WEBVTT 00:00:00.736 --> 00:00:20.736 ..:: Presented By ZarFilm Website ::.. ‏.:: www.bolboljan.net ::. 00:01:15.760 --> 00:01:19.519 WOMAN: The voice you hear is not my speaking voice, 00:01:19.680 --> 00:01:21.879 but my mind's voice. 00:01:25.920 --> 00:01:28.759 I have not spoken since I was six years oId. 00:01:30.880 --> 00:01:33.719 No-one knows why. Not even me. 00:01:33.880 --> 00:01:36.199 Come on. (HORSE WHINNIES) 00:01:46.240 --> 00:01:48.799 My father says it is a dark taIent, 00:01:48.960 --> 00:01:52.239 and the day I take it into my head to stop breathing will be my last. 00:01:52.400 --> 00:01:54.279 (ROLLERSKATES GLIDE) 00:01:59.600 --> 00:02:02.799 Today, he married me to a man I've not yet met. 00:02:04.160 --> 00:02:07.519 Soon, my daughter and l shaII join him in his own country. 00:02:09.840 --> 00:02:12.839 My husband said my muteness does not bother him. 00:02:13.000 --> 00:02:19.039 He writes, and hark this, God loves dumb creatures, so why not he? 00:02:23.440 --> 00:02:25.919 Were good he had God's patience... 00:02:28.360 --> 00:02:30.959 ..for silence affects everyone in the end. 00:02:34.480 --> 00:02:38.799 The strange thing is I don't think myseIf siIent. 00:02:38.960 --> 00:02:40.799 That is because of my piano. 00:02:42.760 --> 00:02:44.679 I shaII miss it on the journey. 00:02:50.720 --> 00:02:52.479 (PLAYS THE PlANO) 00:03:33.600 --> 00:03:35.199 (STOPS PLAYlNG) 00:03:43.000 --> 00:03:45.719 (WAVES CRASH) Take her hand, come on. 00:03:47.080 --> 00:03:48.559 You're with me. 00:03:50.400 --> 00:03:51.919 I've got the Iady. 00:04:06.280 --> 00:04:08.199 (MAN SHOUTS) 00:04:28.840 --> 00:04:30.519 I think you've got it. 00:04:33.120 --> 00:04:35.319 (WIND HOWLS) 00:04:43.360 --> 00:04:44.799 You go ahead. 00:04:45.800 --> 00:04:47.119 Paddington Station. 00:04:47.280 --> 00:04:49.959 Over here, my IoveIy! 00:04:51.480 --> 00:04:53.159 (SOUND OF RETCHlNG) 00:04:53.320 --> 00:04:54.439 (MEN LAUGH) 00:04:54.600 --> 00:04:56.319 AIright, Iads, unbutton your muftis. 00:04:56.480 --> 00:04:57.799 Piss Iike a tom. 00:04:57.960 --> 00:04:59.959 Come on! 00:05:00.120 --> 00:05:01.839 On the count of three! 00:05:03.160 --> 00:05:05.639 (MEN CONTINUE TALKING) 00:05:08.400 --> 00:05:12.039 (MEN SING) 00:05:15.320 --> 00:05:18.119 MAN: Jesus Christ, whose bIoody coffin is this? 00:05:18.280 --> 00:05:19.719 Christ, it's heavy! 00:05:34.040 --> 00:05:36.959 Fuck them! We'II just Ieave them behind. It's what they fucking want. 00:05:37.120 --> 00:05:38.439 A pox on you! 00:05:38.600 --> 00:05:40.999 Oh, I Iike that. Very good. 00:05:41.160 --> 00:05:42.919 Leave them and be Iynched for the pIeasure? 00:05:43.080 --> 00:05:44.839 It's a bit rough out there. 00:05:45.000 --> 00:05:47.519 CouId be they can't get through to you in this weather. 00:05:47.680 --> 00:05:49.799 Do you have things for sheIter? 00:05:51.960 --> 00:05:53.879 She says, "Thank you." 00:05:54.040 --> 00:05:55.879 (MEN SING) 00:05:56.040 --> 00:05:57.639 (MAN LAUGHS) 00:06:01.400 --> 00:06:04.679 Does your mother prefer to come on with us to NeIson? 00:06:11.800 --> 00:06:13.119 She says no. 00:06:13.280 --> 00:06:15.479 She says she'd rather be boiIed aIive by natives 00:06:15.640 --> 00:06:17.999 than get back in your stinking tub. 00:06:18.160 --> 00:06:22.399 You be damn fortuned I don't smack your puppy gob, young missy! 00:06:23.760 --> 00:06:25.239 Damned Iucky! 00:06:26.440 --> 00:06:29.079 (LAUGHS) 00:06:32.440 --> 00:06:34.159 MAN: We're all ready now, sir. 00:07:12.720 --> 00:07:14.759 (PLAYS SOLEMN MELODY) 00:07:25.920 --> 00:07:28.919 (GIRL SCREAMS) 00:07:31.720 --> 00:07:33.119 (CHlCKENS CLUCK) 00:07:33.280 --> 00:07:34.599 Mother, watch out! 00:07:34.760 --> 00:07:37.959 The hens! Are they aIright? Here. 00:07:38.120 --> 00:07:41.039 (CHlCKENS CLUCK) 00:07:49.120 --> 00:07:50.839 Look, I'm a very big moth. 00:07:52.120 --> 00:07:53.799 WiII it catch fire? 00:08:18.880 --> 00:08:23.319 I'm not gonna caII him Papa. I'm not gonna caII him anything. 00:08:23.480 --> 00:08:25.479 I'm not even gonna Iook at him. 00:08:32.080 --> 00:08:35.079 (MEN SPEAK MAORl) 00:09:20.000 --> 00:09:22.359 Are we stopping? 00:09:27.800 --> 00:09:29.399 ShaII we stop? 00:09:31.120 --> 00:09:34.399 (MAN SPEAKS MAORI) 00:09:53.080 --> 00:09:54.559 We must get on. 00:09:56.160 --> 00:09:57.639 Hmm? 00:09:59.080 --> 00:10:01.559 (ALL CHATTER) (JAUNTY HORN MUSIC) 00:10:29.280 --> 00:10:31.319 Miss McGrath? Alisdair Stewart. 00:10:31.480 --> 00:10:35.559 You'll have to wake yourself. l've got men here to carry your things. 00:10:49.880 --> 00:10:51.479 (SPEAKS MAORI) 00:10:53.920 --> 00:10:57.079 Well, l see you've got a good many boxes. 00:10:57.240 --> 00:10:59.359 l'd like to know what's in each... (GASPS) 00:11:02.200 --> 00:11:04.159 Can you hear me? 00:11:09.320 --> 00:11:12.479 Well, that's good. Yes, that's good. 00:11:14.200 --> 00:11:15.799 What's in this one? 00:11:24.040 --> 00:11:26.359 You're small. l never thought you'd be small. 00:11:29.280 --> 00:11:30.839 And this one? 00:11:32.120 --> 00:11:33.679 lt's very large. 00:11:37.640 --> 00:11:42.439 What's in it, then, a bedstead? It's my mother's piano. 00:11:44.760 --> 00:11:51.159 Baines, tell them to carry in pairs. Take all the boxes, table and, uh... 00:11:51.320 --> 00:11:52.919 ..suitcases. 00:11:54.360 --> 00:11:55.959 What do you think? 00:11:59.320 --> 00:12:01.079 She Iooks tired. 00:12:03.240 --> 00:12:05.119 She's stunted, that's one thing. 00:12:07.760 --> 00:12:09.719 MAN: And the big case? 00:12:09.880 --> 00:12:13.879 No, no. Just the trunks and the boxes as l explained. 00:12:30.040 --> 00:12:33.999 No, it can't come now. It must. She wants it to come. 00:12:34.160 --> 00:12:38.879 Yes, and so do l. But there are too few of us here to carry it now. 00:12:39.040 --> 00:12:40.519 Too heavy! 00:12:43.480 --> 00:12:46.359 What, you mean you don't want your clothing or your kitchenware to come? 00:12:46.520 --> 00:12:48.159 ls that what you mean? 00:12:51.920 --> 00:12:54.159 We can't Ieave the piano! 00:12:56.040 --> 00:12:57.879 Look, let's not discuss this any further. 00:12:58.040 --> 00:13:00.079 l'm very pleased that you arrived safely. 00:13:00.240 --> 00:13:02.959 Mother wants to know if they can come back directIy for it. 00:13:03.960 --> 00:13:06.319 Could l apologise for the delay, which l regret... 00:13:06.480 --> 00:13:09.039 After they've taken the other things. 00:13:10.960 --> 00:13:14.439 (MAN SPEAKS IN MAORI) 00:13:14.600 --> 00:13:16.119 (LAUGHTER) 00:13:19.800 --> 00:13:22.839 Might l suggest that you prepare yourself for a difficult journey? 00:13:24.040 --> 00:13:27.559 The bush will tear clothing and the mud is very deep in places. 00:13:34.560 --> 00:13:37.279 What do they think they're doing? We haven't time for this. 00:13:38.920 --> 00:13:40.399 Baines! 00:13:40.560 --> 00:13:43.559 (MOURNFUL PlANO MUSlC) 00:14:47.280 --> 00:14:50.279 (PEOPLE CONVERSE IN MAORI AND LAUGH) 00:15:06.440 --> 00:15:10.999 (SPEAKS MAORI) 00:15:11.160 --> 00:15:12.999 What's the matter? Why are they stopping? 00:15:13.160 --> 00:15:14.839 (SPEAKS MAORI) 00:15:15.000 --> 00:15:18.079 That's the way to the buriaI grounds. It's tapu. 00:15:18.240 --> 00:15:20.559 We came down this way. l'm sure we did. 00:15:20.720 --> 00:15:22.879 (MAN SPEAKS MAORI) 00:15:23.040 --> 00:15:25.719 They want more money. They're trying to make two days out of it. 00:15:26.720 --> 00:15:28.199 No. 00:15:29.440 --> 00:15:32.679 No, they know another track to the side of this. 00:15:33.720 --> 00:15:36.239 (RAIN POURS, THUNDER CRASHES) 00:15:44.720 --> 00:15:46.319 Septimus, now take that off! 00:15:46.480 --> 00:15:47.919 Take that off! (LAUGHS) 00:15:48.080 --> 00:15:50.519 Watch your feet! Mind your feet! 00:15:50.680 --> 00:15:52.679 Septimus! PIease stop it! 00:15:52.840 --> 00:15:54.319 Stop it! Stop it! 00:15:54.480 --> 00:15:56.359 (LAUGHS) 00:15:56.520 --> 00:15:59.279 Stop, pIease! Or you'II tear it! 00:15:59.440 --> 00:16:01.479 Oh, the tag is broken. 00:16:01.640 --> 00:16:03.319 Septimus, now stop! 00:16:03.480 --> 00:16:04.479 (LAUGHTER) 00:16:04.640 --> 00:16:06.159 (GIGGLES) (SQUEALS) 00:16:07.160 --> 00:16:09.199 You'II tear it. Be carefuI. 00:16:09.360 --> 00:16:11.279 WOMAN: Arm down. 00:16:12.560 --> 00:16:14.519 If you cannot have a ceremony together, 00:16:14.680 --> 00:16:16.559 you'II have at Ieast a photograph. 00:16:26.960 --> 00:16:29.159 CarefuI. The Iace is most fragiIe. 00:16:29.320 --> 00:16:32.439 My reaI father was a famous German composer. 00:16:35.000 --> 00:16:38.799 They met when my mother was an opera singer in Luxembourg. 00:16:41.000 --> 00:16:42.479 Why? 00:16:45.240 --> 00:16:47.559 I want to be in the photograph. 00:16:51.960 --> 00:16:53.559 Going to Ieave the cIoth here? 00:16:53.720 --> 00:16:56.319 No, no. lt is just to keep the chair dry. 00:17:00.120 --> 00:17:03.239 I aImost sIipped on the pIanks. They've gotten very greasy. 00:17:03.400 --> 00:17:04.999 Give the Iady a chair. 00:17:05.160 --> 00:17:06.479 Pull the tarpaulin. 00:17:06.640 --> 00:17:09.919 I am sorry it rained. We have not Iight enough inside. 00:17:14.600 --> 00:17:16.479 ShaII I hoId the umbreIIa on this side or t'other? 00:17:16.640 --> 00:17:18.359 On the t'other! Move over. 00:17:18.520 --> 00:17:20.799 Can you take this, please? 00:17:20.960 --> 00:17:22.799 And sitting... 00:17:24.240 --> 00:17:25.799 (THUNDER CRASHES) 00:17:25.960 --> 00:17:27.359 Uh... 00:17:28.440 --> 00:17:30.479 Very stiII. 00:17:32.080 --> 00:17:34.079 And where did they get married? 00:17:34.240 --> 00:17:37.759 In an enormous forest with reaI fairies as bridesmaids, 00:17:37.920 --> 00:17:39.959 each hoIding a IittIe eIf's hand. 00:17:41.080 --> 00:17:45.719 No, I teII a Iie. It was in a smaII country church in the mountains. 00:17:45.880 --> 00:17:48.639 Which mountains are those, dear? The Pyrenees. 00:17:48.800 --> 00:17:50.599 Oh. I've never been there. 00:17:50.760 --> 00:17:52.759 Mother used to sing the songs in German 00:17:52.920 --> 00:17:55.719 and her voice wouId echo across the vaIIeys. 00:17:55.880 --> 00:17:59.599 That was before the accident. And what happened? 00:18:00.920 --> 00:18:04.519 One day, when my mother and father were singing together in the forest, 00:18:04.680 --> 00:18:07.039 a great storm bIew up out of nowhere. 00:18:07.200 --> 00:18:09.999 But so passionate was their singing that they did not notice 00:18:10.160 --> 00:18:12.879 nor did they stop as the rain began to faII. 00:18:13.040 --> 00:18:16.199 And when their voices rose for the finaI bars of the duet, 00:18:16.360 --> 00:18:20.199 a great boIt of Iightning came out of the sky and struck my father, 00:18:20.360 --> 00:18:22.319 and then he Iit up Iike a torch. 00:18:22.480 --> 00:18:25.279 And at the same moment my father was struck dead, 00:18:25.440 --> 00:18:27.079 my mother was struck dumb. 00:18:27.240 --> 00:18:30.759 She never spoke another word. 00:18:33.520 --> 00:18:35.199 Oh, dear! 00:18:38.600 --> 00:18:40.599 Not another word? 00:18:42.440 --> 00:18:44.359 WeII, from the shock. Yes. 00:18:44.520 --> 00:18:47.399 It wouId be. TerribIe. 00:18:47.560 --> 00:18:49.039 TerribIe. 00:18:50.160 --> 00:18:52.279 TerribIe. Oh. 00:18:52.440 --> 00:18:56.359 (TUTS) TerribIe, terribIe. 00:18:58.240 --> 00:18:59.559 Yeah, there... (LACE RlPS) 00:18:59.720 --> 00:19:01.199 Dear? 00:19:04.640 --> 00:19:07.639 (MOURNFUL PlANO MUSlC) (THUNDER RUMBLES) 00:19:30.160 --> 00:19:31.639 (FOOD CRUNCHES) 00:19:50.960 --> 00:19:52.519 Sorry. 00:19:56.640 --> 00:20:01.879 Um, l have to go away for some days. 00:20:02.880 --> 00:20:08.319 There's some Maori land l'm interested in which l may buy very reasonably. 00:20:10.600 --> 00:20:13.559 Well, l hope you'll spend the time to get settled in 00:20:13.720 --> 00:20:16.519 and perhaps...in some ways... 00:20:17.880 --> 00:20:19.679 ..we could start again. 00:20:21.200 --> 00:20:22.679 Alright? 00:20:32.400 --> 00:20:34.199 (DOOR CLOSES) 00:21:22.000 --> 00:21:23.799 (DOOR CREAKS OPEN) 00:21:33.080 --> 00:21:34.759 I'm not abIe to read. 00:21:44.840 --> 00:21:48.279 PIease take us back to the beach where we Ianded. 00:21:53.320 --> 00:21:56.079 I am sorry. I can't do that. 00:21:57.960 --> 00:21:59.559 I don't have the time. 00:22:02.520 --> 00:22:04.079 Goodbye. 00:22:10.400 --> 00:22:13.399 (HORSE SNORTS) 00:22:27.040 --> 00:22:29.479 (DOOR CREAKS OPEN) 00:22:31.680 --> 00:22:33.199 (DOOR CLOSES) 00:22:36.040 --> 00:22:37.679 I can't take you there. 00:22:39.600 --> 00:22:41.159 I can't do it. 00:22:50.360 --> 00:22:53.199 (HORSE NICKERS) Whoa, whoa! 00:23:06.840 --> 00:23:09.679 (HOPEFUL PlANO MELODY PLAYS) 00:23:22.400 --> 00:23:26.159 (PlANO MELODY CONTlNUES) 00:23:45.960 --> 00:23:49.639 Mamma! Mamma, watch me! Watch! 00:24:02.960 --> 00:24:04.439 Mamma! Mamma! 00:25:37.520 --> 00:25:40.039 (GIRL SINGS) 00:25:45.480 --> 00:25:48.199 (SINGS) 00:25:48.360 --> 00:25:52.039 (ADA TAPS ON TABLE) 00:25:54.920 --> 00:25:56.439 (SINGS HIGH NOTE) 00:26:00.000 --> 00:26:02.599 (SINGS) 00:26:12.080 --> 00:26:15.119 Hello there. HeIIo. 00:26:39.880 --> 00:26:42.439 WeII, you've stopped combing your hair, which is a good thing. 00:26:42.600 --> 00:26:44.279 It was Iooking overdone. 00:26:45.280 --> 00:26:48.039 You see, these are the sIits that the heads wiII go through. 00:26:48.200 --> 00:26:50.119 Show him, Nessie. They'II be dead. SIits. 00:26:50.280 --> 00:26:52.599 The Reverend's going to use animaI bIood. 00:26:52.760 --> 00:26:54.359 No doubt it'II be very dramatic. 00:26:54.520 --> 00:26:56.799 It'II be very dramatic. Tea! 00:27:02.600 --> 00:27:04.639 Morag... (CLEARS THROAT) 00:27:05.640 --> 00:27:09.479 ..what would you think if someone were to play a kitchen table... 00:27:09.640 --> 00:27:10.999 (NESSIE POURS TEA) 00:27:11.160 --> 00:27:12.719 ..like it were a piano? 00:27:14.560 --> 00:27:16.119 Like it were a piano? 00:27:17.120 --> 00:27:20.279 lt's strange, isn't it? l mean, it's not a piano. 00:27:20.440 --> 00:27:24.079 lt's...doesn't make any sound. 00:27:24.240 --> 00:27:26.399 Biscuits! 00:27:27.520 --> 00:27:29.199 MORAG: No, no sound. 00:27:29.360 --> 00:27:31.879 (BOTH SING 'GOD SAVE THE QUEEN') 00:27:32.040 --> 00:27:36.359 ALlSDAlR: l mean, l knew she was mute, but now l'm thinking... 00:27:36.520 --> 00:27:37.959 ..perhaps it's more than that. 00:27:38.120 --> 00:27:40.599 l'm wondering if she's not brain-affected. 00:27:40.760 --> 00:27:42.319 (GIRLS SING) Shush! 00:27:43.880 --> 00:27:46.959 No sound at aII? Well, no. lt was a table. 00:27:48.680 --> 00:27:52.719 WeII, she was very vioIent with the gown. She tore off a chunk of Iace. 00:27:54.160 --> 00:27:56.039 If I hadn't been there to see it, 00:27:56.200 --> 00:27:58.959 I'd have sworn she'd have used her teeth and wiped her feet on it. 00:27:59.120 --> 00:28:00.759 Wiped her feet on it. 00:28:02.920 --> 00:28:07.919 Well, it hasn't come to anything yet. lt's simply a concern, that's all. 00:28:08.080 --> 00:28:09.399 Yes. 00:28:09.560 --> 00:28:11.359 Yes, of course. A concern. 00:28:14.000 --> 00:28:15.999 There's something to be said for silence. 00:28:16.160 --> 00:28:18.959 MORAG: Indeed. Cotton. 00:28:21.280 --> 00:28:25.159 And with time, l'm sure she'll become...affectionate. 00:28:26.160 --> 00:28:28.839 CertainIy, there's nothing so easy to Iike as a pet. 00:28:29.000 --> 00:28:31.119 And they're quite siIent. 00:28:32.320 --> 00:28:35.559 (GIRL SINGS) ♪ And when they were down, they were down 00:28:35.720 --> 00:28:38.999 ♪ And when they were onIy haIfway up, they were neither up or down 00:28:39.160 --> 00:28:41.879 ♪ The grand oId Duke of York He had 1 0,000 men 00:28:42.040 --> 00:28:45.879 ♪ He marched them up and up and then he marched them down again. ♪ 00:28:47.400 --> 00:28:51.319 Those 80 acres across the stream, what do you think of them? 00:28:52.440 --> 00:28:54.719 l don't have any money. What are you on about? 00:28:55.720 --> 00:28:57.599 I'd Iike to make a swap. 00:28:57.760 --> 00:29:01.159 What for? The piano. 00:29:04.800 --> 00:29:06.479 What, the piano on the beach? 00:29:12.800 --> 00:29:14.599 lt's not marshy, is it? 00:29:15.840 --> 00:29:17.359 No. 00:29:24.320 --> 00:29:26.679 Oh, Baines, the music lover. l never would have thought. 00:29:27.680 --> 00:29:29.119 Hidden talents, George. 00:29:29.280 --> 00:29:30.959 (LAUGHS) 00:29:33.560 --> 00:29:37.839 I'd have to get Iessons. It wouIdn't be much use without them. 00:29:38.840 --> 00:29:40.479 Yes, l suppose you would. 00:29:44.280 --> 00:29:49.279 Well, Ada can play. l have it in a letter that she plays very well. 00:29:49.440 --> 00:29:51.719 She's been playing since she was five or six. 00:30:00.040 --> 00:30:01.519 What on? 00:30:02.520 --> 00:30:05.359 Well, on...on your piano. That's the swap. 00:30:08.800 --> 00:30:10.119 What does she say? 00:30:10.280 --> 00:30:13.319 She says it's her piano and she won't have him touch it! 00:30:15.760 --> 00:30:18.079 He's an oaf. He can't read! He's ignorant! 00:30:18.240 --> 00:30:19.599 (KICKS FURNITURE) 00:30:19.760 --> 00:30:24.079 He wants to improve himself, and you'll be able to play it. 00:30:29.560 --> 00:30:31.879 Teach him how to look after it! 00:30:40.320 --> 00:30:42.239 You can't go on like this! 00:30:43.960 --> 00:30:46.959 We're a family now. We all make sacrifices, and so will you! 00:30:48.000 --> 00:30:51.679 You will teach him, and l will see to it! 00:30:55.440 --> 00:30:57.119 (DOOR SLAMS) 00:30:58.520 --> 00:31:00.799 (BIRDSONG) 00:31:02.960 --> 00:31:05.039 (MEN CHATTER IN MAORI) 00:31:32.480 --> 00:31:34.959 MAN: Oh. A Broadwood! 00:31:35.960 --> 00:31:37.439 Oh, a fine instrument! 00:31:38.560 --> 00:31:40.079 l've not seen one here, 00:31:40.240 --> 00:31:43.279 nor in New South Wales where l've tuned some 200. 00:31:43.440 --> 00:31:46.199 Yes, they like their pianos there. 00:31:51.880 --> 00:31:53.399 (SNlFFS) 00:31:54.400 --> 00:31:55.959 Scent? 00:31:57.080 --> 00:32:00.039 Hmm. And salt, of course. 00:32:00.200 --> 00:32:02.079 (STRlKES TUNlNG FORK) 00:32:02.240 --> 00:32:04.519 (STRlKES KEYS) 00:32:16.640 --> 00:32:19.639 (MOURNFUL MUSlC) 00:32:56.240 --> 00:33:00.799 Mother says she can't stand to teach piano with it aII out of tune. 00:33:00.960 --> 00:33:03.199 So, I'm to do scaIes. 00:33:07.400 --> 00:33:09.839 I hope you've scrubbed your hands. 00:33:10.840 --> 00:33:13.279 (PLAYS SCALES) 00:33:13.440 --> 00:33:14.759 Oh, it's in tune. 00:33:14.920 --> 00:33:16.759 (PLAYS SCALES) 00:33:27.440 --> 00:33:28.959 It's in tune. 00:33:29.120 --> 00:33:31.719 (PLAYS NOTES) 00:33:31.880 --> 00:33:33.919 I was teaching! 00:33:51.760 --> 00:33:54.279 Mother wouId Iike to see what you can pIay. 00:33:54.440 --> 00:33:56.799 I'd rather not pIay. 00:33:57.800 --> 00:34:00.599 I want to Iisten, and Iearn that way. 00:34:00.760 --> 00:34:02.959 Everyone has to practise. 00:34:05.120 --> 00:34:07.719 I just want to Iisten. 00:34:19.520 --> 00:34:20.519 Ow! 00:34:24.880 --> 00:34:27.599 (ADA PLAYS SCALES) 00:34:30.200 --> 00:34:31.719 LoveIy. 00:34:31.880 --> 00:34:34.159 (PLAYS SCALES WITH CHORDS) 00:34:41.600 --> 00:34:45.119 (CONTINUES PLAYING SCALES WITH CHORDS) 00:35:04.880 --> 00:35:08.679 Oh, but teII me again. 00:35:08.840 --> 00:35:10.599 Was he your teacher? 00:35:12.000 --> 00:35:13.879 How did you speak to him? 00:35:28.640 --> 00:35:32.359 What happened? Why didn't you get married? 00:35:35.800 --> 00:35:37.279 (GASPS) 00:35:41.400 --> 00:35:43.239 (DOOR OPENS) 00:35:47.640 --> 00:35:49.719 Shall l kiss you goodnight? 00:36:01.600 --> 00:36:03.759 (DOOR CLOSES) 00:36:04.960 --> 00:36:07.479 Get out! You need a bath! 00:36:07.640 --> 00:36:09.959 Out! Bad dog! 00:36:10.120 --> 00:36:12.079 Move! Go on! (DOG BARKS) 00:36:12.240 --> 00:36:14.519 Bad bIoody dog! (WHlMPERS) 00:36:14.680 --> 00:36:17.039 Move it! 00:36:17.200 --> 00:36:21.079 (JOYOUS PIANO MELODY PLAYS) 00:36:33.240 --> 00:36:36.519 (GASPS) Ada, wait. Wait. 00:36:37.520 --> 00:36:40.079 Do you know how to bargain? 00:36:42.080 --> 00:36:44.559 There's a way you couId have your piano back. 00:36:44.720 --> 00:36:46.759 Do you want it back? 00:36:48.160 --> 00:36:49.879 You want it back? 00:36:56.040 --> 00:36:57.519 You see... 00:36:59.000 --> 00:37:01.519 ..I'd Iike us to make a deaI. 00:37:04.160 --> 00:37:06.039 There's things I'd... 00:37:08.160 --> 00:37:10.199 ..Iike to do whiIe you pIay. 00:37:10.360 --> 00:37:12.559 If you Iet me, you can earn it back. 00:37:12.720 --> 00:37:16.519 What do you think? One visit for every key. 00:37:31.840 --> 00:37:33.359 (CLEARS THROAT) 00:37:37.280 --> 00:37:38.359 Your dress? 00:37:39.840 --> 00:37:41.359 Skirt? 00:37:45.280 --> 00:37:46.839 For every bIack one? 00:37:48.560 --> 00:37:50.479 That's a Iot Iess. HaIf. 00:37:51.480 --> 00:37:54.719 AIright, aIright. Then the bIack keys. 00:38:03.440 --> 00:38:05.279 (PLAYS BASS NOTE) 00:38:08.240 --> 00:38:10.599 Poor baby! 00:38:10.760 --> 00:38:15.759 What horrid IittIe person put you in the rain 00:38:15.920 --> 00:38:17.679 and shoved you with a stick? 00:38:17.840 --> 00:38:19.959 Hmm, baby? Huh? 00:38:20.120 --> 00:38:21.719 Huh? 00:38:21.880 --> 00:38:24.679 You're aIright with moi. 00:38:27.920 --> 00:38:29.399 MORAG: Scissors. 00:38:30.400 --> 00:38:31.519 Thank you. 00:38:31.680 --> 00:38:35.239 MAN: Nessie! Put that down and come and put your hand out. 00:38:36.240 --> 00:38:39.079 Oh, no. Use Mr Stewart. 00:38:39.240 --> 00:38:41.279 Nessie, pIease! ALlSDAlR: No, no. Go on, Nessie. 00:38:41.440 --> 00:38:43.799 AIright, Mary, come aIong. Down here. 00:38:46.320 --> 00:38:48.919 Come on, girl. Get a move on. Oh, aIright, then! 00:38:52.960 --> 00:38:54.719 Down here. Put out your hand. 00:38:56.040 --> 00:38:57.519 Now... 00:38:59.280 --> 00:39:03.079 (GASPS) No, no. Put out your hand. Here. 00:39:05.080 --> 00:39:06.399 Now... 00:39:06.560 --> 00:39:09.959 Aahh! (LAUGHS) 00:39:10.120 --> 00:39:12.239 Look, Iook! You're being attacked. 00:39:14.080 --> 00:39:14.919 (SCREAMS) 00:39:15.080 --> 00:39:18.439 (ALL LAUGH) No, come on, come on. There you go. 00:39:18.600 --> 00:39:19.919 (SCREAMS) 00:39:20.080 --> 00:39:21.519 (ALL LAUGH) 00:39:21.680 --> 00:39:25.319 And with the bIood, it wiII be a very good effect. 00:39:25.480 --> 00:39:26.799 Here, FIynn! 00:39:26.960 --> 00:39:28.359 Here, FIynn. Here, FIynn. FIynn! 00:39:28.520 --> 00:39:31.879 FIynn, FIynn! Here, FIynn. Bad boy! 00:39:32.040 --> 00:39:34.919 HeeI, boy. Bad, bad boy! 00:39:35.080 --> 00:39:39.039 FIynn! FIynn, don't be troubIe. 00:39:39.200 --> 00:39:42.119 FIynn? FIynn! 00:39:43.640 --> 00:39:45.599 (WISTFUL PIANO MELODY PLAYS) 00:39:47.080 --> 00:39:49.359 (KNOCKS) 00:39:51.120 --> 00:39:52.519 (DOOR OPENS) 00:39:52.680 --> 00:39:55.279 I want to speak to my mother. 00:39:55.440 --> 00:39:56.919 (PIANO STOPS) 00:40:01.480 --> 00:40:04.879 I don't want to be outside. I want to watch. 00:40:08.680 --> 00:40:10.919 I'II be very quiet! 00:40:16.880 --> 00:40:18.839 I won't Iook at him! 00:40:21.840 --> 00:40:24.919 (WISTFUL PIANO MELODY PLAYS) 00:42:49.120 --> 00:42:51.319 MORAG: Be very carefuI. NESSIE: CarefuI. 00:42:54.360 --> 00:42:57.519 I hardIy need to give one to you, but here you are, anyway. 00:42:58.600 --> 00:43:00.639 Don't be Iate. 00:43:00.800 --> 00:43:02.879 You wiII see that there are two times. 00:43:03.040 --> 00:43:04.999 And since you are accompanying a performer, 00:43:05.160 --> 00:43:07.559 you wiII need to make the earIier time. 00:43:07.720 --> 00:43:09.279 ALlSDAlR: Wait! 00:43:14.360 --> 00:43:16.239 How are the lessons going? 00:43:20.520 --> 00:43:22.559 He's getting on alright, then, is he? 00:43:26.480 --> 00:43:28.119 She seems quietened down. 00:43:28.280 --> 00:43:29.799 Is she more affectionate? 00:43:33.480 --> 00:43:36.879 Ah, weII. SIowIy, sIowIy. 00:43:42.600 --> 00:43:44.639 (PLAYS NOTE) Lift your skirt. 00:43:53.080 --> 00:43:54.839 (PLAYS MELODY) 00:44:00.960 --> 00:44:02.439 Lift it higher. 00:44:03.880 --> 00:44:05.359 (STOPS PLAYING) 00:44:10.640 --> 00:44:12.599 (PLAYS MELODY) 00:44:23.280 --> 00:44:24.599 Higher. 00:44:24.760 --> 00:44:26.639 (KEEPS PLAYING) 00:44:27.880 --> 00:44:29.359 (BANGS) 00:44:29.520 --> 00:44:31.359 Higher! (STOPS PLAYING) 00:44:31.520 --> 00:44:33.599 Lift it higher. 00:44:46.960 --> 00:44:49.079 (PLAYS MELODY) 00:45:07.280 --> 00:45:08.439 (STOPS PLAYING) 00:45:08.600 --> 00:45:10.399 (RESUMES PLAYING) 00:45:17.600 --> 00:45:20.679 (CHILDREN SPEAK MAORI) 00:45:20.840 --> 00:45:22.719 (WOMAN SPEAKS MAORI) 00:45:28.680 --> 00:45:30.279 (LAUGHTER) 00:45:30.440 --> 00:45:32.719 You no worry, Bainey. 00:45:32.880 --> 00:45:34.839 I save you. 00:45:35.000 --> 00:45:38.479 I have a wife. I save her too! 00:45:38.640 --> 00:45:41.999 (WOMAN SPEAKS REPROACHFULLY IN MAORI) 00:45:43.480 --> 00:45:45.999 (LAUGHS) 00:45:46.160 --> 00:45:47.399 Where's your wife? 00:45:47.560 --> 00:45:49.079 My wife? 00:45:49.240 --> 00:45:53.199 Oh, she has a Iife of her own, in HuII, EngIand. 00:45:53.360 --> 00:45:57.639 Must be ugIy...for you to run away. 00:45:57.800 --> 00:45:59.319 You need another wife. 00:46:01.520 --> 00:46:03.839 (SPEAKS MAORI) 00:46:09.960 --> 00:46:11.519 BAINES: Undo your dress. 00:46:12.520 --> 00:46:14.559 I want to see your arms. 00:46:43.520 --> 00:46:45.119 PIay. 00:46:46.560 --> 00:46:48.119 (CLEARS THROAT) 00:46:54.040 --> 00:46:56.039 (PLAYS GENTLE MELODY) 00:47:05.480 --> 00:47:06.919 (STOPS PLAYING) 00:47:08.520 --> 00:47:10.239 Two keys. 00:47:15.000 --> 00:47:17.839 (PLAYS GENTLE MELODY) 00:48:02.480 --> 00:48:06.199 I shaII Iisten hard at rehearsaI 00:48:06.360 --> 00:48:08.999 because I Iive too far to come often. 00:48:10.000 --> 00:48:11.879 Which sign is the word 'rehearsaI'? 00:48:16.280 --> 00:48:19.119 I can't imagine a fate worse than being dumb. 00:48:20.560 --> 00:48:22.199 To be deaf. 00:48:22.360 --> 00:48:27.039 Oh, aye. Deaf too. TerribIe! AwfuI! 00:48:27.200 --> 00:48:29.319 ActuaIIy, to teII you the whoIe truth, 00:48:29.480 --> 00:48:31.719 Mother says most peopIe speak rubbish 00:48:31.880 --> 00:48:33.759 and it's not worth the Iisten. 00:48:35.120 --> 00:48:37.839 WeII, that is a strong opinion. 00:48:38.000 --> 00:48:40.359 Aye. It's unhoIy. 00:48:44.200 --> 00:48:45.999 (MAN SPEAKS MAORI) 00:48:59.040 --> 00:49:00.719 What do they say? Are they selling? 00:49:03.840 --> 00:49:05.839 Offer the blankets for half the land. 00:49:10.040 --> 00:49:12.079 1 2. 00:49:12.240 --> 00:49:13.079 Eugh! 00:49:13.240 --> 00:49:14.599 (HOICKS) 00:49:14.760 --> 00:49:16.759 Offer the guns, Baines. Offer the guns. 00:49:22.080 --> 00:49:24.599 What do they want the land for? They don't do anything with it. 00:49:24.760 --> 00:49:27.479 They don't cultivate it, they don't burn it back. Nothing. 00:49:29.040 --> 00:49:32.279 l mean, how do they even know that it's theirs? 00:49:34.480 --> 00:49:35.959 Um... 00:49:38.560 --> 00:49:41.719 Thought l might as well mark it out, you know, as we agreed. 00:49:41.880 --> 00:49:43.479 Yes, why not? 00:49:46.720 --> 00:49:50.639 Well, Ada says you're doing well with the piano. 00:49:51.640 --> 00:49:53.919 l'd like to come and hear you play. 00:49:54.920 --> 00:49:57.839 What do you play? Nothing just yet. 00:49:58.840 --> 00:50:00.439 No? 00:50:01.680 --> 00:50:04.279 (TENDER PIANO MELODY) 00:50:30.040 --> 00:50:31.639 (SNIFFS) 00:50:43.040 --> 00:50:44.039 Oh! 00:50:45.880 --> 00:50:47.359 Oh. 00:50:50.240 --> 00:50:52.839 Ada, four keys. 00:50:53.000 --> 00:50:56.119 Why five? I just want to Iie. 00:50:59.320 --> 00:51:00.959 AIright, aIright -- five. 00:51:58.720 --> 00:52:00.399 (GASPS) 00:52:16.280 --> 00:52:19.279 (SINGS) ♪ In the month of May 00:52:19.440 --> 00:52:23.719 ♪ The angeIs were sweetIy singing 00:52:23.880 --> 00:52:27.959 ♪ A young man on his deathbed Iay 00:52:28.120 --> 00:52:31.999 ♪ For Iove of Barbara AIIen. ♪ 00:52:32.160 --> 00:52:34.119 (BELL CHIMES) 00:52:34.280 --> 00:52:36.079 (DOG BARKS) 00:52:38.160 --> 00:52:40.999 (THUNDER ROLLS) 00:52:41.160 --> 00:52:42.559 MAN: AIright, take it easy. 00:52:42.720 --> 00:52:44.839 Mind that hoIe, now. Steady. 00:52:45.000 --> 00:52:48.239 Hang on now. There you go. 00:52:50.280 --> 00:52:51.959 You there... I'II dress you. 00:52:52.120 --> 00:52:53.959 WiII you marry me next week? 00:52:58.200 --> 00:52:59.959 That's the way. 00:53:00.120 --> 00:53:01.519 (LAUGHS) 00:53:01.680 --> 00:53:03.639 Come on, come on! We're running Iate! 00:53:03.800 --> 00:53:07.719 If you haven't got your Iip coIour on, Iine up behind Rose, pIease. 00:53:09.360 --> 00:53:11.999 You aII been to the Iavatory? ALL: Yes! 00:53:12.160 --> 00:53:13.879 Why don't we drink to MyrtIe? 00:53:14.040 --> 00:53:15.959 (GIRLS SING) 00:53:17.000 --> 00:53:19.719 MAN: l want no running on the stage! 00:53:22.920 --> 00:53:25.199 WOMAN: They're bringing in extra chairs! 00:53:29.640 --> 00:53:31.479 Do not touch the blood in it! 00:53:31.640 --> 00:53:35.279 Look who's here, hmm? The musicaI Mr Baines. 00:53:35.440 --> 00:53:38.359 Whoa. What are you going to pIay for us tonight? 00:53:38.520 --> 00:53:39.839 'TwinkIe, TwinkIe', eh, George? 00:53:40.000 --> 00:53:41.679 How about a IittIe tinkIe-tinkIe, George? 00:53:41.840 --> 00:53:43.639 Excuse me. 00:53:45.720 --> 00:53:47.959 Perhaps you wouId you turn the pages for Nessie? 00:53:48.120 --> 00:53:49.719 She's pIaying for the chiIdren. 00:53:51.720 --> 00:53:53.039 (MEN LAUGH) 00:53:53.200 --> 00:53:54.679 I'm in costume. 00:53:56.840 --> 00:53:59.399 MORAG: I'm very pIeased you've taken up the piano. 00:53:59.560 --> 00:54:01.439 Now, where's this song? 00:54:10.840 --> 00:54:12.639 WOMAN: HeIIo! 00:54:12.800 --> 00:54:15.639 (AUDIENCE MEMBERS TALK) 00:54:21.960 --> 00:54:25.439 George, excuse me, how about 'Mary Had a LittIe Lamb'? 00:54:25.600 --> 00:54:26.919 Baa-aaa. 00:54:27.080 --> 00:54:30.079 Or a poIka? Come on, George, what's it to be, hmm? 00:54:30.240 --> 00:54:31.839 Fools. 00:54:33.400 --> 00:54:35.479 Come on, George. Move along. 00:54:35.640 --> 00:54:37.319 (APPLAUSE) 00:54:37.480 --> 00:54:41.239 MAN: Ladies and gentIemen, couId you take your seats, pIease? 00:54:41.400 --> 00:54:42.879 We're about to begin. 00:54:46.240 --> 00:54:48.839 (PIANO MUSIC PLAYS, APPLAUSE) 00:54:49.000 --> 00:54:50.719 AUDIENCE: Ohhhh! 00:54:55.560 --> 00:54:58.959 (ALL SING) ♪ EarIy in the month of May 00:54:59.120 --> 00:55:03.239 ♪ The angeIs were sweetIy singing 00:55:03.400 --> 00:55:07.079 ♪ A young man on his deathbed Iay 00:55:07.240 --> 00:55:11.079 ♪ For Iove of Barbara AIIen 00:55:11.240 --> 00:55:15.879 ♪ Out of there sprung a red rose fuII 00:55:16.040 --> 00:55:19.399 ♪ And out of it a briar 00:55:19.560 --> 00:55:23.439 ♪ Then they fIew up to the high church waII 00:55:23.600 --> 00:55:27.879 ♪ TiII they couId go no higher 00:55:28.040 --> 00:55:32.279 ♪ And then they came in a true Iove's Iock 00:55:32.440 --> 00:55:37.279 ♪ Red roses and sweet briar. ♪ 00:55:38.280 --> 00:55:40.359 (APPLAUSE) 00:55:41.840 --> 00:55:44.999 And so the young maid came upon each 00:55:45.160 --> 00:55:48.439 and aII of BIuebeard's missing wives. 00:55:48.600 --> 00:55:49.439 (AUDIENCE GASPS) 00:55:49.600 --> 00:55:52.559 Their severed heads stiII bIeeding, 00:55:52.720 --> 00:55:55.799 their eyes stiII crying! 00:55:57.160 --> 00:55:59.359 SIow down, Nessie, sIow down. 00:55:59.520 --> 00:56:01.839 But hush! (CLANK! ) 00:56:02.000 --> 00:56:04.359 Who comes? (DOOR CREAKS OPEN) 00:56:06.160 --> 00:56:09.199 l am home early, my sweet wife! 00:56:09.360 --> 00:56:10.479 (DOOR CLOSES) 00:56:10.640 --> 00:56:12.519 Where art thou? 00:56:12.680 --> 00:56:15.159 Oh! Husband! 00:56:15.320 --> 00:56:18.439 What a surprise! Yes, wife! 00:56:18.600 --> 00:56:21.919 A surprise, indeed. 00:56:22.080 --> 00:56:27.559 So now you know my secret. No! No! 00:56:27.720 --> 00:56:31.639 You, the youngest... (WHIMPERS) 00:56:31.800 --> 00:56:34.199 ..and sweetest... 00:56:34.360 --> 00:56:35.199 (SQUEALS) 00:56:35.360 --> 00:56:37.919 ..of all my wives... 00:56:38.080 --> 00:56:41.079 No! ..must be prepared... 00:56:41.240 --> 00:56:43.999 ..to die! (SCREAMS) 00:56:44.160 --> 00:56:46.999 No! No! Wait! 00:56:47.160 --> 00:56:48.599 l shall not wait! 00:56:48.760 --> 00:56:50.039 No! (SCREAMS) 00:56:50.200 --> 00:56:53.439 Bare your neck! 00:56:53.600 --> 00:56:55.079 (SHOUTS IN MAORI) 00:56:55.240 --> 00:56:57.039 (AUDIENCE SCREAMING) 00:57:06.120 --> 00:57:07.439 (SHOUTS) 00:57:08.920 --> 00:57:10.079 (SCREAMS) 00:57:15.560 --> 00:57:17.919 So the Iadies wouId be quite aIright. 00:57:18.080 --> 00:57:21.159 MORAG: I'd Iike to introduce you. 00:57:21.320 --> 00:57:23.119 This is Mrs WiIIiams, 00:57:23.280 --> 00:57:25.359 this is Mrs Parsons, this... 00:57:26.520 --> 00:57:29.599 This is Mrs Reid, this is Miss PaImer, 00:57:29.760 --> 00:57:31.199 and this is Miss Kerr. 00:57:31.360 --> 00:57:33.319 (SPEAKS MAORI) 00:57:34.560 --> 00:57:36.319 lt's very...very nice. 00:57:37.600 --> 00:57:40.279 (PLAYS NOTE) 00:57:43.720 --> 00:57:45.559 Hmm. 00:57:50.200 --> 00:57:51.999 Do what you Iike. 00:57:53.240 --> 00:57:55.039 PIay what you Iike. 00:58:01.400 --> 00:58:04.239 (PLAYS DARK MELODY) 00:58:14.360 --> 00:58:15.839 (RUSTLING) 00:58:56.760 --> 00:58:57.759 (GASPS) 00:59:04.800 --> 00:59:08.119 I want to Iie together without cIothes on. 00:59:10.240 --> 00:59:12.079 How many wouId that be? 00:59:20.720 --> 00:59:23.839 Yes. 1 0 keys. 00:59:43.280 --> 01:00:39.999 (HUMS) 01:00:45.400 --> 01:00:46.999 (BAINES MOANS) (STOPS HUMMING) 01:01:12.160 --> 01:01:20.479 (SPEAKS MAORI) 01:01:23.960 --> 01:01:26.239 What the clock say, Mr Stewart? 01:01:26.400 --> 01:01:27.999 Mr Stewart. 01:01:28.160 --> 01:01:30.559 (LAUGHS) 01:01:30.720 --> 01:01:33.799 Mmm. Mmm. 01:01:39.680 --> 01:01:42.119 Never behave like that. Never nowhere. 01:01:43.560 --> 01:01:47.439 You're greatly shamed! You've shamed these trunks. 01:02:06.080 --> 01:02:08.639 I know why Mr Baines can't pIay the piano. 01:02:11.520 --> 01:02:13.199 You missed some here. 01:02:16.200 --> 01:02:20.639 She never gives him a turn. She just pIays what she pIeases. 01:02:21.640 --> 01:02:24.999 And sometimes she doesn't pIay at aII. 01:02:26.000 --> 01:02:27.799 When's the next lesson? 01:02:28.800 --> 01:02:30.799 Tomorrow. 01:02:45.040 --> 01:02:47.439 (PLAYS DISCORDANT NOTES) 01:02:47.600 --> 01:02:49.639 (MEN SING) 01:03:08.040 --> 01:03:09.999 I have given the piano back to you. 01:03:11.000 --> 01:03:12.599 I've had enough. 01:03:18.000 --> 01:03:19.759 The arrangement... 01:03:22.160 --> 01:03:25.519 ..is making you a whore and me wretched. 01:03:27.680 --> 01:03:29.799 I want you to care for me... 01:03:31.240 --> 01:03:32.839 ..but you can't. 01:03:40.400 --> 01:03:42.319 It's yours. Leave. 01:03:43.520 --> 01:03:45.559 Go on, go. 01:03:50.800 --> 01:03:52.159 (SPEAKS MAORI) 01:03:52.320 --> 01:03:53.839 (DOOR CLOSES) 01:03:55.600 --> 01:03:58.599 (JAUNTY HORN MUSIC) 01:04:01.520 --> 01:04:03.159 ALlSDAlR: Stop right there! 01:04:08.520 --> 01:04:13.519 This isn't yours. What are you doing with the piano? Hmm? 01:04:13.680 --> 01:04:16.479 He's given it to us. 01:04:16.640 --> 01:04:19.239 Put that down. Put it down! 01:04:22.360 --> 01:04:25.639 You're very cunning, Ada. l've seen through you. 01:04:25.800 --> 01:04:28.919 l'm not going to lose the land this way. Stay there! 01:04:34.680 --> 01:04:36.319 (SPEAKS MAORI) 01:04:39.040 --> 01:04:41.679 WOMAN: Hori George don't wanna see nobody. He's sick. 01:04:45.760 --> 01:04:48.039 You got the Tupeka for Hira? 01:04:49.080 --> 01:04:50.559 No. 01:04:53.920 --> 01:04:56.159 Baines. 01:04:59.000 --> 01:05:01.679 Baines... Baines, look. 01:05:01.840 --> 01:05:04.279 l don't think you should've given up the piano. 01:05:05.280 --> 01:05:07.319 l'll make sure that you're properly taught 01:05:07.480 --> 01:05:10.199 with, you know, music written on sheets and so on. 01:05:10.360 --> 01:05:12.719 I don't want to Iearn. 01:05:12.880 --> 01:05:15.039 You don't want to learn? No. 01:05:18.760 --> 01:05:21.079 What does this do to our bargain? l mean... 01:05:22.080 --> 01:05:24.679 l can't afford the piano if you mean me to pay. 01:05:25.880 --> 01:05:29.599 No, no payment. I have given it back. 01:05:31.240 --> 01:05:33.399 l'm not sure that l want it myself. 01:05:34.920 --> 01:05:37.399 It was more to your wife that I gave it. 01:05:39.200 --> 01:05:40.599 Oh... 01:05:40.760 --> 01:05:43.359 Oh, l see. 01:05:44.360 --> 01:05:48.399 Well...l expect she will appreciate it. 01:05:51.080 --> 01:05:52.919 (SPEAKS MAORI) 01:05:57.760 --> 01:05:59.479 This is all l have. 01:06:01.520 --> 01:06:03.199 Bring that back! 01:06:07.960 --> 01:06:10.239 (PLAYS DIFFERENT KEYS) 01:06:14.360 --> 01:06:17.679 (PLAYS SCALES) 01:06:17.840 --> 01:06:19.319 ls it alright? 01:06:21.960 --> 01:06:24.119 Why don't you play something? 01:06:28.240 --> 01:06:29.999 What wiII I pIay? 01:06:32.880 --> 01:06:34.559 Play a jig. 01:06:36.120 --> 01:06:39.839 Do I know any jigs? Play a song, then. 01:06:41.160 --> 01:06:44.959 (PLAYS THE PIANO AND SINGS) 01:07:08.720 --> 01:07:10.479 (STOPS PLAYING AND SINGING) 01:07:12.000 --> 01:07:16.799 Why won't she play? We get the thing back, she just wanders off. 01:07:20.240 --> 01:07:21.839 Well, keep playing. 01:07:22.960 --> 01:07:25.959 (PLAYS THE PIANO AND SINGS) 01:07:28.320 --> 01:07:31.239 (TAPS ALONG TO THE TUNE) 01:07:36.280 --> 01:07:39.279 (MOURNFUL MUSIC) 01:08:43.840 --> 01:08:45.759 (PLAYS TENDER MELODY) 01:08:58.600 --> 01:09:00.199 (STOPS PLAYING) 01:09:12.440 --> 01:09:14.479 (PLAYS TENDER MELODY) 01:09:18.600 --> 01:09:20.239 Wait! Wait! 01:09:27.280 --> 01:09:29.759 Why?! Why can't I? 01:09:36.440 --> 01:09:38.959 I shan't practise and I don't care! 01:09:39.120 --> 01:09:42.319 BIast and damn! Bugger her! 01:09:42.480 --> 01:09:45.239 BIoody...bIoody... Bugger her! 01:09:45.400 --> 01:09:49.999 Let her faII face down in boiIing, bIoody mud! 01:09:50.160 --> 01:09:53.999 Let a mad dog bite her tiII she bIeeds! 01:09:55.000 --> 01:09:58.199 Where's your mother? Where's she gone? 01:09:58.360 --> 01:09:59.399 TO HELL! 01:09:59.560 --> 01:10:02.399 (FLOORBOARDS CREAK) 01:10:02.560 --> 01:10:04.079 (DOOR OPENS) 01:10:09.520 --> 01:10:11.359 So, what brings you here? 01:10:15.920 --> 01:10:17.519 Did you Ieave something? 01:10:19.080 --> 01:10:20.639 I've not found anything. 01:10:27.400 --> 01:10:28.959 Does he know something? 01:10:40.960 --> 01:10:42.399 The piano was not harmed? 01:10:42.560 --> 01:10:44.559 It arrived safeIy? 01:10:50.400 --> 01:10:52.079 WouId you Iike to sit? 01:10:53.720 --> 01:10:55.519 I am going to sit. 01:11:06.960 --> 01:11:08.399 Ada... 01:11:11.320 --> 01:11:13.039 Ada. 01:11:14.600 --> 01:11:16.199 I am unhappy... 01:11:21.640 --> 01:11:24.839 ..because I...want you... 01:11:25.840 --> 01:11:28.839 ..because my mind has seized on you and can think of nothing eIse. 01:11:31.200 --> 01:11:32.879 This is why I suffer. 01:11:35.720 --> 01:11:37.119 I... 01:11:37.280 --> 01:11:39.919 I'm sick with Ionging. 01:11:40.080 --> 01:11:43.079 I don't eat. I don't sIeep. 01:11:44.520 --> 01:11:45.879 (SIGHS) 01:11:46.040 --> 01:11:50.519 So, if you've come with no feeIing for me... 01:11:51.520 --> 01:11:52.999 ..then go. 01:12:00.480 --> 01:12:04.919 Go. 01:12:11.240 --> 01:12:12.559 (OPENS DOOR) 01:12:12.720 --> 01:12:14.839 Get out. 01:12:15.840 --> 01:12:17.319 Leave! 01:12:38.160 --> 01:12:41.159 (TENDER ORCHESTRAL MUSlC) 01:13:22.280 --> 01:13:24.919 (BAINES MOANS PASSIONATELY) 01:13:36.800 --> 01:13:38.679 (ADA MOANS) 01:14:08.240 --> 01:14:10.039 (BAINES AND ADA MOAN) 01:14:30.760 --> 01:14:32.479 (MOANS) 01:15:47.400 --> 01:15:48.719 (MOANS SOFTLY) 01:15:48.880 --> 01:15:55.839 What? 01:15:58.480 --> 01:16:00.079 Whisper it. 01:16:20.920 --> 01:16:23.159 Now you are going I am miserabIe. 01:16:23.320 --> 01:16:25.039 Why is that? 01:16:26.480 --> 01:16:30.559 Ada, I need to know, what wiII you do? WiII you come again? 01:16:36.120 --> 01:16:37.559 (ALlSDAlR GASPS) 01:16:37.720 --> 01:16:39.239 Wait. 01:16:40.280 --> 01:16:42.639 I don't know what you're thinking. 01:16:44.200 --> 01:16:46.399 Does this mean something to you? 01:16:49.520 --> 01:16:50.999 I aIready miss you. 01:16:52.600 --> 01:16:54.079 Ada... 01:16:55.080 --> 01:16:56.599 ..do you Iove me? 01:17:11.720 --> 01:17:16.119 Come tomorrow. If you are serious, come tomorrow. 01:17:18.640 --> 01:17:20.279 (GIRL GIGGLES) 01:17:28.000 --> 01:17:30.799 GIRL: Mamma, stay stiII! 01:17:34.640 --> 01:17:36.479 (GIGGLES) 01:17:38.000 --> 01:17:39.479 Stay stiII! 01:17:39.640 --> 01:17:41.239 (SQUEALS) 01:17:46.320 --> 01:17:48.279 (GIGGLES) 01:17:49.880 --> 01:17:51.479 (SQUEALS) 01:17:51.640 --> 01:17:53.239 (GIGGLES) 01:17:58.640 --> 01:18:00.839 Mmm. Mmm. 01:18:01.000 --> 01:18:03.159 (LAUGHS) 01:19:22.160 --> 01:19:25.039 Mamma! Mamma! 01:19:25.200 --> 01:19:28.199 They're pIaying your piano! 01:19:28.360 --> 01:19:30.159 Mamma! 01:19:30.320 --> 01:19:31.919 (PLAYS DISCORDANT NOTES) 01:19:39.280 --> 01:19:41.399 (HAMMERING) 01:19:53.400 --> 01:19:54.919 Here, Papa. 01:20:00.960 --> 01:20:02.479 (HAMMERING) 01:20:17.720 --> 01:20:19.199 (KISSES) 01:20:27.200 --> 01:20:29.999 You shouIdn't have gone up there, shouId you? 01:20:31.320 --> 01:20:33.959 I don't Iike it, and nor does Papa. 01:20:41.400 --> 01:20:43.999 We can pIay cards if you Iike. 01:20:59.080 --> 01:21:00.879 (PLAYS GENTLE MELODY) 01:21:20.400 --> 01:21:22.319 She's asIeep. Look. 01:21:22.480 --> 01:21:24.119 (CONTINUES PLAYING) 01:21:25.120 --> 01:21:28.279 One night she was found in her nightgown on the road to London. 01:21:28.440 --> 01:21:32.799 Grandpa said her feet were cut so badIy, she couIdn't waIk for a week. 01:22:48.360 --> 01:22:49.839 Ada. 01:23:14.120 --> 01:23:16.199 (MOANS) 01:23:17.840 --> 01:23:19.199 Ada. 01:23:24.160 --> 01:23:26.079 AIisdair, is it because of our pIay? 01:23:26.240 --> 01:23:27.959 Have the natives aggressed you? 01:23:29.280 --> 01:23:32.319 WeII, I have to say, you have done the wrong thing here. 01:23:32.480 --> 01:23:35.959 You have put the Iatch on the outside, you see. 01:23:37.160 --> 01:23:38.799 Now when you cIose the door, 01:23:38.960 --> 01:23:41.879 it wiII be the Maoris that Iock you in, you see. 01:23:42.040 --> 01:23:44.799 With the Iatch on that side, you are quite trapped. 01:23:44.960 --> 01:23:46.279 Quite trapped. 01:23:46.440 --> 01:23:48.119 We have just come from George Baines' 01:23:48.280 --> 01:23:49.759 and they have taken him over. 01:23:49.920 --> 01:23:51.639 It is no wonder he is Ieaving. 01:23:51.800 --> 01:23:53.799 He got in too deep with the natives. 01:23:53.960 --> 01:23:56.439 They sit on his fIoor as proud as kings but without a... 01:23:56.600 --> 01:23:58.079 BOTH: ..shred of manners. 01:23:59.080 --> 01:24:00.399 He's quite aItered. 01:24:00.560 --> 01:24:03.599 As if they have been trying some native witchcraft on him. 01:24:04.600 --> 01:24:07.359 WeII, tomorrow or the day after, he'II be gone. 01:24:09.000 --> 01:24:10.639 ALlSDAlR: So Baines is packing up? 01:24:10.800 --> 01:24:15.559 WeII, he's nothing to pack, but he's Ieaving. And it is just as weII. 01:24:15.720 --> 01:24:18.759 Nessie has fooIishIy grown an affection for him. 01:24:18.920 --> 01:24:20.599 (SOBS) We have had some tears. 01:24:20.760 --> 01:24:21.719 (SOBS) 01:24:21.880 --> 01:24:25.039 Stop it! Stop! 01:24:25.200 --> 01:24:26.999 STOP! 01:24:28.040 --> 01:24:30.039 MORAG: I am quite frightened of the way back. 01:24:30.200 --> 01:24:33.439 We must Ieave in good Iight. We wiII be safe? 01:24:34.440 --> 01:24:37.319 Oh, yes, if you leave now, l'm sure of it. 01:24:37.480 --> 01:24:39.519 (PLAYS MOODY MELODY) 01:25:10.640 --> 01:25:12.399 MORAG: Nessie, hoId this. 01:25:23.200 --> 01:25:26.159 You know, I am thinking of the piano. 01:25:26.320 --> 01:25:31.479 She does not pIay the piano as we do, Nessie. Up! Up! 01:25:35.240 --> 01:25:36.079 (URINATES) 01:25:36.240 --> 01:25:40.559 No. She is a strange creature. And her pIaying is strange. 01:25:40.720 --> 01:25:43.159 Like a mood that passes into you. 01:25:44.160 --> 01:25:45.599 Up! 01:25:49.080 --> 01:25:52.519 Now, your pIaying is pIain and true and that is what I Iike. 01:25:53.520 --> 01:25:57.399 To have a sound creep inside you is not at aII pIeasant. 01:25:57.560 --> 01:25:59.599 (BIRDS FLUTTER) What's that? 01:26:01.000 --> 01:26:03.999 (SCREAMS) 01:26:04.160 --> 01:26:05.639 It's a pigeon, Auntie. 01:26:05.800 --> 01:26:07.559 l should have waited. 01:26:54.160 --> 01:26:55.639 (GASPS) 01:27:01.160 --> 01:27:02.679 l want to touch you. 01:27:04.200 --> 01:27:06.039 Why can't l touch you? 01:27:07.360 --> 01:27:08.999 Don't you like me? 01:27:12.080 --> 01:27:14.279 (WOOD BREAKS) 01:27:14.440 --> 01:27:16.919 (ROOSTER CROWS) 01:27:18.960 --> 01:27:26.879 (WOOD BREAKS) 01:27:41.000 --> 01:27:44.839 Come on, Lucky! Who's gonna be my friend? 01:27:45.000 --> 01:27:46.959 I'm coming to fetch you! (CHlCKENS CLUCK) 01:27:48.440 --> 01:27:50.759 (WOOD CLATTERS) 01:27:53.040 --> 01:27:54.599 (SHOUTS) 01:28:04.480 --> 01:28:06.999 We must...get on. 01:28:09.960 --> 01:28:11.559 l've decided to... 01:28:12.560 --> 01:28:14.439 ..trust you to stay here. 01:28:15.440 --> 01:28:17.079 You won't see Baines? 01:28:23.480 --> 01:28:29.639 Good. 01:28:31.240 --> 01:28:36.959 Perhaps with time... you might come to like me. 01:28:50.680 --> 01:28:53.679 (FRETFUL ORCHESTRAL MUSlC) 01:29:39.080 --> 01:29:41.399 (WATER SLOSHES) GIRL: Stop compIaining, I said. 01:29:41.560 --> 01:29:43.279 And be quiet. 01:29:43.440 --> 01:29:44.879 You'II just have to be naked 01:29:45.040 --> 01:29:48.159 untiI I finish washing and drying your cIothes. 01:29:48.320 --> 01:29:52.199 I don't mind if you're coId. Be quiet! 01:30:05.000 --> 01:30:08.279 No, we're not supposed to visit him. 01:30:20.680 --> 01:30:22.079 What?! 01:30:22.240 --> 01:30:25.239 (FRETFUL ORCHESTRAL MUSlC CONTlNUES) 01:30:45.840 --> 01:30:50.479 (SINGS) ♪ The grand oId Duke of York He had 1 0,000 men 01:30:50.640 --> 01:30:53.079 ♪ He marched them up to the top of the hiII 01:30:53.240 --> 01:30:55.119 ♪ And marched them down again 01:30:55.280 --> 01:30:57.399 ♪ And when they're up, they're up 01:30:57.560 --> 01:30:59.839 ♪ And when they're down, they're down 01:31:00.000 --> 01:31:02.279 ♪ And when they're onIy haIfway up 01:31:02.440 --> 01:31:04.679 ♪ They're neither up nor down 01:31:04.840 --> 01:31:06.679 ♪ The grand oId Duke of York... ♪ 01:31:06.840 --> 01:31:09.199 (MAN SPEAKS MAORI) 01:31:09.360 --> 01:31:12.119 Crooked, Mr Stewart. 01:31:13.560 --> 01:31:15.079 Crooked. 01:31:20.280 --> 01:31:23.359 Mother wanted me to give this to Mr Baines. 01:31:23.520 --> 01:31:26.879 I thought maybe it was not the proper thing to do. 01:31:27.920 --> 01:31:30.799 ShaII I open it? No. Give it to me. 01:31:40.960 --> 01:31:43.479 (THUNDER RUMBLES) 01:31:47.040 --> 01:31:51.359 (SPEAKS MAORI) 01:31:58.520 --> 01:32:01.399 (MAN SPEAKS MAORI) 01:32:05.000 --> 01:32:06.559 (SPEAKS MAORI) 01:32:09.880 --> 01:32:11.799 (RAIN PATTERS) 01:32:31.120 --> 01:32:32.599 (DOOR OPENS) 01:32:34.200 --> 01:32:37.359 Ohhh! (GLASS SMASHES) 01:32:37.520 --> 01:32:41.639 Why? l trusted you! 01:32:42.960 --> 01:32:43.799 Oooh! 01:32:43.960 --> 01:32:45.519 l trusted you! l trusted you! 01:32:45.680 --> 01:32:47.159 Do you hear?! 01:32:48.480 --> 01:32:51.279 Why do you make me hurt you?! 01:32:52.920 --> 01:32:54.639 We could be happy. 01:32:56.280 --> 01:32:58.279 You have made me angry! Speak! 01:33:05.280 --> 01:33:08.399 You lied to me! You will answer for this. 01:33:08.560 --> 01:33:10.959 Speak or not, you will answer for this! 01:33:34.640 --> 01:33:36.119 Do you love him?! 01:33:36.280 --> 01:33:37.919 Do you?! 01:33:40.080 --> 01:33:43.759 ls it him you love?! No, she says...no! 01:33:45.200 --> 01:33:46.479 (SCREAMS) 01:33:46.640 --> 01:33:48.079 Mother! 01:33:49.600 --> 01:34:53.039 Mamma! 01:34:54.720 --> 01:34:56.359 You give this to Baines. 01:34:57.600 --> 01:35:00.799 Tell him if he ever tries to see her again, l'll take off another 01:35:00.960 --> 01:35:03.239 and another and another. 01:35:08.720 --> 01:35:10.279 Mamma! Run! 01:35:18.920 --> 01:35:20.679 (SOBS) (THUNDER RUMBLES) 01:35:20.840 --> 01:35:24.199 (WOMAN SPEAKS MAORI) 01:35:24.360 --> 01:35:26.519 (CRIES) 01:35:26.680 --> 01:35:28.759 (WAILS) 01:35:28.920 --> 01:35:30.839 What has happened? 01:35:32.240 --> 01:35:33.599 Hush, hush. 01:35:33.760 --> 01:35:36.559 (KEEPS CRYING) 01:35:36.720 --> 01:35:38.279 What is it? 01:35:39.880 --> 01:35:43.279 You're not to see her! He'II chop her up! 01:35:43.440 --> 01:35:45.599 (CRIES) 01:35:47.000 --> 01:35:48.479 What happened? 01:35:48.640 --> 01:35:49.959 TeII me. 01:35:50.120 --> 01:35:51.039 (WAILS) 01:35:51.200 --> 01:35:52.639 TeII me! 01:35:52.800 --> 01:35:54.439 (DOOR SLAMS) 01:35:56.360 --> 01:35:57.679 (SCREAMS) 01:35:57.840 --> 01:35:59.719 Where is she? (SCREAMS) 01:35:59.880 --> 01:36:03.759 Ssh! Quiet down! Quiet down! Where is she?! 01:36:03.920 --> 01:36:05.239 He chopped it off! 01:36:05.400 --> 01:36:06.719 (CRIES) 01:36:06.880 --> 01:36:09.759 What did she teII him? What did she teII him? 01:36:09.920 --> 01:36:12.439 (SPEAKS MAORI) 01:36:14.960 --> 01:36:16.759 Oh. 01:36:19.640 --> 01:36:22.479 I am going to crush his skuII! 01:36:22.640 --> 01:36:26.279 NO! NO! NO! 01:36:26.440 --> 01:36:28.759 He'II chop them off! 01:36:48.040 --> 01:36:50.719 You pushed me too hard. You cannot send love to him. 01:36:50.880 --> 01:36:52.279 You cannot do that. 01:36:52.440 --> 01:36:57.199 Just even...even to think about it makes me very angry. 01:37:01.720 --> 01:37:03.439 l meant to love you. 01:37:05.520 --> 01:37:07.839 l clipped your wing, that's all. 01:37:09.600 --> 01:37:13.959 (SlNGS) ♪ We will be together 01:37:14.120 --> 01:37:18.679 ♪ You will see it will be better... ♪ 01:37:19.680 --> 01:37:23.239 Are you hot? My sweet love bird. 01:38:34.240 --> 01:38:35.759 Are you feeling better? 01:38:53.160 --> 01:38:54.639 What? 01:39:57.760 --> 01:39:59.279 (RIFLE COCKS) 01:40:08.280 --> 01:40:09.999 Oh, look at you. 01:40:11.000 --> 01:40:12.479 lt's your face. 01:40:13.840 --> 01:40:16.519 l've had that face in my head, hating it. 01:40:17.640 --> 01:40:19.639 But now l'm here seeing it... 01:40:21.760 --> 01:40:23.279 ..it's nothing. 01:40:25.040 --> 01:40:29.519 You have your marks. You look at me through your eyes, yes. 01:40:31.160 --> 01:40:32.959 You're even afraid of me. 01:40:35.400 --> 01:40:36.879 Get up. 01:40:44.800 --> 01:40:46.599 Baines... 01:40:48.240 --> 01:40:50.559 ..has Ada ever spoken to you? 01:40:53.000 --> 01:40:55.319 You mean in signs? 01:40:56.640 --> 01:40:58.159 No. Words. 01:40:59.960 --> 01:41:02.279 Have you ever heard words? 01:41:02.440 --> 01:41:04.559 No. Not words. 01:41:05.560 --> 01:41:07.639 You never thought you heard words? 01:41:12.840 --> 01:41:18.279 l heard it here. l heard her voice. There in my head. 01:41:20.520 --> 01:41:22.679 l watched her lips. They didn't make the words. 01:41:22.840 --> 01:41:27.679 But, yet, the harder l listened... 01:41:28.680 --> 01:41:30.079 ..the clearer l heard her. 01:41:30.240 --> 01:41:33.119 You punished her wrongIy. It was me, my fauIt. 01:41:37.240 --> 01:41:38.719 She said... 01:41:42.840 --> 01:41:45.199 ..l'm afraid of my will. 01:41:46.200 --> 01:41:49.399 "Of what it might do. lt is so strange and strong." 01:41:50.640 --> 01:41:52.119 She said... 01:41:54.640 --> 01:41:56.759 .."l have to go. Let me go. 01:41:57.760 --> 01:42:02.479 "Let Baines take me away. Let him try and save me." 01:42:06.040 --> 01:42:09.119 l wish her gone. l wish you gone. 01:42:12.960 --> 01:42:14.599 l want to wake up and... 01:42:16.720 --> 01:42:18.359 ..and find that this... 01:42:18.520 --> 01:42:19.959 ..was all a dream. 01:42:20.120 --> 01:42:21.679 That's what l want. 01:42:36.360 --> 01:42:37.759 (PEOPLE SPEAK MAORI) 01:42:37.920 --> 01:42:40.959 MORAG: It was a terribIe shock. NESSIE: Aye, it was. 01:42:41.120 --> 01:42:42.599 Oh, dear. 01:43:55.600 --> 01:43:58.079 (MAN SPEAKS MAORI) 01:43:58.240 --> 01:44:02.439 (BAINES SPEAKS MAORI) 01:44:05.480 --> 01:44:07.959 (SPEAKS MAORI) 01:44:08.120 --> 01:44:10.479 No. She needs it. She must have it. 01:44:10.640 --> 01:44:12.999 (MEN CHANT) 01:44:14.760 --> 01:44:17.999 (SINGS IN MAORI) 01:44:38.360 --> 01:44:42.479 (MEN CHANT) 01:45:27.240 --> 01:45:28.959 What did she say? 01:45:29.120 --> 01:45:31.759 She said, "Throw the piano overboard." 01:45:31.920 --> 01:45:34.559 It's quite safe. They are managing. 01:45:36.960 --> 01:45:40.319 She doesn't want it. She says it's spoiIed! 01:45:41.480 --> 01:45:44.279 I've been given the key. I'II have it mended. 01:45:46.160 --> 01:45:49.079 (MAN SPEAKS MAORI) 01:45:54.160 --> 01:45:56.759 PIease, Ada. Ada! 01:45:58.320 --> 01:46:00.919 You wiII regret it. It's your piano, I want you to have it. 01:46:01.080 --> 01:46:03.999 She doesn't want it! Ada, sit down! Sit down! 01:46:06.880 --> 01:46:08.599 Throw it over! Sit down! 01:46:08.760 --> 01:46:10.919 AIright, we'II throw it over. 01:46:11.920 --> 01:46:13.319 (BAINES SPEAKS IN MAORI) 01:46:13.480 --> 01:46:15.079 (MAN SPEAKS IN MAORI) 01:46:51.320 --> 01:46:52.799 Ahhh! 01:48:10.320 --> 01:48:11.959 (GASPS) 01:48:24.880 --> 01:48:26.559 ADA: What a death. 01:48:32.280 --> 01:48:33.799 What a chance. 01:48:38.440 --> 01:48:40.159 What a surprise. 01:48:48.200 --> 01:48:50.399 My will has chosen life. 01:49:02.160 --> 01:49:06.719 Still, it has had me spooked, and many others besides. 01:49:09.080 --> 01:49:11.639 l teach piano now in Nelson. 01:49:14.480 --> 01:49:17.039 George has fashioned me a metal fingertip. 01:49:18.040 --> 01:49:20.839 l'm quite the town freak, which satisfies. 01:49:21.000 --> 01:49:23.039 (PLAYS GENTLE PIANO MELODY) 01:49:44.040 --> 01:49:46.159 l am learning to speak. 01:49:46.320 --> 01:49:49.079 My sound is still so bad l feel ashamed. 01:49:49.240 --> 01:49:50.599 Deh, deh... 01:49:50.760 --> 01:49:54.199 l practise only when l am alone and it is dark. 01:49:54.360 --> 01:49:58.639 Kah, kah, kah, kah, kah. 01:49:58.800 --> 01:50:02.679 Vah, vah, vah. 01:50:02.840 --> 01:50:06.759 Bah, bah, bah. 01:50:06.920 --> 01:50:09.479 Pah, pah. 01:50:45.320 --> 01:50:49.359 At night l think of my piano in its ocean grave. 01:50:53.080 --> 01:50:56.919 And sometimes of myself floating above it. 01:50:59.200 --> 01:51:02.439 Down there, everything is so still and silent 01:51:02.600 --> 01:51:04.399 that it lulls me to sleep. 01:51:05.480 --> 01:51:09.399 lt is a weird lullaby, and so it is... 01:51:09.560 --> 01:51:11.039 lt is mine. 01:51:13.000 --> 01:51:17.359 "There is a silence where hath been no sound. 01:51:18.480 --> 01:51:22.079 "There is a silence where no sound may be. 01:51:22.103 --> 01:51:42.103 Telegram Channel and Instagram Page .:: @bollbolljan_com ::.