WEBVTT 00:03:00.601 --> 00:03:42.143 ..:: ارائه شده توسط وب سايت بلبل جان ::.. ‏.:: www.bolboljan.net ::. 00:03:46.601 --> 00:03:48.143 (GEORGE LAUGHING) 00:03:48.228 --> 00:03:52.523 GEORGE: Come on, Charlie. Stop messing about. We really have to get down to it now. 00:03:53.525 --> 00:03:55.651 I just hope our friendship survives the day, that's all. 00:03:55.694 --> 00:03:59.029 CHAPLIN: Oh, George, don't be so melodramatic. 00:03:59.406 --> 00:04:01.782 GEORGE: Well, it's your autobiography, Charlie. 00:04:01.825 --> 00:04:07.246 And as your editor, I have to tell you that parts of the manuscript 00:04:07.330 --> 00:04:11.417 are pretty vague, to say the least. I mean, for instance, your mother. 00:04:12.002 --> 00:04:14.586 Now, when did she first lose control? 00:04:15.005 --> 00:04:17.089 We need to know those facts. 00:04:17.757 --> 00:04:18.757 CHAPLIN: It's hard to say. 00:04:19.592 --> 00:04:23.679 She could be so wonderful on her good days. 00:04:24.597 --> 00:04:27.391 (HUMMING) 00:04:32.772 --> 00:04:35.107 (BIG BAND MUSIC PLAYING) 00:04:36.776 --> 00:04:39.361 (SINGING THE HONEYSUCKLE AND THE BEE) 00:04:50.040 --> 00:04:51.373 (MUTTERING) 00:04:52.709 --> 00:04:54.585 (MAN BLOWING RASPBERRY) 00:04:55.420 --> 00:04:57.046 (YAWNING LOUDLY) 00:04:59.549 --> 00:05:01.133 (WOMAN LAUGHING) 00:05:05.347 --> 00:05:07.056 (SINGING HALTINGLY) 00:05:09.726 --> 00:05:11.018 Can't hear you, love! 00:05:11.061 --> 00:05:13.020 -Come on, get on with it! -Get off! 00:05:13.063 --> 00:05:15.147 Silly woman! Get off, you silly cow! 00:05:15.231 --> 00:05:16.857 (CROWD MURMURING) 00:05:20.362 --> 00:05:21.362 Come on, Mum! 00:05:21.446 --> 00:05:22.738 We want our money back! 00:05:22.906 --> 00:05:25.407 -Come on! -What's the matter with you? 00:05:25.450 --> 00:05:26.575 Get off! 00:05:29.329 --> 00:05:30.746 (WHISTLING) 00:05:33.958 --> 00:05:36.126 Off! Off! Quick, lady, off! 00:05:36.378 --> 00:05:38.337 Listen, listen. Come on. Cut it out! 00:05:40.090 --> 00:05:41.090 Off! 00:05:41.758 --> 00:05:43.133 You're out of it. Finished. 00:05:45.512 --> 00:05:48.138 Ladies and gentlemen... Ladies and gentlemen! 00:05:48.264 --> 00:05:50.516 Ladies and gentlemen, retaining your special attention... 00:05:50.600 --> 00:05:53.310 Come on! Play the game! Play fair, lads. 00:05:53.770 --> 00:05:55.688 Play the game! Come on, lads! 00:05:56.189 --> 00:05:58.607 -Stop! Please, sir! -Get off the stage! 00:05:58.942 --> 00:06:00.359 Get off the bloody stage! 00:06:00.443 --> 00:06:02.403 -Isn't he cute? -We got another lovely act for you... 00:06:02.445 --> 00:06:04.947 -What? -Mister, I know it. I can do the song. 00:06:05.115 --> 00:06:07.324 -MAN: Says he knows it, let him do it! -Let him have a go! 00:06:07.659 --> 00:06:09.410 Give the boy a chance, then! 00:06:10.787 --> 00:06:11.787 What's your name, son? 00:06:11.830 --> 00:06:13.664 -Charles. -Charles, Charles what? 00:06:13.748 --> 00:06:15.457 -Charles Chaplin. -Charles Chaplin. 00:06:15.500 --> 00:06:18.711 All right, ladies and gentlemen, at very short notice and at great expense, 00:06:18.795 --> 00:06:24.133 for your special pleasure, we're delighted to present Master Charles Chaplin. 00:06:24.175 --> 00:06:25.801 (CROWD CHEERING) 00:06:26.803 --> 00:06:27.845 Half a mo! 00:06:30.807 --> 00:06:31.807 Ready? 00:06:34.310 --> 00:06:35.811 (BAND PLAYING) 00:06:36.604 --> 00:06:39.189 (SINGING THE HONEYSUCKLE AND THE BEE) 00:06:59.627 --> 00:07:01.503 (COIN CLATTERING) 00:07:07.385 --> 00:07:09.011 (CROWD CHEERING) 00:07:12.390 --> 00:07:13.974 (COINS CLATTERING) 00:07:24.527 --> 00:07:28.238 GEORGE: Your mother never sang again? CHAPLIN: No. Never. 00:07:28.531 --> 00:07:32.659 LANDLADY: I'm warning you, Mrs. Chaplin, if I don't get me rent, I'll report you! 00:07:32.702 --> 00:07:35.037 Them two little mites ain't fed proper! 00:07:41.670 --> 00:07:43.921 If I don't get me rent today, I'll report you! 00:07:44.005 --> 00:07:45.255 (CHILDREN LAUGHING) 00:07:45.340 --> 00:07:47.174 You're two months behind! 00:07:47.759 --> 00:07:48.884 (GASPING) 00:07:48.927 --> 00:07:51.345 The rent? Rent? 00:07:51.388 --> 00:07:52.888 What on Earth is that? 00:07:53.264 --> 00:07:55.641 Oh, shut up, you ghastly woman! 00:07:56.393 --> 00:07:58.143 (CHILDREN LAUGHING) 00:07:58.269 --> 00:07:59.269 SYD: Go on, Mum. 00:08:04.818 --> 00:08:07.736 Sorry it's only fish heads again, darlings. 00:08:14.369 --> 00:08:16.704 I'll get you a plum cake one day. 00:08:17.831 --> 00:08:19.707 When my ship comes in. 00:08:23.503 --> 00:08:25.421 (FOOTSTEPS APPROACHING) 00:08:28.133 --> 00:08:29.758 (BANGING AT DOOR) 00:08:29.926 --> 00:08:32.261 Mum? Someone's coming! 00:08:39.769 --> 00:08:41.270 MAN 1 : Mrs. Chaplin? 00:08:45.442 --> 00:08:47.568 These are your children, I take it? 00:08:51.281 --> 00:08:52.489 Not the workhouse. 00:08:53.033 --> 00:08:54.283 MAN 2: For their own good. 00:08:55.410 --> 00:08:56.535 COP: Stop! Come back here! 00:08:57.037 --> 00:08:58.037 Stop him! 00:08:59.748 --> 00:09:01.290 Stop, you little... 00:09:02.292 --> 00:09:04.293 Come here! We've got... 00:09:04.878 --> 00:09:06.462 Come here, you little... 00:09:08.923 --> 00:09:10.549 We've got him! 00:09:23.021 --> 00:09:24.438 CHAPLIN: Syd! 00:09:24.481 --> 00:09:27.775 Syd! 00:09:28.693 --> 00:09:30.778 Now, then. Up you go. 00:09:30.820 --> 00:09:32.112 CHAPLIN: Syd! 00:09:34.032 --> 00:09:37.451 Get off! Put me down! Let me go! Let go of me. 00:09:37.494 --> 00:09:38.786 GEORGE: You were beaten? 00:09:38.828 --> 00:09:40.871 CHAPLIN: With a cane as thick as a man's thumb. 00:09:40.955 --> 00:09:42.456 GEORGE: And Syd? 00:09:42.499 --> 00:09:45.000 CHAPLIN: Sent to a training ship. Then to sea. 00:09:45.752 --> 00:09:49.672 GEORGE: You don't tell us how long you spent in the workhouse, or how you got out. 00:09:49.714 --> 00:09:52.508 CHAPLIN: I don't? That's a mistake. I was there for a year. 00:09:52.550 --> 00:09:55.386 Um, my mother started taking in piecework. 00:09:56.179 --> 00:09:57.805 Sewing gloves. 00:09:58.348 --> 00:10:01.558 GEORGE: So, while you were growing up, it was just the two of you. 00:10:02.769 --> 00:10:05.396 -Your father? -CHAPLIN: What about my father? 00:10:05.772 --> 00:10:08.732 GEORGE: Well, he died during that period, didn't he? When you were 12. 00:10:08.817 --> 00:10:11.235 -You don't write very much about him. -CHAPLIN: I don't know very much about him. 00:10:11.319 --> 00:10:13.696 He left just after I was born, he sang on the stage, he died of drink. 00:10:13.780 --> 00:10:15.656 What else should I say? 00:10:16.116 --> 00:10:18.200 GEORGE: Well, this is your book we're talking about, Charlie. 00:10:18.284 --> 00:10:20.536 It's your life. It's up to you. 00:10:25.417 --> 00:10:28.752 MAN: Hold your horse, gov. CHAPLIN: Hold your horse, gov. 00:10:28.837 --> 00:10:31.588 What's up, Rummy? All the booze gone down to your feet? 00:10:31.673 --> 00:10:33.507 -Don't you give me that lip, Charlie. -CHAPLIN: Come on. 00:10:33.550 --> 00:10:36.593 All right, clear off out of here! Go on, go on. Now! 00:10:36.678 --> 00:10:38.053 CHAPLIN: Didn't mean no harm. 00:10:42.308 --> 00:10:43.475 Watch you, Lil. 00:10:43.560 --> 00:10:44.768 -Charlie? -Yeah. 00:10:44.853 --> 00:10:45.853 Hello, love. 00:10:49.607 --> 00:10:51.275 (MONGER SHOUTING) 00:10:51.359 --> 00:10:54.570 Hi, Charlie. Know what? Your mum's gone mad again! 00:10:55.321 --> 00:10:56.572 Get off! 00:10:57.699 --> 00:10:59.241 (KIDS SHOUTING) 00:11:19.387 --> 00:11:21.513 (HANNAH HUMMING) 00:11:45.747 --> 00:11:46.747 Mum? 00:11:49.167 --> 00:11:51.460 Thank God you got here, Charlie! 00:11:52.504 --> 00:11:55.464 I got you that plum cake, just like I said. 00:11:59.969 --> 00:12:01.345 Thanks, Mum. 00:12:20.365 --> 00:12:22.491 CLERK: Make your mark, son, if you can't sign. 00:12:23.118 --> 00:12:25.828 The parish doctor said to bring her here. 00:12:27.330 --> 00:12:29.498 Well, she'll be better off. 00:12:31.376 --> 00:12:33.877 -What about you, son? -I'll be fine. 00:12:33.962 --> 00:12:37.339 -What do you mean, "fine"? -I'll stay with me aunty. 00:12:37.549 --> 00:12:40.175 You watch your feet, mister! Shoes cost money! 00:12:41.386 --> 00:12:44.054 Sometimes she thinks the floor is the River Jordan. 00:12:46.016 --> 00:12:49.518 -We won't get wet, Mum. -Yes, we'll do our best. 00:12:51.062 --> 00:12:54.064 Why don't you say goodbye to her now, sonny? 00:12:55.775 --> 00:12:58.110 -Charlie! -Wasn't thinking, Mum. 00:13:11.291 --> 00:13:15.210 -Mum, I love you so much. -I know, I know. 00:13:16.963 --> 00:13:20.424 If only you'd given me a cup of tea, I'd have been all right. 00:13:20.508 --> 00:13:22.259 They'll take better care of you than I can, Mum. 00:13:22.969 --> 00:13:26.597 One cup of tea! You must have wanted to get rid of me bad. 00:13:26.723 --> 00:13:28.932 I didn't, Mum. I really didn't. 00:13:30.727 --> 00:13:33.520 -Come along, dear. -You're a lying little runt. 00:13:35.106 --> 00:13:38.025 You're gonna end up just like your father. 00:13:45.784 --> 00:13:48.243 Charlie? Don't do this to me. 00:13:48.995 --> 00:13:52.956 I love you, Charlie. Don't let them take me away from you! 00:13:53.458 --> 00:13:55.709 (SCREAMING) No, you can't let them do this to me! 00:13:56.503 --> 00:13:59.213 Don't let them do this to me, Charlie! 00:13:59.255 --> 00:14:00.547 (SOBBING) 00:14:00.590 --> 00:14:04.510 Don't let them take me away from you! Charlie! 00:14:05.387 --> 00:14:07.554 Why are you doing this? 00:14:07.597 --> 00:14:08.931 (SHOUTING) 00:14:10.767 --> 00:14:12.142 (SCREAMING) 00:14:22.070 --> 00:14:25.447 (SINGING ANY OLD IRON) 00:14:35.250 --> 00:14:36.834 (BOTH LAUGHING) 00:14:37.293 --> 00:14:40.129 CHAPLIN: Was you scared, Syd? First time you met this Karno geezer? 00:14:40.213 --> 00:14:44.800 SYD: Every bugger's scared. And it's Mr. Karno to the likes of you, remember. 00:14:44.843 --> 00:14:46.343 If you wanna be in vaudeville, 00:14:46.428 --> 00:14:48.721 you don't work for him, you don't work for nobody. Got it? 00:14:48.805 --> 00:14:49.805 CHAPLIN: Yes. 00:14:50.932 --> 00:14:55.769 Now, look, if you get this job, and with what I'm bringing in, 00:14:57.105 --> 00:14:59.565 we can move Mum somewhere better. 00:15:02.152 --> 00:15:04.570 -Don't let me down. -I'll be great, Syd. 00:15:04.654 --> 00:15:08.657 You don't have to be great. Just shut up and be funny. 00:15:10.160 --> 00:15:13.454 -Morning, Mr. Karno. -Hello, Sydney. Come on over. 00:15:13.997 --> 00:15:15.914 -All right. -We've got summat to eat. 00:15:15.999 --> 00:15:16.999 Ta. 00:15:17.500 --> 00:15:22.087 Now, then, what about this young brother of yours? 00:15:22.839 --> 00:15:25.424 Well, you know, he's been legit up to now, Mr. Karno. 00:15:25.508 --> 00:15:28.135 But he sings and he dances a treat. 00:15:28.720 --> 00:15:30.846 Sydney, Sydney. 00:15:32.307 --> 00:15:35.809 I've got song and dance men like you coming out of me ears. 00:15:35.852 --> 00:15:37.227 I need comics. 00:15:38.021 --> 00:15:40.773 Yeah, well, his slapstick is fantastic. 00:15:40.857 --> 00:15:43.859 You know, he's got the knack. Watch him. 00:16:00.460 --> 00:16:01.835 (CHUCKLING) 00:16:10.220 --> 00:16:12.930 He can do more, you know. More stuff. 00:16:16.142 --> 00:16:17.226 I hope so. 00:16:27.153 --> 00:16:28.487 (LAUGHING) 00:16:34.327 --> 00:16:35.911 Bloody hell! 00:16:42.252 --> 00:16:44.503 -You all right, kid? -Yes. 00:16:44.587 --> 00:16:46.171 Need the job that bad, eh? 00:16:46.256 --> 00:16:47.423 Yes, sir. 00:16:47.757 --> 00:16:49.091 You know what comedy is? 00:16:49.718 --> 00:16:51.593 Knowing who you are and where you come from. 00:16:51.928 --> 00:16:54.722 -And it's got to be perfection. -Yes, sir. 00:16:56.474 --> 00:16:58.642 -Can I come out now? -You may. 00:17:01.646 --> 00:17:03.313 (CROWD APPLAUDING) 00:17:04.858 --> 00:17:06.775 (BAND PLAYING FANFARE) 00:17:07.110 --> 00:17:12.156 Ladies and gentlemen, it's been a great evening so far, hasn't it? 00:17:12.240 --> 00:17:13.240 (CROWD GRUMBLING) 00:17:13.408 --> 00:17:17.494 Well, I promise you, you are going to love the next act. 00:17:19.039 --> 00:17:21.623 Everybody loves elephants. 00:17:24.169 --> 00:17:26.003 And, right here on our stage, 00:17:26.087 --> 00:17:31.175 you will see 20 of the largest, most graceful specimens. 00:17:31.259 --> 00:17:34.303 These are straight from the jungle. 00:17:34.637 --> 00:17:35.637 (BURPING) 00:17:35.722 --> 00:17:37.264 Do you mind, sir? 00:17:37.307 --> 00:17:39.558 I'm trying to introduce our dancing elephants. 00:17:39.642 --> 00:17:40.642 (HORN MIMICKING ELEPHANT) 00:17:40.685 --> 00:17:42.936 Do please take your seat, sir. 00:17:44.564 --> 00:17:45.856 Sit down, sir! 00:17:50.445 --> 00:17:52.029 (CROWD LAUGHING) 00:17:58.995 --> 00:18:00.496 Take your feet down, sir! 00:18:00.830 --> 00:18:02.164 Show a little respect! 00:18:02.207 --> 00:18:06.710 And now, ladies and gentlemen, a very big round of applause 00:18:06.920 --> 00:18:09.004 for our next act! 00:18:09.089 --> 00:18:10.130 (BAND PLAYS FANFARE) 00:18:10.173 --> 00:18:13.967 Captain Boytom and his pulchritudinous pachyderms! 00:18:15.261 --> 00:18:16.887 (CYMBAL CRASHING) 00:18:16.971 --> 00:18:18.555 (CROWD LAUGHING) 00:18:20.183 --> 00:18:22.810 Oh, no, really, sir! This is too much. 00:18:25.021 --> 00:18:26.689 (AUDIENCE GASPING) 00:18:27.357 --> 00:18:30.818 Kindly remember, sir, this is a place of entertainment, 00:18:32.070 --> 00:18:37.533 not a four-ale bar or a rest home for inebriates! 00:18:37.617 --> 00:18:38.951 (LAUGHING) 00:18:42.205 --> 00:18:45.290 Now, sit down and behave yourself. 00:18:48.545 --> 00:18:50.045 (CROWD GASPING) 00:18:55.427 --> 00:18:57.052 (CROWD LAUGHING) 00:19:27.000 --> 00:19:28.625 (CYMBAL CRASHlNG) 00:19:28.918 --> 00:19:30.252 (LAUGHING) 00:19:36.760 --> 00:19:37.885 (HORN HONKS) 00:19:39.679 --> 00:19:40.846 (HORN BLOWS RASPBERRY) 00:19:44.059 --> 00:19:47.519 Ladies and gentlemen, Mr. Charles Chaplin! 00:20:01.368 --> 00:20:02.368 Good evening. 00:20:02.452 --> 00:20:04.328 Ladies and gentlemen, for your continuing enjoyment... 00:20:04.412 --> 00:20:05.788 (WHlSTLlNG) 00:20:07.540 --> 00:20:10.668 -How do, cookie? -All right, dearie? 00:20:10.752 --> 00:20:12.628 -Hello, Charlie. -Hello, Laurie love. 00:20:12.671 --> 00:20:15.005 -Hear your governor's in tonight. -Yeah, I saw him. 00:20:21.971 --> 00:20:22.971 Hello, love. 00:20:23.014 --> 00:20:25.557 WOMAN 1 : Hey, Charlie, come and do me up, will you, love? 00:20:25.642 --> 00:20:27.017 I'm that late! 00:20:31.106 --> 00:20:32.815 I'm never going to make it. 00:20:38.905 --> 00:20:40.197 WOMAN 2: So, when did it start? 00:20:40.490 --> 00:20:43.492 This afternoon. He's only four. 00:20:44.035 --> 00:20:46.328 I thought he'd cough his little heart out. 00:20:46.413 --> 00:20:49.164 lt could be the croup. You should call a doctor. 00:20:49.290 --> 00:20:50.833 l can't afford no doctor! 00:20:51.334 --> 00:20:52.793 STAGE MANAGER: Yankee Doodles, five minutes, please! 00:20:52.836 --> 00:20:54.878 WOMAN 1 : Just give him a bit and say you'll pay the rest later. 00:20:54.963 --> 00:20:57.006 WOMAN 3: Come on, girls, you'll be off. Get a move on! 00:20:57.674 --> 00:20:58.841 WOMAN 4: Can't get this blasted thing to close. 00:20:59.259 --> 00:21:03.345 Here, Charlie, my Harry was in last night. He thought you were hysterical! 00:21:04.931 --> 00:21:07.683 -Charlie, now, how do I look? -Fine. Yeah, fine. 00:21:08.518 --> 00:21:10.561 WOMAN 1 : You're a good boy, Charlie. Saved my bacon. 00:21:10.645 --> 00:21:11.979 Stupid... 00:21:16.026 --> 00:21:17.443 (DOOR OPENlNG) 00:21:21.322 --> 00:21:22.364 (GASPS) 00:21:22.407 --> 00:21:23.866 What are you doing in here? 00:21:25.952 --> 00:21:26.952 The others don't mind. 00:21:27.537 --> 00:21:28.871 Well, I do! 00:21:30.582 --> 00:21:31.790 You must be new. 00:21:32.208 --> 00:21:35.336 I'm going to complain. l'll tell Mr. Karno. 00:21:38.089 --> 00:21:40.716 -Dirty, little good-for-nothing. -Lips. 00:21:41.259 --> 00:21:42.259 What? 00:21:43.720 --> 00:21:44.720 Lips. 00:21:46.598 --> 00:21:47.598 Oh, no. 00:21:51.394 --> 00:21:52.394 Here. 00:21:55.273 --> 00:21:56.899 I'm still going to complain. 00:22:03.573 --> 00:22:04.740 Ta. 00:22:05.325 --> 00:22:07.284 Well, thanks, I suppose. 00:22:08.536 --> 00:22:09.661 STAGEHAND: Last again? 00:22:23.760 --> 00:22:24.927 JOE: Good evening, my lady. 00:22:25.428 --> 00:22:27.221 -Evening, my Lord. -MAN: Evening, Joe. 00:22:34.896 --> 00:22:36.438 Here, give us your coat. 00:22:37.065 --> 00:22:38.315 -Thank you. -Coat, sir? 00:22:39.067 --> 00:22:40.234 -Thank you, madam. -Thank you. 00:22:40.610 --> 00:22:41.819 (WOMAN LAUGHING) 00:22:41.903 --> 00:22:42.903 And your hat, sir. 00:22:42.987 --> 00:22:44.488 Go! Look the other way. 00:22:44.781 --> 00:22:45.781 Oi! 00:22:47.158 --> 00:22:51.328 Hello, hello, who's out on the town, then? 00:22:51.746 --> 00:22:54.873 -Evening, Governor. -And in my tails, at that! 00:22:54.958 --> 00:22:55.958 Mrs. Karno. 00:22:56.001 --> 00:22:58.794 Don't go spilling nothing down your front, my lad. 00:22:58.878 --> 00:23:00.754 Cost me good money, did that suit. 00:23:00.839 --> 00:23:02.548 (LAUGHING) 00:23:04.509 --> 00:23:05.968 MRS. KARNO: Ah, Fred, you are a one. 00:23:06.094 --> 00:23:07.970 KARNO: You want to watch him, darling. 00:23:08.471 --> 00:23:10.305 This time tomorrow, be on the high seas. 00:23:10.390 --> 00:23:11.724 (LAUGHING) 00:23:13.268 --> 00:23:14.685 Don't say I didn't warn you. 00:23:14.853 --> 00:23:16.186 (LAUGHING) 00:23:19.482 --> 00:23:21.316 CHAPLIN: Cor blimey. 00:23:21.401 --> 00:23:24.153 Good evening. I booked a table. 00:23:24.946 --> 00:23:26.530 Name of Chaplin. 00:23:34.247 --> 00:23:36.165 l booked it a week ago. 00:23:37.834 --> 00:23:39.501 There's nothing here, sir. 00:23:42.255 --> 00:23:44.006 We're fully booked. 00:23:45.842 --> 00:23:47.676 There must be some error. 00:23:59.856 --> 00:24:02.691 l really did book that table. You know? 00:24:02.859 --> 00:24:04.026 l know. 00:24:04.861 --> 00:24:08.238 You know, it's 'cause that geezer's seen us with Karno. 00:24:08.323 --> 00:24:11.658 And they won't have theatricals in them fancy places. 00:24:13.620 --> 00:24:15.537 You wait. Someday they'll beg. 00:24:16.164 --> 00:24:19.541 Yeah, we'll walk in there, you and me. 00:24:19.626 --> 00:24:21.043 (CHUCKLlNG) 00:24:21.169 --> 00:24:25.381 You in a fur, dripping jewels, me in me own whistle. 00:24:25.924 --> 00:24:28.467 -Whistle? -Yeah, whistle and flute. Suit. 00:24:28.718 --> 00:24:30.052 Oh. I see. 00:24:41.398 --> 00:24:42.398 Will you marry me? 00:24:43.233 --> 00:24:44.566 (LAUGHING) 00:24:47.278 --> 00:24:48.278 No. 00:24:50.073 --> 00:24:51.573 l mean, where would I get the jewels, anyway? 00:24:51.616 --> 00:24:53.075 From me, you know. 00:24:53.118 --> 00:24:56.620 Engagement rings, wedding tiaras, rubies, diamonds, pearls, emeralds... 00:24:56.705 --> 00:24:59.456 Charlie, I can't marry you. 00:25:03.753 --> 00:25:05.254 l can't think of any reason why not. 00:25:09.592 --> 00:25:11.135 Well, I'm only 16. 00:25:11.594 --> 00:25:14.930 Yeah, well, you know, you get older. Why else? 00:25:15.932 --> 00:25:17.016 Well, we hardly know each other. 00:25:17.100 --> 00:25:20.811 This is the first time we spent more than a couple of minutes together. 00:25:20.895 --> 00:25:23.939 All right, well, when I get back from America, we'll spend more time together. 00:25:24.024 --> 00:25:25.232 Why else? 00:25:25.900 --> 00:25:27.109 Charlie, are you serious? 00:25:29.154 --> 00:25:30.446 GEORGE: Well, were you, Charlie? 00:25:32.282 --> 00:25:34.241 'Cause you say you were. 00:25:34.617 --> 00:25:37.453 l just want to make sure you got down exactly what you meant. That's all. 00:25:37.579 --> 00:25:40.998 -lt's on page 40-something. -33. 00:25:42.751 --> 00:25:43.751 Yes. 00:25:44.794 --> 00:25:46.795 l mean, you never even kissed her. 00:25:48.298 --> 00:25:50.424 You think I don't know that? 00:25:54.346 --> 00:25:56.972 Okay, l'll just backtrack for a moment. Um... 00:25:57.724 --> 00:26:00.893 After you had your mother committed to the asylum, 00:26:01.311 --> 00:26:02.644 it all gets a bit vague. 00:26:02.729 --> 00:26:04.813 -Don't you think? -Yes, it does. 00:26:05.148 --> 00:26:06.648 Why is that? 00:26:06.733 --> 00:26:09.234 Because I don't wish to remember it. 00:26:10.320 --> 00:26:12.071 All right, fair enough. 00:26:13.490 --> 00:26:16.283 But if you'll allow me to say so, Charlie, 00:26:16.326 --> 00:26:19.953 l don't think, and I know this will sound very American, 00:26:19.996 --> 00:26:24.124 but you shouldn't be afraid to let the readers share your emotions or your feelings. 00:26:24.668 --> 00:26:26.377 Know what I mean? 00:26:27.295 --> 00:26:29.588 CHAPLIN: You'll break me heart if you don't marry me, Hetty. 00:26:30.340 --> 00:26:33.258 l mean, or at least say you'll wait for me. 00:26:34.302 --> 00:26:35.511 l'll wait for you. 00:26:36.096 --> 00:26:38.180 Charlie, how long are you going to be in America? 00:26:38.223 --> 00:26:40.182 Well, I don't know. Do l? I mean, exactly. 00:26:40.684 --> 00:26:42.685 You know, we'll be on tour. 00:26:42.727 --> 00:26:44.186 Depends if they like the drunk act. 00:26:44.270 --> 00:26:46.647 You know, if they start throwing things, l won't be gone long. 00:26:46.690 --> 00:26:48.691 They're not gonna throw things at you, Charlie. 00:26:49.234 --> 00:26:50.818 They're gonna think you're wonderful. l mean, l... 00:26:56.116 --> 00:26:58.200 l think you're wonderful. 00:27:04.874 --> 00:27:06.750 But you know what the funny thing is? 00:27:11.589 --> 00:27:13.173 You never mentioned love. 00:27:15.719 --> 00:27:17.761 Well, I don't have to, do l? 00:27:23.685 --> 00:27:24.685 Oh! 00:27:59.095 --> 00:28:01.263 MAN: Number nine, pulling in from Chicago. 00:28:01.306 --> 00:28:03.265 Let's get them steer loaded up, boys. 00:28:10.023 --> 00:28:12.107 (BARRELHOUSE PlANO PLAYlNG) 00:28:12.859 --> 00:28:14.485 (PEOPLE LAUGHING) 00:28:27.916 --> 00:28:29.291 MAN: Nickel. 00:28:30.126 --> 00:28:31.794 (PEOPLE LAUGHING) 00:28:49.479 --> 00:28:50.813 Sit down. 00:28:52.357 --> 00:28:53.565 Sorry. 00:29:16.339 --> 00:29:19.425 STANLEY: Uh... Have you seen that English bloke? There he is. 00:29:21.678 --> 00:29:22.678 Watch this, Stanley. 00:29:22.721 --> 00:29:24.596 I've told you. I've seen it before. 00:29:24.681 --> 00:29:27.516 Here look, there's a telegram come for you. 00:29:30.854 --> 00:29:31.854 Show it again. 00:29:32.188 --> 00:29:34.148 But you've already seen everything twice. 00:29:34.607 --> 00:29:36.025 The one with the fire engine. 00:29:36.484 --> 00:29:37.985 You'll love this one, Stanley. 00:29:38.028 --> 00:29:41.196 lf any of them could really act, they'd be on stage. 00:29:41.990 --> 00:29:44.158 Charlie, look. You must listen. lt's a telegram. 00:29:44.367 --> 00:29:46.869 That can only mean somebody's died. 00:29:59.090 --> 00:30:02.051 Some bloke offering me a job in California. 00:30:02.469 --> 00:30:04.053 ln the flickers. 00:30:04.804 --> 00:30:06.597 lt's not legit in the flickers. 00:30:06.681 --> 00:30:08.223 $1 50 a week. 00:30:10.935 --> 00:30:13.062 At $1 50 a week! 00:30:27.952 --> 00:30:29.870 (TRAlN WHlSTLE BLOWlNG) 00:30:33.375 --> 00:30:35.000 Watch your step. 00:30:35.835 --> 00:30:37.086 Bye, sir. 00:31:08.118 --> 00:31:09.993 (MAN SHOUTlNG) 00:31:15.333 --> 00:31:17.042 PRODUCTlON ASSlSTANT: Hit him harder, Fred! 00:31:17.544 --> 00:31:18.877 Harder! 00:31:19.462 --> 00:31:23.382 Put some effort in to it, boys! This ain't no Sunday school picnic! 00:31:24.300 --> 00:31:26.927 That's right. Good! Again! 00:31:28.638 --> 00:31:30.014 Good, Fred. 00:31:32.475 --> 00:31:35.060 MAN: Ready when you are, Mr. Sennett. 00:31:38.648 --> 00:31:41.150 Everyone set? Okay. Begin! 00:31:48.658 --> 00:31:50.159 (HORN HONKlNG) 00:31:52.495 --> 00:31:55.497 -There's someone in the shot. -Keep cranking. Still cranking! 00:31:55.540 --> 00:31:57.041 (HORN HONKlNG) 00:31:58.043 --> 00:32:00.461 Cut. Cut it! Jesus Christ! 00:32:02.797 --> 00:32:04.631 Were we good till the dummies come out? 00:32:04.883 --> 00:32:07.676 Excuse me, miss? Can you tell me where I could find Mr. Mack Sennett? 00:32:07.761 --> 00:32:10.471 What the hell do you think you're doing? 00:32:11.473 --> 00:32:13.724 I'm afraid you just found him. 00:32:14.517 --> 00:32:16.477 How do you do, sir. I'm Charlie Chaplin. 00:32:19.022 --> 00:32:20.606 Chaplin. You sent me a telegram. 00:32:21.358 --> 00:32:22.941 Butte, Montana. 00:32:23.526 --> 00:32:25.402 You've hired me for a year, Mr. Sennett. 00:32:25.820 --> 00:32:27.071 You can't be Chaplin. 00:32:27.155 --> 00:32:29.156 The guy I hired did the best comedy drunk I ever saw. 00:32:29.783 --> 00:32:30.783 But he was old. 00:32:30.909 --> 00:32:32.534 l don't pay $1 00 a week to juveniles. 00:32:32.994 --> 00:32:34.912 ASSlSTANT: Another one, boss? SENNETT: No, we'll move on. 00:32:35.121 --> 00:32:36.622 CHAPLIN: Mr. Sennett? 00:32:39.542 --> 00:32:40.793 (GASPS) 00:33:09.072 --> 00:33:10.406 (LAUGHING) 00:33:37.017 --> 00:33:38.100 Hmm? 00:33:39.602 --> 00:33:40.811 Okay. 00:33:42.022 --> 00:33:44.356 You might be Chaplin after all. 00:33:48.570 --> 00:33:50.612 Oh. lt was $1 50, Mr. Sennett. 00:33:56.119 --> 00:33:58.245 SENNETT: Plum in the middle of the shot. See? 00:33:58.788 --> 00:34:01.790 You really screwed it up, didn't you, Chaplin? 00:34:03.418 --> 00:34:05.419 Fix it, will you, Rollie? 00:34:08.131 --> 00:34:10.257 We don't print till we cut it. 00:34:11.301 --> 00:34:13.218 That was negative, kid. 00:34:13.803 --> 00:34:17.097 Now, I know this is all new to you. But remember something, we're all new. 00:34:17.140 --> 00:34:18.807 This is not an ancient industry. 00:34:18.850 --> 00:34:20.893 This whole place here is built around speed. 00:34:20.977 --> 00:34:22.895 Start the story, start the chase. 00:34:22.979 --> 00:34:24.146 l get bored easy, is why. 00:34:24.230 --> 00:34:26.815 How much do you reckon, Mack? A couple of yards of Mabel? 00:34:27.484 --> 00:34:30.861 SENNETT: Yeah. No, make it three. But don't go thinking we sacrifice quality. 00:34:31.154 --> 00:34:33.280 l never make more than two motion pictures a week. 00:34:33.323 --> 00:34:36.825 But l'll spend up to $1 , 000 on each of them if I have to. 00:34:37.994 --> 00:34:38.994 How we doing there, Rollie? 00:34:39.371 --> 00:34:40.871 ln a moment, boss. 00:34:40.955 --> 00:34:43.874 SENNETT: "Waste not, want not." That's my motto, son. 00:34:46.169 --> 00:34:49.004 When Rollie's done, no one will ever know you were on that dirt road at all. 00:34:49.089 --> 00:34:50.506 ROLLlE: Just rewinding. 00:34:52.050 --> 00:34:55.386 You're on the cutting room floor, Chaplin. Not the place to be. 00:34:55.637 --> 00:34:56.679 ROLLlE: Got it. 00:34:59.307 --> 00:35:00.849 Go ahead, kid. 00:35:00.934 --> 00:35:05.354 Just forget everything you ever learned. You're not in the theater anymore. 00:35:21.329 --> 00:35:23.205 Yeah, that did it. 00:35:24.708 --> 00:35:27.042 Thanks, Rollie. lf you need me, l'll be with Mabel. 00:35:27.085 --> 00:35:29.628 -Good night, sir. -ROLLlE: Good night, boss. 00:35:53.361 --> 00:35:55.654 CHAPLIN: Nothing quite like it. 00:35:57.240 --> 00:35:58.323 The feeling of film. 00:35:58.408 --> 00:36:02.119 But have I made it clear how much the movies terrified me? 00:36:02.370 --> 00:36:03.746 No, not really. Why? 00:36:03.913 --> 00:36:05.914 Oh, well, you've got to help me get that right. 00:36:05.999 --> 00:36:09.418 Nevertheless, I was right to be frightened. l was dreadful at the beginning. 00:36:09.461 --> 00:36:13.297 Sennett wished he'd never hired me. lt was all I could do to keep control. 00:36:13.381 --> 00:36:15.090 Mario, grazie. 00:36:15.925 --> 00:36:20.512 The truth is l'd have been a total disaster if I hadn't invented The Tramp. 00:36:21.014 --> 00:36:23.932 Yeah, I've been meaning to talk to you about the way you've written that. 00:36:24.017 --> 00:36:27.936 l mean, the words just poured out. lt practically wrote itself. 00:36:29.064 --> 00:36:31.440 Remember, l'd only been with Sennett for a month. 00:36:32.942 --> 00:36:37.488 Oh, that magical moment as I walked through the wardrobe door. 00:36:39.491 --> 00:36:42.785 l felt possessed. 00:36:45.080 --> 00:36:47.956 l could feel him calling out to me. 00:36:49.793 --> 00:36:51.126 The Tramp. 00:36:53.380 --> 00:36:54.755 (RATTLlNG) 00:36:59.219 --> 00:37:01.303 GEORGE: Bullshit. And you know it. 00:37:01.388 --> 00:37:03.806 CHAPLIN: But the truth was so boring, George. 00:37:18.488 --> 00:37:19.613 Psst! 00:37:20.657 --> 00:37:21.865 Jesus. 00:37:21.950 --> 00:37:23.492 You told him to get changed, remember? 00:37:23.535 --> 00:37:26.245 What's he putting on? A suit of armor? 00:37:40.135 --> 00:37:41.176 Hmm. 00:37:41.219 --> 00:37:44.847 SENNETT: Chaplin! Chaplin! 00:37:44.889 --> 00:37:47.891 Get your ass on to the stage, right now! 00:38:15.920 --> 00:38:18.213 SENNETT: Forget the little limey. Get cranking, Rollie. 00:38:18.631 --> 00:38:20.716 Okay! Begin! 00:38:22.635 --> 00:38:24.636 Very formal, everybody. 00:38:30.894 --> 00:38:31.935 What the hell? 00:38:32.020 --> 00:38:33.645 He's gone crazy. 00:38:37.233 --> 00:38:38.776 What do I do? What do I do? 00:38:38.860 --> 00:38:41.737 Cut it. No, wait, wait. Hold it. Keep it going. 00:38:42.113 --> 00:38:44.865 Maybe he's not so crazy after all. Photographer! 00:38:44.908 --> 00:38:47.242 Henry, chase him around the camera! 00:38:49.746 --> 00:38:53.832 Okay, put him in line. Big reaction! Big reaction! Who is this? 00:38:55.794 --> 00:38:58.504 Stay down, Henry. Stay down! 00:38:58.588 --> 00:39:00.881 Groom! Look jealous! Jealous! 00:39:00.924 --> 00:39:02.466 You can do better than that, can't you? 00:39:02.550 --> 00:39:06.011 Bride. Mabel, give the tramp the eye. That's right. 00:39:06.429 --> 00:39:07.471 Yeah, yeah, yeah. 00:39:07.555 --> 00:39:12.101 Matron, you're real hoity-toity. Who is this bum? Good. Very good! 00:39:12.769 --> 00:39:15.437 Groom, get mad. He's trying to spoon your lovely bride! 00:39:17.941 --> 00:39:19.900 Matron, take a swing at him! 00:39:20.527 --> 00:39:23.112 All right! Domino fall! Domino fall! 00:39:24.447 --> 00:39:25.781 lnto the chase! lnto the chase! 00:39:32.497 --> 00:39:34.623 Bunched up! Keep it bunched up! 00:40:15.540 --> 00:40:17.624 Good! Good! Terrific! 00:40:24.799 --> 00:40:26.467 Look at the camera. 00:40:27.761 --> 00:40:28.802 Henry, snap it. 00:40:29.512 --> 00:40:31.013 Watch the birdie. 00:40:31.931 --> 00:40:33.682 That's enough. Cut. 00:40:33.725 --> 00:40:36.560 God damn you, Chaplin! What are you trying to do to me? (LAUGHING) 00:40:37.604 --> 00:40:40.147 l knew I was right to hire that kid. 00:40:43.818 --> 00:40:44.860 MABEL: Listen. 00:40:45.528 --> 00:40:48.864 Charlie, you do what I say or l'll report you to Mack. 00:40:50.367 --> 00:40:53.786 You stand up right now, pick up this hose 00:40:53.870 --> 00:40:56.538 and when I say, "Begin," you sprinkle the road. 00:40:56.998 --> 00:40:59.124 l could do a lot more with that hose than sprinkle the road. 00:40:59.459 --> 00:41:00.501 l could be funny. 00:41:02.003 --> 00:41:03.921 Two months and you think you know everything. 00:41:04.005 --> 00:41:06.048 Look, Charlie, I'm the director. 00:41:06.091 --> 00:41:09.259 And this is not a picture about being funny with a hose. 00:41:10.345 --> 00:41:12.888 You're right. But it could be. 00:41:13.723 --> 00:41:15.140 (EXCLAlMlNG) 00:41:17.394 --> 00:41:18.394 Chaplin! 00:41:19.270 --> 00:41:21.105 PRODUCTlON ASSlSTANT: All right, everyone. 00:41:21.731 --> 00:41:23.482 Everyone in wardrobe. 00:41:24.150 --> 00:41:25.776 Head back to the stage. 00:41:26.486 --> 00:41:27.903 We need to hurry, please. 00:41:30.323 --> 00:41:32.074 Let's keep moving. 00:41:32.158 --> 00:41:33.909 SENNETT: Mabel, he's on his way. 00:41:33.952 --> 00:41:37.454 I'm not insisting that you fire him but if you want to, that's fine with me. 00:41:37.539 --> 00:41:39.581 l love you, honey, and l'd love to ax the little limey, 00:41:39.666 --> 00:41:41.917 -but they called me from New York. -And? 00:41:42.002 --> 00:41:43.419 lt seems he's an asset to the company. 00:41:43.461 --> 00:41:45.004 But now, don't you worry. l'll scare him good. 00:41:45.088 --> 00:41:48.716 You're a great director and l'll make damn sure he knows that. 00:41:51.553 --> 00:41:53.053 PRODUCTlON ASSlSTANT: Would you hurry, please? 00:41:53.596 --> 00:41:56.265 ls Mack ever waiting for you. 00:41:56.808 --> 00:42:00.102 PRODUCTlON ASSlSTANT: All right, everyone! We don't have all day! 00:42:05.483 --> 00:42:06.525 (KNOCKlNG AT DOOR) 00:42:06.609 --> 00:42:07.609 Come in! 00:42:08.903 --> 00:42:11.780 Charlie, come in. Please come in. 00:42:11.823 --> 00:42:14.616 You got to help me with Mabel. She actually thinks she can direct. 00:42:14.659 --> 00:42:16.243 Have a seat. Have a seat. 00:42:16.411 --> 00:42:19.288 Oh. You're not mad, then? 00:42:19.330 --> 00:42:22.624 I've been sitting here waiting for an actor with the guts to stand up to her. 00:42:22.709 --> 00:42:24.251 How could I be mad? 00:42:26.546 --> 00:42:28.630 l really like you, Charlie. 00:42:28.715 --> 00:42:30.966 l really like you, too, Mack. 00:42:31.259 --> 00:42:33.635 And I bet you've been talking to New York. 00:42:36.639 --> 00:42:37.931 Let me direct the next one. 00:42:38.558 --> 00:42:39.558 What makes you think you can do it? 00:42:39.726 --> 00:42:41.810 -l couldn't do any worse. -Says you. 00:42:42.562 --> 00:42:46.065 Says l, "What if nobody wants it? What if it stinks? Who'll pay?" 00:42:46.608 --> 00:42:48.192 I've never seen you pick up a check. 00:42:51.154 --> 00:42:52.237 l'll pay. 00:42:55.116 --> 00:42:56.700 This is my work. 00:42:59.662 --> 00:43:00.954 GEORGE: Did you ever have to pay up? 00:43:00.997 --> 00:43:03.791 CHAPLIN: No. But, boy, did I work. 00:43:03.833 --> 00:43:07.461 l directed more than 20 films before the year was out. 00:43:07.504 --> 00:43:09.672 GEORGE: Well, why on Earth didn't you send for Hetty, then? 00:43:09.714 --> 00:43:12.424 CHAPLIN: I did write. Never got a reply. 00:43:13.009 --> 00:43:15.511 Thought maybe she was away on tour. 00:43:15.595 --> 00:43:18.514 So I asked Syd to track her down for me. See how she felt. 00:43:18.556 --> 00:43:19.932 (WHlSTLlNG) 00:43:22.268 --> 00:43:24.311 Oh, my God! Look at him! 00:43:25.855 --> 00:43:27.773 (SlNGlNG ANY OLD lRON) 00:43:39.494 --> 00:43:40.577 This is Minnie. 00:43:40.829 --> 00:43:42.996 -Hello, Charlie. -Hello. 00:43:44.207 --> 00:43:45.207 Nice to meet you. 00:43:45.291 --> 00:43:46.291 -You, too. -SYD: l'll take that. 00:43:46.835 --> 00:43:49.003 Give us a hand, then, Chas, come on. 00:43:50.046 --> 00:43:51.255 What did you pick him for? 00:43:51.339 --> 00:43:53.048 Oh, he's not so bad. 00:43:53.091 --> 00:43:55.092 -Yeah, our Syd's all right. -Mmm-hmm. 00:43:56.219 --> 00:43:57.886 l don't know, Chas. 00:43:58.263 --> 00:44:00.431 l don't see anybody staring at you. 00:44:01.891 --> 00:44:04.768 SYD: Nice little flivver, Chas. How long you had it? 00:44:04.853 --> 00:44:05.894 CHAPLIN: A couple of weeks. 00:44:05.979 --> 00:44:07.855 SYD: How soon do I get to see Mr. Sennett? 00:44:08.481 --> 00:44:10.482 CHAPLIN: Got something to show you first. 00:44:11.901 --> 00:44:13.193 (MlNNlE AND SYD HOOTlNG) 00:44:14.237 --> 00:44:15.946 Get a load of that! 00:44:16.614 --> 00:44:18.407 l don't believe it! 00:44:18.992 --> 00:44:21.076 lt's happened so quick, Chas. 00:44:21.369 --> 00:44:23.662 Twelve months ago, you were still in vaudeville. 00:44:24.581 --> 00:44:25.831 I'm top of the bill, Syd. 00:44:25.915 --> 00:44:29.293 Yeah? Well, I still haven't seen anybody staring at you. 00:44:29.377 --> 00:44:31.628 Yeah, that's 'cause I don't look like me. 00:44:32.756 --> 00:44:34.423 -Syd? -What? 00:44:35.717 --> 00:44:37.885 -What news? -Mum? 00:44:39.429 --> 00:44:40.971 Mum is fine. 00:44:42.182 --> 00:44:45.434 Well, no. Not fine but there are lots of good days. 00:44:46.227 --> 00:44:48.687 Well, not lots of, but some. 00:44:50.065 --> 00:44:52.608 And Hetty. Does she know? 00:44:53.610 --> 00:44:56.403 The whole world knows about you, Charlie. 00:44:57.447 --> 00:44:59.573 She gave me this for you. 00:45:02.202 --> 00:45:03.327 Fancy Hetty writing. 00:45:03.411 --> 00:45:04.620 Yeah. 00:45:09.459 --> 00:45:10.584 MlNNlE: Syd! 00:45:10.960 --> 00:45:12.419 Look at this. 00:45:16.800 --> 00:45:18.509 She got married. 00:45:18.968 --> 00:45:20.219 l know. 00:45:20.303 --> 00:45:22.471 I'm not surprised. A girl like Hetty. 00:45:24.557 --> 00:45:26.767 l wish her lots of happiness. 00:45:29.312 --> 00:45:31.313 Well, not lots. But some. 00:45:32.315 --> 00:45:33.857 Chin up, kid. 00:45:36.695 --> 00:45:40.322 SYD: See, I was right. He's the most famous man in the world. 00:45:47.872 --> 00:45:50.708 Value for money is all we're after, Mr. Sennett. 00:45:52.585 --> 00:45:55.754 Charlie, take this guy back to the asylum. 00:45:59.384 --> 00:46:00.968 Look, Syd's me manager now. 00:46:01.011 --> 00:46:03.303 He's given up his acting career to handle me full time. 00:46:03.680 --> 00:46:08.058 Oh, woe is me! The theater will never be the same. 00:46:08.143 --> 00:46:11.311 What career? 1 , 000 a week is more than I get. 00:46:11.855 --> 00:46:16.233 Charlie's name is bigger, Mr. Sennett. lf you'll pardon me for saying so. 00:46:16.359 --> 00:46:21.030 Charlie, Charlie, I've been so rotten to you! 00:46:21.072 --> 00:46:23.782 l don't know if you can forgive me. 00:46:23.867 --> 00:46:26.785 l forced you to leave Butte, Montana. 00:46:27.078 --> 00:46:29.788 l made you accept $1 50 per. 00:46:30.832 --> 00:46:34.501 You mentioned directing and I stuffed that down your throat, too. 00:46:34.544 --> 00:46:37.963 Now, tell me how else Uncle Mack can make it up to you! 00:46:41.217 --> 00:46:44.094 l want to run me own show, Mack. l want control. 00:46:46.890 --> 00:46:50.684 Dream on, kid. I know this business. And you're not that big. 00:46:53.688 --> 00:46:55.230 First time I've seen you miss, Mack. 00:46:58.526 --> 00:47:02.029 GEORGE: But, Charlie, Mack Sennett was the absolute king of comedy. 00:47:02.739 --> 00:47:04.782 He gave you your start. 00:47:04.866 --> 00:47:07.409 And how could you just walk out and leave him flat? 00:47:07.494 --> 00:47:10.412 CHAPLIN: The reasons were purely intellectual. Money. 00:47:10.455 --> 00:47:12.081 (GEORGE LAUGHING) 00:47:12.624 --> 00:47:15.918 GEORGE: So, you joined up with "Bronco Billy" Anderson, 00:47:15.960 --> 00:47:17.753 a puffed-up cowboy star. 00:47:17.796 --> 00:47:19.338 CHAPLIN: Hmm. Hmm. 00:47:19.422 --> 00:47:21.757 Not one of the high points of my career. 00:47:21.800 --> 00:47:23.842 But I knew I wanted my own studio. 00:47:24.094 --> 00:47:26.929 Even then, l was putting money aside to build one. 00:47:29.599 --> 00:47:30.724 Excuse me, miss. 00:47:31.101 --> 00:47:32.768 Do you always eat alone? 00:47:33.478 --> 00:47:35.688 Only when I'm trying to make a new acquaintance. 00:47:36.523 --> 00:47:39.274 Actually, I'm waiting for my girlfriend. 00:47:40.944 --> 00:47:42.778 Actually, I'm a motion picture director. 00:47:43.113 --> 00:47:46.115 And I'm forming a new company with Bronco Billy over there. 00:47:48.576 --> 00:47:51.412 And you're looking for a new leading lady. 00:47:51.788 --> 00:47:52.871 Lucky me. 00:47:53.164 --> 00:47:55.124 Obviously, you are an actress, Miss... 00:47:55.792 --> 00:47:58.919 Purviance. Sorry, just a secretary. 00:48:01.047 --> 00:48:03.799 Don't be sorry. I'm auditioning for actresses who aren't actresses. 00:48:05.385 --> 00:48:09.805 Well, if you're on the lookout for untalented actresses who aren't actresses, 00:48:09.848 --> 00:48:12.808 then you couldn't do better than me. Worse than me. 00:48:21.985 --> 00:48:23.318 Don't you want to know who I am? 00:48:24.112 --> 00:48:26.321 l have no interest whatsoever in who you are, 00:48:28.950 --> 00:48:29.992 Mr. Chaplin. 00:48:40.253 --> 00:48:43.213 CHAPLIN: Cut! Not great. Uh... 00:48:44.799 --> 00:48:46.425 We'll do another. 00:48:47.177 --> 00:48:50.429 Charlie, if I eat one more bean, I'm going to be sick. 00:48:51.014 --> 00:48:52.431 You almost had it. 00:48:52.515 --> 00:48:56.810 But this time not quite so daintily. You're starving. 00:48:58.021 --> 00:48:59.021 l know. 00:48:59.356 --> 00:49:02.524 But it's hard to be hungry after 46 takes. 00:49:02.567 --> 00:49:04.777 Of course it is. No else one could do it this well. 00:49:05.028 --> 00:49:06.111 We both know it. 00:49:07.822 --> 00:49:09.698 -l'll do my best. -Right. 00:49:10.116 --> 00:49:12.826 How about dinner tonight? Chili con carne. 00:49:14.996 --> 00:49:16.330 l'll kill you, Charlie. 00:49:16.539 --> 00:49:17.748 More beans. 00:49:17.832 --> 00:49:19.124 PRODUCTlON ASSlSTANT: More beans! 00:49:19.709 --> 00:49:20.709 Camera! 00:49:22.879 --> 00:49:24.046 Action! 00:50:18.768 --> 00:50:21.270 PROJECTlONlST: That's all for today, folks. 00:50:25.400 --> 00:50:29.111 Good to know I can always count on my nearest and dearest. 00:50:30.113 --> 00:50:31.947 Don't come it with me, son. 00:50:33.366 --> 00:50:37.494 "Arrival in the land of liberty"? Sticking in the statue like that? 00:50:37.579 --> 00:50:39.413 What are you playing at? 00:50:40.623 --> 00:50:42.750 Nobody else seemed to mind. 00:50:44.002 --> 00:50:45.461 Answer me! 00:50:45.503 --> 00:50:48.130 Kicking an immigration officer up the backside. 00:50:48.590 --> 00:50:49.757 Do you think that's funny? 00:50:50.467 --> 00:50:54.136 Well, for those of us with a sense of humor, very. 00:50:54.929 --> 00:50:55.929 Charlie. 00:50:56.639 --> 00:51:00.642 Charlie, it was supposed to be a comedy. 00:51:01.186 --> 00:51:04.480 Now, you've turned it into a bloody political tract. 00:51:04.522 --> 00:51:05.689 We're guests here! 00:51:06.107 --> 00:51:08.650 And you can't go around criticizing the way it's run. 00:51:09.402 --> 00:51:12.821 Syd, I love this country. I owe it everything. 00:51:12.864 --> 00:51:14.865 That's precisely why I can criticize it. 00:51:14.949 --> 00:51:16.200 -Don't forget... -Why I must. 00:51:16.326 --> 00:51:17.993 ...where we're from. 00:51:19.079 --> 00:51:20.662 There's a war on, remember? 00:51:22.999 --> 00:51:26.669 Now, you make a million a year while British boys are dying in France. 00:51:26.753 --> 00:51:30.923 The London papers are already after you. Do you want the same thing to happen here? 00:51:31.007 --> 00:51:33.676 l registered for the draft, and they never called me. 00:51:33.760 --> 00:51:37.096 -Oh, for Christ's sake... -lt isn't as if I'm hard to find. 00:51:38.682 --> 00:51:42.309 Look, I'm on your side, kid. 00:51:43.228 --> 00:51:45.354 First one on board, remember? 00:51:46.731 --> 00:51:48.315 Be careful, Chas. 00:51:49.818 --> 00:51:50.901 Just watch it. 00:51:54.364 --> 00:51:56.240 That's all I'm saying. 00:51:59.703 --> 00:52:01.370 (CROWD EXCLAlMlNG) 00:52:08.461 --> 00:52:09.461 There. 00:52:14.551 --> 00:52:16.051 (CROWD GASPING) 00:52:16.720 --> 00:52:18.595 (CROWD EXCLAlMlNG) 00:52:28.314 --> 00:52:30.024 (CROWD APPLAUDING) 00:52:33.445 --> 00:52:35.779 GEORGE: You always said you detested studio parties. 00:52:35.864 --> 00:52:37.573 CHAPLIN: Oh! The worst, 00:52:37.657 --> 00:52:40.284 but not where Doug Fairbanks was concerned. 00:52:40.368 --> 00:52:42.619 Life was fun when Doug was around. 00:52:43.413 --> 00:52:47.583 As you know, I don't think anyone today remembers what a huge star he was. 00:52:48.460 --> 00:52:51.670 l mean, back in the silent days, he was huge. 00:52:52.130 --> 00:52:53.630 Men liked him, 00:52:53.757 --> 00:52:56.133 women adored him. 00:52:57.010 --> 00:52:59.720 He was royalty. 00:53:03.475 --> 00:53:05.768 Charles! 00:53:06.936 --> 00:53:09.355 Look out below! 00:53:14.819 --> 00:53:16.487 (CROWD EXCLAlMlNG) 00:53:19.949 --> 00:53:22.618 Sire, you are most truly welcome. 00:53:25.038 --> 00:53:26.330 What a great party, Doug. 00:53:26.414 --> 00:53:28.374 -lsn't it fabulous? -Wonderful. 00:53:28.458 --> 00:53:31.126 -Thank you. -MAN: May I take your coat, sir? 00:53:32.962 --> 00:53:35.923 First class. Bet I hate it more than you do. 00:53:35.965 --> 00:53:37.049 l doubt it. 00:53:37.133 --> 00:53:39.301 (BAND PLAYlNG UPBEAT MUSlC) 00:53:39.469 --> 00:53:41.428 CHAPLIN: Of course everything changed when 00:53:41.471 --> 00:53:43.847 America's sweetheart came on the scene. 00:53:44.474 --> 00:53:46.433 GEORGE: You mean Mary Pickford? 00:53:46.476 --> 00:53:50.521 CHAPLIN: Yes, I always found her to be something of an undersized bitch, 00:53:50.605 --> 00:53:53.607 but Doug fell for her like a ton of bricks. 00:53:54.776 --> 00:53:57.403 -Hello, Charlie. -Hello, Mary. 00:53:57.487 --> 00:53:58.654 -Hi, Doug. -Hello. 00:53:58.738 --> 00:53:59.780 Thanks for inviting me. 00:54:00.323 --> 00:54:02.908 Mary, it's a pleasure. 00:54:05.829 --> 00:54:08.956 Duty calls. Excuse me. 00:54:12.502 --> 00:54:15.045 He's a really lovely person, Charlie. 00:54:15.130 --> 00:54:17.172 Yes. Hungry? 00:54:18.049 --> 00:54:19.383 (LAUGHING) 00:54:22.012 --> 00:54:24.013 Hello, Charlie. 00:54:42.449 --> 00:54:44.324 PlCKFORD: Her name is Mildred Harris. 00:54:44.367 --> 00:54:45.701 An actress? 00:54:45.785 --> 00:54:49.038 Oh, yeah. A child actress. 00:54:49.873 --> 00:54:52.374 You ever hear the word "jailbait," Charlie? 00:54:52.417 --> 00:54:55.711 That's the definition. l'd watch it if I was you. 00:54:56.046 --> 00:54:57.671 l value that, Mary. 00:55:02.594 --> 00:55:04.261 Coming from you. 00:55:04.637 --> 00:55:08.265 When America's own sweetheart gives you advice, you'd better listen. 00:55:08.350 --> 00:55:11.352 "Better listen?" Thanks, Charlie. 00:55:12.020 --> 00:55:14.188 Especially since you're married and Doug's married, 00:55:14.230 --> 00:55:17.232 and the two of you are rutting with each other every afternoon 00:55:17.275 --> 00:55:19.401 -all the time pretending you've just met. -Miss PicKford, 00:55:19.527 --> 00:55:21.070 Mr. Chaplin, please? 00:55:21.196 --> 00:55:23.072 Lecture me more about morality. 00:55:26.576 --> 00:55:29.995 Better. Better. Better. 00:55:30.997 --> 00:55:32.915 Bitch. Better. 00:55:33.249 --> 00:55:34.625 (CHUCKLlNG) 00:55:36.252 --> 00:55:37.753 (WOMAN SlNGlNG) 00:55:50.266 --> 00:55:51.600 l washed my face. 00:55:53.687 --> 00:55:54.687 Come here. 00:56:12.789 --> 00:56:14.123 (SlGHS) 00:56:14.457 --> 00:56:15.457 Charlie, what is it? 00:56:17.752 --> 00:56:21.755 l just need some... You just need some lip rouge. 00:56:24.467 --> 00:56:25.634 I've got some in my purse. 00:56:26.720 --> 00:56:29.805 lt's in the drawer, over there. lt's top right. 00:56:51.619 --> 00:56:52.703 Look at me. 00:56:55.790 --> 00:56:56.999 ls this what you want? 00:56:57.917 --> 00:57:00.502 Yeah. Just put it on. 00:57:50.762 --> 00:57:52.930 GEORGE: My God, Charlie! You weren't even 30. 00:57:53.014 --> 00:57:54.723 You were the most famous man in the world. 00:57:55.016 --> 00:57:59.269 You had your own studio, named after you. l mean, couldn't you just enjoy? 00:57:59.688 --> 00:58:01.563 CHAPLIN: Mmm. I can, now. 00:58:01.648 --> 00:58:04.608 But I couldn't then. lt meant too much. 00:58:11.741 --> 00:58:12.741 Morning. 00:58:22.794 --> 00:58:24.420 GUARD: Mr. Chaplin, welcome. 00:58:27.924 --> 00:58:29.425 (ALL CHEERlNG) 00:58:39.269 --> 00:58:40.602 WOMAN: Welcome, Charlie! 00:58:43.023 --> 00:58:44.565 (ALL LAUGHING) 00:58:45.150 --> 00:58:47.276 Take your picture, Charlie? 00:58:48.278 --> 00:58:49.278 MAN: Chaplin. 00:58:49.362 --> 00:58:50.696 (CHEERlNG) 00:59:57.013 --> 00:59:58.472 CHAPLIN: Cut! PRODUCTlON ASSlSTANT: All right. Hold it. 00:59:58.515 --> 01:00:00.766 l think, perhaps, we should try a little less next time. 01:00:00.850 --> 01:00:02.434 PRODUCTlON ASSlSTANT: Hold it. Hold the smoke. 01:00:02.519 --> 01:00:06.188 The dirt, I mean. For God's sake, somebody get me out of this thing. 01:00:06.272 --> 01:00:07.773 (ALL SHOUTlNG) 01:00:09.567 --> 01:00:11.151 Looks great, Charlie. 01:00:11.194 --> 01:00:14.988 But I thought I better keep the boys here under control till you got out of costume. 01:00:15.031 --> 01:00:17.700 -You are an ass! -Thank you. 01:00:18.034 --> 01:00:19.785 That wasn't bad, Charlie. One more? 01:00:20.203 --> 01:00:21.662 -MAN: Check it. -How's the light, Rollie? 01:00:21.705 --> 01:00:25.249 -l know. lt's better down at Barney's Bar. -ALL: lt's better down at Barney's Bar. 01:00:25.333 --> 01:00:26.667 Call it a day. 01:00:29.129 --> 01:00:31.880 -l don't feel funny anymore. -Come on, Charlie, let's go. 01:00:32.215 --> 01:00:34.133 Not cheating are you, Fairbanks? 01:00:35.093 --> 01:00:37.553 You are a truly strange fellow, Charles. 01:00:38.263 --> 01:00:40.597 -Nonsense. -Facts indicate otherwise. 01:00:41.641 --> 01:00:42.641 Close, but out. 01:00:43.935 --> 01:00:47.229 And these facts show a young man, of what, 29? 01:00:47.313 --> 01:00:50.607 Not perhaps conventionally handsome, but certainly not repellent. 01:00:51.026 --> 01:00:52.067 Hmm. 01:00:53.361 --> 01:00:54.987 Flatteringly put. 01:00:56.740 --> 01:00:58.240 Double fault. Lucky me. 01:00:58.575 --> 01:00:59.575 Huh! 01:00:59.659 --> 01:01:04.038 Yes, an unrepellant fellow of some fame and fortune, not totally without talent. 01:01:04.080 --> 01:01:05.080 Ready? 01:01:05.498 --> 01:01:07.082 lf only you'd put one in play. 01:01:07.959 --> 01:01:09.585 Call this one out. 01:01:09.836 --> 01:01:11.295 Don't have to, I'm winning. 01:01:13.548 --> 01:01:14.631 Damn. 01:01:14.758 --> 01:01:16.759 And who is this fellow escorting? 01:01:16.843 --> 01:01:18.552 Why, Mildred Harris? 01:01:18.595 --> 01:01:21.597 That intellectual giant of 16 who still sucks her thumb. 01:01:22.766 --> 01:01:23.766 That's very funny. 01:01:23.892 --> 01:01:25.726 Then why aren't you laughing? 01:01:25.769 --> 01:01:26.769 Oh... 01:01:27.354 --> 01:01:29.271 Perhaps because I'm marrying her. 01:01:40.116 --> 01:01:42.326 She's really not that bad. 01:01:42.869 --> 01:01:44.203 "Really not that bad"? 01:01:45.330 --> 01:01:47.998 Spoken like a man desperately in love. 01:01:48.166 --> 01:01:51.126 You're madder even than I thought, Charles. 01:01:54.839 --> 01:01:55.839 You sure it's yours? 01:01:56.925 --> 01:01:58.300 l can only hope. 01:01:58.635 --> 01:02:02.554 There are ways of getting out of this. You know, all it takes is money. 01:02:02.639 --> 01:02:06.141 Where I come from, that's not an option. 01:02:08.728 --> 01:02:11.021 Besides, I want a family and... 01:02:11.106 --> 01:02:13.816 l predict you're going to have one before you know it. 01:02:15.151 --> 01:02:17.027 May I be the first to congratulate you? 01:02:17.696 --> 01:02:19.113 You may not! 01:02:20.907 --> 01:02:21.907 Good! 01:02:22.033 --> 01:02:24.326 (AMERlCA THE BEAUTlFUL PLAYlNG) 01:02:29.416 --> 01:02:31.875 GEORGE: You didn't suspect about Mildred? 01:02:32.585 --> 01:02:34.169 CHAPLIN: Not for a moment. 01:02:34.504 --> 01:02:37.172 GEORGE: Well, why don't you add that? Put that in? 01:02:37.382 --> 01:02:38.757 CHAPLIN: Mmm. Ah! 01:02:38.842 --> 01:02:41.927 l'll never forget the night Mary told me the truth. 01:02:42.012 --> 01:02:44.680 We were celebrating the end of the First World War. 01:02:44.764 --> 01:02:47.850 And I met J. Edgar Hoover for the first time. 01:02:47.892 --> 01:02:49.268 GEORGE: Then I think you should make it clear 01:02:49.352 --> 01:02:52.104 that this was before he became head of the FBl. 01:02:52.188 --> 01:02:54.273 HOOVER: lf I may continue, Mr. Hearst. 01:02:54.357 --> 01:02:55.691 We're too generous. 01:02:56.359 --> 01:02:58.110 We're too open. 01:02:58.194 --> 01:02:59.653 Now, if we don't watch out, 01:03:00.530 --> 01:03:04.908 if we don't take steps now to impose some new discipline, some decency, 01:03:05.827 --> 01:03:08.537 then we're in trouble. Deep trouble. 01:03:09.414 --> 01:03:11.957 l know it's not fashionable to say this. 01:03:12.042 --> 01:03:14.710 We're celebrating. Everyone thinks it's over. 01:03:15.795 --> 01:03:18.047 -But democracy carries a price tag. -MAN: Hear, hear. 01:03:18.131 --> 01:03:19.173 (JAUNTY MUSlC PLAYlNG) 01:03:19.215 --> 01:03:21.300 HOOVER: And I just happen to think that one of the most 01:03:21.384 --> 01:03:24.053 misguided promises we ever made 01:03:24.763 --> 01:03:27.556 was inscribed on the base of the Statue of Liberty. 01:03:28.099 --> 01:03:31.769 One that I predict will lead this country into all kinds of trouble. 01:03:32.687 --> 01:03:36.065 "Give us your poor, your huddled masses." 01:03:36.733 --> 01:03:39.068 Now, we have to stop this before it goes too far. 01:03:39.110 --> 01:03:40.152 (WOMAN GlGGLlNG) 01:03:40.236 --> 01:03:42.988 Our conception of America does not include, 01:03:43.073 --> 01:03:45.407 was never meant to include, this kind of scum. 01:03:45.450 --> 01:03:46.492 (WOMAN LAUGHING) 01:03:46.576 --> 01:03:51.830 HEARST: You will have to forgive our famous, young friends, the artistic temperament. 01:03:51.915 --> 01:03:55.042 But what you're saying is important, very important. 01:03:59.756 --> 01:04:01.090 (LAUGHING) 01:04:05.595 --> 01:04:09.264 HOOVER: Right now we are giving sanctuary to the refuse of the world. 01:04:09.683 --> 01:04:12.267 All kinds of left-wing intellectuals 01:04:12.352 --> 01:04:14.728 who'd like nothing more than to bring us down. 01:04:14.771 --> 01:04:15.813 (CHUCKLlNG) 01:04:15.897 --> 01:04:17.523 Don't you think you're overstating? 01:04:17.607 --> 01:04:18.941 No, sir. I do not. 01:04:19.359 --> 01:04:22.403 And I sometimes wonder if you people realize the responsibility you carry. 01:04:23.530 --> 01:04:25.114 To my way of thinking, 01:04:25.156 --> 01:04:27.408 motion pictures are, potentially, 01:04:27.450 --> 01:04:30.160 the most influential form of communication ever invented. 01:04:30.912 --> 01:04:32.454 And there's no control over them. 01:04:32.997 --> 01:04:35.249 Your message reaches everyone, everywhere. 01:04:35.792 --> 01:04:36.834 Message? 01:04:37.460 --> 01:04:38.460 Of course. 01:04:39.421 --> 01:04:42.464 Mr. Chaplin here reaches millions who only have to see. 01:04:43.466 --> 01:04:46.635 And when they see a mockery being made of our immigration services, 01:04:47.387 --> 01:04:49.054 l call that a message. 01:04:49.139 --> 01:04:50.180 Yes. Well, 01:04:50.974 --> 01:04:55.978 as you've already said, Mr. Hoover, motion pictures are for the people. 01:04:56.604 --> 01:05:00.149 Most of the people work for a living and they don't make much money doing it. 01:05:00.692 --> 01:05:03.318 lt gives them pleasure to see officialdom and the upper classes 01:05:03.361 --> 01:05:05.571 getting a kick up the backside. 01:05:05.655 --> 01:05:08.157 Always has and it always will. 01:05:09.159 --> 01:05:12.036 And if that can change things, so much the better. 01:05:14.164 --> 01:05:15.330 Better. 01:05:17.083 --> 01:05:18.625 He's improving. 01:05:18.835 --> 01:05:20.836 But motion pictures have made you rich, Mr. Chaplin. 01:05:20.920 --> 01:05:21.962 (GlGGLlNG) 01:05:22.005 --> 01:05:23.839 They sure have. 01:05:26.092 --> 01:05:28.427 What about your own motion picture career, Mrs. Chaplin? 01:05:28.511 --> 01:05:31.180 -l think you've handled it all wonderfully. -What? 01:05:31.848 --> 01:05:32.890 Mildred. 01:05:33.266 --> 01:05:35.351 The pregnancy? 01:05:37.479 --> 01:05:39.980 Everyone knows you've been conned, Charlie. 01:05:44.319 --> 01:05:45.361 Mildred. 01:05:48.865 --> 01:05:51.867 Please excuse us, Mr. Hearst. l have to be up very early. 01:05:51.910 --> 01:05:54.536 -Yes, of course. -Come along, my dear. 01:05:59.542 --> 01:06:01.377 lt's been a pleasure. 01:06:03.421 --> 01:06:04.797 Good night. 01:06:13.056 --> 01:06:14.515 GEORGE: You made an enemy there, Charlie. 01:06:15.600 --> 01:06:17.893 Was it personal, do you think? 01:06:18.103 --> 01:06:20.062 CHAPLIN: Personal? Maybe. 01:06:20.146 --> 01:06:23.399 But I'm sure he really did believe l was a communist. 01:06:23.900 --> 01:06:26.735 l wasn't, of course. I was simply a humanist. 01:06:26.778 --> 01:06:29.113 GEORGE: He also believed you were a Jew. 01:06:29.489 --> 01:06:33.701 CHAPLIN: Something I've rarely troubled to deny, mainly because of Syd. 01:06:34.744 --> 01:06:37.996 He's half-Jewish, as you know. Same mother, different fathers. 01:06:40.125 --> 01:06:43.002 GEORGE: I suppose the false pregnancy was the beginning of the end with Mildred. 01:06:55.140 --> 01:06:59.184 You're awful late again, Charlie. l'd almost given up on you. 01:06:59.269 --> 01:07:00.352 Funny. 01:07:00.437 --> 01:07:03.439 Sometimes I feel I'm so close to getting it right, 01:07:04.399 --> 01:07:06.191 it slips away. 01:07:06.359 --> 01:07:09.153 You've been editing that film for months. 01:07:09.946 --> 01:07:12.531 Will be for months, more than likely. 01:07:14.117 --> 01:07:16.076 Not like the old days. 01:07:16.828 --> 01:07:18.078 The good times. 01:07:21.416 --> 01:07:24.084 The good times? Are they over? 01:07:27.380 --> 01:07:28.672 Do you want me to leave? 01:07:30.467 --> 01:07:31.467 No. 01:07:34.471 --> 01:07:35.679 l'll leave. 01:07:46.024 --> 01:07:48.442 GEORGE: Why aren't you more bitter towards her? 01:07:48.485 --> 01:07:50.944 CHAPLIN: Stealing my movie wasn't her idea. 01:07:51.112 --> 01:07:55.657 Oh! Poor child was so stupid, I'm not sure she could even spell the word "idea." 01:07:55.700 --> 01:07:56.700 Charlie? 01:07:57.452 --> 01:08:00.496 Charlie, wake up! 01:08:02.999 --> 01:08:04.541 -Charlie! -What? 01:08:05.460 --> 01:08:06.502 Wake up. Quick. 01:08:06.544 --> 01:08:07.753 -They're trying to seize the film. -Who? 01:08:07.837 --> 01:08:09.630 Just go and wash your face and wake up, will you? 01:08:09.881 --> 01:08:11.924 That sweet child bride of yours, 01:08:12.008 --> 01:08:15.010 well, her divorce lawyers have informed her it's an asset. 01:08:15.679 --> 01:08:16.970 -An asset? -Yes. 01:08:17.347 --> 01:08:19.807 So, I've got Rollie, the wife 01:08:19.849 --> 01:08:22.434 -and 40 cans of film in the car. Come on. -Okay. 01:08:22.769 --> 01:08:23.894 SYD: Once we're over the state line, 01:08:23.978 --> 01:08:26.522 we keep you under wraps till we finish cutting the film. 01:08:26.606 --> 01:08:29.066 Charlie, you've got your pants on back to front. 01:09:26.082 --> 01:09:28.834 Yeah, yeah. lt's good. 01:09:32.130 --> 01:09:33.589 lt moves now. 01:09:36.051 --> 01:09:37.676 (ROLLlE LAUGHING) 01:09:40.722 --> 01:09:42.765 CHAPLIN: I really do love that kid. 01:09:42.807 --> 01:09:44.475 (ROLLlE CHUCKLlNG) 01:09:45.435 --> 01:09:46.518 (CHAPLIN WHlSTLES) 01:09:46.603 --> 01:09:48.103 (BOTH LAUGHING) 01:10:10.960 --> 01:10:12.711 We're still waiting for that other shot, Syd. 01:10:13.630 --> 01:10:16.131 -Have a look in 1 02, Rollie. -Sure I put it on there. 01:10:16.174 --> 01:10:18.008 Wait. No, Chas, I've got it here. 01:10:18.093 --> 01:10:19.760 (KNOCKlNG AT DOOR) 01:10:20.428 --> 01:10:22.930 Minnie, answer the door. Hurry up. 01:10:24.099 --> 01:10:25.140 Shh! Shh! 01:10:25.183 --> 01:10:26.433 Charlie. 01:10:35.151 --> 01:10:38.696 -Here's your tea, ma'am. -Thank you very much. Thank you. 01:10:39.489 --> 01:10:40.948 Thank you. 01:10:44.411 --> 01:10:45.411 He's on to us, boys. 01:10:45.829 --> 01:10:46.829 (TlRES SCREECHlNG) 01:10:46.913 --> 01:10:48.455 (SlREN WAlLlNG) 01:11:38.131 --> 01:11:39.923 (ALL SlNGlNG) 01:11:45.764 --> 01:11:47.431 (KNOCKlNG AT DOOR) 01:11:47.724 --> 01:11:49.641 PRODUCTlON ASSlSTANT: They're... They're here, boss. 01:12:34.145 --> 01:12:36.772 I've dreamed of this moment for years. 01:12:40.026 --> 01:12:43.612 This is America, Mum. This is where your dreams come true. 01:12:53.581 --> 01:12:54.665 Charlie's bought you a lovely house, Mum. 01:12:54.749 --> 01:12:55.791 (GASPING) 01:12:55.834 --> 01:12:57.084 lt's not too big. 01:12:57.168 --> 01:12:59.169 Great view of the ocean. 01:13:08.304 --> 01:13:11.807 You always wanted to live by the seaside, didn't you? 01:13:16.354 --> 01:13:19.314 Don't stop, Syd. You're right. I have. 01:13:21.401 --> 01:13:24.153 l think I shall love watching the waves. 01:13:27.657 --> 01:13:31.618 I'm sure I will. You boys, you spoil me so. 01:13:49.679 --> 01:13:50.679 More tea, dear? 01:13:51.348 --> 01:13:52.348 No. 01:13:52.682 --> 01:13:54.308 Mum. Mum. 01:13:55.685 --> 01:13:57.686 HANNAH: The mark on my arm, Charles? 01:13:58.855 --> 01:14:00.397 They gave me that at the asylum. 01:14:05.653 --> 01:14:08.197 lf only l'd been able to feed you proper, l'd never have gone there. 01:14:11.034 --> 01:14:15.537 Now, if they ever come back for me, l'll have enough food for us all. 01:14:25.048 --> 01:14:27.508 CHAPLIN: I never could deal with my mother. 01:14:28.593 --> 01:14:30.219 l only ever threw money at her. 01:14:30.887 --> 01:14:32.888 GEORGE: Come on, Charlie, you've got to explain 01:14:32.972 --> 01:14:35.307 why you chose that particular time to go to London. 01:14:35.392 --> 01:14:40.270 CHAPLIN: Now, I don't have to explain a damn thing, I was tired. I had a movie opening. 01:14:40.355 --> 01:14:42.481 l wanted to see old friends. 01:14:43.441 --> 01:14:44.817 (KARNO LAUGHING) 01:14:47.070 --> 01:14:50.531 Straight into the water, arse over tit! 01:14:51.783 --> 01:14:54.118 He needed the job that bad! 01:14:55.912 --> 01:14:59.581 But I was worried, Charlie. l was prepared for the absolute worst. 01:15:00.417 --> 01:15:04.878 I've seen it happen in the profession, oh, so many times. 01:15:05.422 --> 01:15:07.881 Mmm, I'm sure you have, Mr. Karno. 01:15:08.591 --> 01:15:12.094 His head size. That is the only true measure of a man. 01:15:13.388 --> 01:15:15.889 l sent this lad to America. 01:15:16.266 --> 01:15:18.976 Look what's come back to me. (CHUCKLlNG) 01:15:20.562 --> 01:15:24.398 My head never swelled, not with all my successes. 01:15:24.441 --> 01:15:28.277 l was worried about you, though, Charlie. (CHUCKLlNG) 01:15:29.446 --> 01:15:31.864 And that other night at the Troc, remember? 01:15:32.282 --> 01:15:36.493 Well, you took a tail-suit out of the wardrobe, tried to be a gent. 01:15:37.704 --> 01:15:40.622 Trying to impress that young dancer, Hetty. 01:15:40.707 --> 01:15:41.999 Wasn't that her name? 01:15:42.083 --> 01:15:43.125 Hetty Kelly. 01:15:43.376 --> 01:15:45.127 l could see in your eyes you fancied her. 01:15:47.172 --> 01:15:48.255 Sad. 01:15:49.841 --> 01:15:52.885 Yes, I know all about it, Fred. She got married. 01:15:52.969 --> 01:15:54.636 Sent me a lovely note. 01:15:55.096 --> 01:15:57.431 Brought it with me. Somewhere in my baggage. 01:15:59.476 --> 01:16:02.436 Oh, Charlie, Charlie. 01:16:03.855 --> 01:16:05.481 Charlie, don't you know? 01:16:06.191 --> 01:16:07.232 Hmm? 01:16:07.317 --> 01:16:09.151 Has nobody told you? 01:16:09.652 --> 01:16:10.652 She's gone! 01:16:11.071 --> 01:16:14.198 The flu epidemic after the war carried her away. 01:16:14.282 --> 01:16:16.033 (TRAlN WHlSTLE BLOWlNG) 01:16:18.661 --> 01:16:20.662 Well, I thought someone must have told you. 01:16:22.123 --> 01:16:23.874 Must have written. 01:16:24.626 --> 01:16:26.126 Didn't nobody? 01:16:39.391 --> 01:16:40.766 MAN: Charlie! 01:16:41.101 --> 01:16:43.143 Hey, hey, hey. Charlie! 01:17:11.297 --> 01:17:13.298 What do we do, Charlie? 01:17:16.302 --> 01:17:17.886 (TRAlN STOPPlNG) 01:17:19.889 --> 01:17:21.140 Smile. 01:17:25.228 --> 01:17:26.979 Give me my hat. 01:18:39.844 --> 01:18:41.595 -Evening, sir. -Good evening. 01:18:50.814 --> 01:18:52.898 (PlANO PLAYlNG CHEERFUL MUSlC) 01:18:58.571 --> 01:18:59.613 (MEN LAUGHING) 01:18:59.656 --> 01:19:01.323 -Good evening. -Evening, sir. 01:19:01.825 --> 01:19:03.992 Hey! That's Charlie Chaplin! 01:19:05.745 --> 01:19:07.454 BARTENDER: Now, what can I get you? 01:19:08.248 --> 01:19:11.667 -Light ale, please. -BARTENDER: That'll be tuppence, sir. 01:19:12.585 --> 01:19:16.839 Well, here's someone who's had a good war! 01:19:17.090 --> 01:19:18.924 MAN 1 : Yeah, you didn't see him in the bleeding army. 01:19:19.175 --> 01:19:22.219 Come to stare at the animals, Charlie? 01:19:22.303 --> 01:19:25.681 Oh, go and sit down, Ted, and give your mouth a rest. 01:19:25.765 --> 01:19:27.266 l just came in for a quiet drink. 01:19:27.350 --> 01:19:29.184 MAN 2: Great to see you back, Charlie. 01:19:29.227 --> 01:19:30.227 Here, have one on me. 01:19:30.854 --> 01:19:32.688 You have one on me. 01:19:33.273 --> 01:19:36.442 Mr. Charlie fucking Chaplin! 01:19:36.568 --> 01:19:38.694 MAN 3: Ted. TED: Bleeding commie bastard! 01:19:38.820 --> 01:19:41.071 MAN 3: Go, lads, sit down. MAN 4: Come, sit down. Come. 01:19:41.156 --> 01:19:44.450 Don't worry about him, Charlie. He's always been a miserable old sod. 01:19:44.534 --> 01:19:46.118 TED: Get him off the premises. 01:19:48.079 --> 01:19:49.329 TED: Charlie Chaplin. 01:19:49.372 --> 01:19:53.042 Well, bugger Mr. Charlie bleeding Chaplin. 01:19:53.877 --> 01:19:55.169 MAN 5: Good luck, Charlie! 01:19:55.337 --> 01:19:57.338 -Good luck, Charlie! -I've seen all your pictures! 01:19:58.381 --> 01:20:00.466 CHlLD: That's him. Charlie Chaplin! 01:20:02.552 --> 01:20:04.595 BARTENDER: The back way's through there, sir. 01:20:04.679 --> 01:20:06.305 Oh. You're very kind. 01:20:07.390 --> 01:20:09.224 MAN 6: Good old Charlie. 01:20:11.061 --> 01:20:13.270 MAN 7: See him coming in here, Charlie Chaplin. 01:20:35.960 --> 01:20:37.836 Welcome home, Charlie. 01:20:41.257 --> 01:20:46.261 CHAPLIN: I knew then that I had no home. So I decided to put down roots in America. 01:21:01.403 --> 01:21:03.278 FAlRBANKS: Whoa, whoa. 01:21:07.033 --> 01:21:09.118 A man came to see me the other day. 01:21:09.160 --> 01:21:10.244 CHAPLIN: Oh? 01:21:10.286 --> 01:21:14.039 A corset salesman? I sent him. Your paunch is in need of help. 01:21:15.208 --> 01:21:17.459 He was the FBl, old darling. 01:21:18.128 --> 01:21:20.796 Said he knew what a loyal American I was. 01:21:20.880 --> 01:21:23.549 He wondered if everyone else felt the same way. 01:21:24.009 --> 01:21:27.886 l just sat there and let him work his way around to you, 01:21:27.971 --> 01:21:29.179 which he did. 01:21:29.264 --> 01:21:31.849 He asked were you a member of the Communist Party. 01:21:32.851 --> 01:21:36.020 l said that was an absolute impossibility. 01:21:36.104 --> 01:21:37.229 Because I love America. 01:21:37.772 --> 01:21:39.648 Because you're too cheap to pay the dues. 01:21:41.067 --> 01:21:45.070 Remarkable. Your timing in work is flawless. ln life, it's the reverse. 01:21:46.031 --> 01:21:48.323 You're a miserable pain in the ass, Charles. 01:21:48.408 --> 01:21:50.451 But I'm worried about you. 01:21:50.493 --> 01:21:51.827 (GRUNTlNG) 01:21:52.662 --> 01:21:56.248 You worry about your family jewels, old darling. 01:21:57.167 --> 01:21:58.584 I'm serious. 01:21:59.127 --> 01:22:00.461 Watch out. 01:22:04.049 --> 01:22:05.341 CHAPLIN: What am I supposed to watch? 01:22:06.217 --> 01:22:09.970 Charles, you're a foreigner. You're still an outsider. 01:22:10.013 --> 01:22:12.473 You've never understood this country. 01:22:12.515 --> 01:22:14.183 lt's a good country underneath, Doug. 01:22:14.267 --> 01:22:15.434 (CHUCKLlNG) 01:22:15.518 --> 01:22:18.270 No. lt's a good country on top. 01:22:19.481 --> 01:22:23.025 Underneath, that's what starts showing when we're scared. 01:22:25.612 --> 01:22:28.697 But you don't care about politics. What is this? 01:22:29.366 --> 01:22:31.241 -Why are you so worried? -Me? 01:22:31.326 --> 01:22:32.409 (LAUGHING) 01:22:32.494 --> 01:22:34.161 l haven't a care in the world. 01:22:34.204 --> 01:22:37.664 I'm the oldest action star in the business and talkies are coming. 01:22:38.208 --> 01:22:40.668 What the hell have I got to be worried about? 01:22:42.379 --> 01:22:44.463 That's talkies, Charles. 01:22:45.131 --> 01:22:48.175 Talkies! Talkies! 01:22:49.469 --> 01:22:50.844 Can you imagine The Tramp talking? 01:22:50.887 --> 01:22:53.013 lt's the future, Charlie. 01:22:53.056 --> 01:22:54.598 Not in my lifetime. 01:22:54.974 --> 01:22:56.225 Talkies! 01:22:57.977 --> 01:23:00.312 CHAPLIN: lt'll never catch on. 01:23:00.397 --> 01:23:02.231 FAlRBANKS: Talkies! 01:23:03.358 --> 01:23:04.775 Talkies! 01:23:06.236 --> 01:23:09.905 Talkies! Talkies! 01:23:22.919 --> 01:23:25.754 This is it, sir. We've enlarged it for you. 01:23:29.676 --> 01:23:31.760 l still can't make him out. 01:23:33.555 --> 01:23:35.681 Have you got a positive identification? 01:23:35.765 --> 01:23:38.642 Oh, yes. No doubt, sir. lt is Hawkins, sir. The red labor leader. 01:23:39.269 --> 01:23:41.270 Visiting him at the studios. 01:23:41.312 --> 01:23:44.148 How can we make them realize the danger? 01:23:44.899 --> 01:23:50.195 l told him that once, face to face, "You can damage this country." 01:23:50.447 --> 01:23:52.072 He didn't get it. 01:23:55.452 --> 01:23:56.618 How old is this one? 01:23:57.328 --> 01:24:00.122 Well, sir, she's underage is all that matters. 01:24:00.206 --> 01:24:03.292 When the baby's born, we can go after him for statutory rape. 01:24:03.376 --> 01:24:04.835 A scandal like that would destroy him. 01:24:05.170 --> 01:24:07.755 l appreciate your zeal, Mr. Seeley, 01:24:07.797 --> 01:24:11.467 but Chaplin and Miss Grey were married in Mexico yesterday. 01:24:14.512 --> 01:24:18.807 lf only he'd just sleep with them. Everything would be so much easier. 01:24:19.601 --> 01:24:22.770 Still, we must do what we can. 01:24:26.941 --> 01:24:29.109 GEORGE: Lita was your second wife, okay? 01:24:29.152 --> 01:24:31.570 She gave you two sons, whom you adored. 01:24:31.654 --> 01:24:34.573 This book is over 500 pages long. 01:24:34.657 --> 01:24:37.701 Yet, you only devote five lines to her. Why? 01:24:37.786 --> 01:24:39.453 CHAPLIN: I hated the bitch. 01:24:39.496 --> 01:24:41.705 GEORGE: Oh, come on, she was hardly more than a child. 01:24:42.040 --> 01:24:44.583 lt can't all have been her fault, surely. 01:24:44.668 --> 01:24:48.170 CHAPLIN: George, she was a profoundly flawed human being. 01:24:48.755 --> 01:24:50.506 GEORGE: Well, we've got to deal with the problem, Charlie. 01:24:50.590 --> 01:24:54.176 You married her. All your life, you've bedded down with the babies. 01:24:54.260 --> 01:24:56.261 Your readers will want to understand. 01:24:56.346 --> 01:25:00.516 Where were you when she gave birth to those two boys less than a year apart? 01:25:00.558 --> 01:25:02.351 CHAPLIN: You know where I was. 01:25:02.394 --> 01:25:05.354 l happened to be making a little film called The Gold Rush. 01:25:11.319 --> 01:25:15.197 You're a flawed human being, Charles, just like the rest of us. 01:25:15.281 --> 01:25:18.075 Only, you have to address it. That's all. 01:25:19.744 --> 01:25:20.786 l mean, why are we here? 01:25:20.870 --> 01:25:24.873 Why are we talking in Switzerland and not in Southern California? Hmm? 01:25:27.127 --> 01:25:29.795 lt wasn't just the parlor pink business, Charlie, 01:25:29.879 --> 01:25:33.340 or the speeches or the donations that finally did you that 01:25:33.383 --> 01:25:36.260 turned you into an exile, you know what I mean? 01:25:36.344 --> 01:25:37.386 Nah. 01:25:40.015 --> 01:25:42.725 -You know what it was, don't you? -What? 01:25:43.727 --> 01:25:48.355 Sex. 01:25:48.398 --> 01:25:50.566 Yes. Sex. 01:25:53.028 --> 01:25:56.280 lt's odd, you know, but I don't think I've ever looked at a woman 01:25:56.364 --> 01:26:00.367 without measuring that possibility between us. 01:26:02.871 --> 01:26:05.581 At the same time, I'm not all that interested. 01:26:05.623 --> 01:26:07.166 Never during work. 01:26:08.251 --> 01:26:11.295 l suppose it was only when I wasn't working, that I was 01:26:13.381 --> 01:26:14.840 vulnerable. 01:26:15.425 --> 01:26:19.303 Well, why don't you write about that vulnerability? 01:26:20.764 --> 01:26:22.806 lf you want to understand me, 01:26:24.059 --> 01:26:25.893 watch my movies. 01:26:26.102 --> 01:26:28.729 (PLAYlNG PASSlONATE SONG ON VlOLlN) 01:26:32.359 --> 01:26:34.526 All right, sonny boy, 01:26:34.611 --> 01:26:36.779 tell your poor little brother today's problem. 01:26:37.781 --> 01:26:39.907 Same as yesterday and the day before that and the day before that. 01:26:39.949 --> 01:26:42.743 And the day before that, and the day before that. 01:26:43.203 --> 01:26:45.371 All right. You be creative for a change! 01:26:45.455 --> 01:26:46.455 (CHUCKLlNG) 01:26:47.082 --> 01:26:49.333 The Tramp buys a flower from the girl. 01:26:49.459 --> 01:26:53.212 ln order for the plot to work, she has to think he's rich. 01:26:53.421 --> 01:26:54.922 That's all. 01:26:54.964 --> 01:26:57.257 Except, as you're aware, the flower girl is blind. 01:26:58.968 --> 01:27:03.389 l don't know how to make a blind girl mistake The Tramp for a millionaire. 01:27:04.140 --> 01:27:05.516 Easy. 01:27:06.226 --> 01:27:08.811 We'll do what everyone else is doing. 01:27:09.813 --> 01:27:10.896 Joe! 01:27:13.358 --> 01:27:15.484 We'll have the actors talk. 01:27:15.527 --> 01:27:16.860 (LAUGHING) 01:27:18.488 --> 01:27:20.364 Joseph Curb, Vitaphone. 01:27:20.990 --> 01:27:23.325 -Hello, sir. -Oh, hello, Joe. 01:27:26.371 --> 01:27:27.746 (EXHALlNG) 01:27:27.872 --> 01:27:31.000 lt's not your fault, son. You're in the middle of a family feud. 01:27:32.419 --> 01:27:37.297 Now, you decide who's right. The Tramp can't talk. 01:27:37.882 --> 01:27:40.175 The minute he talks, he's dead. 01:27:41.261 --> 01:27:42.261 Tell me I'm right. 01:27:43.346 --> 01:27:45.222 SYD: He can't, because you're wrong. 01:27:45.849 --> 01:27:47.516 Who the hell is gonna pay to see you, 01:27:47.559 --> 01:27:49.393 when everybody else has gone over to sound? 01:27:49.853 --> 01:27:51.353 Who? l'll tell you who. 01:27:51.438 --> 01:27:53.772 The Japanese, for one thing, and the Russkies for another. 01:27:53.940 --> 01:27:56.483 And anyone else who doesn't happen to speak English. 01:27:56.985 --> 01:28:00.696 Or have you forgotten about the other nine-tenths of the globe? 01:28:01.990 --> 01:28:03.657 All right, I guess l'll have to show you. 01:28:03.700 --> 01:28:05.534 Who's the most famous ballet dancer in the world? 01:28:05.577 --> 01:28:06.577 Pardon? 01:28:06.661 --> 01:28:08.829 The most famous ballet dancer in the world! 01:28:09.706 --> 01:28:10.789 Nijinsky. 01:28:11.082 --> 01:28:15.794 Fine. So let's say that he was doing Swan Lake today 01:28:16.421 --> 01:28:18.422 and we all went to see it. 01:28:20.800 --> 01:28:22.885 And he came down to the footlights. 01:28:23.720 --> 01:28:25.304 And the orchestra stopped. 01:28:25.388 --> 01:28:28.724 And he said, "Hi folks, I'm Vaslav Nijinsky." 01:28:28.767 --> 01:28:30.642 No, he'd have a Russian accent. 01:28:30.727 --> 01:28:34.063 (lN RUSSlAN ACCENT) "Hi, folksies. Call me Vaslav Nijinsky. Sky, sky, sky. 01:28:34.105 --> 01:28:37.191 "Oh, just call me Vas. lt doesn't matter. lt's okay by me. 01:28:37.734 --> 01:28:39.485 "Everything is wonderful in California. 01:28:39.778 --> 01:28:41.695 "Okay, today I'm going to jump up and down for you 01:28:41.738 --> 01:28:43.238 "like nothing what you've ever seen before. 01:28:43.281 --> 01:28:45.407 (SPEAKlNG GlBBERlSH RUSSlAN) 01:28:45.909 --> 01:28:47.826 "Hope you for to like me. Bye." 01:28:48.495 --> 01:28:49.870 You know what would happen when he danced? 01:28:50.163 --> 01:28:51.747 lt would be awful. 01:28:51.790 --> 01:28:53.582 Because the magic is gone. 01:28:54.417 --> 01:28:55.668 Just as it would be with The Tramp. 01:28:59.297 --> 01:29:00.297 Tell me I'm right. 01:29:03.468 --> 01:29:07.262 I'm in the word business, Mr. Chaplin, so I have to say that you're wrong. 01:29:07.347 --> 01:29:09.515 But I'm sure as hell glad l got a chance to meet you. 01:29:13.269 --> 01:29:15.896 -CHAPLIN: See you. -Enjoyed the dancing. 01:29:16.106 --> 01:29:18.774 Yeah. And the talking. 01:29:26.908 --> 01:29:28.951 Take Mr. Curb back to his office. Will you, Rollie? 01:29:38.586 --> 01:29:41.880 Rollie! Get them all back. Syd, we're in business! 01:29:42.674 --> 01:29:45.968 CHAPLIN: How does a blind girl mistake The Tramp for a millionaire? 01:29:46.011 --> 01:29:49.263 When she hears the door slam on a rich man's car. 01:29:49.723 --> 01:29:51.515 She thinks The Tramp's the owner. 01:29:53.018 --> 01:29:54.601 Easy. 01:29:55.061 --> 01:29:56.937 When you know how. 01:30:01.651 --> 01:30:04.737 Charlie! Sydney! Over here! Throw it to Dad. 01:30:07.574 --> 01:30:09.241 Boys! 01:30:20.003 --> 01:30:23.172 Boys! I'm taking your ball down to the cellar. 01:30:26.217 --> 01:30:27.885 l don't see any stairs. 01:30:41.524 --> 01:30:44.526 Mum's here. Off you go now! 01:30:45.862 --> 01:30:48.155 Your mummy's here. Ready? 01:30:52.035 --> 01:30:55.788 l'll see you next weekend, okay? Come on, off you go! 01:30:55.872 --> 01:30:58.791 Off you go! Hey, boys! 01:31:21.398 --> 01:31:23.232 lt can't be as bad as all that, Mr. Chaplin. 01:31:26.986 --> 01:31:30.072 Do I know you? And why don't l? 01:31:31.116 --> 01:31:32.783 I'm Paulette Levy. 01:31:33.243 --> 01:31:35.911 Hmm. Would you like a drink, Miss Levy? 01:31:37.080 --> 01:31:38.997 l already have one. 01:31:39.582 --> 01:31:40.916 How about a fur coat? 01:31:41.918 --> 01:31:43.669 (LAUGHING) Well... 01:31:43.753 --> 01:31:45.379 No, seriously. You look hungry. 01:31:47.090 --> 01:31:48.507 Thank you. 01:31:50.427 --> 01:31:51.719 (SlGHlNG) 01:31:52.637 --> 01:31:53.679 (CLEARlNG THROAT) 01:31:53.763 --> 01:31:54.972 Actress? 01:31:55.265 --> 01:31:56.473 (CHUCKLlNG) 01:31:56.558 --> 01:31:59.184 lf you watch the B-movies and don't blink. 01:32:00.437 --> 01:32:03.355 -Don't get any ideas, though. -You're taken, then. 01:32:03.440 --> 01:32:06.275 No, but I'm 21 . 01:32:06.317 --> 01:32:08.318 Way too old for you. 01:32:09.696 --> 01:32:10.696 (CLEARlNG THROAT) 01:32:10.780 --> 01:32:12.489 You're very pretty, Miss Levy. 01:32:12.574 --> 01:32:13.615 (CHUCKLlNG) 01:32:13.658 --> 01:32:17.244 l'd better be. I didn't get out here thanks to my Shakespeare reviews. 01:32:17.287 --> 01:32:21.040 And may I say something? You'd be even prettier as a brunette. 01:32:21.124 --> 01:32:24.626 Well, you'd be devastating if you were six inches taller. 01:32:26.629 --> 01:32:29.214 Punch? Two, please. 01:32:30.467 --> 01:32:33.635 Well, at least you can do something about your hair. 01:32:33.720 --> 01:32:36.472 Never! I was born this way. 01:32:37.307 --> 01:32:38.682 Oh, thank you. 01:32:39.726 --> 01:32:40.768 (PLAYlNG JAZZ MUSlC ON PlANO) 01:32:40.810 --> 01:32:44.104 -CHAPLIN: Hello. -Nice to see you again, sir. 01:32:58.119 --> 01:33:00.913 Evening, Mr. Chaplin. 01:33:00.997 --> 01:33:03.415 Sorry, miss. I'm waiting for a natural blonde. 01:33:03.500 --> 01:33:04.500 Oh. 01:33:05.168 --> 01:33:06.502 (LAUGHING) 01:33:07.921 --> 01:33:08.921 Hi. 01:33:10.674 --> 01:33:11.840 You look beautiful. 01:33:12.509 --> 01:33:15.886 -My usual table. -Of course, Mr. Chaplin, come right this way. 01:33:24.562 --> 01:33:27.314 -Hello, Charlie. -Hello, Charlie. 01:33:29.651 --> 01:33:32.861 GEORGE: You've come a long way, Charlie. CHAPLIN: Yes. My own suit. 01:33:32.987 --> 01:33:37.241 No need to book a table. l lived in the lap of luxury. But I was blind. 01:33:37.367 --> 01:33:38.534 GEORGE: Blind? 01:33:38.576 --> 01:33:41.161 CHAPLIN: Yes. That's fatal, for a storyteller. 01:33:42.330 --> 01:33:44.873 Did I ever tell you that I sold all my stocks and shares 01:33:44.958 --> 01:33:46.667 the year before the Wall Street crash? 01:33:46.710 --> 01:33:48.335 GEORGE: That was clever. 01:33:49.546 --> 01:33:51.046 CHAPLIN: Mmm. 01:33:51.214 --> 01:33:53.757 lt was deeply cruel, the Depression. 01:33:56.803 --> 01:33:59.847 Can I have an autograph, Mr. Chaplin? 01:34:01.057 --> 01:34:02.474 -Yes, yes, of course. -Sign mine? 01:34:02.559 --> 01:34:03.600 Yes. 01:34:10.066 --> 01:34:12.317 CHAPLIN: I wish they'd wanted my money. 01:34:13.820 --> 01:34:15.487 -You know what? -Hmm? 01:34:15.572 --> 01:34:17.573 I've always had that gift. 01:34:20.535 --> 01:34:25.414 After a man makes love to me, he just goes wild from happiness. 01:34:25.457 --> 01:34:26.832 (CHUCKLlNG) 01:34:27.083 --> 01:34:28.417 l am happy. 01:34:30.253 --> 01:34:34.214 Then tell me when you get sad, because I don't want to be around. 01:34:39.137 --> 01:34:43.057 Terrible things have been happening out there since the crash. 01:34:43.099 --> 01:34:46.852 Millions of decent Americans have been robbed of their right to work. 01:34:46.936 --> 01:34:49.605 Machinery is replacing manpower. 01:34:53.109 --> 01:34:54.985 And I've said nothing. 01:34:59.824 --> 01:35:05.579 Shame on me. 01:35:31.481 --> 01:35:35.401 You're right, Charlie, you're right. About three seconds too short. 01:35:35.485 --> 01:35:39.905 Okay, Johnny! We'll do a two-bar repeat of the xylophone. Yes? 01:35:39.989 --> 01:35:41.281 Sure. 01:35:41.991 --> 01:35:43.242 Honey? 01:35:43.576 --> 01:35:45.411 Oh, sorry, darling. 01:35:45.495 --> 01:35:48.831 I'm taking the boys out on the boat today. Why don't you come on out for some air? 01:35:49.249 --> 01:35:50.332 Hmm. 01:35:50.458 --> 01:35:53.002 Tomorrow, darling. Definitely tomorrow. 01:35:54.379 --> 01:35:55.379 All right. 01:35:58.174 --> 01:36:00.175 Put that in straight away. 01:36:00.260 --> 01:36:02.761 -What do you want to do? -Take it out of the minor key. 01:36:04.097 --> 01:36:05.639 Fine. Let me hear it. 01:36:05.682 --> 01:36:07.599 (PLAYlNG SLOW MUSlC ON PlANO) 01:36:12.522 --> 01:36:14.815 No. l'll tell you why. 01:36:25.994 --> 01:36:30.039 Charlie, you were supposed to meet us at the fight. 01:36:30.123 --> 01:36:33.208 I'm sorry, sweetheart. Who was fighting? 01:36:33.293 --> 01:36:35.627 Mostly Mary and Doug, as it turned out. 01:36:35.712 --> 01:36:38.339 -You're wonderful, Miss Goddard. -Thanks! 01:36:38.381 --> 01:36:40.299 (PLAYlNG PlANO SOFTLY) 01:36:48.725 --> 01:36:50.684 Well, that didn't work either, did it? 01:37:12.374 --> 01:37:14.750 (PLAYlNG CHEERY MUSlC ON PlANO) 01:37:14.918 --> 01:37:17.586 Well, the Fairbanks are getting a divorce. 01:37:18.880 --> 01:37:21.256 And Mussolini has invaded Abyssinia. 01:37:23.426 --> 01:37:25.594 You really need a break, Charlie. 01:37:26.262 --> 01:37:28.097 We should take a trip. 01:37:28.181 --> 01:37:29.223 That's a good idea. 01:37:29.265 --> 01:37:32.351 What? What's a good idea? 01:37:33.520 --> 01:37:35.646 Around the world, I thought. 01:37:36.064 --> 01:37:38.273 (PLAYlNG SLOW MUSlC ON PlANO) 01:37:40.026 --> 01:37:42.027 I'm not going to make it. 01:37:43.113 --> 01:37:44.822 Charlie! 01:37:51.454 --> 01:37:54.206 Did you lose your other wives this way? 01:37:56.626 --> 01:37:58.002 l think so. 01:37:59.629 --> 01:38:01.755 But you'd have to ask them. 01:38:09.973 --> 01:38:12.099 CHAPLIN: Paulette. She was wonderful. 01:38:12.559 --> 01:38:14.977 GEORGE: Her personality, you mean? CHAPLIN: No. 01:38:15.854 --> 01:38:18.522 GEORGE: You mean in bed? CHAPLIN: No. Well, that was good. 01:38:18.606 --> 01:38:21.233 No, she's the only one who didn't take me for a fortune. 01:38:21.317 --> 01:38:23.694 GEORGE: Here, let me help you. Come on. 01:38:28.241 --> 01:38:29.324 Okay? 01:38:29.993 --> 01:38:31.368 (CHUCKLES) 01:38:32.620 --> 01:38:34.955 l know you so well, Charlie. 01:38:34.998 --> 01:38:38.459 l even know what you're thinking. You're thinking of Doug, aren't you? 01:38:39.961 --> 01:38:42.087 l was the only one who knew. 01:38:48.261 --> 01:38:50.929 Don't say Daddy doesn't look after you. 01:38:51.014 --> 01:38:52.598 -Paulette! -Doug? 01:38:58.980 --> 01:39:01.857 Mr. Chaplin. Always a pleasure. 01:39:02.859 --> 01:39:04.860 -How are you? Oh! -Fine. 01:39:04.944 --> 01:39:06.487 How do you look even prettier? 01:39:06.529 --> 01:39:10.991 Nobody's fine and everybody needs a drink. Paulette, another champagne or a scotch? 01:39:11.034 --> 01:39:13.035 Ooh, Scotch, please. 01:39:13.995 --> 01:39:16.413 -ls he... -Yes. 01:39:17.749 --> 01:39:19.083 Seriously? 01:39:21.419 --> 01:39:23.253 -His heart. -Shit. 01:39:31.680 --> 01:39:32.721 Say. 01:39:32.806 --> 01:39:34.348 Don't laugh. 01:39:34.391 --> 01:39:36.809 I'm going to test for Scarlett. 01:39:36.893 --> 01:39:38.060 Why should I laugh? 01:39:38.103 --> 01:39:41.063 Because it's a joke. Everybody's testing for Scarlett. 01:39:41.147 --> 01:39:42.189 Mmm-hmm. 01:39:42.232 --> 01:39:45.818 Anyway, I hear Katie Hepburn has it locked away. So they say. 01:39:46.986 --> 01:39:49.363 l have not worked since Modern Times. 01:39:49.406 --> 01:39:51.365 No. Neither have l. 01:39:51.741 --> 01:39:54.284 No ideas. I'm desperate. 01:39:54.494 --> 01:39:55.786 (SlGHlNG) 01:39:55.870 --> 01:39:56.954 Catch you later. 01:40:02.752 --> 01:40:04.503 l can manage a double if I have to. 01:40:04.587 --> 01:40:06.088 Should you? 01:40:06.172 --> 01:40:10.092 Say, are you two still married or what? l find it all very confusing. Hmm! 01:40:10.176 --> 01:40:11.927 Hmm. lt's not at all confusing. 01:40:11.970 --> 01:40:14.346 See, when everyone thought that we were having an affair, 01:40:14.431 --> 01:40:15.472 we were married. 01:40:15.557 --> 01:40:18.308 Now everyone realizes we're married, we're getting divorced. 01:40:18.393 --> 01:40:21.770 FAlRBANKS: Man's a wizard with women, no question about it. 01:40:22.856 --> 01:40:26.233 -CHAPLIN: Who's that man? Sounds German. -Looks German. 01:40:26.568 --> 01:40:29.778 Probably one of those directors, there's a lot of them over here now. 01:40:29.863 --> 01:40:31.405 Maybe he's got a job for me. 01:40:31.614 --> 01:40:35.617 Just like Plato, Adolf Hitler is defining the ideal state 01:40:36.536 --> 01:40:39.038 which will become a model for backward systems. 01:40:39.122 --> 01:40:40.748 Do you know him personally? 01:40:40.790 --> 01:40:41.999 (LAUGHING) 01:40:42.083 --> 01:40:44.001 l do have that good fortune, yes. 01:40:44.085 --> 01:40:45.419 (LAUGHING) 01:40:45.712 --> 01:40:47.588 And you have my word. 01:40:47.672 --> 01:40:50.132 Our ambitions are only to defend 01:40:50.175 --> 01:40:52.301 our historical frontiers to the east. That's paramount. 01:40:52.761 --> 01:40:54.470 Told you. Paramount. 01:40:54.554 --> 01:40:56.096 lt's not funny, Doug. 01:40:56.348 --> 01:41:00.017 He merely wants to improve the situation for the German people. 01:41:00.101 --> 01:41:01.560 Create jobs... 01:41:01.770 --> 01:41:05.814 -How can they let these fascist thugs... -Charlie... 01:41:05.940 --> 01:41:08.525 ...to cut out the profit speculator. 01:41:09.652 --> 01:41:10.903 The Jew. 01:41:11.446 --> 01:41:14.865 Mr. Chaplin! I am a great admirer of yours. 01:41:17.243 --> 01:41:19.828 I'm sorry. l prefer not to shake hands with Nazis. 01:41:20.872 --> 01:41:22.206 (LAUGHING) 01:41:22.791 --> 01:41:24.667 What have you got against us, Mr. Chaplin? 01:41:25.126 --> 01:41:27.836 What have you got against everybody else? 01:41:28.672 --> 01:41:30.881 You must forgive Mr. Chaplin. 01:41:31.800 --> 01:41:33.884 -He's a Jew. -Ah, so! 01:41:35.679 --> 01:41:37.554 I'm afraid I don't have that honor. 01:41:38.014 --> 01:41:39.973 (ALL MURMURlNG) 01:41:40.684 --> 01:41:42.142 Shame on you! 01:41:45.021 --> 01:41:47.731 Ah! The former Miss Levy. 01:41:51.361 --> 01:41:53.028 Shall we, my dear? 01:42:02.038 --> 01:42:04.123 -Good night. -God bless you, Charlie. 01:42:04.207 --> 01:42:05.541 (CHUCKLlNG) 01:42:05.875 --> 01:42:08.585 -Uh, l'll call you. -Yes. Please do. 01:42:09.713 --> 01:42:11.672 -All right. Good night. -Night. 01:42:14.718 --> 01:42:17.678 A lovely international incident you caused in there! 01:42:17.721 --> 01:42:19.680 Hey, let's go on. 01:42:20.306 --> 01:42:22.558 Not tonight, old darling. A bit tired. 01:42:24.060 --> 01:42:27.354 lt's funny, you know, you look a lot like him. 01:42:29.149 --> 01:42:30.649 Adolf, I mean. 01:42:35.238 --> 01:42:37.322 You know, with your mustache on. 01:42:37.490 --> 01:42:39.533 l think he stole your act! 01:42:42.829 --> 01:42:44.413 Good night, old boy. 01:42:45.915 --> 01:42:47.082 Night! 01:42:49.753 --> 01:42:51.253 Sweet prince. 01:42:56.593 --> 01:42:58.802 CHAPLIN: So much ended around then. 01:42:59.304 --> 01:43:01.263 l'd been there 25 years. 01:43:02.265 --> 01:43:05.142 Everybody else had gone over to sound. 01:43:05.226 --> 01:43:08.687 l didn't know how much longer l could hold out against it. 01:43:09.272 --> 01:43:10.397 Mario. 01:43:11.149 --> 01:43:13.484 Of course, UAwas over for me. 01:43:13.943 --> 01:43:15.652 United Artists? 01:43:17.781 --> 01:43:21.617 You know, you haven't written anything about that. How it began, I mean. 01:43:21.659 --> 01:43:25.704 Oh, l'll put something in. lt was a great idea, I think. 01:43:26.456 --> 01:43:29.166 Creative people really had their say for the first time. 01:43:29.250 --> 01:43:31.377 -You like milk? -No milk. 01:43:33.546 --> 01:43:38.467 l remember some distributor saying, "The lunatics have taken over the asylum." 01:43:38.593 --> 01:43:42.096 -That became quite a famous remark. -Yeah. 01:43:43.890 --> 01:43:45.766 Thank you. 01:43:48.853 --> 01:43:51.772 But UA did mean a lot to Doug. 01:43:54.109 --> 01:43:57.027 When my mother died, it was sad. Yes, but... 01:43:58.655 --> 01:44:01.156 She was old, she'd had her run. 01:44:01.991 --> 01:44:04.076 lt was different with Doug. 01:44:05.078 --> 01:44:07.287 Even today, I still miss him. 01:44:09.624 --> 01:44:14.336 Oh, yes, tell me, when did you actually start work on The Great Dictator? 01:44:14.421 --> 01:44:16.338 -'38. -'38? 01:44:16.673 --> 01:44:19.216 And everyone thought you were crazy then. 01:44:20.010 --> 01:44:23.220 When the Second World War broke out, you became a genius overnight. 01:44:23.513 --> 01:44:24.596 Mmm-hmm. 01:44:24.931 --> 01:44:27.599 Well, not to those who thought l was a communist. 01:44:36.109 --> 01:44:37.443 (HlTLER SPEAKlNG GERMAN) 01:44:37.527 --> 01:44:39.528 (CHAPLIN MlMlCKlNG HlTLER) 01:44:42.991 --> 01:44:45.034 (CROWD CHANTlNG lN UNlSON) 01:44:45.744 --> 01:44:47.786 (CHAPLIN MlMlCKlNG HlTLER) 01:44:56.921 --> 01:44:58.255 Big smile! 01:44:58.548 --> 01:44:59.882 (CHUCKLlNG) 01:45:00.967 --> 01:45:02.217 (SlGHlNG) 01:45:03.803 --> 01:45:06.722 l know you. You bastard. 01:45:09.559 --> 01:45:11.560 Syd? ls that you? 01:45:14.230 --> 01:45:15.314 Hmm. 01:45:16.733 --> 01:45:18.359 What's the matter, Syd? 01:45:18.401 --> 01:45:21.487 For 1 0 years, you've been on at me to make me a talkie. Now I'm making a talkie. 01:45:21.863 --> 01:45:24.365 Yeah, but not this. 01:45:28.578 --> 01:45:30.204 l know this man. 01:45:31.206 --> 01:45:34.291 We're born the same year, four days apart. 01:45:35.585 --> 01:45:37.628 He's like me, capable of anything. 01:45:38.922 --> 01:45:44.426 Nobody wants to see a film about Adolf fucking Hitler! 01:45:44.761 --> 01:45:46.428 l do! 01:45:50.725 --> 01:45:52.726 You're missing the point. 01:45:53.603 --> 01:45:56.980 ln the end, it's not about Hitler, it's about The Tramp. 01:45:57.065 --> 01:46:00.859 -The little Jewish barber taking his place. -Charlie, 01:46:00.944 --> 01:46:03.946 what's happening in Europe is not our problem. 01:46:04.239 --> 01:46:07.616 90% ofAmericans say we should stay out of the war. 01:46:07.701 --> 01:46:09.868 That's nine out of 10! 01:46:10.453 --> 01:46:12.162 lt's not your business. 01:46:12.706 --> 01:46:13.747 You're a comic. 01:46:15.417 --> 01:46:18.711 Yes, Syd. And you are a Jew. 01:46:26.970 --> 01:46:28.846 Nevertheless, 01:46:28.930 --> 01:46:30.806 I've got to give it a try. 01:46:32.058 --> 01:46:34.518 Otherwise, what have I been doing 01:46:35.186 --> 01:46:36.812 all these years? 01:46:37.772 --> 01:46:41.191 l know talking will be the end of The Tramp. That's for sure. 01:46:43.319 --> 01:46:46.864 But at least he'll go out saying something I believe in. 01:46:49.534 --> 01:46:52.828 All right. We'll see how it goes. 01:46:52.912 --> 01:46:54.121 PRODUCTlON ASSlSTANT: Roll camera! 01:46:55.415 --> 01:46:59.126 The Great Dictator, scene Y-11-A, take one. 01:47:04.424 --> 01:47:07.676 I'm sorry, but I'm not an emperor. 01:47:08.511 --> 01:47:11.055 l don't want to rule or conquer anyone. 01:47:11.139 --> 01:47:13.766 l should like to help everyone, if possible. 01:47:13.850 --> 01:47:16.518 Jew, Gentile, black man, white. 01:47:17.103 --> 01:47:20.856 We all want to help one another. Human beings are like that. 01:47:20.940 --> 01:47:23.859 We want to live by each other's happiness, not by each other's misery. 01:47:24.527 --> 01:47:26.862 Greed has poisoned men's souls, 01:47:27.364 --> 01:47:29.656 has barricaded the world with hate, 01:47:29.699 --> 01:47:32.534 has goose-stepped us into misery and bloodshed. 01:47:32.869 --> 01:47:34.370 Do not despair. 01:47:34.871 --> 01:47:38.290 The hate of men will pass, and dictators die. 01:47:38.375 --> 01:47:40.793 He's not talking about Germany, you know? 01:47:40.877 --> 01:47:45.214 He is talking about America. That is... Turn that goddamn thing down! 01:47:46.216 --> 01:47:48.467 CHAPLIN: Soldiers, don't give yourselves to brutes. 01:47:48.635 --> 01:47:52.388 That is what we need to make people understand. 01:47:52.472 --> 01:47:54.723 CHAPLIN: ...tell you what to do, what to think and what to feel. 01:47:54.766 --> 01:47:58.644 To drill you, diet you, treat you like cattle and use you as cannon fodder. 01:47:58.728 --> 01:48:02.022 Mr. Seeley, you're looking a little pale. 01:48:03.650 --> 01:48:05.567 Maybe it's time you took a trip to California. 01:48:06.403 --> 01:48:09.697 Comrades! Let us all fight for a new world. 01:48:09.739 --> 01:48:11.281 Commie bastard! 01:48:11.366 --> 01:48:13.075 (CROWD BOOlNG AND YELLlNG) 01:48:13.118 --> 01:48:17.746 Soldiers! ln the name of democracy, let us unite! 01:48:20.417 --> 01:48:24.253 -So what brings you to California? -Oh, I was sent by my firm. 01:48:25.338 --> 01:48:27.589 We're planning on expanding our interest in the movie business. 01:48:29.009 --> 01:48:31.176 Although I really don't know that much about it. 01:48:31.261 --> 01:48:33.262 Quite a full house today, sir. 01:48:34.597 --> 01:48:36.515 Congratulations, Charlie, on the London opening. 01:48:36.599 --> 01:48:37.933 Oh, thank you. 01:48:40.437 --> 01:48:42.730 -Tea is on its way, sir. -Good. 01:48:42.772 --> 01:48:44.773 Lovely afternoon, Charlie, thank you. 01:48:44.816 --> 01:48:46.900 Sorry, Charlie. 01:48:53.324 --> 01:48:57.369 Women drop handkerchiefs. l guess men drop other things. 01:49:02.167 --> 01:49:04.710 (CLASSlCAL MUSlC PLAYlNG) 01:49:05.462 --> 01:49:07.129 -Charlie? -Yes. 01:49:07.213 --> 01:49:11.967 Charlie, upper regional domes immensely expansive. 01:49:12.427 --> 01:49:13.510 What? 01:49:14.888 --> 01:49:17.681 Upper regional domes, immensely expansive. 01:49:17.766 --> 01:49:20.267 That's how you describe Joan Barry in your book. 01:49:21.353 --> 01:49:24.229 She was very... She was well-endowed, is that what you mean? 01:49:25.023 --> 01:49:26.023 Yes. 01:49:26.149 --> 01:49:29.151 You honestly expect your readers to believe that it wasn't just sex? 01:49:29.652 --> 01:49:32.905 Well, I didn't have to put a girl under contract to sleep with her. 01:49:33.323 --> 01:49:36.283 l didn't exactly throw money around. l spent thousands on her. 01:49:36.326 --> 01:49:38.452 l wrote a screenplay for her. 01:49:38.912 --> 01:49:42.831 l don't care what the readers think. Joan definitely had talent. 01:49:43.416 --> 01:49:45.959 She was intelligent. She was pretty. 01:49:47.170 --> 01:49:48.337 She was willing to work hard. 01:49:48.421 --> 01:49:52.007 And the screen test proved that she was very photogenic. 01:49:52.842 --> 01:49:54.051 (CAR HORN HONKlNG) 01:49:54.135 --> 01:49:56.136 But she became erratic. 01:49:57.055 --> 01:50:01.141 For whatever reason, she began to have some kind of breakdown. 01:50:01.851 --> 01:50:06.522 She took to driving up to my house, drunk, in the middle of the night. 01:50:07.941 --> 01:50:11.193 She was arrested, ran up debts, made scenes. 01:50:12.570 --> 01:50:16.699 ln the end, as I've explained, I refused to have anything further to do with her. 01:50:17.826 --> 01:50:20.327 GEORGE: How could you have been such a fool, Charlie? 01:50:20.829 --> 01:50:23.706 You took up with a crazy girl with umpteen different identities, 01:50:23.748 --> 01:50:25.958 was a promiscuous, vengeful liar. 01:50:27.043 --> 01:50:30.546 And for, perhaps, the only time in your life, you didn't propose marriage. 01:50:31.506 --> 01:50:34.341 Hoover had kept tabs on you for 20 years. 01:50:34.759 --> 01:50:37.386 And he still had no idea how to nail you until you played 01:50:37.887 --> 01:50:41.181 right into his hands by shutting Joan out. 01:50:45.645 --> 01:50:47.104 You're improving, Frank. 01:50:47.188 --> 01:50:50.149 (PANTlNG) Can't you find someone else to play with? 01:50:50.233 --> 01:50:53.068 Apparently not. Not anymore. 01:50:55.238 --> 01:50:57.531 -Who's that? -Ah, the debutante. 01:50:57.574 --> 01:50:58.615 Oh. 01:50:58.700 --> 01:51:00.701 You're doing a favor for her agent. 01:51:00.744 --> 01:51:04.455 Oh, not another one that wants to act. lt's endless. Endless! 01:51:05.373 --> 01:51:07.291 This is the last time. 01:51:07.709 --> 01:51:09.585 They all think it's so easy, you know. 01:51:09.627 --> 01:51:11.837 l bet when she was 1 0, she wanted to be a fireman. 01:51:11.921 --> 01:51:13.714 Tell you what, you have half an hour, then get me out of it. 01:51:13.757 --> 01:51:15.090 -Some appointment. -Right. 01:51:15.133 --> 01:51:17.426 -Someone important. -Leave it to me. 01:51:17.927 --> 01:51:19.303 Mr. Chaplin? 01:51:21.765 --> 01:51:22.973 I'm Oona O'Neill. 01:51:25.852 --> 01:51:27.102 Hi. 01:51:27.187 --> 01:51:28.604 My agent did say 3:00. 01:51:28.646 --> 01:51:30.439 But if I'm interrupting your game, l can always come back... 01:51:30.523 --> 01:51:32.107 No! No. 01:51:33.526 --> 01:51:35.569 l was waiting for you. 01:51:40.909 --> 01:51:42.826 l always have tea at 4:00. 01:51:43.453 --> 01:51:46.121 -So how long have you been in Hollywood? -Just this summer. 01:51:48.083 --> 01:51:50.668 My agent got me a screen test at Fox. 01:51:50.877 --> 01:51:51.960 Mmm... 01:51:52.337 --> 01:51:54.171 They gonna put you under contract? 01:51:55.799 --> 01:51:56.882 l don't know. 01:51:59.302 --> 01:52:00.302 You tell me. 01:52:02.847 --> 01:52:04.264 Yes, if you want me to. 01:52:05.600 --> 01:52:06.600 FRANK: Uh, Charlie! 01:52:06.976 --> 01:52:10.521 Charlie, excuse me. lt's nearly time for your appointment. 01:52:11.064 --> 01:52:12.481 Appointment? 01:52:13.733 --> 01:52:15.359 Oh! Um... 01:52:16.236 --> 01:52:17.486 (WHlSPERlNG) Appointment. 01:52:19.823 --> 01:52:20.948 Who's it with, Frank? 01:52:22.158 --> 01:52:23.534 Uh, Fred. 01:52:24.744 --> 01:52:28.330 Fred. Not Astaire again. 01:52:28.957 --> 01:52:31.375 -That's right. -Ginger, too? 01:52:32.085 --> 01:52:33.085 Could be. 01:52:33.837 --> 01:52:36.296 Mmm. Well, I'm sick of them. 01:52:36.881 --> 01:52:38.173 Tell them I've got nothing more to teach them. 01:52:38.258 --> 01:52:40.092 They're gonna have to try and make it on their own. 01:52:42.220 --> 01:52:43.387 Right. 01:52:47.434 --> 01:52:50.352 I'm sorry. l asked him to interrupt in case I was... 01:52:53.481 --> 01:52:55.232 l mean, in case you were... 01:53:01.281 --> 01:53:03.407 I've never been to England. 01:53:05.577 --> 01:53:06.910 (LAUGHING) 01:53:34.731 --> 01:53:36.398 You're a good dancer. 01:53:37.233 --> 01:53:38.567 (LAUGHING) 01:53:57.087 --> 01:53:58.754 (CROWD APPLAUDING) 01:54:06.096 --> 01:54:08.806 CHAPLIN: George, I've just written this for the end. 01:54:09.849 --> 01:54:13.394 For the last 20 years l have known what happiness means. 01:54:14.062 --> 01:54:17.815 l wish I could write more about this. But it involves love. 01:54:18.441 --> 01:54:22.111 And perfect love is the most beautiful of all frustrations. 01:54:22.153 --> 01:54:24.488 Because it is more than one can express. 01:54:24.572 --> 01:54:25.948 Excuse me. 01:54:26.700 --> 01:54:29.451 -Um... Excuse me, sir. -Yes, Henry. 01:54:30.704 --> 01:54:35.124 -I'm sorry for the intrusion, sir. -No, it's all right. Come in. Come in. 01:54:39.462 --> 01:54:40.796 What is it, Henry? 01:54:40.839 --> 01:54:42.715 Well, I'm not quite sure, sir. 01:54:42.799 --> 01:54:45.259 l just took a call from Miss Barry, sir. 01:54:45.301 --> 01:54:49.096 She wanted me to tell you, sir, that she's pregnant, sir. 01:54:58.231 --> 01:55:00.607 BOY: I never... Um... Before I started... 01:55:04.320 --> 01:55:05.738 Where's Mr. Charles? 01:55:05.822 --> 01:55:07.322 With Harry. 01:55:09.242 --> 01:55:11.660 Oh, he may be on the stage by now. 01:55:13.038 --> 01:55:15.330 Mr. Charles, he down there? 01:55:19.878 --> 01:55:22.504 Charlie. Okay. 01:55:23.298 --> 01:55:27.926 She'll drop the paternity suit. l just talked to her lawyers, she'll settle. 01:55:28.261 --> 01:55:30.054 -No. -What? 01:55:31.014 --> 01:55:32.514 Well, just listen. 01:55:32.599 --> 01:55:36.435 She'll take $1 50,000. And that's nothing, not compared to a trial. 01:55:36.770 --> 01:55:40.522 She says you did it at Christmas when she came to your house. 01:55:40.565 --> 01:55:42.483 -Morning, Mary. -Good morning. 01:55:42.525 --> 01:55:45.194 Kid, I've been making deals for you all our lives. 01:55:45.236 --> 01:55:46.362 I've never made one this good. 01:55:46.404 --> 01:55:49.865 lt was over long before Christmas. lt can't be my child. 01:55:49.908 --> 01:55:51.367 Just get it out of the way. 01:55:51.409 --> 01:55:53.035 l can't do that. 01:55:53.078 --> 01:55:56.455 I've got Oona to think of now. Syd, I've got to prove my innocence. 01:55:56.539 --> 01:56:00.209 Look, I'm all for proving your innocence, kid. But how? 01:56:04.464 --> 01:56:05.547 Go back to them. 01:56:07.884 --> 01:56:09.218 l beg you. 01:56:09.969 --> 01:56:12.388 Get them to agree to a blood test. 01:56:12.889 --> 01:56:15.808 LAWYER: So that night when you went to his house, 01:56:15.892 --> 01:56:20.562 did you and Mr. Chaplin have sexual relations? 01:56:21.690 --> 01:56:23.065 Doesn't it look like it? 01:56:23.108 --> 01:56:24.108 (CHUCKLlNG) 01:56:24.234 --> 01:56:25.401 Never mind what it looks like. 01:56:25.443 --> 01:56:27.778 Did you have sexual relations with Mr. Chaplin? 01:56:27.862 --> 01:56:31.031 She just said she did. Why else would she agree to the blood tests? 01:56:33.993 --> 01:56:36.662 The next morning he just called a cab. 01:56:37.706 --> 01:56:39.248 Paid me off. 01:56:42.419 --> 01:56:45.087 He wanted somebody younger, classier. 01:56:47.924 --> 01:56:49.299 Didn't he? 01:56:51.428 --> 01:56:53.220 (TELEPHONE RlNGlNG) 01:57:03.273 --> 01:57:04.565 Hello. 01:57:06.776 --> 01:57:10.612 Yes. 01:57:14.701 --> 01:57:16.285 Yes, thank you. 01:57:18.163 --> 01:57:19.747 lt's all over. 01:57:20.623 --> 01:57:23.042 The blood test prove it's not my baby. 01:57:27.881 --> 01:57:29.131 (SlGHlNG) 01:57:29.883 --> 01:57:31.258 (MURMURlNG) 01:57:31.551 --> 01:57:36.597 Right, let's just forget all this new-fangled rubbish about blood tests. 01:57:37.057 --> 01:57:38.640 Let's put it out of our minds. 01:57:38.683 --> 01:57:41.685 His Honor has ruled them inadmissible. 01:57:41.770 --> 01:57:45.814 What is important now is the financial future of this poor child. 01:57:46.066 --> 01:57:49.318 lt is her future the state of California is here to protect. 01:57:49.402 --> 01:57:50.444 (CHUCKLlNG) 01:57:50.487 --> 01:57:52.029 lt makes me mad 01:57:52.614 --> 01:57:56.575 to watch the way this fellow tries to put it over us simpletons. 01:57:56.659 --> 01:58:00.245 This great star of stage and screen, this alien, 01:58:00.330 --> 01:58:03.457 who has enjoyed the hospitality of our country for nearly 30 years 01:58:03.500 --> 01:58:05.501 without ever once, ever once, 01:58:06.044 --> 01:58:08.796 deigning to apply forAmerican citizenship. 01:58:10.757 --> 01:58:13.592 But what good has all this money done Chaplin? 01:58:13.677 --> 01:58:16.428 Wasting his substance in debauching girls. 01:58:16.513 --> 01:58:18.639 What good has it done the country? 01:58:18.682 --> 01:58:22.017 This is the kind of stuff that makes for communism. 01:58:23.645 --> 01:58:26.814 Now my client, on the other hand, 01:58:28.900 --> 01:58:30.317 is, alas, 01:58:31.277 --> 01:58:34.530 no more moral than Chaplin. 01:58:35.115 --> 01:58:39.284 Yes. Yes. They're both equally guilty. 01:58:40.453 --> 01:58:43.455 Only, Chaplin is old enough to be her father. 01:58:44.040 --> 01:58:46.333 Prowling around with girls that age. 01:58:46.668 --> 01:58:51.714 Members of the jury, use your God-given common sense, and just look at this man. 01:58:53.508 --> 01:58:57.136 This cheap, Cockney cad. 01:58:59.305 --> 01:59:00.514 This 01:59:02.809 --> 01:59:04.393 little tramp. 01:59:06.354 --> 01:59:08.564 And then take a very good look 01:59:09.774 --> 01:59:11.984 at innocent little Carol Ann. 01:59:14.237 --> 01:59:16.905 l defy you not to see the resemblance. 01:59:17.532 --> 01:59:19.616 Gentlemen and ladies, 01:59:19.701 --> 01:59:20.826 (LAUGHING) 01:59:20.910 --> 01:59:24.079 wives and mothers around the country are watching you. 01:59:24.164 --> 01:59:27.708 Watching to see you stop Chaplin in his tracks. 01:59:28.251 --> 01:59:32.629 You'll sleep well the night you give this baby a name. 01:59:33.840 --> 01:59:36.091 The night you show this lecher 01:59:36.676 --> 01:59:40.220 that the law means him as well as the bums on skid row. 02:00:07.665 --> 02:00:09.708 REPORTER: lt's a star-studded evening here. 02:00:12.962 --> 02:00:17.132 Here is Charlie Chaplin with his lovely wife, Oona. 02:00:23.598 --> 02:00:25.808 There goes Mrs. Chaplin, looking gorgeous this evening 02:00:25.850 --> 02:00:27.643 on the arm of her famous husband... 02:00:33.149 --> 02:00:35.150 (ORCHESTRA PLAYlNG SLOW MUSlC) 02:00:46.830 --> 02:00:48.997 Are you a communist, Mr. Chaplin? 02:00:49.040 --> 02:00:52.167 -Are you a fellow traveler? -Mr. Chaplin... 02:00:52.252 --> 02:00:55.170 Are you going to attend the McCarthy hearing? 02:00:55.463 --> 02:00:58.257 -Gentlemen. Gentlemen, please. -Mr. Chaplin... 02:00:58.341 --> 02:01:02.386 Mr. Chaplin has repeatedly said he'll go whenever they call him. 02:01:02.470 --> 02:01:03.971 (ALL SHOUTlNG) 02:01:05.098 --> 02:01:09.810 And even... Even if there were only one communist in the state department, 02:01:10.353 --> 02:01:13.022 even if there were only one communist in the state department, 02:01:13.106 --> 02:01:16.025 that would still be one communist too many. 02:01:16.609 --> 02:01:17.943 (CHEERlNG) 02:01:18.570 --> 02:01:21.655 McCARTHY: Mr. Lawson, are you a member of the Communist Party 02:01:21.698 --> 02:01:24.199 or have you ever been a member of the Communist Party? 02:01:24.284 --> 02:01:27.703 LAWSON: lt's unfortunate and tragic that I have to teach this committee 02:01:27.746 --> 02:01:29.788 -the basic principles ofAmericanism. -McCARTHY: That's not the question. 02:01:29.873 --> 02:01:31.832 That's not the question. 02:01:31.875 --> 02:01:35.127 The question is, have you ever been a member of the Communist Party? 02:01:35.211 --> 02:01:39.298 LAWSON: I'm framing my answer in the only way in which any American citizen 02:01:39.382 --> 02:01:43.886 can frame his answer to a question which absolutely invades his... 02:01:43.970 --> 02:01:46.347 McCARTHY: Then you refuse to answer that question, is that correct? 02:01:46.389 --> 02:01:48.932 LAWSON: I have told you that I will offer my beliefs... 02:01:49.017 --> 02:01:51.560 -l have written Americanism... -McCARTHY: Stand away from the stand! 02:01:51.603 --> 02:01:53.937 -...for many years and I shall continue... -Stand away from the stand! 02:01:54.022 --> 02:01:56.565 ...to fight for the Bill of Rights which you are seeking to destroy. 02:01:56.649 --> 02:01:58.108 McCARTHY: Officer, take this man away from the stand. 02:02:06.368 --> 02:02:09.203 l'd love to get away for a while, darling. 02:02:10.330 --> 02:02:14.416 Maybe after this bundle arrives we could take the children and go. 02:02:26.721 --> 02:02:30.432 Sir. 02:02:31.101 --> 02:02:34.728 We've just got word. Chaplin's off to London on vacation. 02:02:42.320 --> 02:02:44.071 (SHlP HORN BLOWlNG) 02:03:01.339 --> 02:03:03.132 -OONA: KK. -Mummy, Mummy. 02:03:03.174 --> 02:03:04.717 OONA: Where did you leave Mr. Chaplin? 02:03:04.801 --> 02:03:07.469 -We left him back there at the stern. -Mummy. 02:03:07.512 --> 02:03:09.513 lt's all right, darling. 02:03:11.474 --> 02:03:24.820 Charlie. 02:03:25.613 --> 02:03:28.741 What? What is it, sweetheart? 02:03:31.161 --> 02:03:32.286 ls it Syd? 02:03:33.163 --> 02:03:34.329 No. 02:03:35.165 --> 02:03:36.665 What is it? 02:03:41.212 --> 02:03:42.713 They've thrown you out. 02:03:45.467 --> 02:03:48.010 Thrown me out? Thrown me out of what? 02:03:51.890 --> 02:03:53.390 OfAmerica. 02:03:57.395 --> 02:03:59.021 I'm so sorry. 02:04:04.611 --> 02:04:05.736 (STAMMERlNG) 02:04:05.820 --> 02:04:07.696 -l can't go back? -No. 02:04:11.534 --> 02:04:12.826 (SlGHlNG) 02:04:13.870 --> 02:04:15.162 Charlie. 02:04:18.249 --> 02:04:22.002 CHAPLIN: There are nights it's still hard being in exile. 02:04:22.879 --> 02:04:24.713 GEORGE: I'm sure they wouldn't refuse you a visa now, Charles. 02:04:24.798 --> 02:04:26.090 (TELEPHONE RlNGlNG) 02:04:26.174 --> 02:04:27.591 Have you never thought of going back? 02:04:27.676 --> 02:04:30.803 -Why don't we all go inside? -CHAPLIN: I have everything I need right here. 02:04:30.887 --> 02:04:33.097 -But it's cold. -CHAPLIN: I like the cold. 02:04:33.181 --> 02:04:35.432 -l have to go anyway. -CHAPLIN: Telephone. 02:04:35.517 --> 02:04:38.686 Charlie, I heard the first three rings, thank you. 02:04:39.396 --> 02:04:43.607 No, George, in answer to your question. I'm used to invitations. 02:04:44.234 --> 02:04:45.526 Ah, yes. 02:04:45.568 --> 02:04:46.944 Well, it's been a long day, Charlie. 02:04:47.404 --> 02:04:49.571 Yes. You must be very tired. 02:04:51.241 --> 02:04:53.283 Come on, George, finish it off. 02:04:53.368 --> 02:04:54.410 Hmm? 02:04:54.452 --> 02:04:56.245 The question mark. 02:04:56.788 --> 02:04:58.122 What's it all about? 02:04:59.332 --> 02:05:00.958 You mean that? 02:05:02.585 --> 02:05:03.627 Yes. 02:05:05.130 --> 02:05:08.507 Well, it was a personal matter, really. Nothing relevant. 02:05:08.758 --> 02:05:09.758 Tell me. 02:05:11.469 --> 02:05:12.886 All right. 02:05:14.931 --> 02:05:15.931 The madness. 02:05:17.142 --> 02:05:20.102 l just wondered, how much did it affect you? 02:05:22.439 --> 02:05:24.148 What makes you think it did? 02:05:24.858 --> 02:05:27.693 -Well, your mother was certified insane... -Yes. 02:05:28.319 --> 02:05:30.696 ...and your grandmother was certified insane as well, and... 02:05:30.780 --> 02:05:32.031 Yes. 02:05:34.451 --> 02:05:37.703 That's not what dogged me, George. lt wasn't that. 02:05:43.501 --> 02:05:44.793 lt was... 02:05:45.337 --> 02:05:50.299 lt was the knowledge that if you did what I did for a living, if you were a clown, 02:05:50.842 --> 02:05:54.595 and you had a passion to tell a particular kind of story, 02:05:58.308 --> 02:05:59.641 something 02:06:02.437 --> 02:06:03.687 beyond, 02:06:04.981 --> 02:06:07.441 but you only have the one chance to get it right. 02:06:07.484 --> 02:06:09.234 And I never did. 02:06:09.319 --> 02:06:11.737 One never does. But you know that. 02:06:12.864 --> 02:06:15.366 That's not the problem. 02:06:22.374 --> 02:06:25.501 lt's when you feel you're getting really close 02:06:26.836 --> 02:06:28.671 but you can't make it the rest of the way. 02:06:29.214 --> 02:06:32.508 You're not good enough. You're not complete enough. 02:06:33.677 --> 02:06:35.928 And despite all your fantasies, 02:06:37.514 --> 02:06:38.722 you're second-rate. 02:06:39.015 --> 02:06:40.015 Charlie. 02:06:40.225 --> 02:06:41.642 Human. 02:06:45.021 --> 02:06:46.855 That's very hard. 02:06:52.028 --> 02:06:53.404 Why didn't you add that? 02:06:53.488 --> 02:06:55.572 lt's not important, really. 02:06:56.741 --> 02:06:59.284 End of the day, you're not judged by what you didn't do, 02:06:59.369 --> 02:07:01.120 but by what you did. 02:07:02.706 --> 02:07:05.290 And I didn't change things, I just... 02:07:07.210 --> 02:07:08.544 He just 02:07:11.089 --> 02:07:12.881 cheered people up. 02:07:13.883 --> 02:07:14.883 (CHUCKLlNG) 02:07:14.968 --> 02:07:16.468 Not bad, that. 02:07:59.262 --> 02:08:00.596 OONA: Charlie? 02:08:03.141 --> 02:08:04.433 Charlie? 02:08:10.398 --> 02:08:11.565 Charlie, dear. 02:08:11.608 --> 02:08:15.277 l dreamed I was answering questions for George. Silly. 02:08:15.945 --> 02:08:20.366 Charlie, that was California calling again. You really do have to give them an answer. 02:08:20.450 --> 02:08:23.660 No. They took 20 years to make up their mind, 02:08:23.745 --> 02:08:26.830 -l can take another afternoon. -Enough. Enough! 02:08:29.334 --> 02:08:30.417 Mmm... 02:08:32.295 --> 02:08:34.421 What if they still hate me? 02:08:34.798 --> 02:08:35.798 Oh. 02:08:43.139 --> 02:08:49.478 ANNOUNCER: Live from Los Angeles, the 44th annual Academy Awards presentation. 02:09:00.573 --> 02:09:02.199 (SlGHlNG SOFTLY) 02:09:03.493 --> 02:09:05.994 Suppose they start throwing things. 02:09:06.454 --> 02:09:08.163 Now that would be a story. 02:09:08.206 --> 02:09:11.000 You never know on the stage. 02:09:11.251 --> 02:09:15.546 Hmm, I can see the headlines now. "Amazing lncident At Academy Awards. 02:09:15.630 --> 02:09:17.923 "Chaplin Disappears UnderAvalanche Of Oscars." 02:09:18.008 --> 02:09:19.717 JACK LEMMON: Mr. Walter Matthau. 02:09:20.677 --> 02:09:22.136 Oh, look, darling, it's Walter. 02:09:24.014 --> 02:09:25.931 Does that make you happy? 02:09:26.016 --> 02:09:28.017 -No. -Crabby. 02:09:28.852 --> 02:09:32.896 Oh, I should never have let them show those film clips. I never... 02:09:32.981 --> 02:09:35.983 People won't like them. They'll think they're old. 02:09:36.026 --> 02:09:38.485 Well, they are old. Well over 50 years, some of them. 02:09:38.528 --> 02:09:39.611 Mmm... 02:09:42.365 --> 02:09:45.701 You know the worst thing about age, 02:09:47.037 --> 02:09:49.038 you can't defend yourself. 02:09:49.831 --> 02:09:50.873 (SlGHlNG) 02:09:50.915 --> 02:09:55.377 When I was young, handsome, had my power, 02:09:56.463 --> 02:10:01.633 if they came after me, l'd make a movie and make them laugh and l'd make them cry. 02:10:04.137 --> 02:10:06.096 Now I'm at their mercy. 02:10:06.598 --> 02:10:07.681 (KNOCKlNG AT DOOR) 02:10:07.724 --> 02:10:09.475 -Come in. -Go away. 02:10:11.144 --> 02:10:12.770 We're ready for you, Mr. Chaplin. 02:10:12.854 --> 02:10:16.023 LEMMON: This is a historic milestone in the life of the Academy. 02:10:16.066 --> 02:10:17.816 Behave yourself. 02:10:17.984 --> 02:10:21.904 l would like to present the President of the Academy, Mr. Daniel Taradash. 02:10:21.988 --> 02:10:25.824 Now remember, the President of the Academy, Mr. Daniel Taradash. 02:10:25.909 --> 02:10:27.534 -Taradash? -Yes. 02:10:27.577 --> 02:10:29.370 Sounds like a spice. 02:10:29.579 --> 02:10:32.456 TARADASH: The inscription reads, "To Charles Chaplin, 02:10:32.957 --> 02:10:36.919 "for the incalculable effect he has had in making motion pictures 02:10:36.961 --> 02:10:39.254 "the art form of this century. 02:10:39.339 --> 02:10:41.006 (AUDIENCE APPLAUDING) 02:10:41.966 --> 02:10:46.929 "Humor heightens our sense of survival and preserves our sanity." 02:10:47.681 --> 02:10:50.182 These are the words of Charlie Chaplin. 02:10:50.558 --> 02:10:54.269 The abiding elements of Chaplin's artistic conscience 02:10:54.688 --> 02:10:57.106 as actor, writer, director, 02:10:57.607 --> 02:11:01.443 and to quote W.C. Fields, "The greatest ballet dancer that ever lived." 02:11:01.528 --> 02:11:04.113 A few years ago, Mr. Chaplin said, 02:11:04.656 --> 02:11:07.366 "My only enemy is time." 02:11:08.326 --> 02:11:10.244 We respectfully disagree. 02:11:10.286 --> 02:11:12.621 I'm going to leave you here, darling. 02:11:12.706 --> 02:11:14.707 My white dress, remember? 02:11:15.458 --> 02:11:17.543 They mustn't see anyone till the clips are over. 02:11:17.627 --> 02:11:18.627 -Mmm. -Mmm. 02:11:18.712 --> 02:11:22.464 TARADASH: ...some unfathomable future on some faraway star. 02:11:22.632 --> 02:11:27.636 Time is Charlie Chaplin's dearest and eternal friend. 02:11:28.763 --> 02:11:30.723 And here is the proof. 02:11:30.807 --> 02:11:34.309 Watch, remember, rejoice. 02:12:05.383 --> 02:12:07.009 (AUDIENCE LAUGHING) 02:12:40.960 --> 02:12:42.836 (MOUTHlNG) I love you, Charlie. 02:13:00.730 --> 02:13:02.398 (AUDIENCE APPLAUDING) 02:13:16.788 --> 02:13:18.414 (AUDIENCE LAUGHING) 02:14:12.469 --> 02:14:14.136 (AUDIENCE APPLAUDING) 02:14:25.565 --> 02:14:27.149 (lNAUDlBLE) 02:16:34.444 --> 02:16:36.320 (AUDIENCE APPLAUDING) 02:16:38.444 --> 02:16:56.320 جديدترين اخبار فيلم و سريال در کانال تلگرام و اینستاگرام سايت .:: @bollbolljan_com ::.