WEBVTT
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(eerie music)
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♪
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(slow breathing)
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♪
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(eerie choir singing)
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(banging rattle)
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♪
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(radio static)
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(eerie choir singing)
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♪
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NEWS ANCHOR:
Our lead story...
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(eerie choir singing)
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(radio static)
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♪
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Our lead story today
takes us again
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to that hot zone‐‐ zone of
illegal, terrorist activity,
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our southern border.
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Our border crisis
continues to worsen,
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with more illegals than ever
coming into our country‐‐
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coming into our country...
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MALE:
She keeps asking questions
about them.
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MALE: Maybe we could try
behavior modification.
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MALE: Do you think
we should keep 'em in?
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MALE: It doesn't stay in
the system for a week.
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MALE: Is that what we want?
NEWS ANCHOR: Coming into
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our country,
claiming American jobs,
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draining precious resources,
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and committing an increasing
number of violent crimes.
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NEWS ANCHOR: The migrant caravan
of over 5,000 Central Americans
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is full of children.
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Many of these children
are traveling alone.
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NEWS ANCHOR:
At the successful pilot immigration
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and cultural
rehabilitation center.
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(patriotic music)
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NEWS ANCHOR:
The ringleader of last night's
murderous terrorist assault...
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MALE: It could be because
of her hormonal circuit,
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measure to fit in.
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(mixed muttering voices)
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NEWS ANCHOR:
Congress members
are grappling today
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with the most urgent
of questions:
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when will action
finally be taken
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to end American suffering?
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(beeping)
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(choir singing)
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‐ Super nice.
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(male laughs)
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(soft music)
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MALE:
Hey.
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♪
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♪
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(music darkens)
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♪
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(female screams)
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♪
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(older female sighs)
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(mellow music)
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♪
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(wind blowing)
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♪
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(ominous flourish)
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♪
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(sighs)
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♪
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(phone rings)
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♪
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(phone rings)
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‐ Bueno.
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(phone clicks)
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(festive music)
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♪
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(Spanish singing on radio)
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♪
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♪
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♪
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♪
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(slams drink)
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Psst.
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♪
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♪
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♪
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♪
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(rumbling)
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(intense music)
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♪
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(knife clatters)
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♪
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(grunts)
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♪
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(sighs)
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♪
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(layered whispering voices)
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FEMALE: [whispering] America.
MALE: [whispering] America.
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MALE: [whispering] America.
FEMALE: [whispering] America.
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(screaming)
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(grunting)
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(panting)
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‐ Okay.
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(panting)
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(rhythmic breathing)
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(rhythmic breathing)
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Calma, cuidado.
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(church bells ringing)
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(church bells ringing)
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‐ ¡Ay, mija!
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FEMALE: Marisol‐‐
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‐ Lupita...
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(soft music)
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♪
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(doorbell buzzes)
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(knock at door)
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♪
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(somber music)
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♪
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LUPITA:
Bueno.
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♪
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♪
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♪
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♪
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MARISOL:
Paola...
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♪
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♪
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♪
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♪
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MARISOL:
Gracias.
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♪
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♪
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(Lupita praying in Spanish)
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‐ Amen.
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(speaking Spanish)
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♪
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(praying in Spanish)
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(girls join)
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(prayer continues)
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♪
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(Spanish singing on radio)
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♪
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♪
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♪
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♪
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(El Zorro chuckles)
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♪
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(snaps fingers)
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(laughs)
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‐ Hey.
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(nervous laugh)
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(mellow music)
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♪
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(indistinct remarks)
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‐ (speaking Spanish)
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(indistinct chatter)
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♪
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(chimes tinkling)
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♪
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(low rumbling)
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♪
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♪
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♪
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(eerie music)
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(mellow music)
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(knock at door)
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♪
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♪
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♪
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EL ZORRO:
Ooh...
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(El Zorro laughs)
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Ooh!
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(appreciative laugh)
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Gracias.
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♪
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(El Zorro chuckles)
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♪
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(man chuckles)
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(pounds on the table)
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(singing)
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(pounds on the table)
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(riotous laughter)
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(taps table)
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(Chayan chuckles)
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(somber music)
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♪
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♪
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♪
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♪
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(Coyote singing)
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(taps beer on table)
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(tense music)
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♪
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(Coyote starts engine)
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♪
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♪
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♪
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♪
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(boy sighs)
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♪
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♪
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MARISOL: Ricky.
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(crickets chirring)
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(door creaks)
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(foreboding music)
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♪
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♪
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(Marisol grunting)
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♪
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(Chayan grunts)
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♪
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(Marisol pants)
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(both grunting)
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♪
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(panting)
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♪
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(Chayan grunts in pain)
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(grunting)
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(tense music)
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(Chayan chokes)
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♪
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♪
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(door slams)
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♪
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(clock ticking)
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Amen.
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(Chayan scoffs)
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(phone buzzes)
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♪
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(Chayan grunts)
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♪
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(Chayan speaking Spanish)
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Let's go, come on!
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♪
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(grunts)
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♪
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(blows a kiss)
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(laughs)
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(taps on truck)
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(speaking Spanish)
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♪
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(whistling)
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♪
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(turns off engine)
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♪
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(door rattles)
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(dog howling)
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(speaking Spanish)
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(Coyote howls)
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(Coyote laughs)
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(makes hissing sound)
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♪
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♪
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(Marisol panting)
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♪
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♪
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(Marisol sighs)
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♪
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♪
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♪
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(makes skeptical sound)
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‐ Ah!
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(laughing)
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(distant dogs yipping)
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(eerie sound)
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(eerie music)
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OSCAR: [whispering]
Hey, Marisol.
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‐ Hm?
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‐ Marisol.
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♪
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♪
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♪
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♪
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♪
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(stammers)
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♪
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(repeats)
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(muffled whimpers)
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(Oscar repeats himself)
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(Oscar repeats himself louder)
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(screaming)
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(gasping)
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‐ Shh.
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‐ Shh.
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(hum of engine)
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(tense music)
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Shh.
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♪
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Shh, shh!
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(hum of engine)
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(vehicle radio playing)
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(engine revving)
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(engine rumbling)
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(vehicle radio playing)
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♪
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CARTEL MEMBER:
Woo!
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(riotous shouting)
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(grunting)
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(sounds of impact)
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(shouting)
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(gunshot)
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(loud gasp)
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(gunshot)
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‐ Woo!
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♪
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(thud)
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CARTEL MEMBER:
Woo!
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(gunshot)
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(starting engine)
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(riotous shouting)
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(engine revving)
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(dramatic music)
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♪
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Ricky!
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(cartel member laughing)
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♪
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(horn honking)
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(Marisol sobbing)
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(cartel member laughing)
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♪
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BORDER PATROL:
This is the United States
Border Patrol.
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Stop where you are.
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Do not move.
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♪
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(dogs barking)
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(echoing pant)
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♪
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(hum of helicopter)
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(breathing and heartbeat)
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‐ Breathe, sweetie.
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You're safe now.
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(heartbeat)
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(breathing deeply)
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Keep breathing just like that.
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(voice echoes)
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You're doing great.
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(voice echoes)
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(breathing sounds)
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(Marisol moaning)
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There you go.
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Oh, I can see it.
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Keep going.
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Just one more push!
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(Marisol screaming)
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Oh!
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(light laugh)
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It's a beautiful baby girl!
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(Marisol breathes deeply)
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MARISOL:
My sweet girl.
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(birds chirping)
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(soft music)
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♪
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(female humming
"My Country, 'Tis of Thee")
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♪
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Where am I?
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(gasps)
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Where is she?
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FEMALE:
Oh, good morning!
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The little angel is sleeping.
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Come, come eat.
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I made you some soup.
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♪
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‐ Mm.
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♪
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Mm.
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♪
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(laughing)
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‐ It's not a race, honey.
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Not anymore.
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You're in America now,
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the land of plenty.
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♪
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‐ I'm sorry, it's just that
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I feel like I'm
still eating for two.
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Oh, this is delicious.
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You made this?
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FEMALE:
Someone once said
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you can judge a woman
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by the taste of
her homemade soup.
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(laughs)
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‐ Oh...
FEMALE: Oh, oh, oh.
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Take it slow.
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No need to rush.
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When you're done,
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if you're feeling up to it,
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I'll take you out for a walk.
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It's a beautiful day out today.
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A perfect day
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to see your new home.
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♪
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(Marisol laughs)
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♪
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NEIGHBOR:
Hello friend.
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‐ Hi.
NEIGHBOR: Good morning.
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♪
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NEIGHBOR: Good morning.
‐ Good morning.
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♪
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(chimes tinkling)
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♪
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MARISOL:
Wow, so many paisanos.
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FEMALE:
Oh yes, lots of Latinos here.
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And people from
all over the world.
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Everyone's getting ready
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for our big celebration
this weekend.
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‐ Looks great, everybody.
FEMALE: Oh, Thomas?
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Thomas!
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Hello.
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Marisol, this is Thomas,
our town's mayor.
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Marisol is new here.
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THOMAS:
Oh, welcome, Marisol.
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We're so happy to have you.
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MARISOL:
Thank you.
39:45.877 --> 39:47.463
You have such a beautiful town.
39:47.463 --> 39:48.465
THOMAS:
Oh, thank you,
39:48.465 --> 39:49.509
but it's not just mine.
39:49.509 --> 39:51.639
Cape Joy is everyone's.
39:51.639 --> 39:52.641
It's yours too now, okay?
39:52.641 --> 39:53.852
‐ Oh.
THOMAS: And you let us know
39:53.852 --> 39:54.895
if there's anything
that any of us can do
39:54.895 --> 39:56.273
to make you feel at home.
39:56.273 --> 39:57.525
♪
39:57.525 --> 39:58.737
Congratulations, by the way.
39:58.737 --> 40:00.114
‐ Oh, thank you.
40:00.114 --> 40:02.911
THOMAS: Marisol, have you
ever seen fireworks?
40:02.911 --> 40:04.665
‐ Yeah, I mean, not often.
40:04.665 --> 40:06.418
‐ Okay, well,
at our Fourth of July party,
40:06.418 --> 40:08.548
they will absolutely
fill the sky.
40:08.548 --> 40:09.759
It's beautiful.
40:09.759 --> 40:11.261
It'll be a wonderful
experience for you.
40:11.261 --> 40:13.057
‐ When will that be?
MALE: Hey Thomas!
40:13.057 --> 40:14.560
Come take a look at this.
40:14.560 --> 40:16.438
‐ I'm so sorry, duty calls.
40:16.438 --> 40:17.816
We take the big day
very seriously here.
40:17.816 --> 40:19.069
It was nice to meet you,
Marisol.
40:19.069 --> 40:20.154
‐ Nice to meet you.
THOMAS: Hope to see you soon.
40:20.154 --> 40:21.824
Betty.
And if you feel like it,
40:21.824 --> 40:23.369
come by and help
with the preparations.
40:23.369 --> 40:24.412
There's nothing like chipping in
40:24.412 --> 40:25.791
to help feel at home
in the community.
40:25.791 --> 40:26.751
♪
40:26.751 --> 40:28.295
Looks great, guys.
40:28.295 --> 40:29.422
MARISOL:
He seems nice.
40:29.422 --> 40:32.428
BETTY:
Oh, he has been such a blessing
40:32.428 --> 40:33.681
for our little town.
40:33.681 --> 40:34.683
♪
40:34.683 --> 40:36.436
‐ This place is so...
40:36.436 --> 40:37.689
‐ Special?
40:37.689 --> 40:38.691
‐ Yeah!
40:38.691 --> 40:39.693
♪
40:39.693 --> 40:41.071
‐ We're very lucky.
40:41.071 --> 40:43.200
♪
40:43.200 --> 40:44.829
‐ I think I could call it home.
40:44.829 --> 40:46.541
♪
40:46.541 --> 40:47.960
‐ Well now,
40:47.960 --> 40:49.672
that's the spirit, darling.
40:49.672 --> 40:53.721
♪
40:53.721 --> 40:56.831
(music darkens)
40:56.831 --> 40:58.230
‐ Oscar?
40:58.230 --> 40:59.608
♪
40:59.608 --> 41:00.986
BETTY:
Marisol, are you all right?
41:00.986 --> 41:02.948
♪
41:02.948 --> 41:04.535
‐ Oscar!
41:04.535 --> 41:05.912
(Betty gasps)
41:05.912 --> 41:07.541
BETTY:
Marisol, wait!
41:07.541 --> 41:08.710
MARISOL:
I...
41:08.710 --> 41:10.797
I'm sorry, excuse me.
41:10.797 --> 41:12.175
FEMALE: Hi!
41:12.175 --> 41:13.845
MALE: Hi there!
41:13.845 --> 41:15.473
(indistinct chatter)
41:15.473 --> 41:17.603
THOMAS: All right, guys,
let's take these babies for a spin.
41:17.603 --> 41:21.485
GROUP ON LOUDSPEAKER:
♪ Oh, say can you see
41:21.485 --> 41:25.242
by the dawn's early light ♪
41:25.242 --> 41:29.334
♪ What so proudly we hailed
41:29.334 --> 41:33.383
at the twilight's
last gleaming?
41:33.383 --> 41:37.643
♪ Whose broad stripes
and bright stars
41:37.643 --> 41:41.734
through the perilous fight ♪
41:41.734 --> 41:42.903
♪ O'er the ram‐‐ ♪♪
41:42.903 --> 41:43.780
(screams)
41:43.780 --> 41:45.700
(sustained beep)
41:45.700 --> 41:47.621
(wind blowing)
41:51.002 --> 41:52.255
(gasps)
41:52.255 --> 41:54.760
(soft music)
41:54.760 --> 42:00.772
♪
42:12.546 --> 42:15.009
(music darkens)
42:15.009 --> 42:21.021
♪
42:29.370 --> 42:30.414
‐ Where is she?
42:30.414 --> 42:32.043
BETTY:
Oh!
42:32.043 --> 42:33.546
Feeling any better today?
42:33.546 --> 42:34.548
♪
42:34.548 --> 42:35.800
‐ Yes, thank you.
42:35.800 --> 42:40.434
♪
42:40.434 --> 42:42.063
Um, excuse me, ma'am,
42:42.063 --> 42:43.190
how did I get here?
42:43.190 --> 42:45.277
Why is it that I just
can't remember anything?
42:45.277 --> 42:47.323
‐ Please call me Betty.
42:47.323 --> 42:48.283
‐ Betty.
42:48.283 --> 42:50.037
‐ I'm so sorry.
42:50.037 --> 42:52.083
This must be very hard for you.
42:52.083 --> 42:54.588
You crossed the border
with your Coyote two days ago.
42:54.588 --> 42:56.216
Feeling any better today?
42:56.216 --> 42:58.596
♪
42:58.596 --> 43:01.351
‐ Uh, yes, thank you.
43:01.351 --> 43:02.436
Where are my things?
43:02.436 --> 43:04.232
I brought stuff with me, and‐‐
43:04.232 --> 43:06.069
BETTY: Oh, we can
get you all new stuff.
43:06.069 --> 43:08.448
Don't worry about
what you've lost;
43:08.448 --> 43:10.704
think instead of...
43:10.704 --> 43:12.582
all that you've gained.
43:12.582 --> 43:19.722
♪
43:19.722 --> 43:21.099
‐ Let me have her.
BETTY: Oh! No, no, no.
43:21.099 --> 43:21.934
She just ate.
43:21.934 --> 43:23.855
You just rest.
43:23.855 --> 43:24.732
‐ I'm fine.
43:24.732 --> 43:25.734
(chuckling)
43:25.734 --> 43:27.486
‐ Great, fantastic.
43:27.486 --> 43:28.823
♪
43:28.823 --> 43:31.453
I wish I could go out
and help with the decorations.
43:31.453 --> 43:32.581
I'm just too old now.
43:32.581 --> 43:35.502
I can hardly hold
a hammer steady.
43:35.502 --> 43:37.006
I know.
43:37.006 --> 43:39.260
Why don't you go out and help?
43:39.260 --> 43:40.638
Everyone is there.
43:40.638 --> 43:41.724
‐ I don't know anybody.
43:41.724 --> 43:43.018
BETTY:
Oh, nonsense, you know Thomas,
43:43.018 --> 43:44.395
and you can make
all new friends.
43:44.395 --> 43:47.652
Besides, Thomas can help you
get a job right away too.
43:47.652 --> 43:49.113
You don't want everybody else
43:49.113 --> 43:51.952
snatching up all
your opportunities, do you?
43:51.952 --> 43:54.332
Gotta provide for
the little one, right?
43:54.332 --> 44:00.344
♪
44:03.266 --> 44:06.147
(orchestral music)
44:06.147 --> 44:08.109
NEIGHBOR: Hello there!
NEIGHBOR: It's gonna be great!
44:08.109 --> 44:14.121
♪
44:21.637 --> 44:22.931
MARISOL:
Hey, Ricky!
44:22.931 --> 44:24.768
Hi.
44:24.768 --> 44:25.687
TEACHER:
Come, come, children.
44:25.687 --> 44:26.772
(eerie music)
44:31.699 --> 44:32.784
MALE:
Hello.
44:36.165 --> 44:38.671
(indistinct conversation)
44:38.671 --> 44:40.007
FEMALE:
Hi.
44:40.007 --> 44:41.050
MARISOL:
Hi.
44:41.050 --> 44:42.303
THOMAS:
Marisol!
44:42.303 --> 44:44.892
Hey, good to see you again.
44:44.892 --> 44:46.394
MARISOL: Hi.
THOMAS: Hi.
44:46.394 --> 44:47.689
So, what do you think
44:47.689 --> 44:49.317
of our beautiful little
American town so far?
44:49.317 --> 44:51.154
MARISOL:
Um, it's, um...
44:53.199 --> 44:55.037
It's confusing.
44:55.037 --> 44:56.331
THOMAS:
Here, come have a seat.
45:02.594 --> 45:04.932
You weren't prepared for
such a big change, right?
45:08.063 --> 45:09.733
You'd be surprised
how many people
45:09.733 --> 45:10.693
experience that sort of thing
45:10.693 --> 45:11.862
when they move to a new country.
45:11.862 --> 45:13.574
It's perfectly normal.
45:13.574 --> 45:14.826
We call it culture shock.
45:14.826 --> 45:16.789
‐ Culture shock.
THOMAS: And everybody here
45:16.789 --> 45:18.709
has felt the way
that you have.
45:18.709 --> 45:20.087
Even me.
45:20.087 --> 45:21.297
‐ Really?
‐ Oh yeah.
45:21.297 --> 45:24.470
Yeah, I traveled to India
in grad school.
45:24.470 --> 45:29.313
I haven't sweat that much
since, well, ever.
45:29.313 --> 45:30.566
And the food.
45:30.566 --> 45:31.694
It was delicious,
45:31.694 --> 45:33.739
but I don't think
there was a single day
45:33.739 --> 45:36.244
where my body wasn't in crisis.
45:36.244 --> 45:37.371
(Marisol laughs)
45:40.210 --> 45:42.089
What were you hoping for
when you came here?
45:42.089 --> 45:43.884
When you crossed?
45:43.884 --> 45:45.137
‐ Um...
45:48.018 --> 45:49.145
It's...
45:50.105 --> 45:51.608
‐ I understand.
45:51.608 --> 45:54.030
You know, people dream
of a place like this
45:54.030 --> 45:56.242
because change is good.
45:56.242 --> 45:58.246
We dream of
having the freedom
45:58.246 --> 46:00.250
of waking up on
any given morning
46:00.250 --> 46:01.587
and starting over.
46:01.587 --> 46:03.256
The freedom to
choose to be happy
46:03.256 --> 46:06.471
instead of feeling like the
world makes that impossible.
46:06.471 --> 46:08.768
It's not my place
to tell you how to feel,
46:08.768 --> 46:13.026
but our little town
works for people.
46:14.613 --> 46:16.784
And you have a new
life to look out for,
46:16.784 --> 46:18.244
not just your own.
46:18.244 --> 46:22.419
If you can, try to
choose to be happy.
46:24.298 --> 46:25.676
What have you got to lose?
46:25.676 --> 46:28.306
(soft, tense music)
46:28.306 --> 46:28.933
♪
46:28.933 --> 46:30.310
‐ Right.
46:30.310 --> 46:31.437
♪
46:31.437 --> 46:32.774
Okay.
46:32.774 --> 46:33.692
‐ Yeah?
‐ Yeah.
46:33.692 --> 46:35.403
‐ Okay, great.
46:35.403 --> 46:37.784
And why don't you help me
organize for the big event?
46:37.784 --> 46:38.661
‐ Me?
‐ Yeah, yeah,
46:38.661 --> 46:40.038
you could do decorations.
46:40.038 --> 46:41.290
Get to know some of us,
46:41.290 --> 46:43.378
I think you'd be a natural.
46:43.378 --> 46:44.421
‐ I think I can
do that, yeah.
46:44.421 --> 46:45.550
‐ Okay, perfect.
46:45.550 --> 46:46.927
And then I'll see
you tomorrow, okay?
46:46.927 --> 46:49.641
‐ Okay.
‐ Oh, Marisol?
46:49.641 --> 46:51.144
Come by the
mess hall tonight.
46:51.144 --> 46:52.814
We're doing pizza.
‐ Looking forward to it.
46:52.814 --> 46:54.568
THOMAS:
Okay, I'll see you there.
46:54.568 --> 47:00.580
♪
47:17.614 --> 47:18.699
MARISOL:
Hi.
47:18.699 --> 47:22.916
♪
47:22.916 --> 47:24.711
Oh, sorry.
47:24.711 --> 47:27.424
♪
47:27.424 --> 47:28.719
‐ Marisol, hey!
47:28.719 --> 47:29.846
I'm glad you made it.
47:29.846 --> 47:31.224
Grab a seat, I want to
talk to you in a second.
47:31.224 --> 47:33.102
Excuse me.
MARISOL: Okay.
47:33.102 --> 47:37.862
♪
47:37.862 --> 47:39.741
‐ Oh, hey!
47:39.741 --> 47:44.083
♪
47:44.083 --> 47:45.460
‐ Cabrón.
47:45.460 --> 47:49.134
♪
47:49.134 --> 47:50.763
‐ Oh, hey.
47:50.763 --> 47:56.524
♪
47:57.986 --> 48:00.156
‐ Oh, sorry.
48:00.156 --> 48:05.751
♪
48:05.751 --> 48:07.004
Hi.
48:07.004 --> 48:13.016
♪
48:18.526 --> 48:19.779
Mm.
48:19.779 --> 48:25.791
♪
48:26.752 --> 48:29.381
(intensifying chewing sounds)
48:29.381 --> 48:34.433
♪
48:34.433 --> 48:36.938
(chaotic music)
48:36.938 --> 48:42.909
♪
48:45.038 --> 48:47.752
(fetal heartbeat)
48:47.752 --> 48:50.256
(panting)
48:50.256 --> 48:52.804
(eerie music)
48:52.804 --> 48:55.935
♪
48:55.935 --> 48:58.439
(screaming)
48:58.439 --> 49:03.951
♪
49:08.585 --> 49:09.461
(screaming)
49:09.461 --> 49:10.714
(gasps)
49:21.235 --> 49:23.824
(baby crying)
49:45.241 --> 49:47.830
(soft music)
49:47.830 --> 49:53.842
♪
50:05.991 --> 50:08.997
BETTY:
Hurry up, you're gonna be late.
50:08.997 --> 50:11.836
♪
50:11.836 --> 50:13.840
‐ What‐‐ what's happened?
‐ She was crying and crying
50:13.840 --> 50:16.345
and you wouldn't wake up.
50:16.345 --> 50:18.767
‐ I'm sorry.
50:18.767 --> 50:21.522
Give her to me‐‐
‐ No, I've got this.
50:21.522 --> 50:25.029
You don't want to be
late for your first day.
50:25.029 --> 50:25.864
Hurry up.
50:25.864 --> 50:31.876
♪
50:55.674 --> 50:57.052
MARISOL:
Ricky.
50:57.052 --> 50:58.805
♪
50:58.805 --> 51:01.435
Hey, Ricky.
51:01.435 --> 51:02.647
How are you?
51:02.647 --> 51:05.068
‐ Hello, Miss, it's a
pleasure to meet you.
51:07.531 --> 51:10.704
‐ It's Marisol
from Mexico.
51:10.704 --> 51:13.710
‐ My name's Ricky, it's
a pleasure to meet you.
51:13.710 --> 51:15.088
‐ We crossed the
border together.
51:15.088 --> 51:16.423
Remember that?
51:18.052 --> 51:19.722
‐ It's a pleasure to‐‐
51:19.722 --> 51:21.726
‐ Okay, uh...
51:25.358 --> 51:31.328
♪ Mexicanos,
al grito de guerra ♪
51:31.328 --> 51:37.340
♪ El acero aprestad
y el bridón ♪
51:37.340 --> 51:43.310
♪ Y retiemble en
sus centros la tierra ♪
51:43.310 --> 51:48.739
♪ Al sonoro
rugir del cañón ♪♪
51:48.739 --> 51:51.326
(eerie sounds)
51:53.497 --> 51:56.003
(panting)
51:59.134 --> 52:02.515
‐ Okay, children,
class is beginning.
52:02.515 --> 52:03.769
In we go.
52:05.773 --> 52:08.277
(eerie music)
52:08.277 --> 52:10.156
♪
52:12.745 --> 52:13.997
♪
52:20.510 --> 52:21.763
♪
52:25.604 --> 52:30.154
♪
52:31.533 --> 52:34.162
MARISOL:
Hey, Santo.
52:34.162 --> 52:36.668
‐ Well, hello
there, friend.
52:36.668 --> 52:38.170
‐ Are you okay?
52:38.170 --> 52:39.549
I saw you last
night at dinner.
52:39.549 --> 52:41.301
‐ Dinner was delicious.
52:41.301 --> 52:43.682
Best pizza in town,
wouldn't you say?
52:43.682 --> 52:46.186
And the barbecue tomorrow
is gonna be oh‐so‐delicious.
52:46.186 --> 52:47.313
‐ No, no,
listen to me, Santo.
52:47.313 --> 52:49.694
THOMAS:
Marisol, you made it.
52:49.694 --> 52:51.948
‐ Yeah, hi, I‐‐ I was
just talking to San‐‐
52:51.948 --> 52:54.160
‐ Santo Cristobal
at your service.
52:54.160 --> 52:56.415
‐ The banner looks
fabulous, amigo.
52:56.415 --> 52:57.793
Marisol, walk with me.
52:57.793 --> 52:59.129
Gotta work on
some bulletins.
52:59.129 --> 53:00.799
Very important
bulletins, come on.
53:00.799 --> 53:03.012
Go over here, help
everybody out, okay?
53:03.012 --> 53:05.182
Hey, guys,
we have a new helper.
53:05.182 --> 53:06.686
Okay, so we just need
to spread these balloons
53:06.686 --> 53:09.065
all over, uh,
well, the gazebo.
53:09.065 --> 53:11.654
(tense music)
53:11.654 --> 53:17.833
♪
53:17.833 --> 53:20.839
‐ Well, hello there, friend.
‐ Santo Cristobal, remember me?
53:23.218 --> 53:26.684
We crossed the border
together with Ricky.
53:26.684 --> 53:30.232
Do you remember
El Zorro? Chayan?
53:30.232 --> 53:31.611
Do you...
53:31.611 --> 53:34.115
(eerie music)
53:34.115 --> 53:36.704
♪
53:36.704 --> 53:39.292
(praying in Spanish)
53:52.485 --> 53:53.947
Amen.
53:53.947 --> 53:57.871
♪
53:57.871 --> 54:00.501
(labored breathing)
54:00.501 --> 54:03.132
♪
54:04.760 --> 54:07.223
(speaking in Spanish)
54:07.223 --> 54:09.269
‐ Okay.
54:09.269 --> 54:11.273
‐ He sold us out.
54:11.273 --> 54:12.275
‐ He did?
54:12.275 --> 54:13.778
♪
54:13.778 --> 54:16.283
SANTO: I remember being
connected to something.
54:16.283 --> 54:18.245
It was hooked
to my head.
54:18.245 --> 54:19.874
Why the fuck am I
talking English?
54:19.874 --> 54:21.878
MARISOL: Please, Santo,
Santo, calm down.
54:21.878 --> 54:24.132
‐ Don't fucking
touch me, bitch.
54:24.132 --> 54:25.844
‐ Okay, okay.
54:25.844 --> 54:28.140
Santo,
look at me.
54:28.140 --> 54:29.894
SANTO:
My tattoos!
54:29.894 --> 54:32.398
Where are my tattoos?
54:32.398 --> 54:34.110
(swearing in Spanish)
54:34.110 --> 54:35.529
(shrieks)
54:35.529 --> 54:38.118
(Santo grunting, groaning)
54:38.118 --> 54:39.872
♪
54:39.872 --> 54:40.665
Fuck.
54:40.665 --> 54:43.295
(Santo grunting, groaning)
54:43.295 --> 54:49.307
♪
54:51.687 --> 54:53.524
‐ Stop it!
54:59.537 --> 55:00.287
(gasps)
55:00.287 --> 55:02.375
(panting)
55:04.504 --> 55:06.884
Oh, no, no, no.
55:06.884 --> 55:09.430
(sniffling)
55:10.642 --> 55:12.436
‐ Okay.
BETTY: Rise and shine.
55:12.436 --> 55:16.319
The park looks
absolutely gorgeous today.
55:23.835 --> 55:26.924
TEACHER: Marisol,
nice to see you again.
55:31.601 --> 55:34.105
‐ Oye, Santo.
‐ Marisol.
55:34.105 --> 55:47.173
(praying in Spanish)
55:47.173 --> 55:48.300
Amen.
55:52.475 --> 55:54.479
‐ Marisol.
‐ Yes.
55:54.479 --> 55:57.235
Hey, hey, hey, don't
freak out on me, man.
55:57.235 --> 55:59.489
♪
55:59.489 --> 56:00.617
‐ How did we get here?
56:00.617 --> 56:02.621
♪
56:02.621 --> 56:04.332
‐ I don't know.
56:04.332 --> 56:05.752
We were in
a desert, right?
56:05.752 --> 56:08.716
And then I
woke up here
56:08.716 --> 56:10.135
in this
fucking place.
56:10.135 --> 56:12.891
♪
56:12.891 --> 56:15.855
SANTO:
Yeah, this fucking place.
56:15.855 --> 56:18.653
♪
56:18.653 --> 56:19.905
‐ What about you?
What do you remember?
56:19.905 --> 56:21.993
‐ I‐‐ I remember
running...
56:21.993 --> 56:24.247
♪
56:24.247 --> 56:25.249
...and a truck.
56:25.249 --> 56:26.251
‐ Mm‐hm.
SANTO: Fucking narcos
56:26.251 --> 56:28.005
were chasing us.
56:28.005 --> 56:29.883
But then nothing.
56:29.883 --> 56:31.511
♪
56:31.511 --> 56:33.850
Doesn't make any sense.
56:33.850 --> 56:36.271
‐ That's 'cause nothing
in this place makes sense.
56:36.271 --> 56:37.523
♪
56:37.523 --> 56:41.741
Look at it, nobody ever
leaves, there's no cars.
56:41.741 --> 56:44.037
And then there's
no sense of time.
56:44.037 --> 56:45.039
♪
56:45.039 --> 56:47.293
‐ I feel like
I'm being watched.
56:47.293 --> 56:53.305
♪
57:12.761 --> 57:14.681
‐ Don't trust
anybody, Santo.
57:14.681 --> 57:16.309
♪
57:16.309 --> 57:18.063
We gotta get
out of here.
57:18.063 --> 57:23.783
♪
57:34.596 --> 57:36.976
(mellow music)
57:36.976 --> 57:42.988
♪
57:52.549 --> 57:54.678
THOMAS: This looks
stunning, everybody.
57:54.678 --> 57:56.849
This could be
our best one yet.
57:56.849 --> 57:59.228
No, you know what, this is
definitely our best one yet.
57:59.228 --> 58:00.940
And you,
terrific work.
58:00.940 --> 58:03.320
I mean, really,
above and beyond.
58:03.320 --> 58:04.865
‐ Why thank you, Thomas.
58:04.865 --> 58:06.201
I'm really happy
you like it.
58:06.201 --> 58:08.581
I really like
to help, you know.
58:08.581 --> 58:11.252
(intensifying shouting
in Spanish)
58:18.016 --> 58:19.143
THOMAS:
Keep up the good work.
58:19.143 --> 58:20.103
‐ Thank you.
58:20.103 --> 58:26.115
♪
58:34.131 --> 58:35.760
Beautiful day, right?
58:35.760 --> 58:37.346
♪
58:37.346 --> 58:38.641
(Oscar laughs)
58:38.641 --> 58:44.653
♪
58:51.374 --> 58:53.879
(intense music)
58:53.879 --> 58:59.891
♪
59:22.812 --> 59:25.150
‐ Shit, he's getting away.
59:25.150 --> 59:31.162
♪
01:00:01.180 --> 01:00:07.192
♪
01:00:35.958 --> 01:00:37.002
(Marisol gasps)
01:00:37.002 --> 01:00:39.507
(eerie music)
01:00:39.507 --> 01:00:45.519
♪
01:00:54.036 --> 01:00:56.542
(panting)
01:00:56.542 --> 01:00:58.419
♪
01:00:58.419 --> 01:01:01.008
(whimpering)
01:01:01.008 --> 01:01:07.020
♪
01:01:12.782 --> 01:01:15.287
(whimpering)
01:01:15.287 --> 01:01:21.299
♪
01:01:37.832 --> 01:01:40.337
(clanging)
01:01:40.337 --> 01:01:42.215
♪
01:01:42.215 --> 01:01:44.721
(hyperventilating)
01:01:44.721 --> 01:01:50.733
♪
01:01:55.952 --> 01:01:58.456
(Marisol whimpering)
01:01:58.456 --> 01:02:02.339
♪
01:02:02.339 --> 01:02:04.343
THOMAS:
Marisol, did you follow?
01:02:04.343 --> 01:02:05.345
♪
01:02:05.345 --> 01:02:07.224
‐ Shh!
GEORGE: Thomas?
01:02:07.224 --> 01:02:08.476
THOMAS:
Yes, sir?
01:02:08.476 --> 01:02:10.731
♪
01:02:10.731 --> 01:02:12.568
GEORGE:
How's everyone faring?
01:02:12.568 --> 01:02:14.113
How's the little guy?
01:02:14.113 --> 01:02:15.616
Any better?
01:02:15.616 --> 01:02:18.580
♪
01:02:18.580 --> 01:02:20.083
THOMAS:
Worse.
01:02:20.083 --> 01:02:21.127
He hasn't
made it a day,
01:02:21.127 --> 01:02:22.379
I don't think it's
realistic to think
01:02:22.379 --> 01:02:24.008
that he'll make it
through a full week.
01:02:24.008 --> 01:02:24.884
GEORGE:
Oh.
01:02:24.884 --> 01:02:29.268
♪
01:02:29.268 --> 01:02:32.024
Kids, they always
insist on dying.
01:02:32.024 --> 01:02:33.610
♪
01:02:33.610 --> 01:02:35.781
‐ Their immune systems
can't handle the tranquilizers
01:02:35.781 --> 01:02:37.367
the ways
an adult can.
01:02:37.367 --> 01:02:39.622
♪
01:02:39.622 --> 01:02:41.877
If we could take 'em out
and get a control test
01:02:41.877 --> 01:02:43.087
to safe dosage‐‐
01:02:43.087 --> 01:02:44.758
GEORGE:
We don't have time
for a control test, Tom.
01:02:44.758 --> 01:02:46.260
It's not gonna work
in the big picture
01:02:46.260 --> 01:02:49.516
of every single guest
needs a bespoke experience.
01:02:49.516 --> 01:02:50.770
We need to know
they'll be safe
01:02:50.770 --> 01:02:52.522
at least for
the entire duration
01:02:52.522 --> 01:02:56.363
of the week sequence on
a standard entry dose without fail.
01:02:56.363 --> 01:02:57.867
Now, that's
how the numbers add up.
01:02:57.867 --> 01:03:00.790
You understand
that, right?
01:03:00.790 --> 01:03:01.666
‐ Yes.
GEORGE: Good.
01:03:01.666 --> 01:03:02.752
Now speaking
of stability,
01:03:02.752 --> 01:03:04.798
how's our VIP
doing here?
01:03:04.798 --> 01:03:06.425
‐ Better.
01:03:06.425 --> 01:03:07.887
Still not settling
with degree
01:03:07.887 --> 01:03:09.431
of predictability
that we'd like.
01:03:09.431 --> 01:03:11.435
‐ We have the midwife
on vigilant surveillance, yes?
01:03:11.435 --> 01:03:15.068
‐ Yes, sir, I recoded the
firewall bot myself yesterday.
01:03:15.068 --> 01:03:18.074
GEORGE:
Oh, god.
01:03:18.074 --> 01:03:19.869
She...
01:03:19.869 --> 01:03:25.631
They... are the
most precious guests
01:03:25.631 --> 01:03:27.425
we've got in here.
01:03:27.425 --> 01:03:28.554
♪
01:03:28.554 --> 01:03:30.306
‐ I know, sir,
but I'm not sure
01:03:30.306 --> 01:03:32.562
how the meds are
affecting the baby.
01:03:32.562 --> 01:03:35.568
Could be a stillbirth
or birth defects.
01:03:35.568 --> 01:03:37.070
GEORGE:
How likely is that?
01:03:37.070 --> 01:03:38.949
‐ This will literally
be the first time
01:03:38.949 --> 01:03:42.205
that a birth happens under
these conditions, ever.
01:03:42.205 --> 01:03:44.711
I can't project,
but it's likely.
01:03:44.711 --> 01:03:46.715
Trauma and drugs usually
aren't a great thing
01:03:46.715 --> 01:03:48.969
for a pregnant woman.
01:03:48.969 --> 01:03:50.346
‐ All right,
when's she due?
01:03:50.346 --> 01:03:52.560
♪
01:03:52.560 --> 01:03:55.106
‐ Any day now.
01:03:55.106 --> 01:03:56.442
‐ Oh.
01:03:56.442 --> 01:03:57.945
♪
01:03:57.945 --> 01:04:00.868
It's amazing what the
human body can accomplish
01:04:00.868 --> 01:04:02.830
given no
other choice.
01:04:02.830 --> 01:04:08.842
♪
01:04:14.562 --> 01:04:15.814
(gasps)
01:04:20.950 --> 01:04:25.584
‐ Shh, you're
having a bad dream.
01:04:25.584 --> 01:04:27.880
‐ Give her to me.
‐ Oh, you poor thing.
01:04:27.880 --> 01:04:29.383
‐ No, fucking
give her to me now.
01:04:29.383 --> 01:04:31.387
Give her to me,
give her to me.
01:04:31.387 --> 01:04:33.224
(eerie sound)
01:04:33.224 --> 01:04:35.854
BETTY: Your attitude
is not healthy
01:04:35.854 --> 01:04:37.482
for the baby
to be around.
01:04:38.484 --> 01:04:40.656
(eerie sounds)
01:04:40.656 --> 01:04:44.998
♪
01:04:44.998 --> 01:04:46.125
MARISOL: Wait,
where are you going?
01:04:46.125 --> 01:04:49.006
♪
01:04:49.006 --> 01:04:50.634
(banging)
01:04:50.634 --> 01:04:52.012
Betty?
01:04:52.012 --> 01:04:53.640
♪
01:04:53.640 --> 01:04:55.018
Betty?
01:04:55.018 --> 01:04:58.900
♪
01:04:58.900 --> 01:05:01.405
("Betty" echoes)
01:05:01.405 --> 01:05:04.912
♪
01:05:04.912 --> 01:05:07.793
(eerie sounds, laughter)
01:05:07.793 --> 01:05:09.547
DISTORTED VOICE:
Marisol!
01:05:09.547 --> 01:05:12.803
♪
01:05:15.433 --> 01:05:16.811
(eerie music jab)
01:05:20.068 --> 01:05:22.698
(dramatic eerie music)
01:05:22.698 --> 01:05:27.415
♪
01:05:36.935 --> 01:05:39.690
(gasps, pants)
01:05:39.690 --> 01:05:40.901
(eerie music)
01:05:40.901 --> 01:05:42.445
(metal clangs)
01:05:42.445 --> 01:05:44.951
(panting)
01:05:44.951 --> 01:05:46.286
♪
01:05:46.286 --> 01:05:48.959
(disembodied voices
speaking Spanish)
01:06:05.241 --> 01:06:07.287
‐ Get me out of here.
01:06:08.456 --> 01:06:11.086
Get me out of here,
get me out of here.
01:06:11.086 --> 01:06:13.800
Get me out of here!
01:06:14.802 --> 01:06:18.184
Get me out of here!
01:06:18.184 --> 01:06:21.816
♪
01:06:21.816 --> 01:06:23.486
GEORGE: She bounced
from the system.
01:06:23.486 --> 01:06:25.072
How is that
even possible?
01:06:25.072 --> 01:06:26.366
♪
01:06:26.366 --> 01:06:27.745
‐ She must have
found the gate.
01:06:27.745 --> 01:06:29.206
GEORGE: Come on,
can't you make this thing better
01:06:29.206 --> 01:06:30.500
so they don't
find their way out.
01:06:30.500 --> 01:06:32.003
THOMAS: I flagged her
as a flight risk,
01:06:32.003 --> 01:06:33.506
so if she goes
through the gate again
01:06:33.506 --> 01:06:34.842
she'll end up
in this escape loop.
01:06:34.842 --> 01:06:36.512
‐ And you've never
noticed this type of behavior
01:06:36.512 --> 01:06:39.017
from her before?
‐ No, sir.
01:06:39.017 --> 01:06:40.646
First time.
01:06:40.646 --> 01:06:43.652
‐ Hm, all right,
well, put her back
01:06:43.652 --> 01:06:46.281
in that loop of
yours for an hour.
01:06:46.281 --> 01:06:47.408
She'll tire
herself out.
01:06:47.408 --> 01:06:49.622
Then merge her and the
baby back in the system.
01:06:49.622 --> 01:06:50.874
‐ Okay.
01:06:50.874 --> 01:06:54.632
♪
01:06:54.632 --> 01:06:57.011
GEORGE: You know what
I did before I did this, Tom?
01:06:57.011 --> 01:07:01.646
I served on a board of a
private corrections company.
01:07:01.646 --> 01:07:04.860
Private prisons,
in layman's terms.
01:07:04.860 --> 01:07:08.618
A lot of people don't know
that private prisons work.
01:07:08.618 --> 01:07:10.622
People willing to work
at these facilities
01:07:10.622 --> 01:07:15.381
make a profit and the
taxpayers make a savings.
01:07:15.381 --> 01:07:18.137
We solved an urgent
nationwide problem
01:07:18.137 --> 01:07:22.520
in a safe, humane,
and discreet way.
01:07:22.520 --> 01:07:25.067
You know what that
taught me, Tom?
01:07:25.067 --> 01:07:27.155
It taught me you gotta
focus on the big picture,
01:07:27.155 --> 01:07:28.658
the bottom line.
01:07:28.658 --> 01:07:31.288
I know this is all
difficult to bear,
01:07:31.288 --> 01:07:34.629
it's upsetting, but
you must not let it
01:07:34.629 --> 01:07:36.799
distract you from
the big picture.
01:07:36.799 --> 01:07:38.637
‐ There has got
to be a better version
01:07:38.637 --> 01:07:40.641
of the big picture
than this.
01:07:40.641 --> 01:07:44.439
‐ Nobody gives a fuck
about these people, Tom.
01:07:44.439 --> 01:07:47.195
Look, this way they're not
crowding up the prisons,
01:07:47.195 --> 01:07:49.324
they're not being
separated from their kids,
01:07:49.324 --> 01:07:50.911
they're not being
physically mistreated.
01:07:50.911 --> 01:07:54.960
Tax money is saved to be
used long‐term for good.
01:07:54.960 --> 01:07:58.593
Now that is a small cost to
pay for all this, isn't it?
01:07:58.593 --> 01:07:59.845
♪
01:07:59.845 --> 01:08:01.473
‐ Yes.
‐ Good.
01:08:01.473 --> 01:08:02.851
'Cause if the
Pentagon finds out
01:08:02.851 --> 01:08:04.479
about security
breaches like this,
01:08:04.479 --> 01:08:06.734
they're gonna buy
somebody else's solution.
01:08:06.734 --> 01:08:08.613
♪
01:08:08.613 --> 01:08:10.449
THOMAS: Sir, we didn't
win this contract
01:08:10.449 --> 01:08:12.913
because we could build
a virtual holding cell.
01:08:12.913 --> 01:08:15.167
We won it because we
promised these people
01:08:15.167 --> 01:08:18.298
a humane,
happy transition.
01:08:18.298 --> 01:08:20.094
♪
01:08:20.094 --> 01:08:24.227
‐ I'm not paying you to give
them the American Dream, Tom.
01:08:24.227 --> 01:08:27.150
♪
01:08:27.150 --> 01:08:29.279
We're paid to keep
them out of it.
01:08:29.279 --> 01:08:34.414
♪
01:08:34.414 --> 01:08:35.499
(gasps)
01:08:36.501 --> 01:08:39.048
(grunts in pain)
01:08:44.935 --> 01:08:46.188
(baby cooing)
01:08:46.188 --> 01:08:48.777
(eerie music)
01:08:48.777 --> 01:08:53.953
♪
01:08:53.953 --> 01:08:56.166
(bones cracking)
01:08:56.166 --> 01:08:57.418
‐ What‐‐
01:08:57.418 --> 01:08:59.005
THOMAS'S DISTORTED VOICE:
It's okay, Marisol.
01:08:59.005 --> 01:09:00.382
It's me, Thomas.
01:09:00.382 --> 01:09:01.510
(whimpering)
01:09:01.510 --> 01:09:04.140
I know you must be
very confused right now.
01:09:04.140 --> 01:09:05.811
Do you remember where
you woke up earlier,
01:09:05.811 --> 01:09:08.650
before you
woke up here?
01:09:08.650 --> 01:09:09.652
‐ Yeah.
01:09:09.652 --> 01:09:11.321
Yeah, yeah, yeah,
you were there,
01:09:11.321 --> 01:09:13.033
and there was‐‐
there was this other man.
01:09:13.033 --> 01:09:16.791
THOMAS'S DISTORTED VOICE:
His name is George Atwood.
01:09:16.791 --> 01:09:18.168
He's the man who
built this place.
01:09:18.168 --> 01:09:19.337
MARISOL:
What is this place?
01:09:19.337 --> 01:09:21.341
Why are you
keeping me here?
01:09:21.341 --> 01:09:23.345
What is this place?
01:09:23.345 --> 01:09:24.598
‐ I wanted to be
a part of something
01:09:24.598 --> 01:09:25.851
that would change
the world.
01:09:25.851 --> 01:09:27.855
(grunts in pain)
01:09:27.855 --> 01:09:29.733
Offer people like
you some respite,
01:09:29.733 --> 01:09:33.365
a taste of what
you came here for
01:09:33.365 --> 01:09:34.869
but might never find.
01:09:34.869 --> 01:09:36.204
(door opens)
01:09:36.204 --> 01:09:37.456
Marisol, I'm sorry,
I don't have time
01:09:37.456 --> 01:09:39.085
to explain this
to you right now.
01:09:39.085 --> 01:09:41.966
‐ No, no, I have a
child inside of me.
01:09:41.966 --> 01:09:43.928
Please, please, please.
01:09:43.928 --> 01:09:44.972
‐ Look, listen to me,
01:09:44.972 --> 01:09:46.851
because you
found the gateway,
01:09:46.851 --> 01:09:48.353
I had to mark you as
a potential deserter.
01:09:48.353 --> 01:09:49.857
That means if you go
through the gateway again,
01:09:49.857 --> 01:09:51.359
you'll get tossed
back into the lab,
01:09:51.359 --> 01:09:53.447
it's a closed
repetitious loop.
01:09:53.447 --> 01:09:55.994
(dog barking)
01:09:55.994 --> 01:09:57.371
♪
01:09:57.371 --> 01:09:58.206
Do you hear that?
01:09:58.206 --> 01:10:00.252
(dog barking)
01:10:00.252 --> 01:10:01.756
The dogs.
01:10:01.756 --> 01:10:02.716
When the dogs
bark like that,
01:10:02.716 --> 01:10:04.510
it means the
system is down
01:10:04.510 --> 01:10:05.889
for maintenance.
01:10:05.889 --> 01:10:07.851
♪
01:10:07.851 --> 01:10:09.647
You did that.
01:10:09.647 --> 01:10:12.526
Something about you,
about your condition
01:10:12.526 --> 01:10:15.407
is fighting the
assimilation protocol.
01:10:15.407 --> 01:10:18.372
You are a strong
one, Marisol,
01:10:18.372 --> 01:10:19.625
and I need you
to stay like that
01:10:19.625 --> 01:10:23.131
for all three
of our sakes.
01:10:23.131 --> 01:10:24.843
‐ And I need you to
get me out of here.
01:10:24.843 --> 01:10:28.016
THOMAS'S DISTORTED VOICE:
Yes, not just you, everybody.
01:10:28.016 --> 01:10:32.149
But I need time
to do it right.
01:10:32.149 --> 01:10:33.736
Do you trust me, Marisol?
01:10:33.736 --> 01:10:34.989
‐ No, no, I don't trust you.
01:10:34.989 --> 01:10:36.032
Why the fuck should I?
01:10:36.032 --> 01:10:37.786
‐ Because you
don't have a choice.
01:10:37.786 --> 01:10:38.913
♪
01:10:38.913 --> 01:10:40.667
I get why you don't,
I understand that.
01:10:40.667 --> 01:10:42.294
I thought that I could
make things better,
01:10:42.294 --> 01:10:44.007
but I trusted
the wrong people.
01:10:44.007 --> 01:10:46.762
♪
01:10:46.762 --> 01:10:49.308
I need you to
blend in, Marisol.
01:10:49.308 --> 01:10:51.396
Your life might
depend on it.
01:10:51.396 --> 01:10:53.525
‐ What? What do
you mean blend in?
01:10:53.525 --> 01:10:55.320
♪
01:10:55.320 --> 01:10:56.448
What do you mean blend
in? What do you mean?
01:10:56.448 --> 01:10:58.578
Answer me!
01:10:58.578 --> 01:11:00.665
‐ Oh, did you have
another bad dream.
01:11:00.665 --> 01:11:02.418
‐ Agh!
BETTY: Poor girl.
01:11:02.418 --> 01:11:03.671
I think you should
get some rest.
01:11:03.671 --> 01:11:06.635
MARISOL:
No, no, no, no, no, no!
01:11:06.635 --> 01:11:07.554
Fuck you!
01:11:07.554 --> 01:11:08.890
(grunts in pain)
01:11:15.570 --> 01:11:18.158
(eerie music)
01:11:18.158 --> 01:11:21.832
♪
01:11:21.832 --> 01:11:24.713
(soft, tense music)
01:11:24.713 --> 01:11:28.345
♪
01:11:28.345 --> 01:11:30.600
(applause)
01:11:30.600 --> 01:11:36.612
♪
01:11:47.968 --> 01:11:49.555
‐ Okay, everybody,
01:11:49.555 --> 01:11:50.974
I just want to
thank you all
01:11:50.974 --> 01:11:52.101
for your hard work.
01:11:52.101 --> 01:11:53.729
Tonight's
gonna be fabulous.
01:11:53.729 --> 01:11:54.606
Now, who's hungry?
01:11:54.606 --> 01:11:55.440
(cheering)
01:11:55.440 --> 01:11:56.986
All right,
let's eat.
01:11:56.986 --> 01:11:58.573
♪
01:11:58.573 --> 01:11:59.992
MARISOL:
Oye, Santo.
01:11:59.992 --> 01:12:01.119
‐ Yeah?
01:12:01.119 --> 01:12:04.125
‐ I need you to listen
to me very careful.
01:12:04.125 --> 01:12:10.137
♪
01:12:17.526 --> 01:12:20.032
(lively patriotic music)
01:12:20.032 --> 01:12:26.002
♪
01:12:47.419 --> 01:12:48.296
‐ Thanks.
01:12:48.296 --> 01:12:49.675
♪
01:12:49.675 --> 01:12:52.179
(intense chewing sounds)
01:12:52.179 --> 01:12:53.139
♪
01:12:53.139 --> 01:12:55.687
(gurgling machinery)
01:13:08.503 --> 01:13:11.760
♪
01:13:15.560 --> 01:13:21.572
♪
01:13:27.333 --> 01:13:28.209
WAITRESS:
Ready for dessert?
01:13:28.209 --> 01:13:30.088
Ice cream or
apple pie, Miss?
01:13:30.088 --> 01:13:31.842
‐ No thanks.
01:13:31.842 --> 01:13:34.221
‐ Cape Joy makes the
best homemade apple pie.
01:13:34.221 --> 01:13:35.223
Would you like
ice cream with that?
01:13:35.223 --> 01:13:38.229
MARISOL:
No, I want nothing.
01:13:38.229 --> 01:13:40.108
‐ I'm sorry, ma'am,
we're out of that.
01:13:40.108 --> 01:13:41.820
‐ Would you like ‐‐
MARISOL: Out of what?
01:13:41.820 --> 01:13:44.116
WAITRESS: I'm sorry, ma'am,
we're out of that.
01:13:44.116 --> 01:13:45.452
‐ What do you mean?
01:13:45.452 --> 01:13:47.832
Oh, oh, you
don't get it.
01:13:47.832 --> 01:13:51.089
Yo no quiero postre.
01:13:51.089 --> 01:13:52.967
‐ Ma'am, if you don't
want any dessert..
01:13:52.967 --> 01:13:54.095
(dogs barking)
01:13:54.095 --> 01:13:55.222
Is there a problem
with your dessert?
01:13:55.222 --> 01:13:56.474
MARISOL: Yes, there's
a fucking problem.
01:13:56.474 --> 01:13:58.687
I don't want apple pie,
I don't want fucking ice cream.
01:13:58.687 --> 01:14:01.442
I want arroz con leche,
do you have that?
01:14:01.442 --> 01:14:02.987
What about pan dulce,
do you have that?
01:14:02.987 --> 01:14:05.743
Que tal un pinche flan,
do you have that?
01:14:05.743 --> 01:14:08.624
(dogs barking)
01:14:08.624 --> 01:14:10.628
Of course you don't.
01:14:10.628 --> 01:14:11.880
Pinche robot.
01:14:11.880 --> 01:14:14.385
(dogs barking)
01:14:16.013 --> 01:14:21.274
♪ Mexicanos,
al grito de guerra ♪
01:14:21.274 --> 01:14:26.117
♪ El acero aprestad
y el bridón ♪
01:14:26.117 --> 01:14:30.877
♪ Y retiemble en sus
centros la tierra ♪
01:14:30.877 --> 01:14:33.966
♪ Al sonoro
rugir del cañón ♪♪
01:14:33.966 --> 01:14:37.264
GEORGE: Ladies
and gentlemen, my friends,
01:14:37.264 --> 01:14:39.477
the moment you have
been waiting for
01:14:39.477 --> 01:14:40.771
has finally arrived.
01:14:40.771 --> 01:14:44.988
As your governor, I am
honored to officially declare
01:14:44.988 --> 01:14:49.664
this year's Fourth of
July celebrations have,
01:14:49.664 --> 01:14:52.503
wait for it, begun!
01:14:52.503 --> 01:14:53.797
(cheering)
01:14:53.797 --> 01:14:58.557
Join me outside for a very
special fireworks display.
01:14:58.557 --> 01:15:00.645
Thank you.
How are you?
01:15:00.645 --> 01:15:02.774
Good, good, good,
good, good, good.
01:15:02.774 --> 01:15:07.324
♪
01:15:07.324 --> 01:15:09.788
(fireworks exploding)
01:15:09.788 --> 01:15:12.376
(cheering)
01:15:18.681 --> 01:15:22.062
That was quite a stunt
you played the other night.
01:15:22.062 --> 01:15:26.195
No one ever found the
end of Main Street before.
01:15:26.195 --> 01:15:28.283
‐ It's a pleasure to
meet you, Governor.
01:15:28.283 --> 01:15:29.703
I'm Marisol.
01:15:29.703 --> 01:15:32.207
‐ George, George Atwood.
01:15:32.207 --> 01:15:34.336
It's a pleasure, Marisol.
01:15:37.467 --> 01:15:39.346
How's your baby?
01:15:41.560 --> 01:15:42.477
(George laughs)
01:15:42.477 --> 01:15:43.606
Look at this.
01:15:43.606 --> 01:15:44.608
Ah.
01:15:44.608 --> 01:15:47.237
(fireworks exploding)
01:15:52.957 --> 01:15:54.209
‐ Mm.
01:15:54.209 --> 01:15:55.713
(fireworks exploding)
01:15:55.713 --> 01:15:59.345
Oof.
GEORGE: What's the matter?
01:15:59.345 --> 01:16:02.602
(Marisol grunting)
01:16:02.602 --> 01:16:03.854
Okay, get up.
01:16:03.854 --> 01:16:04.856
(fireworks exploding)
01:16:04.856 --> 01:16:06.067
What are you doing?
01:16:06.067 --> 01:16:07.069
Marisol, get up.
01:16:07.069 --> 01:16:08.237
(Marisol screams)
01:16:08.237 --> 01:16:09.574
What the fuck is going on?
01:16:09.574 --> 01:16:14.249
(beeping)
01:16:14.249 --> 01:16:16.253
(Marisol screams)
01:16:16.253 --> 01:16:17.882
Oh, Santo, hurry up.
01:16:17.882 --> 01:16:20.387
(dogs barking)
01:16:20.387 --> 01:16:23.142
(dramatic music)
01:16:23.142 --> 01:16:25.773
(beeping intensifies)
01:16:25.773 --> 01:16:29.989
♪
01:16:29.989 --> 01:16:32.537
(alarm blares)
01:16:32.537 --> 01:16:34.874
♪
01:16:34.874 --> 01:16:36.252
‐ Shit, Marisol.
01:16:36.252 --> 01:16:38.882
(Marisol screaming)
01:16:38.882 --> 01:16:44.894
♪
01:16:46.522 --> 01:16:49.153
(Marisol screaming)
01:16:49.153 --> 01:16:51.742
GEORGE:
What the fuck is going on?
01:16:51.742 --> 01:16:54.622
Stop it, stop it, stop it!
01:16:54.622 --> 01:16:56.167
Get the fuck off!
01:16:56.167 --> 01:16:58.254
(commotion)
01:16:58.254 --> 01:17:02.680
(Marisol panting)
01:17:02.680 --> 01:17:03.807
(Marisol coughing)
01:17:03.807 --> 01:17:07.314
(gasping)
01:17:10.821 --> 01:17:11.823
‐ No, no.
01:17:16.290 --> 01:17:18.796
(eerie music)
01:17:18.796 --> 01:17:20.173
♪
01:17:25.183 --> 01:17:27.688
(soft music)
01:17:27.688 --> 01:17:32.698
♪
01:17:34.159 --> 01:17:35.411
No, no.
01:17:35.411 --> 01:17:37.959
(whimpering)
01:17:37.959 --> 01:17:40.088
♪
01:17:40.088 --> 01:17:42.467
Santo, Santo, Santo.
01:18:04.428 --> 01:18:05.848
Sí, seguro.
01:18:05.848 --> 01:18:07.685
Okay, okay.
01:18:07.685 --> 01:18:09.856
(deep breathing)
01:18:10.858 --> 01:18:13.446
(deep breathing)
01:18:13.446 --> 01:18:15.576
♪
01:18:15.576 --> 01:18:18.372
(screaming)
01:18:19.709 --> 01:18:23.007
(screaming)
01:18:25.511 --> 01:18:28.017
(screaming)
01:18:28.017 --> 01:18:33.862
♪
01:18:40.249 --> 01:18:42.128
♪
01:18:42.128 --> 01:18:43.590
(screaming)
01:18:43.590 --> 01:18:46.136
♪
01:18:49.017 --> 01:18:50.896
(screaming)
01:18:50.896 --> 01:18:56.908
♪
01:19:03.880 --> 01:19:06.427
(baby crying)
01:19:06.427 --> 01:19:08.932
♪
01:19:10.268 --> 01:19:16.280
♪
01:19:25.423 --> 01:19:28.638
‐ Oh, gracias, gracias,
gracias, gracias.
01:19:28.638 --> 01:19:31.518
♪
01:19:31.518 --> 01:19:34.066
(alarm blares)
01:19:34.066 --> 01:19:40.078
♪
01:19:47.175 --> 01:19:49.722
(dramatic music)
01:19:49.722 --> 01:19:53.062
♪
01:19:53.062 --> 01:19:54.439
(coughing)
01:19:54.439 --> 01:20:00.451
♪
01:20:08.552 --> 01:20:10.096
GEORGE: How the fuck
did this happen, Tom?
01:20:10.096 --> 01:20:12.225
She disappeared right in front
of my fuckin' eyes.
01:20:12.225 --> 01:20:13.477
‐ [stuttering] I think
she went into labor.
01:20:13.477 --> 01:20:14.981
I'm seeing a massive
spike in her adrenaline
01:20:14.981 --> 01:20:16.441
that must have caused
the system to short.
01:20:16.441 --> 01:20:17.611
GEORGE:
Oh, god dammit.
01:20:17.611 --> 01:20:18.989
10‐45, all
security units,
01:20:18.989 --> 01:20:21.578
we have a critical breach
on the physical facility.
01:20:21.578 --> 01:20:22.621
Do not let
anyone out alive.
01:20:22.621 --> 01:20:24.584
I repeat, nobody
gets out alive.
01:20:24.584 --> 01:20:26.086
SECURITY:
We should open fire, sir.
01:20:26.086 --> 01:20:27.130
‐ Yes, fucking fire.
01:20:27.130 --> 01:20:29.134
Choke 'em out, bash
their fucking skulls in.
01:20:29.134 --> 01:20:31.764
I don't care,
nobody gets out.
01:20:31.764 --> 01:20:34.770
I'll have us extracted at the
emergency exit in two minutes.
01:20:34.770 --> 01:20:36.148
Now shut this thing down.
01:20:36.148 --> 01:20:38.277
Counting on you
to do the right thing.
01:20:38.277 --> 01:20:42.995
♪
01:20:42.995 --> 01:20:44.122
(gun cocks)
01:20:44.122 --> 01:20:49.132
♪
01:20:50.384 --> 01:20:53.850
‐ I'm thinking about the
bigger picture, George.
01:20:53.850 --> 01:20:55.144
(gunshot)
01:20:56.521 --> 01:20:59.027
(soft, eerie music)
01:20:59.027 --> 01:21:05.039
♪
01:21:15.434 --> 01:21:17.940
(alarm blaring)
01:21:17.940 --> 01:21:22.533
♪
01:21:22.533 --> 01:21:24.327
(alarm ringing)
01:21:25.162 --> 01:21:27.751
(dramatic music)
01:21:27.751 --> 01:21:29.755
♪
01:21:31.425 --> 01:21:37.437
♪
01:21:41.571 --> 01:21:42.823
(gasps)
01:21:42.823 --> 01:21:48.835
♪
01:21:52.091 --> 01:21:54.597
(grunting)
01:21:54.597 --> 01:22:00.609
♪
01:22:10.712 --> 01:22:11.964
SECURITY:
You're fucking dead.
01:22:11.964 --> 01:22:17.976
♪
01:22:20.064 --> 01:22:21.483
OSCAR:
Marisol?
01:22:21.483 --> 01:22:24.322
♪
01:22:25.992 --> 01:22:29.499
♪
01:22:29.499 --> 01:22:32.088
(grunting)
01:22:32.088 --> 01:22:38.100
♪
01:22:59.017 --> 01:23:01.146
♪
01:23:05.655 --> 01:23:07.910
♪
01:23:09.788 --> 01:23:13.922
♪
01:23:16.384 --> 01:23:18.806
♪
01:23:21.436 --> 01:23:23.190
♪
01:23:24.568 --> 01:23:29.285
♪
01:24:27.611 --> 01:24:28.863
(Oscar chokes)
01:24:28.863 --> 01:24:31.744
♪
01:24:42.390 --> 01:24:43.601
♪
01:24:46.356 --> 01:24:52.368
♪
01:24:57.350 --> 01:24:58.380
‐ Marisol.
01:24:58.380 --> 01:25:03.390
♪
01:25:04.643 --> 01:25:07.273
♪
01:25:09.026 --> 01:25:10.112
Vámonos.
01:25:10.112 --> 01:25:15.414
♪
01:25:15.414 --> 01:25:17.919
(shouting in Spanish)
01:25:17.919 --> 01:25:23.931
♪
01:25:27.438 --> 01:25:28.649
ANNOUNCER:
Attention.
01:25:28.649 --> 01:25:30.068
Please return to
your designated...
01:25:33.951 --> 01:25:35.162
ANNOUNCER:
...your own seat.
01:25:35.162 --> 01:25:36.372
Attention.
01:25:36.372 --> 01:25:38.418
Please return to
your designated room.
01:25:38.418 --> 01:25:40.673
There has been
a security breach.
01:25:40.673 --> 01:25:42.803
This is for
your own safety.
01:25:42.803 --> 01:25:44.013
Attention.
01:25:44.013 --> 01:25:46.267
Please return to your
designated room.
01:25:46.267 --> 01:25:48.313
There has been
a security breach.
01:25:48.313 --> 01:25:50.317
This is for
your own safely.
01:25:52.154 --> 01:25:56.914
Uno, dos, tres!
01:25:56.914 --> 01:25:59.043
(grunting)
01:25:59.043 --> 01:26:01.590
(mellow music)
01:26:01.590 --> 01:26:07.602
♪
01:26:39.583 --> 01:26:42.379
♪
01:26:43.758 --> 01:26:49.770
♪
01:26:51.022 --> 01:26:53.611
(fireworks exploding)
01:26:53.611 --> 01:26:59.581
♪
01:27:11.897 --> 01:27:15.487
♪
01:27:15.487 --> 01:27:17.116
SANTO:
Marisol.
01:27:18.786 --> 01:27:20.790
♪
01:27:20.790 --> 01:27:22.669
‐ No.
01:27:24.923 --> 01:27:28.304
♪
01:27:32.021 --> 01:27:33.566
♪
01:27:36.279 --> 01:27:40.412
♪
01:27:43.544 --> 01:27:49.055
♪
01:27:50.515 --> 01:27:52.144
♪
01:27:52.144 --> 01:27:55.818
VOCALIST: (singing in Spanish)
01:27:55.818 --> 01:27:57.029
MARISOL:
Santo?
01:27:57.029 --> 01:28:00.452
VOCALIST: (singing in Spanish)
01:28:16.359 --> 01:28:20.868
♪
01:28:31.598 --> 01:28:35.606
(fireworks exploding)
01:28:35.606 --> 01:28:41.618
♪
01:29:01.365 --> 01:29:03.036
ANCHOR: We're continuing
our coverage today
01:29:03.036 --> 01:29:05.625
of the recent and
tragic situation
01:29:05.625 --> 01:29:07.002
at the successful pilot
01:29:07.002 --> 01:29:10.008
Immigration and Cultural
Rehabilitation Center.
01:29:10.008 --> 01:29:12.262
CHRISTINE: Greg, over to you.
GREG: Thank you, Christine.
01:29:12.262 --> 01:29:15.645
We're here about 30
miles south of our border
01:29:15.645 --> 01:29:18.274
at what the illegal
immigrant community
01:29:18.274 --> 01:29:22.533
crossing into America
calls a stash house.
01:29:22.533 --> 01:29:25.038
It's believed
that the ringleader
01:29:25.038 --> 01:29:29.171
of last night's terrorist
murderous assault stayed here.
01:29:29.171 --> 01:29:30.423
(knocks)
01:29:30.423 --> 01:29:31.425
It's open, it's open.
Come in, come in.
01:29:31.425 --> 01:29:32.929
Oh, hello, hello, sir.
01:29:32.929 --> 01:29:34.891
Hi, come in here‐‐ come in here,
get this, get this, get this.
01:29:34.891 --> 01:29:37.437
(commotion)
01:29:41.905 --> 01:29:44.410
[poor Spanish attempt]
Senores, ho‐la.
01:29:44.410 --> 01:29:47.291
Can you confirm
Marisol Ramirez
01:29:47.291 --> 01:29:49.546
recently stayed here?
01:29:49.546 --> 01:29:52.175
‐ Uh...
01:29:52.175 --> 01:29:54.889
GREG:
Did Marisol Ramirez‐‐
01:29:54.889 --> 01:30:00.066
COYOTE:
(speaking Spanish)
01:30:00.066 --> 01:30:01.193
‐ Sí, sí, sí.
01:30:01.193 --> 01:30:02.947
This is my beautiful home.
01:30:02.947 --> 01:30:05.536
(speaking Spanish)
01:30:18.979 --> 01:30:23.614
GREG: Innocent Americans just
trying to help the migrants
01:30:23.614 --> 01:30:25.743
while solving
our border crisis
01:30:25.743 --> 01:30:28.206
lost their lives.
01:30:28.206 --> 01:30:30.210
We're sending our
thoughts and prayers
01:30:30.210 --> 01:30:31.671
to their families.
01:30:31.671 --> 01:30:34.093
GREG: Back to you, Christine.
CHRISTINE: This just in.
01:30:34.093 --> 01:30:36.556
The President's
25th tweet of today
01:30:36.556 --> 01:30:40.355
once again reiterates his
firm wish for the wall.
01:30:40.355 --> 01:30:43.444
Quote, "Need funding
for the Wall NOW.
01:30:43.444 --> 01:30:48.371
'Dear illegals, remember as
you sew, so shall you reep.
01:30:48.371 --> 01:30:49.833
SO TRU!!!"
01:30:49.833 --> 01:30:53.757
Moving on, the pyrotechnics
of last night's July 4th
01:30:53.757 --> 01:30:56.638
literally blew us away,
pun intended.
01:30:56.638 --> 01:30:59.268
Across the country,
our beloved celebration
01:30:59.268 --> 01:31:01.355
was bigger and
brighter than ever.
01:31:01.355 --> 01:31:03.777
Jeremy will be here with
the best videos of the night
01:31:03.777 --> 01:31:06.240
sent in by viewers
right after the break.
01:31:06.240 --> 01:31:08.787
(lively patriotic music)
01:31:08.787 --> 01:31:10.958
♪
01:31:14.632 --> 01:31:17.387
(soft music)