WEBVTT 00:00:00.046 --> 00:00:20.046 ..:: Presented By ZarFilm Website ::.. ‏.:: www.bolboljan.net ::. 00:00:26.370 --> 00:00:29.010 It's another hot, sunny day today here in Southern California. 00:00:29.090 --> 00:00:31.210 Temperature is 84 for downtown Los Angeles, 00:00:31.290 --> 00:00:32.810 overnight lows of 75. 00:01:13.410 --> 00:01:15.050 ♪ I think about that day ♪ 00:01:15.130 --> 00:01:18.770 ♪ I left him at a Greyhound station west of Santa Fe ♪ 00:01:18.850 --> 00:01:22.490 ♪ We were 17, but he was sweet and it was true ♪ 00:01:22.610 --> 00:01:26.170 ♪ Still, I knew what I had to do ♪ 00:01:26.250 --> 00:01:28.450 ♪ 'Cause I just knew ♪ 00:01:28.530 --> 00:01:30.210 ♪ Summer Sunday nights ♪ 00:01:30.290 --> 00:01:34.090 ♪ We'd sink into our seats right as they dimmed out all the lights ♪ 00:01:34.170 --> 00:01:37.650 ♪ A technicolor world made out of music and machine ♪ 00:01:37.730 --> 00:01:41.530 ♪ It called me to be on that screen ♪ 00:01:41.610 --> 00:01:43.730 ♪ And live inside each scene ♪ 00:01:43.810 --> 00:01:47.490 ♪ Without a nickel to my name, hopped a bus, here I came ♪ 00:01:47.570 --> 00:01:51.490 ♪ Could be brave or just insane, we'll have to see ♪ 00:01:51.570 --> 00:01:53.210 ♪ 'Cause maybe in that sleepy town ♪ 00:01:53.290 --> 00:01:55.050 ♪ He'll sit one day, the lights are down ♪ 00:01:55.130 --> 00:01:59.090 ♪ He'll see my face and think how he used to know me ♪ 00:01:59.170 --> 00:02:02.530 ♪ Climb these hills, I'm reaching for the heights ♪ 00:02:02.650 --> 00:02:06.650 ♪ And chasing all the lights that shine ♪ 00:02:06.730 --> 00:02:10.530 ♪ And when they let you down ♪ 00:02:10.610 --> 00:02:14.050 ♪ You get up off the ground ♪ 00:02:14.130 --> 00:02:16.690 ♪ 'Cause morning rolls around ♪ 00:02:16.770 --> 00:02:20.010 ♪ And it's another day of sun ♪ 00:02:21.770 --> 00:02:23.650 ♪ I hear 'em every day ♪ 00:02:23.730 --> 00:02:27.490 ♪ The rhythms in the canyons that'll never fade away ♪ 00:02:27.570 --> 00:02:31.290 ♪ The ballads in the barrooms left by those who came before ♪ 00:02:31.370 --> 00:02:34.650 ♪ They say "You gotta want it more" ♪ 00:02:34.730 --> 00:02:37.010 ♪ So I bang on every door ♪ 00:02:37.090 --> 00:02:38.810 ♪ And even when the answer's "no" ♪ 00:02:38.890 --> 00:02:40.810 ♪ Or when my money's running low ♪ 00:02:40.890 --> 00:02:44.530 ♪ The dusty mic and neon glow are all I need ♪ 00:02:44.650 --> 00:02:46.570 ♪ And someday as I sing my song ♪ 00:02:46.650 --> 00:02:48.530 ♪ A small-town kid'll come along ♪ 00:02:48.610 --> 00:02:51.050 ♪ That'll be the thing to push him on ♪ 00:02:51.130 --> 00:02:52.570 ♪ And go, go ♪ 00:02:52.650 --> 00:02:56.050 ♪ Climb these hills, I'm reaching for the heights ♪ 00:02:56.130 --> 00:02:59.810 ♪ And chasing all the lights that shine ♪ 00:02:59.890 --> 00:03:04.050 ♪ And when they let you down ♪ 00:03:04.170 --> 00:03:07.850 ♪ You get up off the ground ♪ 00:03:07.930 --> 00:03:10.130 ♪ 'Cause morning rolls around ♪ 00:03:10.210 --> 00:03:13.290 ♪ And it's another day of sun ♪ 00:03:45.890 --> 00:03:49.650 ♪ Once they've let you down ♪ 00:03:49.730 --> 00:03:52.490 ♪ And morning rolls around ♪ 00:03:52.570 --> 00:03:54.410 ♪ It's another day of sun ♪ 00:03:56.490 --> 00:03:58.570 ♪ It's another day of sun ♪ 00:04:00.210 --> 00:04:03.730 ♪ It's another day of sun, sun, sun, sun, sun, sun ♪ 00:04:03.810 --> 00:04:06.460 ♪ It's another day of sun ♪ 00:04:07.450 --> 00:04:09.890 ♪ Just another day of sun ♪ 00:04:11.450 --> 00:04:13.610 ♪ It's another day of sun ♪ 00:04:15.010 --> 00:04:17.050 ♪ Another day has just begun ♪ 00:04:20.690 --> 00:04:22.490 ♪ It's another day of sun ♪ 00:04:39.410 --> 00:04:41.650 ♪ It's another day of sun. ♪ 00:04:53.890 --> 00:04:55.850 already has won three Oscars, 00:04:55.930 --> 00:05:00.250 including for the 1998 film Shakespeare in Love. 00:05:25.930 --> 00:05:28.850 I mean, we could not believe what was happening. 00:05:28.930 --> 00:05:32.690 I swear to God, she was wrecked. 00:05:32.770 --> 00:05:35.050 She was completely wrecked! 00:05:35.130 --> 00:05:40.730 I know. I know, it was pure insanity. 00:05:40.810 --> 00:05:43.010 It's insanity... 00:05:43.090 --> 00:05:44.450 Ah! 00:05:44.530 --> 00:05:47.810 "Lunacy! It was pure lunacy." 00:05:57.810 --> 00:05:59.690 What is his prob... I should go. 00:06:08.050 --> 00:06:09.450 Cappuccino, please. 00:06:09.530 --> 00:06:11.530 - Right. Of course. - On us. 00:06:11.650 --> 00:06:13.410 Oh, no, thank you. I insist. 00:06:26.090 --> 00:06:27.570 Did you see who that was? 00:06:45.010 --> 00:06:46.250 Shit! 00:06:47.690 --> 00:06:50.570 - Mia, where do you think you're going? - Oh, it's five after. 00:06:50.650 --> 00:06:52.730 - You better be here early tomorrow. - Okay. 00:06:54.170 --> 00:06:55.690 Have a good night! 00:06:55.770 --> 00:06:56.810 Uh! 00:07:09.730 --> 00:07:14.210 She was wrecked! It was pure lunacy, it was... 00:07:14.290 --> 00:07:18.690 It was so crazy, and I just... Oh, you would have died. 00:07:20.570 --> 00:07:25.290 No, Turner's fine. Turner's fine. I just, um... 00:07:25.370 --> 00:07:28.490 Are you gonna wait 'til Denver to tell her, or...? 00:07:32.090 --> 00:07:33.330 What? 00:07:42.730 --> 00:07:43.970 Okay. 00:07:48.890 --> 00:07:50.410 No, I'm happy for you. 00:07:53.250 --> 00:07:54.930 I am. I'm happy for you, I just... 00:07:58.410 --> 00:08:00.090 I just thought... 00:08:03.850 --> 00:08:06.570 - I don't know, I guess I thought... - One second. 00:08:08.290 --> 00:08:10.930 - What, Ruby? - Jessica's on the phone. 00:08:11.010 --> 00:08:13.170 Um, tell her I'll call her back. 00:08:13.250 --> 00:08:14.610 In two minutes? 00:08:14.730 --> 00:08:16.850 - Less than two minutes. - I'll go get your lunch. 00:08:16.930 --> 00:08:18.610 I'm almost done. Thank you. 00:08:27.770 --> 00:08:31.370 Oh, you know what? I think we're good. Thanks for coming in. 00:09:34.370 --> 00:09:38.130 Whoa! Holy shit! You wanna open a window? 00:09:38.210 --> 00:09:41.090 - I was trying to give you an entrance. - Thank you. 00:09:41.170 --> 00:09:43.050 Mia! How'd the audition go? 00:09:44.130 --> 00:09:45.170 Eh. 00:09:45.250 --> 00:09:47.650 Eh, same here. Was Jen there or Rachel? 00:09:47.730 --> 00:09:50.210 - I don't know who Jen and Rachel are. - They're the worst. 00:09:50.290 --> 00:09:53.410 - Well, I don't know if they were there. - I bet they were. 00:09:53.490 --> 00:09:56.450 Why is there a convention in the bathroom? 00:09:56.530 --> 00:09:59.330 Two minutes, people. Mia, you're coming, right? 00:09:59.410 --> 00:10:01.650 I can't! I'm working. 00:10:01.730 --> 00:10:02.890 What? 00:10:03.890 --> 00:10:06.130 Did she just say "working"? 00:10:06.210 --> 00:10:07.730 What? 00:10:07.810 --> 00:10:09.210 I'm sorry it didn't go well today, 00:10:09.290 --> 00:10:11.450 and there's like four things in my inbox that you're perfect for, 00:10:11.530 --> 00:10:14.450 and I will submit you. But right now you're coming! 00:10:14.530 --> 00:10:15.810 It'll be fun. 00:10:15.890 --> 00:10:17.650 - It's not gonna be fun. - It could be. 00:10:17.770 --> 00:10:20.170 It's not. It's gonna be a bunch of social climbers 00:10:20.250 --> 00:10:22.770 all packed into one of those big glass houses. 00:10:22.850 --> 00:10:24.170 This looks familiar. 00:10:24.250 --> 00:10:26.770 - I was gonna give that back. - How long have you had this? 00:10:26.850 --> 00:10:28.810 - A long time. - Come on, Mia. 00:10:28.890 --> 00:10:30.130 When else are you gonna get to see 00:10:30.210 --> 00:10:32.210 every Hollywood cliché crammed into the same room? 00:10:32.290 --> 00:10:33.810 We'll make fun of it together! 00:10:33.890 --> 00:10:35.730 I'm disappointed in you, Lex. 00:10:35.810 --> 00:10:37.050 There's nothing to make fun of. 00:10:37.130 --> 00:10:40.930 This party's gonna be humanity at its finest. 00:10:41.010 --> 00:10:42.810 ♪ You've got the invitation ♪ 00:10:42.890 --> 00:10:44.730 ♪ You've got the right address ♪ 00:10:44.810 --> 00:10:46.330 ♪ You need some medication? ♪ 00:10:46.410 --> 00:10:48.290 ♪ The answer's always "yes" ♪ 00:10:48.370 --> 00:10:50.170 ♪ A little chance encounter ♪ 00:10:50.250 --> 00:10:53.450 ♪ Could be the one you've waited for ♪ 00:10:53.530 --> 00:10:56.130 ♪ Just squeeze a bit more ♪ 00:10:56.210 --> 00:10:59.490 ♪ Tonight we're on a mission, tonight's the casting call ♪ 00:10:59.570 --> 00:11:01.450 ♪ If this is the real audition ♪ 00:11:01.530 --> 00:11:03.330 Oh, God help us all! 00:11:03.410 --> 00:11:05.290 ♪ You make the right impression ♪ 00:11:05.370 --> 00:11:08.730 ♪ Then everybody knows your name ♪ 00:11:08.810 --> 00:11:11.010 ♪ You're in the fast lane! ♪ 00:11:11.090 --> 00:11:14.290 ♪ Someone in the crowd could be the one you need to know ♪ 00:11:14.410 --> 00:11:18.090 ♪ The one to finally lift you off the ground ♪ 00:11:18.170 --> 00:11:21.890 ♪ Someone in the crowd could take you where you wanna go ♪ 00:11:21.970 --> 00:11:25.010 ♪ If you're the someone ready to be found ♪ 00:11:25.130 --> 00:11:27.250 ♪ If you're the someone ready to be ♪ 00:11:27.330 --> 00:11:30.730 ♪ Do what you need to do 'til they discover you ♪ 00:11:30.810 --> 00:11:34.490 ♪ And make you more than who you're seeing now ♪ 00:11:34.570 --> 00:11:36.330 ♪ So with the stars aligned ♪ 00:11:36.410 --> 00:11:38.370 ♪ I think I'll stay behind ♪ 00:11:38.450 --> 00:11:41.450 ♪ You've got to go and find ♪ 00:11:43.290 --> 00:11:44.970 ♪ That someone in the crowd ♪ 00:12:11.490 --> 00:12:13.090 Hey, girl! 00:12:15.930 --> 00:12:17.930 ♪ That someone in the crowd ♪ 00:13:27.690 --> 00:13:31.290 ♪ Is someone in the crowd ♪ 00:13:31.370 --> 00:13:34.610 ♪ The only thing you really see? ♪ 00:13:36.490 --> 00:13:42.690 ♪ Watching while the world keeps spinning 'round ♪ 00:13:45.010 --> 00:13:47.660 ♪ Somewhere there's a place ♪ 00:13:47.770 --> 00:13:52.490 ♪ Where I find who I'm gonna be ♪ 00:13:54.970 --> 00:14:01.660 ♪ A somewhere that's just waiting to be found ♪ 00:14:49.410 --> 00:14:52.690 ♪ Someone in the crowd could be the one you need to know ♪ 00:14:52.770 --> 00:14:56.570 ♪ The someone who can lift you off the ground ♪ 00:14:56.650 --> 00:15:00.370 ♪ Someone in the crowd could take you where you wanna go ♪ 00:15:00.450 --> 00:15:02.210 ♪ Someone in the crowd could make you ♪ 00:15:02.290 --> 00:15:04.330 ♪ Someone in the crowd will take you ♪ 00:15:04.410 --> 00:15:06.930 ♪ Flying off the ground if you're the someone ♪ 00:15:07.010 --> 00:15:10.610 ♪ Ready to be ♪ 00:15:10.730 --> 00:15:14.730 ♪ Found. ♪ 00:15:19.610 --> 00:15:21.130 No, no. 00:15:22.130 --> 00:15:24.730 Oh, come on! What? 00:15:28.530 --> 00:15:31.370 Ahh! 00:18:17.810 --> 00:18:19.610 Please stop sneaking into my home. 00:18:19.690 --> 00:18:21.370 You think Mom or Dad would call this a home? 00:18:21.450 --> 00:18:22.730 What are you doing? 00:18:22.810 --> 00:18:24.490 Please don't do that. Please don't sit on that. 00:18:24.570 --> 00:18:25.610 Are you kidding? 00:18:25.690 --> 00:18:26.890 Please don't sit on that. Don't sit on that. 00:18:26.970 --> 00:18:28.250 Don't sit on that. Hoagy Carmichael sat on that! 00:18:28.330 --> 00:18:30.770 - Oh, my God! - "The Baked Potato" just threw it away. 00:18:30.850 --> 00:18:33.450 - I can't imagine why. - And now you're just sitting on it. 00:18:33.530 --> 00:18:35.650 - I got you a throw rug. - I don't need that. 00:18:35.730 --> 00:18:38.530 What if I said Miles Davis pissed on it? 00:18:38.610 --> 00:18:41.690 It's almost insulting. Is it true? 00:18:41.770 --> 00:18:44.410 When are you gonna unpack these boxes? 00:18:44.490 --> 00:18:46.170 When I unpack them in my own club. 00:18:46.250 --> 00:18:49.770 Oh, Sebastian! It's like a girl broke up with you and you're stalking her. 00:18:49.850 --> 00:18:51.450 You're not still going by there, are you? 00:18:51.530 --> 00:18:54.290 That's... 00:18:54.410 --> 00:18:56.570 You won't believe it. They turned it into a samba-tapas place. 00:18:56.650 --> 00:19:00.290 - Oh, my God, Sebastian! - Samba. Tapas. 00:19:00.370 --> 00:19:02.810 Pick one, you know? Do one right. 00:19:02.890 --> 00:19:06.450 - I have someone I want you to meet. - I don't wanna meet anyone. 00:19:06.530 --> 00:19:07.810 No, no, I don't wanna meet anyone. 00:19:07.890 --> 00:19:10.330 - Dad gave you this? You'll like her. - Yes. 00:19:10.410 --> 00:19:12.730 I don't think I'm gonna like her. Does she like jazz? 00:19:12.810 --> 00:19:14.810 - Probably not. - Then what are we gonna talk about? 00:19:14.890 --> 00:19:16.730 I don't know! It doesn't matter, okay? 00:19:16.850 --> 00:19:19.890 Because you're living like a hermit. You're driving without insurance! 00:19:19.970 --> 00:19:21.290 - "It doesn't matter"? - Yeah, it doesn't matter. 00:19:21.370 --> 00:19:22.810 - Okay. Well, I know a guy... - You need to get serious. 00:19:22.890 --> 00:19:24.010 with a face tattoo that you should see. 00:19:24.090 --> 00:19:25.610 - Okay, low blow. - With a heart of gold. 00:19:25.690 --> 00:19:27.930 - Get serious! - "Get serious"? 00:19:28.010 --> 00:19:32.210 Laura... I had a very serious plan for my future. 00:19:32.290 --> 00:19:34.450 - I know. - It's not my fault I got shanghaied. 00:19:34.530 --> 00:19:37.690 You didn't get shanghaied. You got ripped off! 00:19:37.770 --> 00:19:38.930 What's the difference? 00:19:39.010 --> 00:19:42.250 I don't know. It's not as romantic as that. 00:19:42.330 --> 00:19:44.370 Don't sit... 00:19:44.450 --> 00:19:47.890 Everybody knew that guy was shady except for you. 00:19:47.970 --> 00:19:51.650 Why do you say "romantic" like it's a dirty word? 00:19:51.730 --> 00:19:55.570 Unpaid bills are not romantic. Call her. 00:19:55.650 --> 00:19:56.930 I'm not gonna call her. 00:19:57.010 --> 00:19:58.330 And the thing is... 00:19:58.410 --> 00:20:00.610 You're acting like life's got me on the ropes. 00:20:00.690 --> 00:20:03.330 I want to be on the ropes. Okay? 00:20:03.410 --> 00:20:04.970 I'm letting life hit me 'til it gets tired. 00:20:05.050 --> 00:20:07.370 - Oh? - Then I'm gonna hit back. 00:20:07.450 --> 00:20:10.250 It's a classic rope-a-dope. 00:20:10.330 --> 00:20:13.530 Okay, Ali. I love you. Unpack the boxes. 00:20:13.610 --> 00:20:16.180 - I'm gonna change the locks. - You can't afford it. 00:20:17.490 --> 00:20:20.250 I'm a phoenix rising from the ashes. 00:21:07.810 --> 00:21:08.810 Hey. 00:21:08.890 --> 00:21:11.370 - Bill. Thanks for having me back. - You're welcome. 00:21:11.450 --> 00:21:13.050 I want you to know you're lookin' at a new man, 00:21:13.130 --> 00:21:15.250 - a man that's happy to be here. - Good. Excellent. 00:21:15.330 --> 00:21:18.410 - Very-easy-to-work-with man. - And you're going to play the set list? 00:21:18.490 --> 00:21:19.890 Happy to. 00:21:19.970 --> 00:21:22.700 Even though I don't think anyone cares what I play, but, yeah. 00:21:22.810 --> 00:21:26.330 Well, if by "anyone" you mean anyone other than me, that would be correct. 00:21:26.410 --> 00:21:28.290 I care, and I don't wanna hear the free jazz. 00:21:28.370 --> 00:21:30.490 Right. Okay. 00:21:30.570 --> 00:21:32.170 Although I thought in this town 00:21:32.250 --> 00:21:35.770 it worked on a sort of "one for you, one for me" type system. 00:21:35.850 --> 00:21:38.890 How 'bout two for you, one for me? 00:21:38.970 --> 00:21:40.690 How 'bout all for you and none for me? 00:21:40.770 --> 00:21:42.170 - That's perfect, yes. - Great. 00:21:42.250 --> 00:21:43.810 - Okay. - Mutual decision, then. 00:21:43.890 --> 00:21:45.370 Right. Made by me. 00:21:45.450 --> 00:21:47.650 Right. And I sign off on it, so... 00:21:47.730 --> 00:21:50.490 Whatever. Tell yourself what you wanna know. 00:21:50.570 --> 00:21:53.850 Well. Welcome back. 00:21:53.930 --> 00:21:55.930 There's a nice way to say that, Karen. 00:24:59.050 --> 00:25:00.380 Seb. 00:25:12.890 --> 00:25:14.210 I hear what you're saying, 00:25:14.290 --> 00:25:15.930 but I don't think you're saying what you mean. 00:25:16.010 --> 00:25:17.930 Yeah, I don't think you hear what I'm saying. You're fired. 00:25:18.010 --> 00:25:20.210 Well, that's what you're saying, but it's not what you mean. 00:25:20.290 --> 00:25:22.530 - What you mean is... - You're fired. 00:25:22.610 --> 00:25:25.850 - "Play the set list." - No, I'm saying it's too late. 00:25:25.930 --> 00:25:28.530 - It's a warning. - What planet are you from? 00:25:28.610 --> 00:25:31.570 - Don't fire me, Bill. Don't fire me. - You're done. I'm sorry, Seb. 00:25:31.650 --> 00:25:32.930 It's Christmas. 00:25:33.010 --> 00:25:36.130 Yeah, I see the decorations. Good luck in the new year. 00:25:50.170 --> 00:25:52.650 I just heard you play, and I wanted to... 00:26:06.770 --> 00:26:11.730 I don't like the fissure on the GT scan. Did you test for achromatopsia? 00:26:11.810 --> 00:26:15.410 DOA on 23rd. Perp laughin' his face off at the PD. 00:26:15.490 --> 00:26:16.890 Damn Miranda rights. 00:26:16.970 --> 00:26:19.010 This is my classroom. 00:26:19.090 --> 00:26:20.970 You don't like it, the door's to my left. 00:26:21.050 --> 00:26:23.050 Lady, why you be trippin' like that? 00:26:24.130 --> 00:26:28.530 No, Jamal. You be trippin'. 00:26:37.690 --> 00:26:39.050 Jump right here! 00:26:42.690 --> 00:26:45.490 ♪ We're talking away ♪ 00:26:45.570 --> 00:26:48.890 ♪ I don't know what I'm to say, I'll say it anyway... ♪ 00:26:49.010 --> 00:26:50.530 Oh, Mia! 00:26:50.610 --> 00:26:52.650 - Hi. - Hi. 00:26:52.730 --> 00:26:54.450 - I want you to meet my friend, Carlo. - Hi. 00:26:54.530 --> 00:26:55.650 - Hi. Carlo. - Carlo, this is Mia. 00:26:55.730 --> 00:26:57.810 - Mia? Hi. How are you? - Yes, Mia. 00:26:57.890 --> 00:26:59.450 Carlo is a writer. 00:26:59.530 --> 00:27:01.410 Yeah. They say I have a knack for world-building. 00:27:01.490 --> 00:27:02.770 I got a lot of heat right now. 00:27:02.850 --> 00:27:05.210 There's been a lot of buzz, people talkin' about me, which is exciting. 00:27:05.290 --> 00:27:07.130 I mean, you work so hard, and then all that validation. 00:27:07.210 --> 00:27:08.890 - I'm gonna grab a drink. - Okay. 00:27:08.970 --> 00:27:10.850 Nice to meet you. 00:27:10.930 --> 00:27:15.290 ♪ I'll be gone ♪ 00:27:15.410 --> 00:27:19.490 ♪ In a day or two ♪ 00:27:21.890 --> 00:27:24.930 ♪ So needless to say ♪ 00:27:25.010 --> 00:27:26.530 ♪ I'm odds and ends ♪ 00:27:26.610 --> 00:27:29.450 ♪ But I'll be stumbling away ♪ 00:27:30.650 --> 00:27:31.770 ♪ Slowly learning that life is okay ♪ 00:27:31.850 --> 00:27:33.650 Sorry. 00:27:33.730 --> 00:27:36.890 ♪ Say after me ♪ 00:27:36.970 --> 00:27:39.130 ♪ It's no better to be safe than sorry ♪ 00:27:39.210 --> 00:27:44.850 ♪ Take on me ♪ 00:27:44.930 --> 00:27:48.970 ♪ Take me on ♪ 00:27:49.050 --> 00:27:50.530 ♪ Take on me ♪ 00:27:50.610 --> 00:27:54.850 ♪ I'll be gone ♪ 00:27:54.930 --> 00:27:58.850 ♪ In a day or two ♪ 00:28:01.570 --> 00:28:05.170 Thank you. Any other requests? 00:28:07.250 --> 00:28:08.890 Girl in the front! 00:28:08.970 --> 00:28:10.170 "I Ran." 00:28:10.250 --> 00:28:13.570 "I Ran." A fantastic suggestion. 00:28:13.650 --> 00:28:15.570 All right, piano man, tickle those ivories. 00:28:15.650 --> 00:28:17.050 Let's hit it. 00:28:17.130 --> 00:28:18.890 One! Two! Three! Four! 00:28:30.290 --> 00:28:32.050 That's right. 00:28:32.130 --> 00:28:34.970 ♪ I walk along the avenue ♪ 00:28:35.050 --> 00:28:39.810 ♪ I never thought I'd meet a girl like you ♪ 00:28:39.890 --> 00:28:42.050 ♪ Meet a girl like you ♪ 00:28:42.130 --> 00:28:43.460 Me? 00:28:44.810 --> 00:28:46.050 Stop. 00:28:46.130 --> 00:28:48.050 ♪ With auburn hair and tawny eyes ♪ 00:28:48.170 --> 00:28:52.530 ♪ The kind of eyes that hypnotize me through ♪ 00:28:52.610 --> 00:28:56.730 ♪ You hypnotize me through ♪ 00:28:56.810 --> 00:29:02.020 ♪ And I ran, I ran so far away ♪ 00:29:03.010 --> 00:29:04.340 ♪ I couldn't get away... ♪ 00:29:15.650 --> 00:29:20.130 ♪ Sometimes I feel I've got to ♪ 00:29:20.210 --> 00:29:21.410 ♪ Run away ♪ 00:29:21.490 --> 00:29:23.450 ♪ I've got to ♪ 00:29:23.530 --> 00:29:28.820 ♪ Get away from the pain you drive into the heart of me... ♪ 00:29:29.970 --> 00:29:32.010 All right, I remember you. 00:29:32.130 --> 00:29:34.490 And I'll admit I was a little curt that night. 00:29:34.570 --> 00:29:35.730 Curt? 00:29:35.810 --> 00:29:37.690 Okay, I was an asshole. I can admit that. 00:29:37.770 --> 00:29:38.770 Okay. 00:29:38.850 --> 00:29:42.090 But requesting "I Ran" from a serious musician, it's just... It's too far. 00:29:42.170 --> 00:29:45.810 My Lord! Did you just say "a serious musician"? 00:29:45.890 --> 00:29:48.050 - I don't think so. - Can I borrow what you're wearing? 00:29:48.130 --> 00:29:49.890 - Why? - 'Cause I have an audition next week. 00:29:49.970 --> 00:29:51.970 I'm playing a "serious" firefighter. 00:29:52.050 --> 00:29:54.050 So you're an actress. I thought you looked familiar. 00:29:54.130 --> 00:29:55.770 Have I seen you in anything? 00:29:55.850 --> 00:29:59.890 Uh... coffee shop on the Warner Bros. lot. That's a classic. 00:29:59.970 --> 00:30:01.930 - Oh, I see. You're a barista. - Yeah. 00:30:02.010 --> 00:30:05.090 And I can see how you could then look down on me from all the way up there. 00:30:05.170 --> 00:30:07.170 Time to do the next set. 00:30:08.330 --> 00:30:11.930 He doesn't... I don't... he doesn't tell me what to do. 00:30:12.010 --> 00:30:13.410 He just told you what to do. 00:30:13.490 --> 00:30:16.370 I know. I let him. What's your name? 00:30:16.450 --> 00:30:17.490 - Mia. - Mia. 00:30:19.650 --> 00:30:21.530 Guess I'll see you in the movies. 00:30:23.890 --> 00:30:25.970 - You heard of Joseph Campbell? - Uh, yeah. 00:30:26.050 --> 00:30:28.490 I have this idea to do a re-imagining of Goldilocks and The Three Bears, 00:30:28.570 --> 00:30:30.130 but from the perspective of the bears. 00:30:30.210 --> 00:30:32.090 - The hero's journey. - It could be like a franchise. 00:30:32.170 --> 00:30:33.170 - Right. - So we don't know. 00:30:33.250 --> 00:30:34.930 There could have been a fourth bear, we don't know. 00:30:35.010 --> 00:30:36.850 George Michael! 00:30:41.450 --> 00:30:42.690 Hello. 00:30:42.770 --> 00:30:44.090 - Sorry, it's... - Yeah, yeah. 00:30:44.170 --> 00:30:46.650 I know that guy. Did you get your keys? 00:30:49.090 --> 00:30:50.730 Mmm-hmm, yes. 00:30:50.810 --> 00:30:53.050 - Can you grab mine? - Can I what? 00:30:53.170 --> 00:30:54.610 Would you be able to grab mine? My keys? 00:30:54.690 --> 00:30:55.850 - I can't hear. - Sorry. 00:30:55.930 --> 00:30:58.730 - Can you grab my keys? - Oh. 00:30:58.810 --> 00:31:00.050 - Please? - Oh, there we go. 00:31:00.130 --> 00:31:01.930 - Thank you. - You're welcome. 00:31:04.210 --> 00:31:06.170 - What kind? - It's a Prius. 00:31:08.690 --> 00:31:10.170 That doesn't help me. 00:31:10.250 --> 00:31:12.930 - With a green ribbon. - All right. 00:31:15.890 --> 00:31:20.050 - Those look, uh, comfortable. - They are. 00:31:21.650 --> 00:31:23.810 Thank you for saving the day back there. 00:31:25.970 --> 00:31:28.860 Well, you didn't really give me much of a choice. 00:31:29.970 --> 00:31:32.850 It's pretty strange that we keep running into each other. 00:31:32.930 --> 00:31:36.850 It is strange. Maybe it means something. 00:31:36.930 --> 00:31:38.210 - I doubt it. - Yeah, I don't think so. 00:31:38.290 --> 00:31:40.570 Where's my car? 00:31:40.650 --> 00:31:42.650 You gotta put that thing to your chin. 00:31:42.730 --> 00:31:44.140 - This? - Yeah. 00:31:45.290 --> 00:31:46.890 Yeah, it makes your head into an antenna, so... 00:31:46.970 --> 00:31:48.250 - Ooh. - I think it gives you cancer, 00:31:48.330 --> 00:31:50.130 - but you find your car faster. - What? 00:31:50.210 --> 00:31:52.970 You don't live as long, but you get where you're going quicker, so it all evens out. 00:31:53.050 --> 00:31:54.570 That sounds terrible. 00:31:54.690 --> 00:31:57.250 - Just a suggestion. - You're a... 00:31:57.330 --> 00:32:00.090 You're a real, um... what's the word I'm looking for? 00:32:00.170 --> 00:32:01.770 "Knight in shining armor"? 00:32:01.850 --> 00:32:04.890 - Weirdo. That was the word. - Okay. 00:32:11.690 --> 00:32:13.100 Not much to look at, huh? 00:32:14.130 --> 00:32:15.730 I've seen better. 00:32:23.850 --> 00:32:27.890 ♪ The sun is nearly gone ♪ 00:32:27.970 --> 00:32:31.410 ♪ The lights are turning on ♪ 00:32:32.890 --> 00:32:38.050 ♪ A silver shine that stretches to the sea ♪ 00:32:40.690 --> 00:32:43.850 ♪ We've stumbled on a view ♪ 00:32:43.930 --> 00:32:47.930 ♪ That's tailor-made for two ♪ 00:32:49.170 --> 00:32:53.850 ♪ What a shame those two are you and me ♪ 00:32:56.250 --> 00:33:00.810 ♪ Some other girl and guy ♪ 00:33:00.890 --> 00:33:03.610 ♪ Would love this swirling sky ♪ 00:33:03.690 --> 00:33:07.050 ♪ But there's only you and I ♪ 00:33:08.050 --> 00:33:11.650 ♪ And we've got no shot ♪ 00:33:11.730 --> 00:33:15.090 ♪ This could never be ♪ 00:33:15.170 --> 00:33:16.850 ♪ You're not the type for me ♪ 00:33:16.930 --> 00:33:18.170 Really? 00:33:18.250 --> 00:33:22.290 ♪ And there's not a spark in sight ♪ 00:33:22.370 --> 00:33:27.050 ♪ What a a waste of a lovely night ♪ 00:33:29.250 --> 00:33:30.850 ♪ You say there's nothing here? ♪ 00:33:30.930 --> 00:33:32.610 ♪ Well, let's make something clear ♪ 00:33:32.690 --> 00:33:35.010 ♪ I think I'll be the one to make that call ♪ 00:33:35.090 --> 00:33:36.090 But you'll call? 00:33:36.170 --> 00:33:38.810 ♪ And though you look so cute in your polyester suit ♪ 00:33:38.890 --> 00:33:39.970 - It's wool. - ♪ You're right ♪ 00:33:40.050 --> 00:33:42.810 ♪ I'd never fall for you at all ♪ 00:33:42.890 --> 00:33:46.130 ♪ And maybe this appeals ♪ 00:33:46.210 --> 00:33:49.010 ♪ To someone not in heels ♪ 00:33:49.090 --> 00:33:52.970 ♪ Or to any girl who feels ♪ 00:33:53.050 --> 00:33:56.730 ♪ There's some chance for romance ♪ 00:33:56.810 --> 00:33:59.050 ♪ But I'm frankly feeling nothing ♪ 00:33:59.130 --> 00:34:00.410 ♪ Is that so? ♪ 00:34:00.490 --> 00:34:02.490 ♪ Or it could be less than nothing ♪ 00:34:02.610 --> 00:34:05.330 ♪ Good to know, so you agree? ♪ 00:34:05.410 --> 00:34:06.410 ♪ That's right ♪ 00:34:06.530 --> 00:34:10.690 ♪ What a waste of a lovely night. ♪ 00:36:17.610 --> 00:36:19.330 Ah! 00:36:19.410 --> 00:36:23.410 Hi, Greg. Oh, sorry I'm late. 00:36:23.490 --> 00:36:25.890 Yeah. Be there soon. Okay, bye. 00:36:46.970 --> 00:36:48.970 - It was just right there. - Just right here. 00:36:54.530 --> 00:36:57.210 Do you want a ride to your car? 00:36:57.290 --> 00:36:59.570 No, I'm just right up here. 00:37:02.130 --> 00:37:03.730 Good night. 00:37:09.970 --> 00:37:11.490 Good night. 00:38:23.770 --> 00:38:26.130 Excuse me. This is gluten-free, right? 00:38:27.170 --> 00:38:29.050 - No. - What? 00:38:29.130 --> 00:38:30.610 Mmm-mmm. 00:38:30.690 --> 00:38:32.450 Ugh! I'd like a refund. 00:38:34.250 --> 00:38:37.060 Okay. Let me check on that for you. 00:38:38.290 --> 00:38:39.330 Mia... 00:38:39.410 --> 00:38:41.930 - Hi. - You're closing Friday. 00:38:42.010 --> 00:38:44.650 I can't close on Friday. I have an audition, remember? 00:38:44.730 --> 00:38:47.050 Do I look like I care? Reschedule it. 00:38:47.130 --> 00:38:50.210 Oh, and we need to have a little talk tomorrow, okay? 00:38:50.290 --> 00:38:52.010 Fix your apron, please. 00:38:52.090 --> 00:38:53.330 Okay. 00:38:58.090 --> 00:38:59.530 You again! 00:39:01.290 --> 00:39:02.570 What are you doing here? 00:39:02.650 --> 00:39:05.890 Oh, you know, just meetings and... studio heads and... 00:39:05.970 --> 00:39:07.330 How'd you get on the lot? 00:39:07.410 --> 00:39:10.970 I basically just hauled ass past the guard gates. 00:39:11.050 --> 00:39:12.810 I think I have 20 minutes until they find me. 00:39:13.850 --> 00:39:15.570 You don't have a break coming up, do you? 00:39:15.650 --> 00:39:17.450 I'm off in 10 minutes, so... 00:39:18.890 --> 00:39:20.250 Can I hide in the bathroom? 00:39:20.330 --> 00:39:22.490 - Yes. - Okay. 00:39:23.690 --> 00:39:24.970 Sorry. 00:39:25.050 --> 00:39:28.020 Um... I actually do have to check. I'm sorry. 00:39:32.210 --> 00:39:34.730 That's the window that Humphrey Bogart and Ingrid Bergman 00:39:34.810 --> 00:39:35.930 looked out of in Casablanca. 00:39:36.010 --> 00:39:37.210 - Wow! - Yeah. 00:39:37.290 --> 00:39:39.210 I can't believe you work right across the street from that. 00:39:39.290 --> 00:39:41.050 - Yeah. - That's amazing. 00:39:41.130 --> 00:39:44.930 What was your Bogart's name? 00:39:45.010 --> 00:39:47.210 What's his name? Is it Greg? 00:39:47.330 --> 00:39:49.330 Yeah. Greg. 00:39:49.410 --> 00:39:52.210 Right. How long have you been... 00:39:52.290 --> 00:39:54.090 We've been seeing each other for about a month. 00:39:54.170 --> 00:39:55.730 Oh, that's great. 00:39:55.810 --> 00:39:57.130 He's, um... He's sweet. 00:39:57.210 --> 00:39:59.290 Anyway, I love being around this stuff, you know? 00:39:59.370 --> 00:40:00.370 I know what you mean. 00:40:00.450 --> 00:40:03.690 I get coffee five miles out of the way just so I can be near a jazz club. 00:40:03.770 --> 00:40:05.250 - Really? - Yeah, the Van Beek. 00:40:05.330 --> 00:40:06.410 - Do you know it? - Mmm-mmm. 00:40:06.490 --> 00:40:10.930 All the big swing bands used to play there. Count Basie, Chick Webb. 00:40:11.010 --> 00:40:13.410 Anyway, it's a samba-tapas place now, so... 00:40:14.930 --> 00:40:16.250 What's a samba-tapas place? 00:40:16.330 --> 00:40:18.810 It's just a samba place where they serve tapas. 00:40:18.890 --> 00:40:20.850 - Oh. - Yeah, so the joke's on... 00:40:20.930 --> 00:40:22.170 history? 00:40:22.250 --> 00:40:23.530 I don't know. That's L.A. 00:40:23.610 --> 00:40:27.290 They just worship everything and they value nothing. 00:40:27.410 --> 00:40:29.770 We're about to roll. Stop, please, guys. 00:40:29.850 --> 00:40:30.970 Okay. 00:40:31.050 --> 00:40:32.610 - You're rolling? - Yeah. 00:40:32.690 --> 00:40:35.050 I know. They shoot movies on my street all the time, so I know about movies. 00:40:35.130 --> 00:40:36.330 - Come this way. - Great. 00:40:36.410 --> 00:40:38.730 It's a lock-down. 00:40:38.810 --> 00:40:40.770 - I love her! - And here we go. 00:40:40.850 --> 00:40:42.770 Hey! How'd you get into all this? 00:40:42.850 --> 00:40:44.290 And roll! 00:40:44.370 --> 00:40:45.770 - Get into what? - Sound speed! 00:40:45.850 --> 00:40:47.370 You know, movies, acting... 00:40:47.450 --> 00:40:49.450 - Action! - Oh, um... 00:40:49.530 --> 00:40:52.370 - My aunt was an actress. - Oh, okay. 00:40:52.450 --> 00:40:54.810 She was in a traveling theater company. 00:40:54.890 --> 00:40:57.090 I grew up in Boulder City, Nevada. 00:40:57.170 --> 00:40:59.770 So across the street from my house there was this little library 00:40:59.850 --> 00:41:01.450 that had an old movie section. 00:41:01.570 --> 00:41:05.970 So she took me and we spent an entire day watching all these old movies 00:41:06.050 --> 00:41:10.090 like Notorious and Bringing Up Baby and Casablanca. 00:41:10.170 --> 00:41:11.610 - And... - Cut it there! Cut! 00:41:11.690 --> 00:41:13.730 - Check the gate. - So we can talk now. 00:41:13.810 --> 00:41:15.650 - She sounds incredible. - She was incredible. 00:41:15.730 --> 00:41:18.330 And I would put on all these plays in my bedroom, 00:41:18.410 --> 00:41:23.650 and it would basically just be she and I re-enacting those scenes from the movies. 00:41:23.730 --> 00:41:25.130 And then I would write my own plays. 00:41:25.210 --> 00:41:26.780 - Wow. - Um... Yeah. 00:41:47.930 --> 00:41:49.530 I love it. 00:41:53.690 --> 00:41:56.730 So anyway, I left college after two years to come here 00:41:56.810 --> 00:41:59.650 and my last audition was for a teen show 00:41:59.730 --> 00:42:01.890 pitched as "Dangerous Minds meets The O.C." 00:42:01.970 --> 00:42:06.050 So, yeah, should've been a lawyer. 00:42:06.130 --> 00:42:08.050 'Cause the world needs more lawyers. 00:42:08.130 --> 00:42:10.250 It doesn't need more actresses. 00:42:10.330 --> 00:42:11.730 You're not just an actress. 00:42:11.810 --> 00:42:14.410 - What do you mean, "just an actress"? - You said it yourself. 00:42:14.490 --> 00:42:16.930 You're a child prodigy playwright. 00:42:17.010 --> 00:42:18.450 That is not what I said. 00:42:18.530 --> 00:42:22.050 Well, you're too modest to say it, but it's true. 00:42:22.130 --> 00:42:23.890 You could just write your own roles, you know? 00:42:23.970 --> 00:42:25.850 Write something that's as interesting as you are, 00:42:25.930 --> 00:42:27.410 and you don't have to audition for this... 00:42:27.490 --> 00:42:28.810 - uh, piece of caca. - Yeah. 00:42:28.890 --> 00:42:30.300 Look at Louis Armstrong. 00:42:30.410 --> 00:42:33.050 He could've just played the marching band charts that he was given. 00:42:33.130 --> 00:42:34.850 But he didn't do that. What did he do? 00:42:34.930 --> 00:42:38.290 - What did he do? - He made history, didn't he? 00:42:38.370 --> 00:42:41.340 Well, I'm gonna stop auditioning and I'm gonna make history instead. 00:42:42.330 --> 00:42:46.090 Well, my work is done here. 00:42:46.170 --> 00:42:49.330 I should probably tell you something now, just to get it out of the way. 00:42:49.410 --> 00:42:50.650 - Mmm-hmm? - I hate jazz. 00:42:53.450 --> 00:42:54.610 Are you okay? 00:42:54.690 --> 00:42:56.970 What do you mean, you hate jazz? 00:42:57.050 --> 00:42:58.810 It just means that when I listen to it, I don't like it. 00:42:58.890 --> 00:43:01.810 Yeah, but it's such a blanket statement you don't like jazz. 00:43:01.890 --> 00:43:03.130 What are you doing right now? 00:43:04.490 --> 00:43:05.900 Nothing. 00:43:22.770 --> 00:43:25.530 I just think that people, when they say that they... 00:43:26.570 --> 00:43:30.090 you know, hate jazz, they just... 00:43:30.170 --> 00:43:34.010 They don't have context, they don't know where it comes from. 00:43:34.090 --> 00:43:37.730 Jazz was born in a little flophouse in New Orleans, 00:43:37.850 --> 00:43:39.770 and it's just because people were crammed in there, 00:43:39.850 --> 00:43:42.410 they spoke five different languages, they couldn't talk to each other. 00:43:42.490 --> 00:43:46.290 The only way they could communicate was with jazz. 00:43:46.370 --> 00:43:47.780 Yeah, but what about Kenny G? 00:43:49.250 --> 00:43:51.090 - What? - What about Kenny G? 00:43:51.170 --> 00:43:53.010 I mean, what about elevator music? 00:43:53.090 --> 00:43:55.570 You know, jazz music that I know? 00:43:55.650 --> 00:43:57.410 - What about it? - From my life? 00:43:57.490 --> 00:43:59.810 - Mmm-hmm? - I just find it relaxing. 00:43:59.890 --> 00:44:02.290 It's not relaxing. It's not, it's not. 00:44:02.370 --> 00:44:05.490 Sidney Bechet shot somebody because they told him he played a wrong note. 00:44:05.570 --> 00:44:06.810 That's hardly relaxing. 00:44:06.890 --> 00:44:11.090 Yeah, but where I grew up there was this station called K-jazz 103. 00:44:11.170 --> 00:44:14.010 And people would just put on that station when they had a cocktail party... 00:44:14.090 --> 00:44:15.330 Right. 00:44:15.410 --> 00:44:17.570 And everyone would kinda just talk over it. 00:44:17.650 --> 00:44:18.650 I know. 00:44:18.730 --> 00:44:20.170 - 'Cause it was... - That's the prob... 00:44:20.250 --> 00:44:22.610 Okay, okay. So I think that's part of the problem, 00:44:22.730 --> 00:44:24.490 is that you can't hear it, you know? You have to see it. 00:44:24.570 --> 00:44:26.850 You have to see what's at stake. I mean, look at these fellas. 00:44:26.930 --> 00:44:29.210 Look at the sax player right now. 00:44:29.290 --> 00:44:31.530 He just hijacked the song. He's on his own trip. 00:44:31.610 --> 00:44:33.210 Every one of these guys is composing, 00:44:33.290 --> 00:44:35.010 they're rearranging, they're writing. 00:44:35.090 --> 00:44:36.610 Then they're playing the melody. They're just... 00:44:36.690 --> 00:44:38.050 And now look, the trumpet player. 00:44:38.130 --> 00:44:39.610 He's got his own idea. 00:44:39.690 --> 00:44:44.210 And so, it's conflict, and it's compromise, and it's just... 00:44:44.290 --> 00:44:45.650 It's new every time. 00:44:45.730 --> 00:44:49.210 It's brand-new every night. It's very, very exciting. 00:44:56.530 --> 00:44:59.770 And it's dying. It's dying, Mia. 00:44:59.890 --> 00:45:01.330 It's dying on the vine. 00:45:01.410 --> 00:45:04.730 And the world says, "Let it die. It had its time." 00:45:04.810 --> 00:45:06.610 Well, not on my watch. 00:45:07.970 --> 00:45:11.490 - What are you gonna do? - I'm gonna have my own club. 00:45:11.610 --> 00:45:13.170 - Really? - Yes. 00:45:13.250 --> 00:45:16.050 We're gonna play whatever we want, whenever we want, 00:45:16.130 --> 00:45:20.370 however we want, as long as it's pure jazz. 00:45:21.490 --> 00:45:22.730 Hi, this is Mia Dolan. 00:45:23.730 --> 00:45:25.250 Yeah, I just missed a call. 00:45:32.370 --> 00:45:35.130 - I got a callback! - What? Come on! 00:45:35.210 --> 00:45:36.570 For what? 00:45:36.650 --> 00:45:39.690 For a TV show. The one I was telling you about earlier. 00:45:39.770 --> 00:45:41.970 - The "Dangerous Minds meets The O.C."? - Yeah. 00:45:42.050 --> 00:45:44.290 - Congratulations! That's incredible! - It's really exciting. 00:45:44.370 --> 00:45:46.370 I feel like I said negative stuff about it before. 00:45:46.450 --> 00:45:48.490 - What? - It's like Rebel Without a Cause. 00:45:49.650 --> 00:45:51.690 "I got the bullets!" 00:45:51.770 --> 00:45:54.250 Yes. 00:45:54.330 --> 00:45:56.170 - You've never seen it! - I've never seen it. 00:45:56.250 --> 00:45:58.930 Oh, my! You know, it's playing at the Rialto. 00:45:59.010 --> 00:46:00.130 - Really? - Yes. 00:46:00.210 --> 00:46:03.690 You should go... I mean, I can take you. 00:46:03.770 --> 00:46:04.770 Okay. 00:46:04.850 --> 00:46:06.290 - You know, for research. - For research. 00:46:06.370 --> 00:46:08.210 - Yeah. Okay. - Yeah. 00:46:08.290 --> 00:46:10.450 Um, Monday night, 10:00. 00:46:10.530 --> 00:46:12.330 - Yeah. Great. - Okay. 00:46:12.410 --> 00:46:13.770 For research. 00:46:56.570 --> 00:46:59.450 ♪ City of stars ♪ 00:46:59.530 --> 00:47:06.210 ♪ Are you shining just for me? ♪ 00:47:06.290 --> 00:47:09.370 ♪ City of stars ♪ 00:47:09.450 --> 00:47:13.210 ♪ There's so much that I can't see ♪ 00:47:15.730 --> 00:47:18.810 ♪ Who knows? ♪ 00:47:18.890 --> 00:47:25.650 ♪ Is this the start of something wonderful and new?♪ 00:47:25.730 --> 00:47:30.810 ♪ Or one more dream ♪ 00:47:30.890 --> 00:47:34.290 ♪ That I cannot make true. ♪ 00:48:01.570 --> 00:48:03.690 - Stand right there, please. - Okay. Nice to meet you. 00:48:05.570 --> 00:48:08.810 - Hi. - Hi. 00:48:31.610 --> 00:48:32.890 In your own time. 00:48:32.970 --> 00:48:34.250 Okay. 00:48:38.170 --> 00:48:39.650 Two options. 00:48:39.730 --> 00:48:42.050 You either follow my rules or follow my rules. 00:48:42.130 --> 00:48:43.370 - Capisce? - Thank you. 00:48:44.490 --> 00:48:45.930 - Oh... - Thanks. 00:48:46.010 --> 00:48:47.250 I can do it a different way. 00:48:47.330 --> 00:48:49.730 No, that's fine. Thank you very much. Thank you. 00:48:58.210 --> 00:48:59.290 That was fun. Thanks. 00:48:59.370 --> 00:49:00.610 Bye. 00:49:29.690 --> 00:49:31.570 Oh, hey, Mia? 00:49:31.650 --> 00:49:33.650 - Hey. - Greg's here. 00:49:33.730 --> 00:49:37.730 - What do you mean... - Hey, babe. Got a space out front. 00:49:37.810 --> 00:49:39.530 - Great. - We should get going. 00:49:39.610 --> 00:49:41.210 - Okay. - My brother landed really early. 00:49:44.170 --> 00:49:46.810 - Did you forget? You forgot. - Shit. 00:49:46.890 --> 00:49:48.610 That's tonight. 00:49:48.690 --> 00:49:51.010 - That's okay. You forgot. - Yeah. Okay. 00:49:51.090 --> 00:49:52.490 All right, so then I'll just get changed. 00:49:52.570 --> 00:49:55.050 - Okay. Great. - Okay. Great. 00:49:57.570 --> 00:49:58.850 - Yeah, that's him. - Um... 00:49:58.930 --> 00:50:00.690 Hey, Josh, yeah. Uh... 00:50:00.770 --> 00:50:03.770 Just pickin' up Mia. We'll be there in, like... 00:50:04.810 --> 00:50:07.210 But now we've got this surround-sound set-up, so it's like... 00:50:07.290 --> 00:50:09.650 - It's like being in a movie theater. - Wow. 00:50:09.730 --> 00:50:11.130 But better than being in a theater, really. 00:50:11.210 --> 00:50:13.090 - I can't wait. - You know theaters these days. 00:50:13.170 --> 00:50:15.010 - Yeah. - They're so dirty. 00:50:15.090 --> 00:50:16.490 Yeah, I know. And so smelly. 00:50:16.570 --> 00:50:18.170 And they're either too hot or too cold. 00:50:18.250 --> 00:50:19.890 I know. The quality's really fallen off. 00:50:19.970 --> 00:50:22.410 The quality's terrible. And there's always people talking. 00:50:22.490 --> 00:50:24.050 - Because... - Which is just... Oh, it's the worst! 00:50:24.130 --> 00:50:25.490 Oh, I'm sorry. 00:50:25.570 --> 00:50:27.290 - Hold on one second. - The texting. 00:50:28.290 --> 00:50:29.290 Hello? 00:50:29.370 --> 00:50:30.940 - Probably work. - Mmm. 00:50:36.810 --> 00:50:39.810 - Sorry. So, yeah, we love it. - Oh, it's so nice. 00:50:39.890 --> 00:50:43.940 - Well, we have to come. Maybe. - You should. Come by. 00:51:00.890 --> 00:51:02.570 - I got one word for you, man. - Mmm-hmm? 00:51:02.650 --> 00:51:05.890 - Indonesia. - Never heard anyone say that. 00:51:05.970 --> 00:51:09.090 I don't even know. I can't keep track of it, but honestly, it was life-changing. 00:51:09.170 --> 00:51:11.410 - Really? - Yeah. It affected me. 00:51:11.490 --> 00:51:14.010 - It was incredible. - Is it amazing? 00:51:14.090 --> 00:51:16.290 - Yes. - A 5-star jungle eco-resort 00:51:16.370 --> 00:51:18.170 - you would not believe. - Amazing. 00:51:18.250 --> 00:51:19.570 We were thinking about Nicaragua. 00:51:19.650 --> 00:51:22.410 The thing about Nicaragua is it's less developed, it's a little under-developed. 00:51:22.490 --> 00:51:23.490 Right. 00:51:23.570 --> 00:51:27.250 I think there's a little more... Yeah, then, I just don't know if it's safe. 00:51:27.330 --> 00:51:29.010 - Yeah, yeah. It's... - You know? 00:51:29.090 --> 00:51:30.210 fiancée Yeah, you don't want to explore too far. 00:51:30.290 --> 00:51:32.130 Kind of a "natives are restless" sort of thing. 00:51:33.170 --> 00:51:35.980 Actually, China's going to build a canal. 00:52:00.690 --> 00:52:02.180 I'm sorry. 00:53:36.650 --> 00:53:39.010 the immensity of our universe. 00:53:39.090 --> 00:53:41.890 For many days before the end of our earth, 00:53:41.970 --> 00:53:43.690 people will look into the night sky 00:53:43.770 --> 00:53:48.290 and notice a star increasingly bright and increasingly near. 00:53:48.370 --> 00:53:50.770 As this star approaches us... 00:53:52.170 --> 00:53:54.570 Jim Stark. 00:53:54.650 --> 00:53:56.450 I'll go find a place. I'm sorry. 00:53:56.530 --> 00:53:58.010 As this star approaches us, 00:53:58.090 --> 00:54:00.010 the weather will change. 00:54:00.090 --> 00:54:04.250 The great polar fields of the north and south will rot and divide, 00:54:04.330 --> 00:54:07.370 and the seas will turn warm. 00:54:07.450 --> 00:54:10.690 The last of us search the heavens and stand amazed, 00:54:10.770 --> 00:54:13.610 for the stars will still be there and will be... 00:54:26.410 --> 00:54:27.650 Mmm... 00:54:31.090 --> 00:54:33.130 I have an idea. 00:59:07.690 --> 00:59:09.490 What is that? Is it a script? 00:59:09.570 --> 00:59:10.970 It's a play. 00:59:11.050 --> 00:59:13.890 A play? You better give us all roles! 00:59:13.970 --> 00:59:17.810 Actually, it's a one-woman show! So I can't. 00:59:22.730 --> 00:59:25.610 Wow. Is that gonna happen every time? 00:59:25.690 --> 00:59:27.340 I think so. 00:59:42.490 --> 00:59:44.530 Ahh! It's one-way! 01:02:05.810 --> 01:02:07.530 I love you. 01:02:17.650 --> 01:02:19.370 Oh! 01:02:21.610 --> 01:02:23.100 Sebastian? 01:02:26.610 --> 01:02:27.890 Keith. 01:02:27.970 --> 01:02:29.380 Come here, man. 01:02:31.210 --> 01:02:32.970 - How are you? - I've been good, man. 01:02:33.050 --> 01:02:34.810 This is Mia. Mia, Keith. 01:02:34.890 --> 01:02:36.130 Hi, Mia. Nice to meet you. 01:02:36.210 --> 01:02:38.770 - Nice to meet you. - I used to play with this guy. 01:02:38.850 --> 01:02:40.450 Went to school together. 01:02:40.530 --> 01:02:42.170 - So how you been, brother? - Great. 01:02:42.250 --> 01:02:43.690 Never been better. How 'bout you? 01:02:43.770 --> 01:02:45.530 I been really good. Been very busy. 01:02:45.610 --> 01:02:48.090 - I got a new combo. - Okay. Cool. 01:02:48.170 --> 01:02:49.610 We're lookin' for keys. 01:02:51.010 --> 01:02:53.530 - Are you kidding me? - No, I'm not kidding you. 01:02:53.610 --> 01:02:55.490 - No, I'm good. - Are you sure? It pays. 01:02:56.690 --> 01:02:58.330 I'm good. 01:02:58.410 --> 01:03:00.690 Let's just grab a drink then. It's been too long. 01:03:00.770 --> 01:03:02.050 - Okay. - Nice to meet you, Mia. 01:03:02.130 --> 01:03:03.540 Nice to meet you. 01:03:13.210 --> 01:03:14.730 "The end." 01:03:19.690 --> 01:03:21.690 - Genius. - Really? 01:03:21.770 --> 01:03:23.410 - Yes. Yes. - Really? 01:03:23.490 --> 01:03:24.730 It feels really nostalgic to me. 01:03:24.810 --> 01:03:26.290 - Is it too nostalgic? - That's the point. 01:03:26.370 --> 01:03:28.770 Are people gonna like it? 01:03:28.850 --> 01:03:31.410 - Fuck 'em. - You always say that. 01:03:31.490 --> 01:03:35.170 - Well, I truly believe it. - I made you something. 01:03:35.250 --> 01:03:37.900 - For what? - For your club. 01:03:39.770 --> 01:03:41.050 Why does it say "Seb's"? 01:03:41.130 --> 01:03:42.690 'Cause I think you should call it "Seb's." 01:03:42.770 --> 01:03:43.810 - What? - 'Cause no one will come 01:03:43.890 --> 01:03:45.450 to "Chicken on a Stick." 01:03:45.530 --> 01:03:47.450 Is that a music note as an apostrophe? 01:03:47.530 --> 01:03:48.810 - Yes! Yeah. - That's pretty cool. 01:03:48.890 --> 01:03:51.010 It's gotta be "Chicken on a Stick," 01:03:51.090 --> 01:03:52.930 because Charlie Parker got his nickname... 01:03:53.010 --> 01:03:55.330 I know, because he loved chicken. 01:03:55.410 --> 01:03:58.650 That's why they called him "Bird." 01:03:58.730 --> 01:04:01.490 So I'm gonna have chicken, beer, jazz. "Chicken on a Stick." 01:04:01.570 --> 01:04:04.850 I know. You should drop the chicken and just have drinks and jazz, and also... 01:04:04.930 --> 01:04:08.010 - I'm not droppin' the chicken. - You could maybe do it somewhere else. 01:04:08.090 --> 01:04:09.370 - What are you talk... - Find a new spot. 01:04:09.450 --> 01:04:10.890 It's gotta be the Van Beek. 01:04:10.970 --> 01:04:12.290 Well, it doesn't have to be the Van Beek. 01:04:12.370 --> 01:04:14.810 I can't let them samba all over its history. 01:04:14.890 --> 01:04:16.810 I can't do it. 01:04:16.890 --> 01:04:19.210 You can let them, but you refuse to. 01:04:19.290 --> 01:04:21.730 Your play's incredible. 01:04:21.810 --> 01:04:26.010 You know, the whole world from your bedroom. 01:04:26.090 --> 01:04:29.090 What else do they want? Who's doing that? 01:04:30.130 --> 01:04:32.370 - I'm doing that. - You're doing that. 01:04:33.370 --> 01:04:37.690 Who was that guy at The Lighthouse? The guy that offered you the gig? 01:04:37.770 --> 01:04:38.890 - Keith. - Yeah. 01:04:38.970 --> 01:04:43.050 - Why was it so weird between you two? - It's always weird with him. 01:04:43.130 --> 01:04:44.370 - Really? - Yeah. 01:04:44.490 --> 01:04:47.730 But he seemed kinda nice 'cause he did offer you a job. 01:04:48.810 --> 01:04:52.930 - Are you gonna call him? - No. No. 01:04:53.010 --> 01:04:54.930 All right. 01:04:55.010 --> 01:04:58.290 So... Here's what we know. 01:04:58.370 --> 01:05:00.170 Yeah? 01:05:00.250 --> 01:05:03.650 It's definitely "Chicken on a Stick," 01:05:03.730 --> 01:05:05.770 and your play is gonna be a triumph. 01:05:08.770 --> 01:05:11.010 It's a one-woman show, so it's just me... 01:05:11.090 --> 01:05:13.570 No, I mean, I'm acting in it, too. 01:05:15.210 --> 01:05:18.890 No, Mom, I'm not getting paid. I'm paying to do it. 01:05:21.170 --> 01:05:23.850 He's great. He's gonna open his own jazz club. 01:05:23.930 --> 01:05:25.580 Yeah, it's gonna be incredible. 01:05:28.010 --> 01:05:29.770 No, he hasn't. He hasn't opened it yet. 01:05:29.850 --> 01:05:31.090 He needs some... 01:05:35.250 --> 01:05:36.970 He's saving up, I think. 01:05:43.130 --> 01:05:45.130 No, he doesn't have a steady gig. 01:05:45.210 --> 01:05:48.020 But he's figuring it out, it's just been a little tricky lately. 01:05:52.130 --> 01:05:55.290 Morn, he's gonna find a way to open it and you're gonna love it, okay? 01:05:55.370 --> 01:05:56.610 How's Dad? 01:06:04.570 --> 01:06:07.770 Sebastian. Come on in, man. 01:06:09.330 --> 01:06:11.170 - Thanks for comin'. - Thanks for having me. 01:06:11.250 --> 01:06:13.610 Wasn't sure I'd see you today. 01:06:13.690 --> 01:06:15.570 - So... Here's the deal. - Okay. 01:06:15.650 --> 01:06:18.570 We got distribution with Universal. We've got our own imprint. 01:06:18.650 --> 01:06:20.060 About to go on the road. 01:06:20.170 --> 01:06:22.210 Uh, we can pay you 1,000 bucks a week, 01:06:22.290 --> 01:06:25.410 plus a cut of the ticket revenue and merchandising. 01:06:25.490 --> 01:06:27.140 Sound good? 01:06:29.570 --> 01:06:31.650 - Sebastian? All right. - Yeah. 01:06:31.730 --> 01:06:33.010 - Let's play- - Okay. 01:07:27.330 --> 01:07:28.980 ♪ Tonight. ♪ 01:07:32.050 --> 01:07:33.130 I know. It's different. 01:07:35.250 --> 01:07:37.610 But you say you wanna save jazz. 01:07:37.690 --> 01:07:40.130 How you gonna save jazz if no one's listening? 01:07:40.250 --> 01:07:42.690 Jazz is dying because of people like you. 01:07:42.770 --> 01:07:46.980 You're playin' to 90-year-olds at The Lighthouse. 01:07:47.090 --> 01:07:49.530 Where are the kids? Where are the young people? 01:07:49.610 --> 01:07:54.010 You're so obsessed with Kenny Clarke and Thelonious Monk. 01:07:54.090 --> 01:07:55.740 These guys were revolutionaries. 01:07:55.850 --> 01:07:59.930 How are you gonna be a revolutionary if you're such a traditionalist? 01:08:00.010 --> 01:08:03.810 You're holdin' onto the past, but jazz is about the future. 01:08:08.770 --> 01:08:10.610 I know. 01:08:10.690 --> 01:08:13.610 The other guy, he wasn't as good as you. 01:08:15.010 --> 01:08:17.770 But you're a pain in the ass, man. 01:08:57.770 --> 01:09:00.650 ♪ City of stars ♪ 01:09:00.730 --> 01:09:07.050 ♪ Are you shining just for me? ♪ 01:09:07.170 --> 01:09:10.170 ♪ City of stars ♪ 01:09:10.250 --> 01:09:14.170 ♪ There's so much that I can't see ♪ 01:09:16.410 --> 01:09:19.610 ♪ Who knows? ♪ 01:09:19.690 --> 01:09:24.850 ♪ I felt it from the first embrace I shared with you ♪ 01:09:26.210 --> 01:09:30.130 ♪ That now our dreams ♪ 01:09:30.210 --> 01:09:33.050 ♪ May finally come true ♪ 01:09:36.250 --> 01:09:38.890 ♪ City of stars ♪ 01:09:38.970 --> 01:09:42.490 ♪ Just one thing everybody wants ♪ 01:09:45.290 --> 01:09:47.930 ♪ There in the bars ♪ 01:09:48.010 --> 01:09:53.890 ♪ Or through the smokescreen of the crowded restaurants ♪ 01:09:54.010 --> 01:09:57.050 ♪ It's love ♪ 01:09:57.130 --> 01:09:59.810 ♪ Yes, all we're lookin' for is love ♪ 01:09:59.930 --> 01:10:03.290 ♪ From someone else ♪ 01:10:03.370 --> 01:10:05.570 - ♪ A rush ♪ - ♪ A glance ♪ 01:10:05.650 --> 01:10:08.010 - ♪ A touch ♪ - ♪ A dance ♪ 01:10:08.090 --> 01:10:11.050 ♪ A look in somebody's eyes ♪ 01:10:11.130 --> 01:10:13.210 ♪ To light up the skies ♪ 01:10:13.290 --> 01:10:16.570 ♪ To open the world and send it reeling ♪ 01:10:16.650 --> 01:10:19.770 ♪ A voice that says "I'll be here" ♪ 01:10:19.850 --> 01:10:22.250 ♪ And you'll be all right ♪ 01:10:25.330 --> 01:10:28.140 ♪ I don't care if I know ♪ 01:10:28.250 --> 01:10:30.290 ♪ Just where I will go ♪ 01:10:30.370 --> 01:10:33.730 ♪ 'Cause all that I need's this crazy feeling ♪ 01:10:33.810 --> 01:10:37.890 ♪ The rat-tat-tat of my heart ♪ 01:10:38.010 --> 01:10:41.250 ♪ Think I want it to stay ♪ 01:12:31.570 --> 01:12:34.450 ♪ City of stars ♪ 01:12:34.530 --> 01:12:38.250 ♪ Are you shinin' just for me? ♪ 01:12:41.410 --> 01:12:46.170 ♪ City of stars ♪ 01:12:46.250 --> 01:12:48.210 ♪ You never shined ♪ 01:12:48.290 --> 01:12:51.610 ♪ So brightly. ♪ 01:13:20.970 --> 01:13:25.570 ♪ I don't know why I keep movin' my body ♪ 01:13:25.650 --> 01:13:30.490 ♪ I don't know if this is wrong or if it's right ♪ 01:13:30.570 --> 01:13:32.810 ♪ I don't know if it's the beat ♪ 01:13:32.890 --> 01:13:35.570 ♪ But somethings taken over me ♪ 01:13:35.690 --> 01:13:40.250 ♪ And I just know I feel so good tonight ♪ 01:13:47.650 --> 01:13:52.090 ♪ I don't know what your name is, but I like it ♪ 01:13:52.170 --> 01:13:56.610 ♪ I've been thinkin' 'bout some things I wanna try ♪ 01:13:56.690 --> 01:13:59.170 ♪ I don't know what you came to do ♪ 01:13:59.250 --> 01:14:01.930 ♪ But I wanna do it with you ♪ 01:14:02.010 --> 01:14:05.010 ♪ And I just know I feel so good tonight ♪ 01:14:06.850 --> 01:14:10.250 ♪ Oh, if we keep on dancin' ♪ 01:14:10.330 --> 01:14:15.250 ♪ Take our rhythm to new heights ♪ 01:14:16.250 --> 01:14:20.930 ♪ Feel the heat of passion, baby ♪ 01:14:21.010 --> 01:14:24.450 ♪ Light up the night! ♪ 01:14:24.570 --> 01:14:26.650 ♪ We can start a fire! ♪ 01:14:26.730 --> 01:14:29.210 ♪ Come on, let it burn, baby ♪ 01:14:29.290 --> 01:14:31.290 ♪ We can start a fire! ♪ 01:14:31.410 --> 01:14:33.690 ♪ Let the tables turn, baby ♪ 01:14:33.770 --> 01:14:39.090 ♪ We can start a fire! ♪ 01:14:40.090 --> 01:14:42.170 ♪ I just know I feel so good ♪ 01:14:42.250 --> 01:14:44.330 ♪ Don't you know I feel so good ♪ 01:14:44.410 --> 01:14:48.650 ♪ I just know I feel so good ♪ 01:14:48.730 --> 01:14:50.530 ♪ Tonight ♪ 01:14:53.330 --> 01:14:58.050 ♪ I don't care if this turns into a riot ♪ 01:14:58.130 --> 01:15:02.490 ♪ Let's get reckless, tear this place down to the floor ♪ 01:15:02.610 --> 01:15:04.930 ♪ Turn the music way up loud ♪ 01:15:05.010 --> 01:15:07.970 ♪ Can't nobody stop us now ♪ 01:15:08.050 --> 01:15:11.130 ♪ I just know I feel so good tonight ♪ 01:15:12.650 --> 01:15:15.810 ♪ I just know I feel so good tonight ♪ 01:15:35.250 --> 01:15:37.450 ♪ We can start a fire! ♪ 01:15:37.530 --> 01:15:40.250 ♪ Come on, let it burn, baby! ♪ 01:15:40.330 --> 01:15:42.370 ♪ We can start a fire! ♪ 01:15:42.450 --> 01:15:44.650 ♪ Let the tables turn, baby! ♪ 01:15:44.730 --> 01:15:49.530 ♪ We can start a fire!♪ 01:15:49.610 --> 01:15:52.610 ♪ Oh, I just know I feel so good ♪ 01:15:52.690 --> 01:15:55.170 ♪ Don't you know I feel so good ♪ 01:15:55.250 --> 01:15:59.650 ♪ Don't you know, don't you know ♪ 01:15:59.730 --> 01:16:01.250 ♪ Tonight! ♪ 01:16:38.170 --> 01:16:39.850 Hey, it's me. 01:16:39.930 --> 01:16:41.250 Uh, I'm not sure where you are right now. 01:16:41.330 --> 01:16:45.570 I think Boston? Maybe Dallas, I don't know. 01:16:45.650 --> 01:16:47.530 Uh... 01:16:47.610 --> 01:16:52.820 I haven't heard from you in a little while and I miss you. 01:16:55.290 --> 01:16:56.890 All right, bye. 01:17:33.330 --> 01:17:36.530 I thought... Surprise. 01:17:39.570 --> 01:17:42.490 Gotta leave first thing in the morning, but I just had to see you... 01:17:47.930 --> 01:17:49.730 It's so nice to be home. 01:17:52.570 --> 01:17:54.220 I'm so glad you're home. 01:17:56.610 --> 01:17:58.850 How's the play goin'? 01:17:58.930 --> 01:18:00.570 Um... I'm nervous. 01:18:00.650 --> 01:18:02.370 - You are? Why? - Mmm-hmm. 01:18:02.450 --> 01:18:04.450 Because what if people show up'? 01:18:04.530 --> 01:18:05.810 Piece of caca. 01:18:05.890 --> 01:18:10.370 - You nervous about what they think? - I'm nervous to do it. 01:18:10.450 --> 01:18:13.410 I'm nervous to get up on a stage and perform for people... 01:18:13.490 --> 01:18:14.850 I mean, I don't need to say that to you. 01:18:14.930 --> 01:18:18.530 - It's gonna be incredible. - You don't get it, but I'm terrified. 01:18:18.610 --> 01:18:22.530 They should be so lucky to see it. I can't wait. 01:18:22.610 --> 01:18:24.100 I can. 01:18:26.290 --> 01:18:27.530 When do you leave, the morning? 01:18:27.610 --> 01:18:30.770 Yeah. 6:45. 01:18:30.850 --> 01:18:31.890 - Ooh. - Boise. 01:18:32.890 --> 01:18:34.970 - Boy-he? - Boyden. 01:18:35.050 --> 01:18:36.700 To Boise! 01:18:39.570 --> 01:18:40.930 You should come. 01:18:42.370 --> 01:18:43.610 To Boise? 01:18:43.690 --> 01:18:45.370 Yeah, you can knock that off your bucket list. 01:18:45.450 --> 01:18:49.450 Oh, that would be... really exciting. I wish I could. 01:18:49.530 --> 01:18:50.890 What are you doing after the tour? 01:18:52.290 --> 01:18:53.610 Why can't you? 01:18:53.690 --> 01:18:54.850 - Come to Boise? - Yeah. 01:18:54.930 --> 01:18:56.370 'Cause I have to rehearse. 01:18:56.450 --> 01:18:58.450 But can't you rehearse anywhere? 01:19:02.250 --> 01:19:04.530 Anywhere you are? 01:19:04.610 --> 01:19:06.450 I mean, I guess. 01:19:07.450 --> 01:19:10.930 Um... all my stuff is here, and it's in two weeks, 01:19:11.010 --> 01:19:13.770 So I don't really think that would be... 01:19:13.850 --> 01:19:18.210 - Okay. Well. - the best idea right now, but... 01:19:18.290 --> 01:19:20.490 I wish I could. 01:19:20.570 --> 01:19:23.730 We're just gonna have to try and see each other. We never see each other. 01:19:23.810 --> 01:19:26.330 I know, but when are you done? 01:19:26.410 --> 01:19:29.250 What do you mean? I mean... 01:19:29.330 --> 01:19:31.410 When are you finished with the whole tour? 01:19:31.490 --> 01:19:35.370 After we finish, we're gonna go and record, and then we go back on tour. 01:19:35.450 --> 01:19:36.890 You know, we tour so we can make the record, 01:19:36.970 --> 01:19:39.250 so we can go back and tour the record. 01:19:43.010 --> 01:19:45.980 So it's like the long haul? 01:19:48.450 --> 01:19:50.330 What do you mean, "the long haul"? 01:19:50.410 --> 01:19:54.690 I mean the long haul, like you're gonna stay in this band for a long time. 01:19:56.050 --> 01:19:57.460 On tour. 01:19:59.370 --> 01:20:00.970 What did you think I was gonna do? 01:20:01.050 --> 01:20:05.260 I don't... I hadn't really thought it through. I didn't know that the band... 01:20:07.090 --> 01:20:09.650 - was so important. - You didn't think it would be successful? 01:20:10.050 --> 01:20:12.810 Um... 01:20:12.890 --> 01:20:15.570 No, that's not really what I mean. I just mean that you... 01:20:15.650 --> 01:20:19.370 You're gonna be on tour for, what, months now? Years? 01:20:19.450 --> 01:20:21.010 Yeah. I don't believe... This is it. 01:20:21.090 --> 01:20:23.490 I mean, it could easily be... 01:20:23.570 --> 01:20:26.290 I could be on tour with this for a couple of years, at least. 01:20:26.370 --> 01:20:28.570 Just this record. 01:20:28.650 --> 01:20:31.410 Do you like the music you're playing? 01:20:33.090 --> 01:20:35.050 I don't... 01:20:35.130 --> 01:20:38.730 I don't know what it matters. 01:20:38.810 --> 01:20:41.890 Well, it matters, because if you're gonna give up your dream, 01:20:41.970 --> 01:20:46.890 I think it matters that you like what you're playing on the road for years. 01:20:49.490 --> 01:20:50.890 Do you like the music I'm playing? 01:20:50.970 --> 01:20:54.930 Yeah. I do. 01:20:55.010 --> 01:20:57.370 I just didn't think that you did. 01:20:57.450 --> 01:20:59.850 - Yeah, well... - You always said Keith is the worst, 01:20:59.930 --> 01:21:03.050 and now you're gonna be on tour with him for years, so I just didn't... 01:21:03.130 --> 01:21:04.610 - What are you doing right now? - know if you were happy. 01:21:04.690 --> 01:21:05.730 - Why are you doing this? - I don't... 01:21:05.810 --> 01:21:07.970 - What do you mean, why am I doing this? - I thought you wanted me to do this. 01:21:08.050 --> 01:21:09.810 It just sounds like now you don't want me to do it. 01:21:09.890 --> 01:21:12.370 What do you mean, I wanted you to do this? 01:21:12.450 --> 01:21:14.570 This is what you wanted for me. 01:21:14.690 --> 01:21:15.730 To be in this band? 01:21:15.810 --> 01:21:18.540 To be in a band. To have a steady job, you know? 01:21:18.650 --> 01:21:21.970 To be... You know. 01:21:22.050 --> 01:21:24.010 Of course I wanted you to have a steady job, 01:21:24.090 --> 01:21:26.050 so that you could take care of yourself and your life 01:21:26.130 --> 01:21:27.410 and you could start your club. 01:21:27.490 --> 01:21:29.850 So I'm doing that, so I don't understand. Why aren't we celebrating? 01:21:29.930 --> 01:21:31.850 Why aren't you starting your club? 01:21:31.930 --> 01:21:34.450 You said yourself no one wants to go to that club. 01:21:34.530 --> 01:21:36.570 No one wants to go to a club called "Chicken on a Stick." 01:21:36.650 --> 01:21:37.730 So change the name! 01:21:37.810 --> 01:21:39.970 Well, no one likes jazz! Not even you! 01:21:40.090 --> 01:21:41.890 I do like jazz now because of you! 01:21:41.970 --> 01:21:44.410 And this is what I thought you wanted me to do! 01:21:44.490 --> 01:21:47.690 What am I supposed to do? Go back to playing "Jingle Bells"? 01:21:47.770 --> 01:21:48.770 I'm not saying that. 01:21:48.890 --> 01:21:50.010 I'm saying why don't you take what you've made and start the club? 01:21:50.090 --> 01:21:52.740 Scraping pennies so I can start a club no one wants to go to? 01:21:52.850 --> 01:21:55.660 People will want to go to it because you're passionate about it, 01:21:55.770 --> 01:21:58.050 and people love what other people are passionate about. 01:21:58.130 --> 01:22:00.650 - You remind people of what they forgot. - Not in my experience. 01:22:04.170 --> 01:22:07.850 Well, whatever, all right? It's just time to grow up, you know? 01:22:07.930 --> 01:22:10.010 I have a steady job, this is what I'm doing. 01:22:10.090 --> 01:22:11.770 And now all of a sudden if you had these problems, 01:22:11.850 --> 01:22:13.570 I wish you would have said them earlier, 01:22:13.650 --> 01:22:15.090 before I signed on the goddamn dotted line! 01:22:15.170 --> 01:22:16.890 I'm pointing out that you had a dream 01:22:16.970 --> 01:22:18.730 that you followed, that you were sticking to... 01:22:18.810 --> 01:22:20.930 This is the dream! This is the dream. 01:22:21.010 --> 01:22:22.290 This is not your dream! 01:22:22.370 --> 01:22:24.610 Guys like me work their whole lives to be in something 01:22:24.690 --> 01:22:27.770 that's successful, that people like. You know? 01:22:27.850 --> 01:22:31.690 I mean, I'm finally in something that-that-that people enjoy. 01:22:31.770 --> 01:22:33.130 Since when do you care about being liked? 01:22:33.210 --> 01:22:34.730 Just 'cause I don't enjoy it, it doesn't matter. 01:22:34.810 --> 01:22:36.730 Why do you care so much about being liked? 01:22:36.810 --> 01:22:38.810 You're an actress! What are you talking about? 01:22:56.930 --> 01:22:58.650 Maybe you just liked me when I was on my ass 01:22:58.730 --> 01:23:00.810 'cause it made you feel better about yourself. 01:23:05.610 --> 01:23:07.850 - Are you kidding? - No. 01:23:28.930 --> 01:23:30.170 I don't know. 01:24:50.530 --> 01:24:52.890 Okay, fellas. I'll see ya tomorrow. 01:24:52.970 --> 01:24:54.210 - Sebastian? - Yeah? 01:24:54.290 --> 01:24:56.970 You're good for tonight, right? 01:24:57.050 --> 01:24:58.570 What are you talking about? 01:24:58.650 --> 01:25:01.220 7:00, the photo shoot. 01:25:01.330 --> 01:25:03.570 Mojo. Are you good? 01:25:06.250 --> 01:25:09.650 - I thought that was next Thursday. - No, it's tonight. 01:25:12.250 --> 01:25:13.690 Is that okay? 01:26:10.090 --> 01:26:12.010 - Give me the other camera! - What's wrong with that one? 01:26:12.090 --> 01:26:15.530 "What's wrong with that one?" It doesn't bloody work, that's what's wrong with it! 01:26:15.610 --> 01:26:17.290 All right, trumpet, that's lovely. 01:26:18.730 --> 01:26:21.970 Lovely! Beautiful, beautiful! 01:26:22.050 --> 01:26:24.330 Okay, keyboard. Okay, look up. 01:26:24.410 --> 01:26:27.410 That's good. That's good, that's lovely. Lovely. 01:26:27.490 --> 01:26:31.330 Okay, cut the music! That is lovely. That's lovely. 01:26:31.410 --> 01:26:35.210 Okay, now bite your lip like this, sort of like... 01:26:35.290 --> 01:26:38.930 like you're concentrating on something, I don't know, like a piece of your music. 01:26:39.010 --> 01:26:40.250 Bite my what? 01:26:40.330 --> 01:26:42.210 Your lip. You know, bite your lip... 01:26:43.330 --> 01:26:46.090 Yeah, that's good. That's great. 01:26:46.170 --> 01:26:47.410 Beautiful! Beautiful. 01:26:47.490 --> 01:26:50.770 Okay, now just move your glasses down on... onto the nose... 01:26:50.850 --> 01:26:53.450 A little bit further, just a little bit, a touch further. 01:26:53.570 --> 01:26:55.770 Keep your head down, but look up at me. 01:26:55.850 --> 01:26:57.530 Look sort of moody. 01:26:57.610 --> 01:27:00.210 Yeah! That's beautiful! That is great! 01:27:00.290 --> 01:27:03.330 Okay, turn the keyboard on live! 01:27:03.410 --> 01:27:04.730 Do you wanna hear the keyboard then? 01:27:04.810 --> 01:27:07.450 You don't have to bite your lip now. 01:27:07.530 --> 01:27:09.970 Well, actually play something. 01:27:10.050 --> 01:27:12.170 Play something. You know? Anything. 01:27:12.250 --> 01:27:14.980 You're a pianist, aren't you? Play something. 01:27:26.330 --> 01:27:29.210 That's great, that's beautiful. 01:27:29.290 --> 01:27:31.130 That's lovely. Oh, that's good. 01:27:31.210 --> 01:27:33.250 No, don't stop. Keep playing. 01:27:33.330 --> 01:27:35.980 Go on, just keep playing. That was great! 01:28:15.690 --> 01:28:19.130 shoot myself in the head. 01:28:19.210 --> 01:28:20.770 She's not even good. 01:28:20.850 --> 01:28:22.490 That whole window thing... 01:28:22.570 --> 01:28:24.970 Yeah, what was that shit with the window? 01:28:25.050 --> 01:28:27.690 Oh, my God! Don't quit your day job. 01:28:27.770 --> 01:28:29.610 Oh, well... 01:28:29.690 --> 01:28:32.580 Not good. One-woman shows are always terrible. 01:28:55.850 --> 01:28:57.090 Mia! 01:28:59.090 --> 01:29:01.770 Mia. I'm so sorry. 01:29:04.090 --> 01:29:06.650 Just tell me how it went. How was it? 01:29:06.730 --> 01:29:09.170 - Don't help me. - I'm sorry. 01:29:09.250 --> 01:29:11.610 - I'm sorry I've been such a prick. - You're sorry, you're sorry... 01:29:11.690 --> 01:29:14.450 You're sorry. You're sorry... 01:29:14.530 --> 01:29:18.370 I'm gonna make it up to you. Let me make it up to you, okay? 01:29:24.490 --> 01:29:27.970 - I don't blame you for not wanting... - It's over. 01:29:28.050 --> 01:29:30.050 - What is? - It's over. 01:29:30.130 --> 01:29:31.460 What? 01:29:33.290 --> 01:29:34.810 All of this. 01:29:34.890 --> 01:29:38.450 I'm done embarrassing myself. I'm done, I'm done. 01:29:39.490 --> 01:29:41.210 - Nobody showed up. - So what? So what? 01:29:41.290 --> 01:29:43.730 I can't pay back the theater. This is so... 01:29:45.090 --> 01:29:46.890 I'm gonna go home for a while. 01:29:46.970 --> 01:29:50.730 - I'll come see you tomorrow. - No, I'm going "home" home. 01:29:50.810 --> 01:29:53.410 - This is home. - No, it's not anymore. 01:32:08.810 --> 01:32:10.090 Yep? 01:32:10.170 --> 01:32:11.810 Hi, I'm trying to reach Mia Dolan. 01:32:13.050 --> 01:32:14.290 Wrong number. 01:32:14.370 --> 01:32:16.930 She's not answering her cell. I was told I might find her here. 01:32:17.010 --> 01:32:18.250 Not anymore. 01:32:18.330 --> 01:32:20.490 - Okay, well, if you do talk to her... - I won't. 01:32:20.570 --> 01:32:24.090 could you tell her Jane at Amy Brandt Casting is trying to reach her? 01:32:29.770 --> 01:32:31.010 Casting? 01:32:39.570 --> 01:32:40.900 Who the hell is that? 01:32:46.530 --> 01:32:47.770 Shut that thing off! 01:32:58.490 --> 01:32:59.730 Why did you come here? 01:32:59.850 --> 01:33:02.090 - Because I have good news. - What? 01:33:02.170 --> 01:33:05.810 Amy Brandt, the casting director? 01:33:05.890 --> 01:33:09.250 - Yeah. - She was at your play, and she loved it. 01:33:09.330 --> 01:33:13.250 And she loved it so much that she wants you to come in tomorrow 01:33:13.330 --> 01:33:16.010 and audition for this huge movie that she's got. 01:33:18.170 --> 01:33:19.660 I'm not going to that. 01:33:21.890 --> 01:33:23.010 - I'm not going to that. - What? 01:33:23.090 --> 01:33:25.810 That one's gonna be... No. That one's gonna be... 01:33:25.890 --> 01:33:27.170 I'm sorry? 01:33:27.250 --> 01:33:29.090 That will kill me. 01:33:30.570 --> 01:33:32.010 - What?! - What? 01:33:32.090 --> 01:33:33.890 What? Shh! Stop! 01:33:34.010 --> 01:33:35.450 No! 01:33:35.530 --> 01:33:37.650 You have to be quiet. We're in a neighborhood. 01:33:37.730 --> 01:33:39.850 If you want me to be quiet, you have to make some goddamn sense! 01:33:39.930 --> 01:33:41.170 - Tell me why you're not going. - They'll call the police. 01:33:41.250 --> 01:33:42.290 - Because. Because... - Why? 01:33:42.370 --> 01:33:45.050 I've been to a million auditions, and the same thing happens every time 01:33:45.130 --> 01:33:47.970 where I get interrupted because someone wants to get a sandwich! 01:33:48.050 --> 01:33:50.690 Or I'm crying, and they start laughing! 01:33:50.770 --> 01:33:52.810 Or there's people sitting in the waiting room, 01:33:52.890 --> 01:33:57.090 and they're like me, but prettier and better at the... 01:33:57.170 --> 01:33:58.810 Because maybe I'm not good enough! 01:33:58.890 --> 01:34:01.170 - Yes, you are. - No... 01:34:01.250 --> 01:34:02.810 - No, maybe I'm not. - Yes, you are. 01:34:02.890 --> 01:34:05.700 - Maybe I'm not. - You are. 01:34:08.090 --> 01:34:11.850 Maybe I'm one of those people that has always wanted to do it, 01:34:11.930 --> 01:34:15.170 but it's like a pipe dream for me, you know? 01:34:15.250 --> 01:34:16.690 And then, you said it, 01:34:16.770 --> 01:34:19.610 you change your dreams, and then you grow up. 01:34:19.690 --> 01:34:21.890 Maybe I'm one of those people, and I'm not supposed to. 01:34:21.970 --> 01:34:24.010 And I can go back to school, 01:34:24.090 --> 01:34:26.210 and I can find something else I'm supposed to do. 01:34:26.290 --> 01:34:30.290 'Cause I left to do that, and it's been six years, 01:34:30.370 --> 01:34:31.970 and I don't want to do it anymore. 01:34:35.690 --> 01:34:36.930 Why? 01:34:39.210 --> 01:34:42.130 - Why what? - Why don't you want to do it anymore? 01:34:44.210 --> 01:34:47.100 'Cause I think it hurts a little bit too much. 01:34:48.930 --> 01:34:50.210 You're a baby. 01:34:51.650 --> 01:34:53.170 - I'm not a baby. I'm trying to grow up. - You are. 01:34:53.250 --> 01:34:54.810 - You're crying like a baby. - Oh, my God. 01:34:54.890 --> 01:34:58.010 You have an audition tomorrow at 5:30. 01:34:58.090 --> 01:35:00.770 I'll be out front at 8:00 A.M. 01:35:00.890 --> 01:35:03.250 You'll be out front or not, I don't know. 01:35:04.890 --> 01:35:06.410 How'd you find me here? 01:35:06.490 --> 01:35:09.490 The house in front of the library. 01:35:30.250 --> 01:35:32.250 ♪♪ 01:35:52.770 --> 01:35:54.770 - I got coffee. - Okay, great. 01:36:12.850 --> 01:36:14.130 Mia? 01:36:20.210 --> 01:36:22.410 Hi, Mia. I'm Amy and this is Frank. 01:36:22.490 --> 01:36:23.770 Hi. How are ya? 01:36:23.890 --> 01:36:26.130 - Nice to meet you. - Glad we found you. 01:36:26.210 --> 01:36:27.650 Me, too. 01:36:28.650 --> 01:36:33.930 The film shoots in Paris, and we don't have a script. 01:36:34.010 --> 01:36:35.500 It's gonna be a process. 01:36:35.610 --> 01:36:37.650 We're gonna build the character around the actress. 01:36:37.730 --> 01:36:40.380 It's a 3-month rehearsal and a 4-month shoot. 01:36:42.370 --> 01:36:44.130 Okay. 01:36:44.210 --> 01:36:47.770 And we thought that you could just tell us a story. 01:36:47.850 --> 01:36:49.090 About? 01:36:49.170 --> 01:36:52.850 - You can just tell us anything. - Anything? 01:36:52.930 --> 01:36:55.730 Yeah, just tell us a story. You're a storyteller. 01:36:55.810 --> 01:36:57.930 um... 01:37:01.090 --> 01:37:03.090 Whenever you're ready. 01:37:12.930 --> 01:37:15.130 My aunt used to live in Paris. 01:37:19.890 --> 01:37:21.130 I remember she used to come home 01:37:21.210 --> 01:37:26.500 and she would tell us these stories about being abroad, and... 01:37:28.890 --> 01:37:30.130 I remember... 01:37:31.450 --> 01:37:34.650 She told us that she jumped into the river once. 01:37:36.850 --> 01:37:39.930 ♪ Barefoot ♪ 01:37:40.010 --> 01:37:42.850 ♪ She smiled ♪ 01:37:42.930 --> 01:37:47.170 ♪ Leapt without looking ♪ 01:37:50.250 --> 01:37:54.460 ♪ And tumbled into ♪ 01:37:55.810 --> 01:37:57.050 ♪ The Seine ♪ 01:38:00.210 --> 01:38:04.210 ♪ The water was freezing ♪ 01:38:04.290 --> 01:38:08.810 ♪ She spent a month sneezing ♪ 01:38:08.890 --> 01:38:13.530 ♪ But said she would do it again ♪ 01:38:16.490 --> 01:38:21.620 ♪ Here's to the ones who dream ♪ 01:38:24.250 --> 01:38:29.620 ♪ Foolish as they may seem ♪ 01:38:31.730 --> 01:38:37.450 ♪ Here's to the hearts that ache ♪ 01:38:39.290 --> 01:38:44.690 ♪ Here's to the mess we make ♪ 01:38:47.170 --> 01:38:49.810 ♪ She captured a feeling ♪ 01:38:49.890 --> 01:38:53.050 ♪ Sky with no ceiling ♪ 01:38:53.130 --> 01:38:57.260 ♪ The sunset inside a frame ♪ 01:38:59.250 --> 01:39:02.770 ♪ She lived in her liquor ♪ 01:39:02.850 --> 01:39:05.890 ♪ And died with a flicker ♪ 01:39:06.010 --> 01:39:10.140 ♪ I'll always remember the flame ♪ 01:39:12.410 --> 01:39:17.570 ♪ Here's to the ones who dream ♪ 01:39:18.610 --> 01:39:24.450 ♪ Foolish as they may seem ♪ 01:39:24.570 --> 01:39:30.530 ♪ Here's to the hearts that ache ♪ 01:39:30.610 --> 01:39:34.970 ♪ Here's to the mess we make ♪ 01:39:35.050 --> 01:39:38.530 ♪ She told me ♪ 01:39:38.610 --> 01:39:41.450 ♪ A bit of madness is key ♪ 01:39:42.570 --> 01:39:45.810 ♪ To give us new colors to see ♪ 01:39:47.450 --> 01:39:52.090 ♪ Who knows where it will lead us? ♪ 01:39:52.170 --> 01:39:56.570 ♪ And that's why they need us ♪ 01:39:56.650 --> 01:39:59.850 ♪ So bring on the rebels ♪ 01:39:59.930 --> 01:40:02.450 ♪ The ripples from pebbles ♪ 01:40:02.530 --> 01:40:06.850 ♪ The painters and poets and plays ♪ 01:40:06.930 --> 01:40:10.650 ♪ And here's to the fools ♪ 01:40:10.730 --> 01:40:13.530 ♪ Who dream ♪ 01:40:13.610 --> 01:40:18.850 ♪ Crazy as they may seem ♪ 01:40:18.930 --> 01:40:24.060 ♪ Here's to the hearts that break ♪ 01:40:24.170 --> 01:40:27.130 ♪ Here's to the mess ♪ 01:40:27.210 --> 01:40:29.780 ♪ We make ♪ 01:40:33.570 --> 01:40:35.090 ♪ I ♪ 01:40:35.170 --> 01:40:38.650 ♪ Trace it all back to then ♪ 01:40:41.450 --> 01:40:47.090 ♪ Her and the snow and the Seine ♪ 01:40:50.210 --> 01:40:53.650 ♪ Smiling through it ♪ 01:40:55.210 --> 01:40:59.420 ♪ She said she'd do it ♪ 01:41:02.330 --> 01:41:03.770 ♪ Again. ♪ 01:41:18.090 --> 01:41:20.450 When do you find out'? 01:41:20.530 --> 01:41:23.090 Oh, they said the next couple days. 01:41:23.170 --> 01:41:25.570 But I'm not expecting to find anything out. 01:41:25.690 --> 01:41:26.930 You're gonna get it. 01:41:27.010 --> 01:41:28.330 - I really might not. - Yes, you are. 01:41:28.410 --> 01:41:31.090 - I hope you're not disappointed. - I know. 01:41:31.170 --> 01:41:33.820 I know. I know these things. 01:41:35.890 --> 01:41:37.130 Where are we? 01:41:40.770 --> 01:41:43.650 - Griffith Park. - Where... are we? 01:41:43.730 --> 01:41:46.850 I know. 01:41:46.930 --> 01:41:48.610 I don't know. 01:41:51.330 --> 01:41:53.210 What do we do? 01:41:53.290 --> 01:41:56.250 I don't think we can do anything, 01:41:56.330 --> 01:41:59.250 - 'cause when you get this... - If I get this. 01:41:59.330 --> 01:42:04.130 When you get this, you gotta give it everything you got. 01:42:06.010 --> 01:42:07.250 Everything. 01:42:08.250 --> 01:42:09.970 It's your dream. 01:42:10.050 --> 01:42:12.010 What are you gonna do? 01:42:12.090 --> 01:42:13.970 I gotta follow my own plan, you know? 01:42:14.050 --> 01:42:16.130 Stay here and get my own thing goin'. 01:42:22.210 --> 01:42:26.490 You're gonna be in Paris. Good jazz there. 01:42:26.570 --> 01:42:31.410 And you love jazz now. Right? 01:42:33.130 --> 01:42:34.370 Yes. 01:42:43.730 --> 01:42:46.050 And I guess we're just gonna have to wait and see. 01:42:55.090 --> 01:42:56.930 I'm always gonna love you. 01:42:58.610 --> 01:43:00.210 I'm always gonna love you, too. 01:43:08.330 --> 01:43:10.330 Look at this view! 01:43:11.690 --> 01:43:14.260 - I've seen better. Yeah. - It's the worst. 01:43:18.610 --> 01:43:20.610 I've never been here during the day. 01:44:13.210 --> 01:44:14.770 Hi. Could I have two iced coffees, please? 01:44:14.850 --> 01:44:17.330 - Right. Of course. - On us. 01:44:17.410 --> 01:44:19.330 Oh, no, thank you, I insist. 01:44:49.450 --> 01:44:53.290 Sounds good. Harris did a good job. 01:44:53.370 --> 01:44:55.930 - Took him long enough. - It always does. 01:44:56.010 --> 01:44:57.450 Signature time. 01:44:59.730 --> 01:45:01.690 Not doin' too bad, Seb. 01:45:01.770 --> 01:45:04.650 - "Not too bad" is great. - See ya tonight. 01:45:04.730 --> 01:45:06.060 See ya tonight. 01:45:26.610 --> 01:45:28.170 Hi. 01:45:28.250 --> 01:45:30.330 - How was your day? - Good. 01:45:34.210 --> 01:45:35.850 - Hmm. How is she? - She's great. 01:45:35.930 --> 01:45:37.170 - Yeah? - Yeah, come on. 01:45:37.250 --> 01:45:39.370 Hi, buddy! 01:45:40.730 --> 01:45:44.450 I didn't think you were gonna be home yet. 01:45:44.530 --> 01:45:46.690 - Are you drawing? - Yeah. 01:45:46.770 --> 01:45:49.850 Can I help? You know I love to draw. 01:46:29.450 --> 01:46:32.010 Okay, Chelsea, we're gonna go. Are you good? 01:46:32.090 --> 01:46:34.690 - We're good. - You need anything? 01:46:34.770 --> 01:46:36.770 Bye, baby. 01:46:36.850 --> 01:46:38.170 - Say "bye, Mommy." - Sleep well. 01:46:38.250 --> 01:46:40.410 - Bye, Mommy. - Have fun with Chelsea. 01:46:40.490 --> 01:46:41.850 Have fun. Bye, Mia. 01:46:41.930 --> 01:46:43.610 - Bye. Thank you so much. - Good night, guys. 01:46:43.690 --> 01:46:45.890 - Night, sweetie. Bye. - Good night. 01:46:55.010 --> 01:46:56.810 Oh, boy. 01:46:57.850 --> 01:47:00.090 What if we miss this? What do you wanna tell Natalie? 01:47:00.170 --> 01:47:03.090 Oh... We'll just see it back in New York. 01:47:03.170 --> 01:47:04.740 Okay. 01:47:06.530 --> 01:47:09.850 - I do not miss this. - This is bad. 01:47:15.930 --> 01:47:18.690 Do you want to just pull off here and get dinner? 01:47:20.850 --> 01:47:22.890 - Sure, yeah. Yeah. - Yeah? 01:47:22.970 --> 01:47:24.250 Okay. 01:47:52.250 --> 01:47:54.410 Do you want to check it out? 01:48:16.450 --> 01:48:17.890 This place is pretty cool. 01:48:28.250 --> 01:48:30.010 I love them. 01:49:18.930 --> 01:49:20.930 Cal Bennett on sax! 01:49:21.010 --> 01:49:22.730 Javier Gonzalez on trumpet. 01:49:22.810 --> 01:49:25.450 The lovely Nedra Wheeler on bass. 01:49:25.530 --> 01:49:30.410 The one and only Clifton "Fou-fou" Eddie on drums! 01:49:30.490 --> 01:49:31.850 And a little too good on piano, 01:49:31.930 --> 01:49:34.530 so good he's gonna own this place if I'm not careful, 01:49:34.610 --> 01:49:36.180 Khirye Tyler, everybody. 01:49:46.810 --> 01:49:49.570 Uh... 01:49:49.650 --> 01:49:51.570 Welcome to Seb's. 01:51:41.770 --> 01:51:43.890 I just heard you play and I want to... 01:58:31.010 --> 01:58:32.500 Do you want to stay for another? 01:58:38.570 --> 01:58:41.690 - No, we should go. - All right. 01:59:43.130 --> 01:59:45.530 One, two. One, two, three, four. 01:59:45.554 --> 02:00:05.554 Telegram Channel and Instagram Page .:: @bollbolljan_com ::.