.

40:44.488 --> 40:46.788
-For him to see what you --
-I don't want him to see.

40:46.854 --> 40:49.321
-But you want to be
a designer.
-And when I was little,

40:49.388 --> 40:51.221
I wanted to be a mermaid.

40:51.288 --> 40:53.454
Should I hold out for that,
too?

40:54.454 --> 40:58.221
How can I design clothes
for balls and resorts

40:58.288 --> 41:00.254
when I've never
been to either?

41:00.321 --> 41:03.854
-And never will.
-I don't understand.

41:03.921 --> 41:07.154
I'm about as likely to rub
shoulders with a debutante

41:07.221 --> 41:09.188
as a girl with a fishtail.

41:09.254 --> 41:13.188
So I might as well hold on
to what God did give me.

41:14.688 --> 41:16.521
Some dignity.

41:18.954 --> 41:21.121
He also gave you spirit.

41:21.954 --> 41:23.988
And imagination.

41:24.088 --> 41:26.221
And talent.

41:27.254 --> 41:29.621
It's your job to show it.

41:32.521 --> 41:34.754
What if he hates my drawings?

41:36.488 --> 41:39.454
Why reach just
to get slapped down?

41:42.088 --> 41:45.121
Because that's going to
happen whether you
reach or not.

42:03.354 --> 42:05.521
Do you know this story?

42:19.488 --> 42:21.588
Sorry. Excuse me.

42:23.754 --> 42:25.588
Charlotte, honey,
what a pleasant surprise.

42:25.654 --> 42:28.221
I'm not here for your party.
Where's Claude?

42:28.288 --> 42:30.954
Get rid of her.
I don't care how you do it,

42:31.088 --> 42:32.988
just don't let her
make a scene.

42:33.088 --> 42:35.088
CHARLOTTE: I want to see
Claude. Where is he?

42:35.121 --> 42:39.154
Would you come with me
where we can talk?
Please just come with me.

42:39.221 --> 42:41.554
PAUL: Is there anything
you want to change?

42:43.721 --> 42:45.088
Claude?

42:48.154 --> 42:49.954
Did I leave anything out?

42:50.088 --> 42:53.554
Look, I am trying to
broker peace between
you and his family,

42:53.621 --> 42:55.421
but, honey, this is not
the right time for --

42:55.488 --> 42:57.521
-Are they in his office?
-If you stomp in here

42:57.588 --> 42:59.621
like an angry Apache,
you're not helping
your cause.

42:59.688 --> 43:02.754
This is not a cause.
This is a business.

43:03.821 --> 43:07.121
Then why are you
using your dirty laundry
as window dressing?

43:48.088 --> 43:50.154
(WRITING)

44:03.288 --> 44:05.721
We have some
unexpected guests.

44:06.421 --> 44:08.554
You may want to stay up here
for a bit.

44:08.621 --> 44:10.588
Who are
the unexpected guests?

44:10.654 --> 44:13.754
Inspector Bompard,
with a gendarme.

44:13.821 --> 44:15.788
Bompard?

44:15.854 --> 44:17.688
(SCOFFS)

44:17.754 --> 44:20.088
Why is he back in our lives?

44:28.421 --> 44:30.688
-Can I help you?
-Forgive our intrusion,

44:30.754 --> 44:32.988
but I'm looking for
Monsieur Sabine.

44:33.088 --> 44:35.654
-Is he here?
-I'm his wife.

44:35.721 --> 44:37.521
What is this regarding?

44:37.588 --> 44:39.521
We're here to make an arrest,
Madame.

44:39.588 --> 44:43.688
I gave you time.
I gave you time to tell him.

44:43.754 --> 44:46.954
-Tell me what?
-I used my time well.

44:47.088 --> 44:48.454
Claude will be fine.

44:48.521 --> 44:51.188
That detective left here
wanting answers
from all of us.

44:51.254 --> 44:54.088
-Answers about what?
-Keep your voices down.

44:54.088 --> 44:55.854
I've taken care of this.

44:55.921 --> 44:57.421
Like you took care
of a sailor?

44:57.488 --> 44:58.788
Paul!

45:02.988 --> 45:05.088
What the fuck
are you talking about?

45:05.088 --> 45:07.788
I told you
I took care of this.

45:08.788 --> 45:10.421
She had him killed.

45:10.488 --> 45:12.521
-What are you doing?
-That's who's buried
at the cottage.

45:12.588 --> 45:15.088
-Paul,
what are you trying to prove?
-She killed him

45:15.121 --> 45:17.088
because she thought
he was a threat.

45:17.121 --> 45:18.588
-Stop talking!
-He knew our secrets.

45:18.654 --> 45:21.521
-Paul!
-She still sees us as mice,

45:21.588 --> 45:23.654
and the sky
swirling with hawks.

45:23.721 --> 45:26.454
YVETTE: There's just you,
me and your brother.

45:26.521 --> 45:28.854
This family will not be hurt.

45:28.921 --> 45:31.588
Keep telling yourself that.
We weren't defending
ourselves!

45:31.654 --> 45:33.988
-We threw the first punch!
-Stop talking!

45:34.088 --> 45:37.488
We paid him to be a monster
and then punished him for it.

45:41.688 --> 45:43.688
You...

45:51.288 --> 45:54.788
You paid Marc to attack me?

45:56.621 --> 45:59.454
YVETTE: Claude, darling.

46:00.921 --> 46:02.754
You both did this?

46:02.821 --> 46:05.288
There's nothing for
you to worry about.

46:05.354 --> 46:08.488
That detective
is not here to see us.

46:08.554 --> 46:10.554
Well, then who?

46:11.388 --> 46:13.654
I don't understand.
I've never even heard of
this person.

46:13.721 --> 46:16.788
The telephone number
of your former madam
was in his wallet.

46:16.854 --> 46:18.654
You may not remember
your old clients,

46:18.721 --> 46:20.788
but this one went to
great lengths to find you.

46:20.854 --> 46:22.721
I don't know what
you're talking about.

46:22.788 --> 46:25.688
-I don't know this man.
-Then perhaps you can
explain to us

46:25.754 --> 46:30.288
why we found this...
in your apartment.

46:31.588 --> 46:35.088
-BOMPARD: His identity tag.
-CHARLOTTE: I swear I've
never heard of this person.

46:35.121 --> 46:36.621
BOMPARD: We needn't
discuss this here.

46:36.688 --> 46:38.088
CHARLOTTE:
Please, just let me...

46:38.088 --> 46:39.554
BOMPARD:
Please get in the car.

46:50.754 --> 46:53.088
You're safe.

46:56.254 --> 46:58.188
You left out a lot.

47:01.721 --> 47:03.421
Oh, Claude.

47:03.488 --> 47:05.421
(DOOR SLAMS)

47:06.288 --> 47:08.388
(CLOCK TICKING)

47:31.421 --> 47:32.521
Nina.

47:32.588 --> 47:34.088
Sorry.

47:45.954 --> 47:47.321
(BELL RINGS)

48:02.688 --> 48:04.088
Can I help you?

48:54.788 --> 48:56.254
Did you find your brother?

48:56.321 --> 48:58.488
I wouldn't know
where to look.

49:00.121 --> 49:02.288
(SNIFFLES)
Try that detective's office.

49:06.554 --> 49:08.721
If that's what
he wants to do...

49:10.154 --> 49:11.488
..let him.

49:11.554 --> 49:13.921
And what is that
supposed to mean?

49:13.988 --> 49:16.688
I'm finished cleaning up
after my mother.

49:18.821 --> 49:23.088
Was pinning it on Charlotte
your idea...or hers?

49:24.154 --> 49:26.521
We'll take up Marjorie's
offer, go to New York.

49:26.588 --> 49:29.421
Scout a location
for another atelier.

49:32.788 --> 49:37.521
This was left on the doorstep
last night, waiting for us.

49:52.588 --> 49:54.088
(SIGHS)

49:59.521 --> 50:02.388
I'll be staying with
my uncle.

50:10.188 --> 50:12.154
Helen, please.

50:13.921 --> 50:15.554
Let's go to New York.

50:16.388 --> 50:19.121
I'm not sure
who I'd be going with.